Latest news with #Evanescence
UPI
3 days ago
- Entertainment
- UPI
Watch: Halsey, Amy Lee team up on 'Hand That Feeds' for 'Ballerina'
1 of 5 | Halsey (pictured) and Amy Lee released a music video for "Hand That Feeds" on Friday. File Photo by James Atoa/UPI | License Photo May 30 (UPI) -- Halsey and Amy Lee released a music video for their song "Hand That Feeds" on Friday. The pair created the song for the Ballerina film starring Ana de Armas as an assassin seeking revenge. The movie is part of the John Wick universe and also stars Keanu Reeves. The music video opens as Halsey runs through a city street in a bloodstained ballerina outfit. Lee, the lead singer of Evanescence, is sharpening a knife when she appears in the video. "You do it cause you know you can, turn around and bite the hand that feeds," they sing. Halsey is currently on their For My Last Trick tour. Evanescence joined the singer for her May 14 show in Los Angeles. Halsey turns 30: a look back Halsey arrives on the red carpet for the MTV Video Music Awards at Microsoft Theater in Los Angeles on August 30, 2015. Photo by Jim Ruymen/UPI | License Photo
Geek Tyrant
3 days ago
- Entertainment
- Geek Tyrant
New ELDEN RING: NIGHTREIGN Trailer Takes Us Back To The Early 2000s with Evanescence's 'Bring Me to Life' — GeekTyrant
There are certain moments in life that hit like a memory you didn't realize you'd been waiting to relive. Watching the Elden Ring: Nightreign trailer scored with Evanescence's 'Bring Me to Life' is one of them. Bandai Namco dropped the trailer which shows a team of three Tarnished warriors going toe-to-toe with Morgott the Omen King while Amy Lee belts her heart out over power chords like it's 2003. The trailer came with the following note: 'When your allies have fallen and all seems lost, dig deep down inside and summon the strength of early 2000's alternative metal. WAKE ME UP.' The music hits perfect for this trailer as the full-throttle drama and epic fantasy violence syncs perfectly to a track that defined an era. It's pretty cool! Nightreign is shaping up to be a must-play for fans and newcomers alike. Set in a parallel universe to the original Elden Ring , Nightreign transports players to Limveld, an amalgamation of familiar yet foreboding landscapes inspired by Limgrave. The game's structure revolves around surviving three day-and-night cycles. Days are spent exploring, looting, and leveling up with friends, while nights bring the ominous "Night's Tide," which gradually shrinks the map, forcing confrontations with powerful bosses. The ultimate challenge? Survive long enough to face the Nightlord on the final day, earning relics that carry over to future runs. Unlike the sprawling open-world freedom of Elden Ring , Nightreign offers a tighter, session-based structure designed for cooperative play. The focus is on rapid progression, collaboration, and adapting to escalating challenges as you and your team navigate Limveld's dangers. Elden Ring Nightreign introduces eight predefined character builds, each with unique abilities, weapons, and ultimates. This approach removes the series' traditional character creation and stat micromanagement, streamlining gameplay to emphasize team synergy. Whether you're playing as a tank, DPS, or support role, success depends on coordinating with your allies to balance your party's strengths. Progression is simplified but strategic. Instead of investing in individual stats, players level up their characters broadly during each session, with rewards and relics unlocking meaningful upgrades. Relics, earned through both victories and failures, offer permanent enhancements, incentivizing players to push through even the most punishing challenges. The gameplay mechanics retain the familiar Elden Ring DNA but introduce key changes to accommodate Nightreign's cooperative focus. Movement is faster, fall damage is removed, and combat relies heavily on the interplay between character builds. FromSoftware has also tailored exploration to match the session-based format, with Sites of Grace scattered across the map offering vital opportunities to level up and regroup. While the shrinking map mechanic adds urgency, it also intensifies the strategic element, as players must decide how to manage resources and whether to engage enemies or flee to safer grounds. This balance of exploration, combat, and survival promises a thrilling departure from the more solitary experience of the original game. So yeah, I wasn't planning to buy Elden Ring: Nightreign this week. But then I saw a fallen co-op partner resurrected in perfect sync with 'WAKE ME UP INSIDE,' and suddenly I'm booting up my console like it's a LAN party in 2004. Whoever at Bandai Namco greenlit this deserves a raise. Not just for marketing brilliance—but for finally giving AMVs the respect they deserve.
5 days ago
- Entertainment
Music Review: The rock band Garbage are defiant on new album, 'Let All That We Imagine Be the Light'
Buzz-saw guitars, dense synthesizers and throbbing percussion can sometimes brighten the mood. That's the goal of the new album from the American rock band Garbage, 'Let All That We Imagine Be the Light.' Due for release Friday, it's the sound of frontwoman Shirley Manson pushed to the brink by health issues and the fury of our times. The band's familiar sonic mix provides a pathway out of the darkness, with heavy riffing and dramatic atmospherics accompanying Manson's alluring alto. 'This is a cold cruel world,' she sings on the crunchy 'Love to Give.' 'You've gotta find the love where you can get it.' The album is Garbage's eighth and the first since 2021's 'No Gods No Masters.' The genesis came last August, when Manson aggravated an old hip injury, abruptly ending the band's world tour. The other members of the group – Butch Vig, Duke Erikson and Steve Marker – retreated to the studio and began work on new music. Manson added lyrics that lament fatalism, ageism and sexism, acknowledge vulnerability and mortality, and seek to embrace joy, love and empowerment. That's a lot, which may be why there's a song titled 'Sisyphus.' The sonics are formidable, too. A mix that echoes the Shangri-Las, Patti Smith and Evanescence helps to leaven the occasional overripe lyric, such as, 'There is no future that can't be designed/With imagination and a beautiful mind," in the title track. Most of the material is less New Age-y, and there's a fascinating desperation in Manson's positivity. 'Chinese Fire Horse,' for example, becomes a punky, Gen X, age-defying fist-pumper. 'But I've still got the power in my brain and my body/I'll take no (expletive) from you,' she sings. Manson sounds just as defiant singing about a love triangle on 'Have We Met (The Void),' or mourning in America on 'There's No Future in Optimism.' The album peaks on the backside with the back-to-back cuts 'Get Out My Face AKA Bad Kitty,' a battle cry in the gender war, and 'R U Happy Now,' a ferocious post-election rant. Then comes the closer, 'The Day That I Met God,' a weird and whimsical benedictory mix of horns, strings, faith, pain management and more. Hope and uplift can sound good loud.
San Francisco Chronicle
5 days ago
- Entertainment
- San Francisco Chronicle
Music Review: The rock band Garbage are defiant on new album, 'Let All That We Imagine Be the Light'
Buzz-saw guitars, dense synthesizers and throbbing percussion can sometimes brighten the mood. That's the goal of the new album from the American rock band Garbage, 'Let All That We Imagine Be the Light.' Due for release Friday, it's the sound of frontwoman Shirley Manson pushed to the brink by health issues and the fury of our times. The band's familiar sonic mix provides a pathway out of the darkness, with heavy riffing and dramatic atmospherics accompanying Manson's alluring alto. 'This is a cold cruel world,' she sings on the crunchy 'Love to Give.' 'You've gotta find the love where you can get it.' The album is Garbage's eighth and the first since 2021's 'No Gods No Masters.' The genesis came last August, when Manson aggravated an old hip injury, abruptly ending the band's world tour. The other members of the group – Butch Vig, Duke Erikson and Steve Marker – retreated to the studio and began work on new music. Manson added lyrics that lament fatalism, ageism and sexism, acknowledge vulnerability and mortality, and seek to embrace joy, love and empowerment. That's a lot, which may be why there's a song titled 'Sisyphus.' The sonics are formidable, too. A mix that echoes the Shangri-Las,Patti Smith and Evanescence helps to leaven the occasional overripe lyric, such as, 'There is no future that can't be designed/With imagination and a beautiful mind," in the title track. Most of the material is less New Age-y, and there's a fascinating desperation in Manson's positivity. 'Chinese Fire Horse,' for example, becomes a punky, Gen X, age-defying fist-pumper. 'But I've still got the power in my brain and my body/I'll take no (expletive) from you,' she sings. Manson sounds just as defiant singing about a love triangle on 'Have We Met (The Void),' or mourning in America on 'There's No Future in Optimism.' The album peaks on the backside with the back-to-back cuts 'Get Out My Face AKA Bad Kitty,' a battle cry in the gender war, and 'R U Happy Now,' a ferocious post-election rant. Then comes the closer, 'The Day That I Met God,' a weird and whimsical benedictory mix of horns, strings, faith, pain management and more. Hope and uplift can sound good loud.
Hamilton Spectator
5 days ago
- Entertainment
- Hamilton Spectator
Music Review: The rock band Garbage are defiant on new album, ‘Let All That We Imagine Be the Light'
Buzz-saw guitars, dense synthesizers and throbbing percussion can sometimes brighten the mood. That's the goal of the new album from the American rock band Garbage, 'Let All That We Imagine Be the Light.' Due for release Friday, it's the sound of frontwoman Shirley Manson pushed to the brink by health issues and the fury of our times. The band's familiar sonic mix provides a pathway out of the darkness, with heavy riffing and dramatic atmospherics accompanying Manson's alluring alto. 'This is a cold cruel world,' she sings on the crunchy 'Love to Give.' 'You've gotta find the love where you can get it.' The album is Garbage's eighth and the first since 2021's 'No Gods No Masters.' The genesis came last August, when Manson aggravated an old hip injury, abruptly ending the band's world tour. The other members of the group – Butch Vig, Duke Erikson and Steve Marker – retreated to the studio and began work on new music. Manson added lyrics that lament fatalism, ageism and sexism, acknowledge vulnerability and mortality, and seek to embrace joy, love and empowerment. That's a lot, which may be why there's a song titled 'Sisyphus.' The sonics are formidable, too. A mix that echoes the Shangri-Las, Patti Smith and Evanescence helps to leaven the occasional overripe lyric, such as, 'There is no future that can't be designed/With imagination and a beautiful mind,' in the title track. Most of the material is less New Age-y, and there's a fascinating desperation in Manson's positivity. 'Chinese Fire Horse,' for example, becomes a punky, Gen X, age-defying fist-pumper. 'But I've still got the power in my brain and my body/I'll take no (expletive) from you,' she sings. Manson sounds just as defiant singing about a love triangle on 'Have We Met (The Void),' or mourning in America on 'There's No Future in Optimism.' The album peaks on the backside with the back-to-back cuts 'Get Out My Face AKA Bad Kitty,' a battle cry in the gender war, and 'R U Happy Now,' a ferocious post-election rant. Then comes the closer, 'The Day That I Met God,' a weird and whimsical benedictory mix of horns, strings, faith, pain management and more. Hope and uplift can sound good loud. ___ For more AP reviews of recent music releases, visit:
