Latest news with #Cocktail
Time of India
2 days ago
- Entertainment
- Time of India
Rashmika Mandanna, Shahid Kapoor, and Kriti Sanon to kick-start shooting for Cocktail 2 in August: Report
Cocktail 2 is gearing up for production in August 2025, featuring Shahid Kapoor, Kriti Sanon, and Rashmika Mandanna. Directed by Homi Adajania and written by Luv Ranjan, the film promises a blend of humor and emotion, set across India and Europe. The sequel is slated for a theatrical release in the latter half of 2026. Get ready, rom-com lovers! The much-loved Cocktail is shaking things up with a star-studded sequel that promises fresh chemistry, exotic locales, and all the fun, emotions, and music that made the original a hit. Here's everything you need to know about Cocktail 2 and what's brewing behind the scenes! According to a report in Pinkvilla, Cocktail 2 is set to go on floors in August 2025. The film will be shot across India and picturesque European locations, with plans to wrap by January 2026. Joining Shahid Kapoor and Kriti Sanon is Rashmika Mandanna , completing the new-age trio. A big ensemble cast is also in the works, with casting currently underway. Like the original, Cocktail 2 will be directed by Homi Adajania. While Dinesh Vijan had teamed up with Imtiaz Ali for the 2012 hit, this time he joins hands with Luv Ranjan , who has also penned the script. Known for his flair in romantic comedies, Ranjan brings his signature blend of humour, emotion, and breezy storytelling. The film is eyeing a theatrical release in the second half of 2026. Before diving into Cocktail 2, Shahid Kapoor will complete shooting for Vishal Bhardwaj's upcoming film, tentatively titled Arjun Ustara or Evil. Meanwhile, Kriti Sanon will join Cocktail 2 after wrapping up Aanand L Rai's much-anticipated Tere Ishq Mein opposite Dhanush. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Mistura chinesa faz cabelo crescer e homem fica irreconhecível Resultados em 30 dias Undo Rashmika Mandanna, the third lead, is expected to finish her scenes for Thama alongside Ayushmann Khurrana before starting work on the sequel. Cocktail starred Saif Ali Khan , Deepika Padukone , and Diana Penty in lead roles and became a major hit, redefining the romantic comedy genre. Beyond its memorable performances, the film won hearts with its soulful music—an element fans eagerly expect to see continue in the upcoming sequel. Check out our list of the latest Hindi , English , Tamil , Telugu , Malayalam , and Kannada movies . Don't miss our picks for the best Hindi movies , best Tamil movies, and best Telugu films .
Pink Villa
2 days ago
- Entertainment
- Pink Villa
EXCLUSIVE: Shahid Kapoor, Kriti Sanon and Rashmika Mandanna set to start Cocktail 2 in August, will target late 2026 release
Cocktail (2012) is among the most loved romantic comedies of Hindi film industry. Pinkvilla had exclusively reported that Producer Dinesh Vijan has teamed up with Luv Ranjan to bring a sequel to the popular rom-com and spin it into a franchise. We also reported that the movie will go through a casting shift and mark the return of Shahid Kapoor and Kriti Sanon together after the success of Teri Baaton Mein Aisa Uljhaa Jiya. And now, we are back with another major development about the movie. According to the sources close to the development, Cocktail 2 will go on the floors in August 2025. The movie will be shot in India and exotic locations of Europe, with a plan to wrap it around January 2026. Shahid Kapoor and Kriti Sanon have been joined by Rashmika Mandanna as the parallel lead, completing the trio. Apart from the three leading actors, the movie will have a big ensemble cast of supporting actors, for which the casting is underway. Like its previous part, Cocktail 2 will also be directed by Homi Adajania. While Dinesh Vijan had collaborated with Imtiaz Ali for Cocktail (2012), he has now found a partner in Luv Ranjan for the sequel. The story of Cocktail 2 is written by Luv Ranjan, who is known to have a strong knack of this genre. His writing is loaded with the right amount of humor, emotions and light-hearted moments. The movie is targeting a theatrical release in the second half of 2026. Before moving on to Cocktail 2, Shahid Kapoor will wrap up the shoot of Vishal Bharadwaj's movie tentatively titled Arjun Ustara/Evil. While on the other hand, Kriti Sanon will join the sets after winding up Aanand L Rai's much-awaited movie Tere Ishk Mein opposite Dhanush. Another lead of the trio, Rashmika Mandanna is expected to finish her portions of Thama, co-starring Ayushmann Khurrana, before joining the sets of Cocktail 2. For the unversed, Cocktail had Saif Ali Khan, Deepika Padukone and Diana Penty in the lead roles. The movie was a big success and a game changer in the genre. Apart from some of the finest performances, Cocktail found a place in every cinephiles' heart because of its rich music album, which is expected to continue in the upcoming sequel. Stay tuned to Pinkvilla for more updates.
NDTV
6 days ago
- Entertainment
- NDTV
Review: Why Gen Z Finds This Toxic, Sexist Cocktail Re-Release Hard To Drink
New Delhi: Some films age like fine wine; others, like a cocktail left out too long, are sweet, sour and a little hard to swallow. Almost a decade and a half later, Cocktail (2012) is back in theatres, stirring up nostalgia with its catchy tunes and memorable characters. But as the crowd settles in for a revisit, there's a lingering aftertaste - something a little sour beneath the glitter. What seemed like a fun, modern rom-com back then now stands glaringly problematic under the lens of evolving social values and gender awareness. Let's unpack why Cocktail remains a cautionary tale wrapped in glossy packaging and why it serves up red flags even to today's viewers. The 'Party Girl' Stereotype At the heart of Cocktail is Veronica, played with undeniable charisma by Deepika Padukone. On the surface, Veronica is the quintessential modern woman: independent, unapologetically fun-loving and living life on her own terms. Yet, the film quickly reduces her to a trope - the "party girl" who drinks, hooks up and flaunts societal norms. Instead of celebrating her complexity, the narrative punishes her lifestyle, positioning her as emotionally unstable, unworthy of lasting love and ultimately 'rehabilitated' only after she conforms to traditional expectations. This portrayal isn't just outdated, it's harmful. Veronica's carefree spirit is framed as a red flag, a moral failing that justifies the mistreatment she endures. The film sends a loud, clear message: women who drink, enjoy casual relationships, or dress how they please are "bad girls" who deserve heartbreak and betrayal. In contrast, the "good girl" who plays by society's rules: quiet, virginal, domesticated, is worthy of respect and lifelong commitment. This binary traps female characters (and viewers) in a narrow moral corridor, suffocating the full spectrum of womanhood. Toxic Male Privilege (No Surprises, There) If Veronica embodies one end of the gender stereotype, Gautam (Saif Ali Khan) personifies the problematic male lead we've seen far too often. He's a serial offender of emotional and moral red flags: cheating on his girlfriend with her best friend, lying to his family about his relationships and switching allegiances with barely a second thought. Yet, Cocktail never holds him accountable. Instead, his behaviour is excused as part of his charm, and he emerges unscathed, earning the love and respect of the 'right' woman by the film's end. This toxic masculinity not only normalises infidelity and deception but also reinforces the damaging idea that men's desires and mistakes are forgivable, even romantic. Meanwhile, women are tasked with adjusting themselves, changing their appearance, curbing their personalities and forgiving betrayals to fit into men's idealised "wife material" boxes. Gautam's unchecked privilege is a glaring red flag that the film overlooks, perpetuating sexist norms that continue to plague real-life relationships. Female Friendships Undermined By Patriarchal Drama One of the film's touted strengths is its depiction of female friendship between Veronica and Meera (Diana Penty). At first, their bond seems refreshing: two women supporting each other in a big city. However, the narrative soon sours this relationship with betrayal, jealousy and misunderstandings, almost all catalysed by Gautam's actions. Instead of portraying female solidarity as unbreakable, Cocktail falls into the trap of pitting women against each other, reinforcing the tired trope of "girls can't trust each other." When Meera and Gautam's affair comes to light, Veronica's hurt is real and profound, yet she is ultimately expected to forgive and fix the broken triangle, flying across continents to orchestrate their wedding, despite being the one most wronged. This outcome subtly shows that female relationships must be sacrificed or reconciled around men's needs and desires, rather than standing on their own terms. The Domestic Makeover Of A 'Bad' Girl One of the most talked-about elements of Cocktail is Veronica's transformation. After a traumatic accident, she gives up drinking, starts cooking and fits neatly into the "good Indian woman" archetype. By the film's conclusion, Veronica's transformation into a domesticated, sober, and more 'acceptable' woman signals the ultimate moral message: happiness and love come only after shedding one's 'wild' traits. It's a neat, tidy ending that Bollywood audiences have seen before: wild girl tamed, party over, curtains drawn on freedom. The painful irony? Veronica is the character with the deepest emotional intelligence and capacity for empathy, yet she is forced into self-erasure to fit the narrative's conservative mould. This moral arc sends dangerous signals, especially in a country where women's choices are already policed by societal expectations. It validates the notion that women must suppress their desires, freedom and personality quirks to earn love and respect. For today's audiences - more aware and vocal about gender equality -this message feels regressive and tone-deaf. Revisiting Cocktail In 2025 Watching Cocktail today is a bit like revisiting an old friend who hasn't quite grown up the way you hoped. The film still delivers on music, chemistry and memorable moments - but the underlying messages about gender roles, morality and relationships are noticeably dated. Cocktail is a textbook example of Bollywood's struggle with portraying modern womanhood beyond reductive stereotypes. Veronica's journey, Gautam's unchecked privilege and the regressive moral undertones combine to create a cocktail that tastes bitter in 2025. So, if you're heading to the theatres for Cocktail's re-release, enjoy the music and the performances. But keep an eye out for the stereotypes that linger like a stubborn hangover. Because some cocktails, no matter how intoxicating, are best enjoyed with a healthy dose of critical awareness.
Hans India
29-05-2025
- Entertainment
- Hans India
Dinesh Vijan and maddock films' 7th hit in a row, bhool chuk maaf, proves they have cracked the code to connecting with audiences
In the ever-shifting landscape of Indian cinema, where Bollywood films struggle to capture audience attention, Bhool Chuk Maaf has emerged yet again with massive success, defying all expectations. At a time when most big, mid, and small-scale productions are struggling to make an impact at the box office, this film has managed to draw crowds. Not just any crowds, but entire families. Interestingly, before the film's release, naysayers had already written it off, citing its modest scale and perceived lack of mass appeal. In fact, when rumours swirled that the makers were considering a direct OTT release, many assumed the film lacked theatrical merit. But Bhool Chuk Maaf's opening numbers astonished even trade pundits. Additionally, despite a strong Day 1, skeptics continued to dismiss the film, attributing early traction to discounted ticket pricing and supposedly inorganic marketing. But now, the film has shut all naysayers, by making a total of ₹50 cr by the end of Day 6. Indian film critic and trade analyst, Taran Adarsh says, 'What's noteworthy is that this growth has come without any discounted tickets or promotional offers on Day 2, proving there's an audience willing to show up at full price when the content connects. Bhool Chuk Maaf debunks the narrative that mid-range movies should skip the theatrical window and opt for a direct-to-digital route.' Kamal Gianchandani, CEO PVR, adds, 'Some wrote off Bhool Chuk Maaf citing 'discount offers' or 'lack of appeal'. The box office tells a very different story - it's a genuine HIT. May has revived theatres, audiences are back in big numbers, and the big screens are booming all over the country.' This wasn't a fluke. It was a clear signal: when content genuinely resonates, audiences are more than willing to pay full price. So what's behind the broad appeal of Bhool Chuk Maaf? Quietly yet confidently, the film defied expectations by landing squarely in classic Maddock Films territory. Under the sharp and empathetic leadership of Dinesh Vijan, Maddock Films has carved out a distinctive niche by championing stories rooted in small-town India, rich with local quirks, struggles, and charm, rather than relying on 'stars'. These narratives resonate with both urban India and the heartland, bridging the divide between India and Bharat. Maddock Films' signature lies in elevating everyday lives from gallis and mohallas with humour, dignity, and a distinctive creative flair. What's remarkable is that the 20-year-young content studio has built a consistently profitable track record while delivering iconic titles, from Love Aaj Kal and Cocktail to Stree, Munjya, Teri Baaton Mein Aisi Uljha Jiya, Chhaava and now Bhool Chuk Maaf, using the formula of 'not chasing formulas'. In 2024 alone, the studio pulled in a staggering ₹1,300 crore at the box office, marking their hit record, as of May 2025, to seven consecutive hits. From Zara Hatke Zara Bachke to now Bhool Chuk Maaf, the studio has shown that you don't need a massive budget or a star-studded cast to create impact. They have stuck to their belief of casting actors that the roles demand and making stars out of them; not vice versa. Their theory? If the story resonates, the audience will come, irrespective of the 'star cast'. This success stands in stark contrast to many of Bollywood's recent big-budget misfires. While some studios chased visual spectacle, star power, or formulaic action dramas, Maddock Films doubled down on sincerity and specificity. And Bhool Chuk Maaf's organic word-of-mouth growth, its popularity on social media, and packed theatre shows are testament to the fact that audiences are loving it. Maddock Films is no longer just a production house. It's a creative force, championing bold, original voices and collaborating with like-minded creatives who share their vision. And Bhool Chuk Maaf continues to be part of that legacy - tackling the deeply relatable issue of "chokri aur naukri" - love and livelihood - with a refreshing dose of humour, thus striking a chord with the aam aadmi. At its core, it's a common man's story told with uncommon empathy. Much like RK Laxman's iconic cartoons, which used humour to shed light on the everyday struggles of the common man, Maddock Films uses a lighthearted narrative to explore socially relevant themes. It isn't a BIG film in the conventional sense. There are no extravagant sets or formulaic fireworks, but it is a big film where it truly matters: in heart, craft, and connection. In an industry often distracted by spectacle, Bhool Chuk Maaf is a quiet revolution, proving that when filmmakers pay attention to the middle-class aspirations, rooted settings, characters that feel real, and humour of ordinary Indians, they don't just tell good stories; they create cultural touchstones. By focusing on that, Maddock Films has not only understood the pulse of the nation; it has struck a chord that continues to echo across cinema halls. It was as if Dinesh Vijan intuitively knew that the audiences were hungry for stories they could see themselves in. And he said, hold my chai! The aam aadmi cometh.
News18
28-05-2025
- Entertainment
- News18
Saif Ali Khan's Gentleman Moment At Mumbai Airport Proves Chivalry Isn't Dead
Last Updated: Keeping it stylish, Saif Ali Khan opted for a grey T-shirt and classic denim blue jeans for his airport look. There are actors and then there is Saif Ali Khan. TBH, we think he is ageing backwards. Don't believe us? Drop everything and take a look at his latest airport outing. Saif wore chivalry up his sleeves as he greeted the paparazzi at Mumbai airport. The actor even posed for a set of pictures before making his way towards the entry gate. Dressed in a grey tee and classic denim blue jeans, Saif Ali Khan proved that the minimalistic trend is here to stay. The statement black sunglasses and brown pointed shoes sealed the look for the evening. View this post on Instagram A post shared by F I L M Y G Y A N (@filmygyan) Meanwhile, Saif Ali Khan's much-beloved romantic comedy, Cocktail, is re-releasing in theatres on May 30. Co-starring Diana Penty and Deepika Padukone, the film is directed by Homi Adajania. Announcing the exciting news, PVR Cinema shared a poster on Instagram. It has 'Veronica, Gautam, Meera- their friendship, their love, their story- back on the big screen!" written on it. The caption read, 'The iconic trio is back! Experience the unforgettable journey of Cocktail once again with our Curated Shows. Cocktail re-releasing at PVR INOX on May 30!" Originally released in the theatres on July 13, 2012, the film revolves around three friends, Gautam Kapoor (Saif), Meera (Diana) and Veronica (Deepika). Their life takes a dramatic turn after Gautam falls in love with Meera. The project, which marked Diana's Bollywood debut, also saw Dimple Kapadia, Boman Irani, Randeep Hooda, Tina Desai, Manoj Pahwa and Mia Uyeda in key roles. Saif Ali Khan was last seen in Jewel Thief. A Netflix original, the heist thriller also stars Jaideep Ahlawat, Kunal Kapoor and Nikita Dutta in the lead roles. The film, directed by Kookie Gulati and Robbie Grewal, marks the OTT debut of producers Siddharth Anand and Mamta Anand's Marflix Pictures. In a recent chat with Hindustan Times, Saif was all praises for his co-star Jaideep as he expressed, 'When Jaideep nails a shot, I'm very happy for the movie and for myself because I'm going to benefit from that and then I'm like 'Okay, I better get my act together and be good'." 'He's among the best actors around today," added Saif during the same chat. In Jewel Thief, Saif Ali Khan plays a thief, Rehan Roy whereas Jaideep is seen portraying a notorious crime lord. First Published:
