Latest news with #Carry-On


Metro
10-07-2025
- Entertainment
- Metro
Netflix director working on 'boundary-pushing' movie after film seen 185m times
The director of one of Netflix's most watched films ever has landed a deal with the streaming platform and is already working on the follow-up movie. Jaume Collet-Serra, 51, has signed a rare overall agreement with Netflix after his 2024 action thriller Carry-On – which starred Jason Bateman and Taron Egerton – became Netflix's second highest viewed film of all time. Variety reports it has managed a staggering 185million views, while Netflix's own charts on Tudum – which track a title's performance during its first 91 days – claimed 172.1m. The director told the publication: 'From production to release, my experience making Carry-On with the Netflix team was everything a filmmaker could hope for. 'I'm thrilled to call Netflix my creative home and excited to keep pushing boundaries together, beginning with An Innocent Girl.' Wake up to find news on your TV shows in your inbox every morning with Metro's TV Newsletter. Sign up to our newsletter and then select your show in the link we'll send you so we can get TV news tailored to you. The upcoming psychological thriller will have Collet-Serra at the helm as director and producer, alongside Greg Berlanti and Sarah Schechter. To view this video please enable JavaScript, and consider upgrading to a web browser that supports HTML5 video While Collet-Serra has been helming movies successfully for 20 years, from slasher flick House of Wax to Disney blockbuster Jungle Cruise, based on the company's theme park ride, with Dwayne Johnson and Emily Blunt, this deal could be what propels him to household name status. An Innocent Girl follows a young and ambitious woman who gets seduced by a high powered couple in Washington DC as she gets pulled into a dangerous world of power, sex and murder. No cast has yet been announced. Netflix film vice president Doug Belgrad praised Collet-Serra as 'one of the most in-demand directors out there right now' as well as his ability to 'deliver big, high-stakes stories that audiences love'. 'The fact that he chose to make this deal with us, especially after the great experience we had together on Carry-On, says a lot,' Belgrad added. 'He's never been hotter, and we look forward to keeping that momentum going with him.' According to Deadline, the filmmaker – who is also working on survival thriller Play Dead – has another project lined up, potetially for his Netflix deal. As well as An Innocent Girl, his slate includes a reimagining of 1993 mountain rescue action movie Cliffhanger, which starred Sylvester Stallone alongside John Lithgow, Michael Rooker and Janine Turner. The new version will star Lily James and Pierce Brosnan. Fans shouldn't necessarily expect a Carry-On sequel as part of the Netflix agreement though, after he revealed in January that a follow-up to the airport action thriller was 'not in the cards' at the time. However, he did tell Variety: 'I would like to definitely make another one. 'When we started with the movie, it certainly felt like one unique story in a moment in time with a set of characters. 'If an idea comes to us that feels like we can do something that is as original as the first one, and that can connect with the audience in the same way, then we'll explore that.' He was speaking after Carry-On became a streaming smash-hit over Christmas, dominating viewing figures to become the most watched movie title of 2024 in just a matter of weeks after its release on December 13. It then leap-frogged films such as Millie Bobby Brown's Damsel and 2021 star-studded satire Don't Look Up, with Meryl Streep and Leonardo DiCaprio, to claim second place on the all-time watchlist, behind comedy thriller Red Notice, starring Ryan Reynolds, Dwayne Johnson and Gal Gadot. More Trending Carry-On centred around young TSA officer Ethan Kopek (Egerton) who gets blackmailed by the mysterious Traveller (Bateman) into letting a nerve agent onboard a Christmas Eve flight carrying 250 people. Previously, Collet-Serra has also directed the likes of Orphan, Liam Neeson in The Commuter and Black Adam, with his most recent release earlier this year being psychological horror flick The Woman in the Yard. Carry-On is streaming on Netflix now. Got a story? If you've got a celebrity story, video or pictures get in touch with the entertainment team by emailing us celebtips@ calling 020 3615 2145 or by visiting our Submit Stuff page – we'd love to hear from you. MORE: Netflix fans devastated that most 'feel-good' show is ending after 7 years MORE: Too Much is Netflix's best ever comedy – I've already binged it twice MORE: 'I'm Netflix's new leading lady – it was the ultimate dream come true'


Perth Now
10-07-2025
- Entertainment
- Perth Now
Carry-On director Jaume Collet-Serra lands rare Netflix film deal
Carry-On director Jaume Collet-Serra has signed a multi-year deal with Netflix. The 51-year-old filmmaker has put pen to paper on a rare overall agreement with the streaming giant after his 2024 action thriller - which starred Jason Bateman and Taron Egerton - became Netflix's second highest viewed film of all time, clocking up 185 million views. He told Variety: 'From production to release, my experience making Carry-On with the Netflix team was everything a filmmaker could hope for. 'I'm thrilled to call Netflix my creative home and excited to keep pushing boundaries together, beginning with An Innocent Girl.' The upcoming psychological thriller will have Collet-Serra at the helm as director and producer, alongside Greg Berlanti and Sarah Schechter. The film will follow a young and ambitious woman who gets seduced by a high powered couple in Washington D.C. as she gets pulled into a world of power, sex and murder. Netflix film vice president Doug Belgrad praised Collet-Serra as 'one of the most in-demand directors out there right now". He added: "And for good reason — he knows how to deliver big, high-stakes stories that audiences love. "The fact that he chose to make this deal with us, especially after the great experience we had together on Carry-On, says a lot. "He's never been hotter, and we look forward to keeping that momentum going with him.' According to Deadline, the director - who most recently worked on survival thriller Play Dead - has has another project lined up for his Netflix deal. As well as An Innocent Girl, his slate includes a reimagining of 1993 mountain rescue action movie Cliffhanger, which starred Sylvester Stallone alongside John Lithgow, Michael Rooker and Janine Turner. The new version will star Lily James and Pierce Brosnan. Fans shouldn't necessarily expect a Carry-On sequel as part of the Netflix agreement, as he revealed back in January that a follow-up to the airport action thriller was "not in the cards" at the time. However, he did tell Variety: "I would like to definitely make another one. "When we started with the movie, it certainly felt like one unique story in a moment in time with a set of characters. "If an idea comes to us that feels like we can do something that is as original as the first one, and that can connect with the audience in the same way, then we'll explore that.' The film followed young TSA officer Ethan Kopek (Egerton) who gets blackmailed by the mysterious Traveler (Bateman) into letting a enrve agent on board a Christmas Eve flight carrying 250 people. Previously, Collet-Serra has shown his diversity as a filmmaker with a wide range of projects. As well as Disney blockbuster Jungle Cruise - based on the theme park attraction of the same name - he's also directed horror films like House of Wax, Orphan and The Shadows.


UPI
02-07-2025
- Entertainment
- UPI
Watch: Taron Egerton tries to protect daughter in 'She Rides Shotgun'
1 of 3 | "She Rides Shotgun" arrives in theaters Aug. 1. Photo courtesy of Lionsgate July 2 (UPI) -- Lionsgate is previewing its action-thriller feature She Rides Shotgun, starring Taron Egerton. The Kingsman, Rocketman and Carry-On actor portrays Nate, a former prisoner who is trying to protect his daughter, 11-year-old Polly (Ana Sophia Hager), while the two of them evade Nate's "unrelenting enemies," according to an official synopsis. "Shy, precocious and wary of her father, Polly is swept up in Nate's dangerous plight as they flee to evade the corrupt sheriff and brutal leader of a gang who will stop at nothing to protect his criminal interests," the description reads. The trailer released Wednesday opens with Nate cutting Polly's hair. "Polly, from now on we're on our own. Dangerous men are coming for us. You're gonna have to do as I say. I want you to be brave and strong," he tells her. The preview shows the duo outrunning cops and Polly firing a gun to save her father's life. She Rides Shotgun premieres in theaters Aug. 1.


Tom's Guide
30-06-2025
- Entertainment
- Tom's Guide
Netflix drops first trailer for new romantic comedy — and this movie looks like pure comfort wrapped in charm
I'm just a girl who loves dumb rom-coms, even when the premise is incredibly cheesy and the movie leans into almost every romance trope in the book. Still, this genre is pure comfort for me, and I'll never say no to a Netflix love story. Especially when it stars Sofia Carson and 'Bridgerton' star Corey Mylchreest. In this case, it's 'My Oxford Year,' a new romantic comedy set to drop on August 1. I already called it one of my most anticipated Netflix movies of summer 2025 when the streamer released first-look images, and that was before I saw the charming trailer. Now I'm even more excited. The first trailer shows Anna (Carson) arriving at Oxford University for her placement year, and things seem to be off to a good start (aside from getting splashed by a car and being late to class). Then comes the classic meet-cute: It's basically love at first sight when she meets her teacher, Jamie (Mylchreest). First romance trope? Forbidden love (somewhat). From there, it's all flirting, scenic backdrops, kissing in the rain, and, of course, a bit of juicy conflict that sees Jamie burying his traumatic past. It looks like your typical romance flick without much in the way of surprises, but I honestly don't mind that, as long as it delivers on the romance. Netflix's official synopsis reads: 'When Anna, an ambitious young American woman, sets out for Oxford University to fulfill a childhood dream, she has her life completely on track until she meets a charming and clever local who profoundly alters both of their lives.' Sofia Carson is quickly carving out a space as one of Netflix's favorite leading ladies, with a growing lineup of original titles under her belt. From her breakout role in 'Purple Hearts' to the high-stakes action of 'Carry-On' and the heartfelt drama of 'The Life List,' she's shown she can handle just about any genre thrown her way. So it makes perfect sense to see her at the forefront of 'My Oxford Year.' Carson has that effortless screen presence that makes even the simplest scenes feel engaging, and she's always easy to root for. Get instant access to breaking news, the hottest reviews, great deals and helpful tips. Joining her is Corey Mylchreest, best known for stealing the spotlight as young King George in 'Queen Charlotte: A Bridgerton Story.' Casting him as her love interest feels like a surefire setup for slow-burn sparks and emotional payoff. If nothing else, these two have the potential to deliver on the chemistry front. I'll admit, I'm not overly critical when it comes to rom-coms. If the leads are likable, the connection feels real, and the story hits those emotional sweet spots, I'm in. And from what we've seen so far in the trailer, 'My Oxford Year' looks like it has all the right ingredients (even if it lacks quality). 'My Oxford Year' will definitely be my comfort watch this summer. You can stream it on Netflix starting August 1, but in the meantime, see what's being added to the streamer in July 2025.


Boston Globe
26-06-2025
- Entertainment
- Boston Globe
Danielle Deadwyler on the profound family bonds of ‘40 Acres'
Deadwyler, who was raised in Atlanta, studied history and African-American Studies at Spelman college, then got a masters in American Studies from Columbia University and another in creative writing from Ashland University. After getting her start on stage in Atlanta, Deadwyler, 43, has shown she can handle a gun and a fight scene onscreen in movies including 'The Devil to Pay' and 'The Harder They Fall' and 'Carry-On,' while also honing her acting chops in episodes of 'Atlanta,' 'Watchmen,' and ' Get Starting Point A guide through the most important stories of the morning, delivered Monday through Friday. Enter Email Sign Up Danielle Deadwyler in "40 Acres." Courtesy of Magnolia Pictures Advertisement But Hailey in '40 Acres' also feels, in a weird way, like a descendant of Deadwyler's two most acclaimed roles, as Emmett Till's mother Mamie in ' Advertisement 'They all think about how to shield, protect, and nurture their families, although they all go about it in different ways,' Deadwyler said in a recent video interview. 'But they all also understand the impact of history and legacy on their present situations.' Q. What drew you to this role and story? A. It was the family's connection to the land and the desire — the hardcore, passionate, urgent desire — to stay together, to stay connected by any means. And by any means, I mean, by any means. Hailey knows the government never gave a damn about Black people and that things happen to folks who look like her, historically. … So at this juncture, she is assuredly just saying to hell with anybody who crosses their fence. You will get the blade. At the time I read the script, I'd been thinking about family connectivity, recalling my maternal grandparents and what they had carved out for my mom and her siblings and the long history and the memories of being on their land and wanting to explore that in a story. Q. How much does each of these roles not just inform the next role you take on, but stay with you and affect who you are in real life? A. They do have connectivity, but every experience is unto itself. And Danielle is learning from them all, for sure, but hopefully they are learning from me, perhaps. It's a crossing of knowledge — the text is teaching me them, and I am having a fusion of sorts with the roles. But Danielle is always trying to come back to herself. Advertisement Q. Are there ways in which you relate to Hailey? Are you good with a knife? A. Oh, hell yeah. How did you know, Stuart? [ She laughs, but in a way that makes you believe she really may be good with a knife. ] No, I have an intensity like her and Berniece and Mamie. Or I had an intensity. I think I'm coming to a place now where I need a little bit more balancing. I guess that's what they've all taught me. They beat me up enough in this movie that I had to chill out. I had the understanding of the need to teach, to protect, and to defend doggedly, but over the last couple of years I've learned that it's actually true that things work a little better with honey. We learn that as we get older. In Hailey's world, there are violent, nihilist folks coming to kill [her] children on [her] land, so she needs to be vigilant with her son. As a parent I'm actually a little lenient — you can't rule with an iron fist — but I send things for awareness, things to have a conversation about. Like a lot of Black parents, I want to help my son understand the severe nature of the world outside. We've witnessed an onslaught of violence against Black children, Black teens, Black young adults, Black people in general. Q. You've had roles in action movies like 'The Harder They Fall.' What were the physical demands of this role like, and how did you prepare? Advertisement A. To be honest, 'Till' was more exhausting than any other role. Emotionally, but there's a physicality to it, too. As a dancer, I have an understanding through movement, and everything I get the privilege to do is imbued with the physical. With Mamie in 'Till,' there was a regalness, a rigidity, a discipline that had to happen for her, and that's a challenge. When does one slouch down into some release? Hailey was military and there's rigor, and she's erect, too, but we see her drink when she's alone, and there's the scene where she's smoking a little cannabis. She's got vices, because the world is difficult, so we get to see that physicality in her, too. The fight scenes are exhausting, but we had a team that was just lovely, including the stunt team, and so we just rolled with the punches. It's a dance — this is choreography. Q. In movies, you're usually so intense, and it feels like you can kill with a glare, but in person you're funny and fun to talk to. Do you want to show that side of yourself onscreen? A. I started in comedy and have done it on stage numerous times. And I am consciously trying to balance my life and my art, yes, I am. … You should keep your eyes open for the remainder of the year — there will be some fun stuff. I'm trying to do a wide span of things, a deep exploration of what it means to be in the world. And it ain't all drama. Interview was edited for length and clarity. Advertisement