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Jafar Panahi named Asian Filmmaker of the Year at Busan International Film Festival
Jafar Panahi named Asian Filmmaker of the Year at Busan International Film Festival

Hindustan Times

time31 minutes ago

  • Entertainment
  • Hindustan Times

Jafar Panahi named Asian Filmmaker of the Year at Busan International Film Festival

Renowned Iranian filmmaker Jafar Panahi, known for world cinema classics like "The White Balloon", "Offside", "The Circle" and "3 Faces", has been named the 'Asian Filmmaker of the Year' by the Busan International Film Festival. The award is presented to an Asian film figure or organization that has made the most significant contribution to the development of the Asian film industry and culture. (Also read: Cannes Film Festival: Jafar Panahi wins Palme d'Or for It Was Just an Accident, Sentimental Value gets Grand Prix) Iranian director, screenwriter and producer Jafar Panahi recently won the Palme d'Or at Cannes. (Photo by Steven Markham / AFP)(AFP) Panahi is a revered figure in the international cinema community but in Iran he has consistently faced restrictions for his art. He was imprisoned three years ago and went on a hunger strike. Despite obstacles, Panahi has continued to make films be it 'This Is Not a Film', which he made in his living room while under house arrest or 'Taxi', which was set in a car. Official statement "As a towering figure in Iranian cinema, the director has explored the existence and freedom of individuals living amid censorship and political repression. Capturing the political and social contradictions of Iranian society from a countercultural perspective, he has continued to create films in secret, courageously submitting them to international film festivals despite repeated arrests, custody, detention, travel bans, and a stated-imposed filmmaking ban," BIFF said in their release. "At a time when making films in my country becomes more difficult every day, this recognition reminds me that cinema can still connect us beyond borders, languages, and limitations. I not only accept this award in my own name, but also on behalf of all those who, in silence, in exile, or under pressure, continue to create," Panahi said in his statement to the festival. The filmmaker's "It was Just an Accident" won the top prize at the Cannes Film Festival in May this year. Panahi won Venice festival's Golden Lion for 'The Circle' in 2002 and the Golden Bear at the Berlin film festival for 'Taxi' in 2015. The filmmaker's accomplishments also include Locarno's Golden Leopard for 'The Mirror' in 1997 and Cannes' screenplay prize for '3 Faces' in 2018. Panahi will be receiving the award at the festival's opening ceremony, scheduled on September 17. The festival will run till September 26. (via PTI inputs)

Elizabeth Hurley's Sequinned Gaurav Gupta Gown Runs High On Old Hollywood Glam
Elizabeth Hurley's Sequinned Gaurav Gupta Gown Runs High On Old Hollywood Glam

NDTV

time5 hours ago

  • Entertainment
  • NDTV

Elizabeth Hurley's Sequinned Gaurav Gupta Gown Runs High On Old Hollywood Glam

Elizabeth Hurley is redefining the meaning of Old Hollywood glamour. Recently, the Bedazzled film star made a vintage statement in a signature couture gown by ace Indian designer, Gaurav Gupta, for a magazine photoshoot. Elizabeth Hurley slipped into a moonstone ivory column gown from the designer's Autumn-Winter '24 Couture Collection. To be honest, it screamed retro vibes from a mile away. The full-sleeved ensemble featured a sequin-adorned high neck and plunged into an ankle-grazing train. A myriad of shiny crystals, sequins and glitter dominated the outfit. View this post on Instagram A post shared by Gaurav Gupta (@gauravguptaofficial) Elizabeth Hurley allowed the gown to take centre stage as she opted for minimal accessories. A pair of delicate diamond earrings and a few statement stone-encrusted rings suited the regal aesthetic. She skipped wearing any ornate neckpiece or bracelets. On the makeup front, Elizabeth Hurley's blemish-free radiance provided the perfect base for a matte finish. Blush and contour on the high points of her cheeks created a rosy-bronzed glow. Pink-tinted lips delivered a pop of contrast, while smokey eyes – comprising a kohl-eyeliner combo, faux lashes and silvery metallic eyeshadow – doubled the drama. Gaurav Gupta, a master of fluid silhouettes and embroidered pieces, worked his magic (again) on this sartorial wonder. The 3D embroidery and luminous metallic sheen were impossible to ignore. Adding to the opulence was the dramatic white fur coat hung casually over Elizabeth Hurley's shoulders. This is not his first collaboration. Gaurav Gupta's designs have been worn by several Hollywood artists, including, Beyonce, Cardi B, Lizzo, Jenna Ortega, Megan Thee Stallion, and more. His designs have been showcased at several international events, including Cannes Film Festival, the Grammys and the Met.

The Weeknd and Shakira will headline Global Citizen Festival supporting energy access and the Amazon
The Weeknd and Shakira will headline Global Citizen Festival supporting energy access and the Amazon

Toronto Sun

time6 hours ago

  • Entertainment
  • Toronto Sun

The Weeknd and Shakira will headline Global Citizen Festival supporting energy access and the Amazon

Published Jul 22, 2025 • 2 minute read Canadian singer Abel Makkonen Tesfaye aka The Weeknd poses during a photocall for the film "The Idol" at the 76th edition of the Cannes Film Festival in Cannes, southern France, on May 23, 2023. Photo by Christophe Simon/AFP / Getty Images Reviews and recommendations are unbiased and products are independently selected. Postmedia may earn an affiliate commission from purchases made through links on this page. This advertisement has not loaded yet, but your article continues below. THIS CONTENT IS RESERVED FOR SUBSCRIBERS ONLY Subscribe now to read the latest news in your city and across Canada. Unlimited online access to articles from across Canada with one account. Get exclusive access to the Toronto Sun ePaper, an electronic replica of the print edition that you can share, download and comment on. Enjoy insights and behind-the-scenes analysis from our award-winning journalists. Support local journalists and the next generation of journalists. Daily puzzles including the New York Times Crossword. SUBSCRIBE TO UNLOCK MORE ARTICLES Subscribe now to read the latest news in your city and across Canada. Unlimited online access to articles from across Canada with one account. Get exclusive access to the Toronto Sun ePaper, an electronic replica of the print edition that you can share, download and comment on. Enjoy insights and behind-the-scenes analysis from our award-winning journalists. Support local journalists and the next generation of journalists. Daily puzzles including the New York Times Crossword. REGISTER / SIGN IN TO UNLOCK MORE ARTICLES Create an account or sign in to continue with your reading experience. Access articles from across Canada with one account. Share your thoughts and join the conversation in the comments. Enjoy additional articles per month. Get email updates from your favourite authors. THIS ARTICLE IS FREE TO READ REGISTER TO UNLOCK. Create an account or sign in to continue with your reading experience. Access articles from across Canada with one account Share your thoughts and join the conversation in the comments Enjoy additional articles per month Get email updates from your favourite authors Don't have an account? Create Account NEW YORK — The Weeknd and Shakira — two of the world's biggest touring artists — will headline this fall's Global Citizen Festival in New York's Central Park, supporting campaigns to improve energy access across Africa and defend the Amazon against deforestation. Global Citizen announced Tuesday that the pop stars behind such hits as 'Blinding Lights' and 'Hips Don't Lie' will be joined by Tyla, Ayra Starr and Mariah the Scientist at the concert on Sept. 27. Hosted by actor Hugh Jackman, the annual event highlights the anti-poverty nonprofit's selected humanitarian priorities and urges attendees to collectively tackle those issues through direct support. 'The fact that these artists have immediate proximity to communities that have either recently emerged out of extreme poverty, or are emerging out of extreme poverty, gives them amazing perspective,' Global Citizen CEO Hugh Evans told The Associated Press. 'And they bring that perspective into Central Park at this moment where I think the world needs a moment of unity now more than ever.' Your noon-hour look at what's happening in Toronto and beyond. By signing up you consent to receive the above newsletter from Postmedia Network Inc. Please try again This advertisement has not loaded yet, but your article continues below. The festival's goals involve securing commitments to bring clean, reliable energy to 1 million people in Africa; mobilizing $200 million for indigenous and local entrepreneurs to protect an Italy-sized chunk of the Amazon rainforest; and raising at least $30 million to help community-based education programs improve children's literacy. Tickets to the festival are free, but fans must earn them by taking actions through the Global Citizen app. Opportunities include uploading videos calling on German and French leaders to back the Amazon protection plan and volunteering to mentor young people worldwide in career development. This year's calls to action reflect the changing nature of online advocacy campaigns. Organizers find that social media posts and email-driven appeals don't carry the same weight as they did when Global Citizen first started rallying concertgoers. Evans said user-generated content such as a self-recorded clip creates 'quality engagement' and makes it almost impossible to game the system. This advertisement has not loaded yet, but your article continues below. In The Weeknd and Shakira, Global Citizen is reuniting with previous artistic supporters at a time when they are packing stadiums. The Weeknd, who this month wrapped a four-night run of sold-out performances at Los Angeles' SoFi Stadium, is donating $1 from every ticket sale to the FIFA Global Citizen Education Fund. Shakira, who recently completed seven consecutive sold-out shows in Mexico City, joined Coldplay onstage during a 2017 edition of the festival in Germany. 'Music has always been my way of connecting with people and leaving a mark on the world,' Shakira said in a statement. 'I can't wait to perform, unite, and inspire action.' Love concerts, but can't make it to the venue? Stream live shows and events from your couch with VEEPS, a music-first streaming service now operating in Canada. Click here for an introductory offer of 30% off. Explore upcoming concerts and the extensive archive of past performances. Sunshine Girls Canada Television Toronto Blue Jays Sunshine Girls

Crafted For The World Stage: Isha Jajodia On Couture And Dressing Shalini Passi In RoseRoom
Crafted For The World Stage: Isha Jajodia On Couture And Dressing Shalini Passi In RoseRoom

News18

time6 hours ago

  • Entertainment
  • News18

Crafted For The World Stage: Isha Jajodia On Couture And Dressing Shalini Passi In RoseRoom

As Indian couture takes the global stage, designer Isha Jajodia reflects on the artistry behind Shalini's Cannes debut and the quiet power of intentional fashion. 2025 has been a phenomenal moment for Indian couture on the global stage. From Cannes to fashion weeks, Indian couture is the talk of the season. Amidst this global reach is designer Isha Jajodia, who has been crafting delicate poetry with textiles at RoseRoom. One of the most defining moments for RoseRoom was when Shalini Passi wore the brand's creation to Cannes Film Festival 2025. Currently, Isha Jajodia is all set to unveil her latest collection at the 18th edition of Hyundai India Couture Week 2025. Ahead of this, we talked to the designer about her Cannes moment, the ethos of Roseroom, and the craftsmanship behind the garments. Q. Let's start with Cannes! What was the first emotion you felt when you saw Shalini Passi in your creation on that global stage? The first emotion I felt was a deep sense of responsibility and pride. Cannes is a global stage where every gesture, every detail, is seen and remembered. Seeing Shalini, someone who has been such a constant muse for RoseRoom, step out in something we created was incredibly meaningful. It wasn't just about a beautiful outfit; it was about representing Indian craftsmanship and our design philosophy with intention. In that moment, I felt we had created something that spoke not just of style, but of strength, identity, and presence. Q. Could you walk us through the making of the garments – fabric choices, silhouettes, techniques – that were used for Shalini's look? Both the ivory lace gown and the two-piece began with an in-depth conversation about Shalini's vision, which was clear from the start: something feminine, soft, yet strikingly present. We chose delicate French-inspired lace, layered with soft frills to create movement and structure. The two-piece featured a sculpted lace top paired with a sheer flowing skirt, all hand-finished in micro-detail. Our atelier focused on artisanal techniques like fine needlework and subtle embroidery to highlight femininity with strength. Q. How did the Cannes collaboration come about? How was the experience of working with Shalini and seeing her embody your creation? Shalini has been a RoseRoom muse for a while now. Over time, we've built a strong understanding, creative trust and friendship. When Cannes came up, her clarity about visualising a soft yet powerful presence made the collaboration effortless. Watching her wear the garments so gracefully, with her energy and confidence, was deeply rewarding. It felt like a seamless creative partnership, one that affirmed our belief in building emotional connections with our muses. Q. RoseRoom's designs always carry a certain poetic drama, a feminine allure, and a certain softness of its kind. How was this design language reflected in Shalini's Cannes looks? Those elements were at the very heart of what we created. The ivory gown was soft and romantic yet held an inherent strength in its structure and movement. The two pieces echoed that softness in the skirt, while the top brought a subtle edge. Both look balanced romance and restraint, softness and strength: qualities I see in Shalini, and that define RoseRoom's narrative. Q. Do you feel moments like these (Cannes appearances) are changing the way international platforms view Indian fashion? Yes, absolutely. When Shalini steps out in Indian couture that's crafted with finesse and intention, it shifts perceptions from 'heritage heavy" to 'globally resonant." It positions Indian fashion as thoughtful, nuanced and contemporary. Platforms like Cannes are slowly recognising that Indian design isn't just about embellishment or bridal, it can speak to elegance, emotion and artistry on an international stage. Q. How do you think Indian fashion can evolve on the international stage beyond embellishment and bridal couture? I believe it's about telling deeper stories through fabric, technique and emotion. Moving away from just ornate surface details to textures, silhouettes and craftsmanship that tell a narrative. Collaborating with artisans to innovate traditional techniques, and creating ready-to-wear pieces with couture soul, these are the directions where Indian fashion can truly shine globally. top videos View all Q. What's the one fashion trend you think is on its way out – and what's the next big shift the industry isn't ready for yet? Overly maximal embellishment is starting to fade; there's a desire for restraint, emotional resonance, and craft. The next shift? I see a move towards quiet couture, pieces that feel personal, handcrafted, and soulful, but worn with intention and ease. Fashion that's less about showiness and more about subtle presence, quiet confidence, and meaning. The News18 Lifestyle section brings you the latest on health, fashion, travel, food, and culture — with wellness tips, celebrity style, travel inspiration, and recipes. Also Download the News18 App to stay updated! tags : fashion lifestyle view comments Location : Delhi, India, India First Published: July 22, 2025, 18:50 IST News lifestyle Crafted For The World Stage: Isha Jajodia On Couture And Dressing Shalini Passi In RoseRoom Disclaimer: Comments reflect users' views, not News18's. Please keep discussions respectful and constructive. Abusive, defamatory, or illegal comments will be removed. News18 may disable any comment at its discretion. By posting, you agree to our Terms of Use and Privacy Policy.

Mariska Hargitay Jokes Only ‘Younger People' Didn't Know Her Mom Was Jayne Mansfield
Mariska Hargitay Jokes Only ‘Younger People' Didn't Know Her Mom Was Jayne Mansfield

Yahoo

time7 hours ago

  • Entertainment
  • Yahoo

Mariska Hargitay Jokes Only ‘Younger People' Didn't Know Her Mom Was Jayne Mansfield

NEED TO KNOW Mariska Hargitay joked that only "younger people" didn't know her mom was Jayne Mansfield during a Q&A following a special screening of her documentary My Mom Jayne on July 17 Mansfield, who died in 1967 at age 34, was a Hollywood icon who starred in films including Promises! Promises! and Too Hot to Handle In My Mom Jayne, which marked Mariska's feature film directorial debut, she examines her mother's life — and reveals a shocking family secretMariska Hargitay's mother, Jayne Mansfield, may be a Hollywood icon — but her fan base runs a bit older. While taking part in a Q&A hosted by HamptonsFilm on Thursday, July 17, Mariska, 61, joked about how not everyone knew that Mansfield was her mom when her revealing documentary, My Mom Jayne, premiered earlier this year. After panel host Molly Jong-Fast noted that "a lot of people had no idea that [Mansfield] was your mom" despite the fact that she's "really, really famous," Mariska replied, "Only younger people don't know. The kids don't know." The discussion followed a special screening of My Mom Jayne at Guild Hall in East Hampton. The documentary, which marked Mariska's feature film directorial debut, premiered at the Cannes Film Festival on May 17 ahead of its debut on HBO and Max on June 27. In a press release announcing the documentary, Mariska said, 'This movie is a labor of love and longing. It's a search for the mother I never knew, an integration of a part of myself I'd never owned, and a reclaiming of my mother's story and my own truth." Mansfield — who rose to fame as a Playboy model and an actress, known for such films as Too Hot to Handle and Promises! Promises! — died at age 34 in a car crash in 1967. Mariska, who was 3 at the time, and her two older brothers were in the car and survived the accident. "I've spent my whole life distancing myself from my mother, Jayne Mansfield, the sex symbol," Mariska says in the film's trailer. "Her career made me want to do it differently, but I want to understand her now." "I don't have any memories of her," she adds. In the documentary, Mariska also revealed a shocking family secret that she kept for 30 years. She explained that her biological father is not Mickey Hargitay, the man who raised her, but rather a former Las Vegas entertainer named Nelson Sardelli. She told Vanity Fair that she first learned about Sardelli when she was 25 and then went to see him perform in Atlantic City, N.J., when she was 30. While Sardelli had an emotional reaction to their meeting, telling her, 'I've been waiting 30 years for this moment" — Mariska grappled with "knowing I'm living a lie my entire life." During her discussion with Jong-Fast on Thursday, Mariska shared that she spent Father's Day with Sardelli, 90, this year. Never miss a story — sign up for to stay up-to-date on the best of what PEOPLE has to offer​​, from celebrity news to compelling human interest stories. "It was so magical," she recalled. "He apologized and he said, 'Thank you for forgiving me.' And I said, 'Thank you for making the choice that you made.' " "So it's like everyone was right in the end, but I grew up not knowing that," she added. The panel discussion was part of HamptonsFilm's Summer Docs Screening Series. On Aug. 29, Middletown directors Amanda McBaine and Jesse Moss and film subject Jeff Dutemple will join Hamptons International Film Festival (HIFF) co-chair Alec Baldwin and artistic director David Nugent in conversation. Richard Gladstein, the new executive director of HamptonsFilms and HIFF, told PEOPLE: "We have a nice platform from which to show our films. And why do films want to come to film festivals? You create buzz and word of mouth about your film. That's what happens at film festivals. You discover films and filmmakers." Read the original article on People

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