Latest news with #Dodgeball
Perth Now
3 days ago
- Entertainment
- Perth Now
Vince Vaughn gives promising Dodgeball 2 update
Vince Vaughn has a "pretty good" idea for a 'Dodgeball' sequel. The 55-year-old actor played Average Joe's Gym owner Peter LaFleur in cult classic 2004 comedy 'Dodgeball: A True Underdog Story', and he has given an update on a follow-up two years after a sequel was announced, albeit without much progress since 2023. He told The Hollywood Reporter: "There's always talk of these. 'Dodgeball', actually, there's an idea that's pretty good, but nothing for sure." He explained that after new Netflix film 'Nonnas', his next project is another season of 'Bad Monkey' followed by "another thing" he's working on. He added: "I'm going to start the second season of 'Bad Monkey', which is great, and then I have another thing I'm going to do, but I would definitely… "It's always about if the story's right, if the extension is something that makes sense. "There are ideas that are good with some of these, but you never know what transpires and if it makes sense for everybody. "But I'm definitely open to it. I love a lot of those movies and definitely open if something comes to pass." The original movie followed a group of misfits who enter a Las Vegas dodgeball tournament in a bid to save their gym from a corporate chain by winning the prize money. Alan Tudyk - who played Steve 'The Pirate' Cowan in the original movie - recently revealed a 'Dodgeball 2' script "has been written", but speculated that "there has to be something holding it back". He told 'This is what's been reported, that I've read at least online, and I've kind of heard rumors around. "It's written, Vince likes it, I guess that's all I know. I don't know that I'm in it. "All I know is this: I threw out my shoulder doing that movie, and now I'm 54, so how am I gonna do that? I don't know.' Vaughn previously insisted everyone involved has no desire to make the film unless it's "funny". Speaking to The Hollywood Reporter in 2022, he said: "They've always talked about these things forever and I had an idea that was fun and the studio likes it, so we'll see where it goes. "I think Ben [Stiller] is open to doing it, I think he's in the same boat as me actually which is if it's a really fun and great idea then that's fun, but if it's just something to go do it again then why? "I think for all of us if it feels right and it's funny, it would be something to go back to, and if it's not, it's just another idea getting kicked around." Meanwhile, co-star Justin Long revealed a few years ago that Ben Stiller might be having reservations about a sequel. He told "Of course I would love to do it and I hope that it ends up happening, but I think Ben is a little, what he told me on that podcast was that he's a little trepidatious about doing a sequel to something so beloved, something that people enjoy so much that. "It's very risky, you don't wanna s*** on the original, you want something just as good. "So I think [Ben is] a little wary of that, of trying to recreate something that was very specific to that time, but I hope he comes around on it."
New York Post
3 days ago
- Entertainment
- New York Post
Ben Stiller was taken aback by Pat McAfee's brutal Knicks trolling: ‘Seems a little cartoonish'
Actor and Knicks superfan Ben Stiller said he didn't know much about Pat McAfee before Game 4 on Tuesday night. He's since become a bit more acquainted with what he's all about after the ESPN personality dropped a WWE-style promo on Stiller, Timothée Chalamet and Spike Lee late in the Pacers' win over the Knicks from inside Gainbridge Fieldhouse. In the viral moment, McAfee called the trio 'bigwigs from the big city' before naming each one of them to elicit boos. Advertisement He then told the Pacers fans to 'send these sons of bitches back to New York with their ears ringing.' Stiller, who has starred in hit movies like 'Meet the Parents' and 'Dodgeball' and served as the executive producer of 'Severance,' discussed the whole thing during an appearance on SNY's 'The Putback with Ian Begley' on Wednesday morning. Advertisement The actor admitted to being 'not familiar with his game' before asking if he had been a field goal kicker or a place kicker. Begley informed Stiller that McAfee was a punter with the Colts and later added that he is also a color commentator for WWE's 'Monday Night Raw' in addition to hosting his popular sports talk show on the Worldwide Leader. 3 Pat McAfee speaking to the fans during a timeout during Game 4 on May 27, 2025. Charles Wenzelberg / New York Post 'I wasn't aware of that,' Stiller said. 'I did know that Timothée had been on his show. And I was like, 'Oh, that's your boy. That's your guy.' So when that happened, I was a little bit like, 'Whoa.' But the WWE aspect of it, I get it. It's just not the way it happens in New York. He should come to the Garden for Game 5.' Advertisement The celeb then suggested that McAfee wouldn't be booed if he had shown up in New York and would receive a cheer from the Madison Square Garden crowd. 3 Ben Stiller is seen during the first quarter of Game 4 of the Eastern Conference Finals between the New York Knicks and the Indiana Pacers. Getty Images Though it does seem unlikely after McAfee's Game 4 attempt to hype up the crowd. 'They'll put him up on the screen and they'll show him punting the ball and everybody will give him a nice cheer,' Stiller said. 'That's how we do it in New York. But I get it, it was fun. He was just trying to get the crowd riled up. It was a little bit out of the blue. It's also like, are we really doing the narrative of 'Hicks versus Knicks'? Like the bigwigs from New York? It just seems a little cartoonish. But then again, it goes with the WWE.' Advertisement The 'Hicks versus Knicks' narrative that Stiller was referring to was popularized during the battles between the Knicks and Pacers in the 1990s. 3 Pat McAfee after speaking to the crowd in the fourth quarter. Charles Wenzelberg / New York Post While the renewed rivalry between the Pacers has been plenty of fun on the court and inside the building, it has led to some darker moments outside the arenas. Knicks fans were seen throwing trash at a Pacers fan following the Game 6 win in the second round over the Celtics, and a different Pacers supporter was charged with stabbing two Knicks fans at a brewery in Indiana during Game 2.
The Advertiser
23-05-2025
- Entertainment
- The Advertiser
This is a warm and friendly comfort-feed of a film
Nonnas PG, 115 minutes 4 stars This is a comfort-food movie. It's not out to surprise or overwhelm you, but offers warmth and likeability and familiarity served up with care. One of the characters says, "Food is love" and the movie, streaming on Netflix, demonstrates how and why. It's inspired by the true story of Joe Scaravella, a Brooklyn native who risked everything after his mother died. Scaravella, who worked for the Metropolitan Transportation Authority, had no food-industry experience. What he did have was a passion for the food his Italian-American mother and grandmother had made. He wanted to pay homage to them with a place that served traditional recipes cooked by nonnas. Enoteca Maria, named after his mother, was the result. It's not really a spoiler to say the Staten Island restaurant is still going: this isn't the kind of movie that has an unhappy ending; it's about the beginning. Vince Vaughn plays Joe in the movie. Vaughn has had a varied career ranging from comedy (Wedding Crashers, Dodgeball) to drama (True Detective, Hacksaw Ridge) and even horror (Freaky and the misbegotten remake of Psycho, for which we will forgive him). He makes the man likeable. You want him to succeed when he's spending his inheritance and getting into debt for what his best friend Bruno (Joe Manganiello) fears is a doomed enterprise (though he still helps out with the renovations). Bruno's wife Stella (Drea de Matteo) is also very supportive. Joe is lucky there. But the movie doesn't make things seem easy for Joe. He has to get his workmates to cover for him (he needs the money) and has to negotiate the details of a new enterprise. And soon he faces mounting debts, piles of bills, building inspections and other challenges. Nobody said pursuing, much less achieving, a dream was as easy as having one. The nonnas who are recruited are vital to the story and are played by seasoned and appealing actresses. Two are old acquaintances: Gia (Susan Sarandon), who was Maria's hairdresser and is a talented baker; and Roberta, Maria's best friend, (Lorraine Bracco), who welcomes time away from her nursing home. Another lady, Teresa (Talia Shire), a former nun, is a walk-in who gets signed up and a chance encounter at a market reunites Joe with Olivia (Linda Cardellini), his high school crush. She's with her neighbour Antonella (Brenda Vaccaro), who becomes the last of the nonna quartet whose recipes and culinary talents will be essential. But then comes the final challenge: opening the place and attracting customers and reviewers. That's never easy for a new restaurant but being away from Manhattan and unknown makes It harder. If you like looking at ingredients being prepped and food being cooked, you'll have a good time here and maybe even wish for more of those scenes. You might even be tempted to go and cook something yourself (or at least buy and eat it). Some might find the presentation of Joe's childhood memories - and the adult relationships - a bit cliched but, having Italian-American relatives, I can confirm the centrality of food and family in that culture and the sometimes volatile nature of the relationships. There's some predictable but enjoyable comedy as the feisty women from different places butt heads and show off their dishes. The women seem to be having a wonderful time. Don't turn off as soon as the credits begin: little visual and factual morsels are sprinkled through the closing credits, providing evidence of and updates to the story - including the fact that he extended his recruitment to non-Italian nonnas. Food is love, regardless of the culture. Nonnas PG, 115 minutes 4 stars This is a comfort-food movie. It's not out to surprise or overwhelm you, but offers warmth and likeability and familiarity served up with care. One of the characters says, "Food is love" and the movie, streaming on Netflix, demonstrates how and why. It's inspired by the true story of Joe Scaravella, a Brooklyn native who risked everything after his mother died. Scaravella, who worked for the Metropolitan Transportation Authority, had no food-industry experience. What he did have was a passion for the food his Italian-American mother and grandmother had made. He wanted to pay homage to them with a place that served traditional recipes cooked by nonnas. Enoteca Maria, named after his mother, was the result. It's not really a spoiler to say the Staten Island restaurant is still going: this isn't the kind of movie that has an unhappy ending; it's about the beginning. Vince Vaughn plays Joe in the movie. Vaughn has had a varied career ranging from comedy (Wedding Crashers, Dodgeball) to drama (True Detective, Hacksaw Ridge) and even horror (Freaky and the misbegotten remake of Psycho, for which we will forgive him). He makes the man likeable. You want him to succeed when he's spending his inheritance and getting into debt for what his best friend Bruno (Joe Manganiello) fears is a doomed enterprise (though he still helps out with the renovations). Bruno's wife Stella (Drea de Matteo) is also very supportive. Joe is lucky there. But the movie doesn't make things seem easy for Joe. He has to get his workmates to cover for him (he needs the money) and has to negotiate the details of a new enterprise. And soon he faces mounting debts, piles of bills, building inspections and other challenges. Nobody said pursuing, much less achieving, a dream was as easy as having one. The nonnas who are recruited are vital to the story and are played by seasoned and appealing actresses. Two are old acquaintances: Gia (Susan Sarandon), who was Maria's hairdresser and is a talented baker; and Roberta, Maria's best friend, (Lorraine Bracco), who welcomes time away from her nursing home. Another lady, Teresa (Talia Shire), a former nun, is a walk-in who gets signed up and a chance encounter at a market reunites Joe with Olivia (Linda Cardellini), his high school crush. She's with her neighbour Antonella (Brenda Vaccaro), who becomes the last of the nonna quartet whose recipes and culinary talents will be essential. But then comes the final challenge: opening the place and attracting customers and reviewers. That's never easy for a new restaurant but being away from Manhattan and unknown makes It harder. If you like looking at ingredients being prepped and food being cooked, you'll have a good time here and maybe even wish for more of those scenes. You might even be tempted to go and cook something yourself (or at least buy and eat it). Some might find the presentation of Joe's childhood memories - and the adult relationships - a bit cliched but, having Italian-American relatives, I can confirm the centrality of food and family in that culture and the sometimes volatile nature of the relationships. There's some predictable but enjoyable comedy as the feisty women from different places butt heads and show off their dishes. The women seem to be having a wonderful time. Don't turn off as soon as the credits begin: little visual and factual morsels are sprinkled through the closing credits, providing evidence of and updates to the story - including the fact that he extended his recruitment to non-Italian nonnas. Food is love, regardless of the culture. Nonnas PG, 115 minutes 4 stars This is a comfort-food movie. It's not out to surprise or overwhelm you, but offers warmth and likeability and familiarity served up with care. One of the characters says, "Food is love" and the movie, streaming on Netflix, demonstrates how and why. It's inspired by the true story of Joe Scaravella, a Brooklyn native who risked everything after his mother died. Scaravella, who worked for the Metropolitan Transportation Authority, had no food-industry experience. What he did have was a passion for the food his Italian-American mother and grandmother had made. He wanted to pay homage to them with a place that served traditional recipes cooked by nonnas. Enoteca Maria, named after his mother, was the result. It's not really a spoiler to say the Staten Island restaurant is still going: this isn't the kind of movie that has an unhappy ending; it's about the beginning. Vince Vaughn plays Joe in the movie. Vaughn has had a varied career ranging from comedy (Wedding Crashers, Dodgeball) to drama (True Detective, Hacksaw Ridge) and even horror (Freaky and the misbegotten remake of Psycho, for which we will forgive him). He makes the man likeable. You want him to succeed when he's spending his inheritance and getting into debt for what his best friend Bruno (Joe Manganiello) fears is a doomed enterprise (though he still helps out with the renovations). Bruno's wife Stella (Drea de Matteo) is also very supportive. Joe is lucky there. But the movie doesn't make things seem easy for Joe. He has to get his workmates to cover for him (he needs the money) and has to negotiate the details of a new enterprise. And soon he faces mounting debts, piles of bills, building inspections and other challenges. Nobody said pursuing, much less achieving, a dream was as easy as having one. The nonnas who are recruited are vital to the story and are played by seasoned and appealing actresses. Two are old acquaintances: Gia (Susan Sarandon), who was Maria's hairdresser and is a talented baker; and Roberta, Maria's best friend, (Lorraine Bracco), who welcomes time away from her nursing home. Another lady, Teresa (Talia Shire), a former nun, is a walk-in who gets signed up and a chance encounter at a market reunites Joe with Olivia (Linda Cardellini), his high school crush. She's with her neighbour Antonella (Brenda Vaccaro), who becomes the last of the nonna quartet whose recipes and culinary talents will be essential. But then comes the final challenge: opening the place and attracting customers and reviewers. That's never easy for a new restaurant but being away from Manhattan and unknown makes It harder. If you like looking at ingredients being prepped and food being cooked, you'll have a good time here and maybe even wish for more of those scenes. You might even be tempted to go and cook something yourself (or at least buy and eat it). Some might find the presentation of Joe's childhood memories - and the adult relationships - a bit cliched but, having Italian-American relatives, I can confirm the centrality of food and family in that culture and the sometimes volatile nature of the relationships. There's some predictable but enjoyable comedy as the feisty women from different places butt heads and show off their dishes. The women seem to be having a wonderful time. Don't turn off as soon as the credits begin: little visual and factual morsels are sprinkled through the closing credits, providing evidence of and updates to the story - including the fact that he extended his recruitment to non-Italian nonnas. Food is love, regardless of the culture. Nonnas PG, 115 minutes 4 stars This is a comfort-food movie. It's not out to surprise or overwhelm you, but offers warmth and likeability and familiarity served up with care. One of the characters says, "Food is love" and the movie, streaming on Netflix, demonstrates how and why. It's inspired by the true story of Joe Scaravella, a Brooklyn native who risked everything after his mother died. Scaravella, who worked for the Metropolitan Transportation Authority, had no food-industry experience. What he did have was a passion for the food his Italian-American mother and grandmother had made. He wanted to pay homage to them with a place that served traditional recipes cooked by nonnas. Enoteca Maria, named after his mother, was the result. It's not really a spoiler to say the Staten Island restaurant is still going: this isn't the kind of movie that has an unhappy ending; it's about the beginning. Vince Vaughn plays Joe in the movie. Vaughn has had a varied career ranging from comedy (Wedding Crashers, Dodgeball) to drama (True Detective, Hacksaw Ridge) and even horror (Freaky and the misbegotten remake of Psycho, for which we will forgive him). He makes the man likeable. You want him to succeed when he's spending his inheritance and getting into debt for what his best friend Bruno (Joe Manganiello) fears is a doomed enterprise (though he still helps out with the renovations). Bruno's wife Stella (Drea de Matteo) is also very supportive. Joe is lucky there. But the movie doesn't make things seem easy for Joe. He has to get his workmates to cover for him (he needs the money) and has to negotiate the details of a new enterprise. And soon he faces mounting debts, piles of bills, building inspections and other challenges. Nobody said pursuing, much less achieving, a dream was as easy as having one. The nonnas who are recruited are vital to the story and are played by seasoned and appealing actresses. Two are old acquaintances: Gia (Susan Sarandon), who was Maria's hairdresser and is a talented baker; and Roberta, Maria's best friend, (Lorraine Bracco), who welcomes time away from her nursing home. Another lady, Teresa (Talia Shire), a former nun, is a walk-in who gets signed up and a chance encounter at a market reunites Joe with Olivia (Linda Cardellini), his high school crush. She's with her neighbour Antonella (Brenda Vaccaro), who becomes the last of the nonna quartet whose recipes and culinary talents will be essential. But then comes the final challenge: opening the place and attracting customers and reviewers. That's never easy for a new restaurant but being away from Manhattan and unknown makes It harder. If you like looking at ingredients being prepped and food being cooked, you'll have a good time here and maybe even wish for more of those scenes. You might even be tempted to go and cook something yourself (or at least buy and eat it). Some might find the presentation of Joe's childhood memories - and the adult relationships - a bit cliched but, having Italian-American relatives, I can confirm the centrality of food and family in that culture and the sometimes volatile nature of the relationships. There's some predictable but enjoyable comedy as the feisty women from different places butt heads and show off their dishes. The women seem to be having a wonderful time. Don't turn off as soon as the credits begin: little visual and factual morsels are sprinkled through the closing credits, providing evidence of and updates to the story - including the fact that he extended his recruitment to non-Italian nonnas. Food is love, regardless of the culture.
IOL News
14-05-2025
- Entertainment
- IOL News
From grief to gratitude: how 'Nonnas' serves up love and healing through grandmother's recipes
Vince Vaughn offers a sensitive performance in 'Nonnas', a touching narrative exploring grief and healing, centered around the grounding influence of grandmothers and food. Image: X/ @MoselloATC I don't know about you, but seeing Vince Vaughn on screen is always a treat. From "Wedding Crashers" to "Dodgeball", the man's unmatched comedic timing makes him a walking punchline with heart. So it was surprising (in a good way) to see him in something a little more grounded and heartfelt. Vaughn's been lighting up our screens since the mid-'90s, but Netflix's "Nonnas" lets him flex some emotional muscle we rarely see. And you know what? He pulls it off. "Nonnas", based on a true story, is a love letter to the women who've kept families full, connected and comforted for generations: grandmothers, mothers, aunties. And through food, glorious, healing, life-giving food. From homemade pasta to the kind of soup that could cure a heartbreak, the film wraps you up in nostalgia from the first scene. Video Player is loading. Play Video Play Unmute Current Time 0:00 / Duration -:- Loaded : 0% Stream Type LIVE Seek to live, currently behind live LIVE Remaining Time - 0:00 This is a modal window. Beginning of dialog window. Escape will cancel and close the window. Text Color White Black Red Green Blue Yellow Magenta Cyan Transparency Opaque Semi-Transparent Background Color Black White Red Green Blue Yellow Magenta Cyan Transparency Opaque Semi-Transparent Transparent Window Color Black White Red Green Blue Yellow Magenta Cyan Transparency Transparent Semi-Transparent Opaque Font Size 50% 75% 100% 125% 150% 175% 200% 300% 400% Text Edge Style None Raised Depressed Uniform Dropshadow Font Family Proportional Sans-Serif Monospace Sans-Serif Proportional Serif Monospace Serif Casual Script Small Caps Reset restore all settings to the default values Done Close Modal Dialog End of dialog window. Advertisement Video Player is loading. Play Video Play Unmute Current Time 0:00 / Duration -:- Loaded : 0% Stream Type LIVE Seek to live, currently behind live LIVE Remaining Time - 0:00 This is a modal window. Beginning of dialog window. Escape will cancel and close the window. Text Color White Black Red Green Blue Yellow Magenta Cyan Transparency Opaque Semi-Transparent Background Color Black White Red Green Blue Yellow Magenta Cyan Transparency Opaque Semi-Transparent Transparent Window Color Black White Red Green Blue Yellow Magenta Cyan Transparency Transparent Semi-Transparent Opaque Font Size 50% 75% 100% 125% 150% 175% 200% 300% 400% Text Edge Style None Raised Depressed Uniform Dropshadow Font Family Proportional Sans-Serif Monospace Sans-Serif Proportional Serif Monospace Serif Casual Script Small Caps Reset restore all settings to the default values Done Close Modal Dialog End of dialog window. Next Stay Close ✕ When Joe inherits her life insurance, he takes a leap: opening a restaurant where the only chefs are Italian grandmothers. Image: X/@DavidOpie Joe (Vaughn) is mourning the loss of his mother. He's stuck. But memories of their kitchen rituals, lit like golden snapshots from childhood, stir something deep. When he inherits her life insurance, he takes a leap: opening a restaurant where the only chefs are Italian grandmothers. It's chaotic (as some golden oldies can be), touching, and surprisingly funny because these nonnas come with sass. What "Nonnas" does beautifully is remind us how grief and comfort often sit side by side at the table. Whether it's dishing up warm soup after a funeral or recreating your late mother's stew in your tiny apartment kitchen, food gives us a way to hold on even when everything else has changed. It's the small rituals: peeling vegetables the way she did, boiling rice with the same pinch of salt, smelling onions on the stove that suddenly takes you back. Vaughn's Joe finds healing not in therapy, but in recreating the meals that made his childhood whole. That emotional layer sneaks up on you. This film also reminds us that food is never just food. It's a cultural heirloom. Across the world, there's always that one dish that says, 'home'. For many of us, food was how love was served, in pots, plates and plastic containers sent home after family gatherings. Watching "Nonnas" might make you think of your own gran's Sunday lunch: chicken so soft it fell off the bone, roast potatoes that could end wars, and that secret gravy recipe no one's quite managed to recreate. Susan Sarandon starring in 'Nonnas'. Image: X/@msboland_botwin Whether it's pap and stew, biryani, or koeksisters, we all have those dishes that carry our families' stories. As the film suggests, 'One does not grow old at the table.' Because when we eat these meals, we are reminded and reconnected. The supporting cast is pure magic. Susan Sarandon is looking fabulous as always, and legends like Lorraine Bracco, Talia Shire and Brenda Vaccaro add plenty of spice. Their onscreen chemistry feels like you're watching real aunties argue over how long the pasta should boil. While the plot is simple, the message lingers: food is memory. Food is connection. Food is healing. "Nonnas" doesn't reinvent the recipe, but it doesn't have to. It brings enough heart, humour, and flavour to leave you smiling and probably craving your grandmother's cooking. So yes, "Nonnas" is about Italian grandmothers. But it's also about yours. *** solid and enjoyable, though not groundbreaking.
Daily Mirror
29-04-2025
- Entertainment
- Daily Mirror
Man makes appearance as drummer in punk band and jaws drop as people realise who it is
A man turned up to play drums at a gig for a punk rock band - and it turns out even the group's die hard fans were gobsmacked after realising it was an A-list celebrity Concertgoers were stunned to spot a well-known actor drumming at the back of the stage, sparking a flurry of double-takes in the audience. While most punk rock fans kept their eyes glued to the frontmen's on-stage antics, some observant people clocked the familiar face who was sitting behind the drumkit. Baffled TikTok users feverishly debated the unexpected cameo of the A-list celeb mixing it with the musicians. The band, Capital Punishment, boasts the Hollywood heavyweight in their ranks and has staged a comeback with a handful of gigs. The group was played songs from their album, which released over 35 years ago. significant throwback to their heyday. An appearance that left fans and film buffs alike astounded; few realised the star of Dodgeball and Tropic Thunder was also a punk percussionist. A clip circulated on TikTok, accompanied by the text: "Wait... is that...? Surely not?" showcasing Capital Punishment's latest gig, where fans detected the unmistakable figure of Ben Stiller hammering at the drums. One particularly shocked observer needed confirmation amidst the jaw-dropping discovery. One stunned user asked: "Is that for real Ben Stiller?" To their amazement, it was the Night at the Museum lead and Severance mastermind reviving his rhythm section role from decades past. Capital Punishment rocked the stage with Ben Stiller on drums, having first released their album 'Roadkill' back in 1982. They followed it up decades later with an EP called 'This is Capital Punishment' in 2018. Fans were stunned to discover Stiller was the man on drums. Social media remarks included one fan's surprise: "I didn't know Ben knew how to play drums." Another shared a bit of trivia, adding: "Ben Stiller played drums in a post punk band called Capital Punishment in the 80s. [I] think it was in the beginning like 1982 or something." The r/punk Reddit page saw equally puzzled reactions about Stiller's antics with Capital Punishment. A user confessed: "I actually enjoyed their album. It's zany weirdo s**t, more Devo than Dead Kennedys." Someone else recounted a past exchange: "I weirdly remember someone telling me this a while ago and I told them to stop lying to me, I guess they were right." A passage from the Captured Tracks website gives more insight: "If you learned they went to the lengths of recording an album while in high school without a label or distribution and actually pressed a couple hundred copies, even weirder. "And now those albums fetch between $200-$500 each, which might not strike as odd for such a rare record. One might reckon the bizarre tale of Capital Punishment's Roadkill would there end - and that'd be quite the story. But that's not all there is to it. "You then find out the band consisted of a future Supreme Court Justice for Arizona, a Professor of Slavic Studies, an Musician/Documentarian whose family built the Brooklyn Bridge and an A-list world-famous actor. "The story goes from being about another rare, privately pressed recording that's been re-discovered, into something that's pretty incredible."
