Latest news with #Dildaar
Economic Times
25-05-2025
- Entertainment
- Economic Times
Actress who worked with Rekha claims diva was 'jealous' of her: 'She made faces at me'
Tension Rooted in Vinod Mehra's Shadow Confrontation Behind the Curtains Prem Bandhan and a Battle Over Footwear The Attempt to Replace Her in Daasi A Shared Filmography and Separate Paths In the vibrant era of the 1970s, Moushumi Chatterjee stood tall among the most sought-after actresses in Indian cinema. With her charm, talent, and grace, she ruled the silver screen. Yet, behind the glitz and glamour, a storm brewed quietly — one that involved another iconic figure of the same era, Rekha . In a candid conversation with Filmfare, Moushumi recently opened up about their tense relationship, marked by jealousy, misunderstandings, and professional of the central triggers in their strained bond was actor Vinod Mehra. According to Moushumi, Rekha suspected her of exerting undue influence over Vinod's personal affairs. Recalling a specific instance, she shared that Vinod's mother would frequently ask her, not Rekha, to fetch things for her son. 'She would say, 'Indu, bring the envelope from Vinod's cupboard,' even while Rekha was sitting there,' Moushumi revealed. This seemingly innocent favor ignited Rekha's resentment, leading her to believe that Moushumi was intruding into Vinod's life. 'She felt Vinod listened to me more than anyone else,' Moushumi said, adding that it made her an easy target of Rekha's visible icy rapport was not limited to cold glances and silent accusations. Moushumi remembered how Rekha would make faces at her whenever they crossed paths. Eventually, Moushumi chose to confront her. 'She got nervous,' Moushumi stated, implying that the confrontation left Rekha flustered. Though she expressed doubt over whether Rekha would even recall the incident today, the memory remains vivid in Moushumi's moment of tension arose on the sets of Prem Bandhan. Director Ramanand Sagar asked Moushumi to remove her heels so she would appear the same height as Rekha, who was barefoot. Moushumi flatly refused. 'I come from a well-educated, affluent background,' she explained. 'Why should I compromise? Give her a stool instead.' She stood her ground, demanding that the production adapt rather than asking her to also recalled an audacious attempt by Rekha to replace her in the film Daasi . Frustrated with constantly playing the 'second woman,' Rekha requested director Raj Khosla to give her Moushumi's role — that of Sanjeev Kumar's wife. 'All his assistants burst out laughing,' Moushumi recalled. 'Raj Khosla, who was slightly tipsy, said, 'I'd have to rewrite the whole script!'' The implication was clear — Moushumi was irreplaceable in that their friction, the two stars shared screen space in several notable films like Prem Bandhan, Maang Bharo Sajana, Dildaar, Jyoti Bane Jwala, and Bhola Bhola. Today, Moushumi continues her journey in cinema, most recently appearing in the Bengali film Aarii, a poignant tale of love and sacrifice between a widowed mother and her son.
Time of India
25-05-2025
- Entertainment
- Time of India
Actress who worked with Rekha claims diva was 'jealous' of her: 'She made faces at me'
Tension Rooted in Vinod Mehra's Shadow Confrontation Behind the Curtains Prem Bandhan and a Battle Over Footwear The Attempt to Replace Her in Daasi A Shared Filmography and Separate Paths In the vibrant era of the 1970s, Moushumi Chatterjee stood tall among the most sought-after actresses in Indian cinema. With her charm, talent, and grace, she ruled the silver screen. Yet, behind the glitz and glamour, a storm brewed quietly — one that involved another iconic figure of the same era, Rekha . In a candid conversation with Filmfare, Moushumi recently opened up about their tense relationship, marked by jealousy, misunderstandings, and professional of the central triggers in their strained bond was actor Vinod Mehra. According to Moushumi, Rekha suspected her of exerting undue influence over Vinod's personal affairs. Recalling a specific instance, she shared that Vinod's mother would frequently ask her, not Rekha, to fetch things for her son. 'She would say, 'Indu, bring the envelope from Vinod's cupboard,' even while Rekha was sitting there,' Moushumi revealed. This seemingly innocent favor ignited Rekha's resentment, leading her to believe that Moushumi was intruding into Vinod's life. 'She felt Vinod listened to me more than anyone else,' Moushumi said, adding that it made her an easy target of Rekha's visible icy rapport was not limited to cold glances and silent accusations. Moushumi remembered how Rekha would make faces at her whenever they crossed paths. Eventually, Moushumi chose to confront her. 'She got nervous,' Moushumi stated, implying that the confrontation left Rekha flustered. Though she expressed doubt over whether Rekha would even recall the incident today, the memory remains vivid in Moushumi's moment of tension arose on the sets of Prem Bandhan. Director Ramanand Sagar asked Moushumi to remove her heels so she would appear the same height as Rekha, who was barefoot. Moushumi flatly refused. 'I come from a well-educated, affluent background,' she explained. 'Why should I compromise? Give her a stool instead.' She stood her ground, demanding that the production adapt rather than asking her to also recalled an audacious attempt by Rekha to replace her in the film Daasi . Frustrated with constantly playing the 'second woman,' Rekha requested director Raj Khosla to give her Moushumi's role — that of Sanjeev Kumar's wife. 'All his assistants burst out laughing,' Moushumi recalled. 'Raj Khosla, who was slightly tipsy, said, 'I'd have to rewrite the whole script!'' The implication was clear — Moushumi was irreplaceable in that their friction, the two stars shared screen space in several notable films like Prem Bandhan, Maang Bharo Sajana, Dildaar, Jyoti Bane Jwala, and Bhola Bhola. Today, Moushumi continues her journey in cinema, most recently appearing in the Bengali film Aarii, a poignant tale of love and sacrifice between a widowed mother and her son.
New Indian Express
23-04-2025
- Entertainment
- New Indian Express
Shreyas Manju's international action-love drama in the works
Shreyas Manju, who was recently seen in Vishnupriya , is now gearing up for a Kannada-Telugu bilingual film set against a foreign backdrop. Currently juggling between India and abroad, Shreyas has been silently working on the pre-production of this ambitious venture and has been in Europe for the past 15 days. He describes it as a high-voltage film with a unique blend of cultures, action, and love. 'Last year, when I was in the US, an idea suddenly struck me. I realised I wanted to do cinema in a different way—not out of pressure, not to please anyone—but something I truly believe in,' says Shreyas, reflecting on the journey behind this project. The yet-untitled film will be a mix of Indian and European sensibilities, and the team is nearing completion of the groundwork. 'We're spending a lot of time on recce, understanding the local European culture, working on the writing, and stunt coordination. I'm personally involved with the writers and the team,' he shares. While the final production announcement is awaited, Shreyas hints at collaborating with a non-industry producer. 'The production houses are almost locked, and an official announcement will be made soon. Shreyas adds, "I'm also in talks with two directors who can collaborate effectively with me—someone who understands our shared vision." He plans to begin shooting sometime later this year. 'We're scouting for the cast, which will be a mix of local actors and some foreign artistes,' he adds. Shreyas, who has been experimenting with different genres over the years, admits to having gone through a phase of creative confusion. 'Honestly, I felt I was doing films for the sake of it. I wasn't enjoying the process. But now, I've found clarity. This film is purely my decision, my vision,' he states with conviction. He adds, 'From feeling boxed in by expectations to finally breaking free with a dream project, I'm ready to redefine the path—on my terms and across borders.' Moreover, Shreyas is all set to undergo a complete physical transformation for the film. 'I'll be changing my look, gaining around 10 kilos. I am looking forward to the release of S Narayan's film, and after completing the shoot for Dildaar , I'll start training in martial arts and hand-to-hand combat, which is necessary for the stunt sequences in my next film. I want to be fully prepared,' he says. Shreyas also reveals that the film will feature a foreign heroine and a few international artists, along with local actors, making it a cultural fusion. 'It'll be a mix of Indian and Italian vibes. A bit of our culture, a bit of theirs—this blend really excites me. Why should we think small and limit ourselves to just local stories? I want to see what our stories look like when seen through a foreign lens,' he adds. With shooting expected to begin later this year, seventy per percent of the film will be shot in Europe, and thirty per percent will be shot in India. Shreyas is looking forward to breaking new ground. 'This is going to be a bilingual in Kannada and Telugu, but more than that—it's going to be a new experience altogether. An action-love drama with international flavour, that's the direction I'm heading towards.'
