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Irish Examiner
2 days ago
- Entertainment
- Irish Examiner
Five for your radar: Love is a Stranger festival, Nobody 2 and more
Festival: Love is a Stranger Ballyvolane House, Cork, Friday-Sunday, August 15-17 Niamh Regan plays Love is a Stranger music festival in Ballyvolane House this weekend. Picture: Molly Keane From the team behind Another Love Story, Ballyvolane House hosts the latest iteration of Love is a Stranger — a mini-boutique festival comprising acclaimed Irish acts and DJs. Caoilian Sherlock, Tessa Rose Jackson, and Fish Go Deep's Shane Johnson get the party started on Friday, before the likes of Niamh Regan, Elaine Howley, and Lullahush take over on Saturday. Expect to befriend plenty of strangers at LIAS. Cinema: Nobody 2 General release, Friday, August 15 Bob Odenkirk reprises his role as lethal-but-lovable Hutch Mansell in this sequel to 2021's Nobody. Connie Nielsen, RZA, and Christopher Lloyd all return too, alongside new faces like Sharon Stone, Colin Hanks, and John Ortiz in director Timo Tjahjanto's English-language debut. The plot: suburban dad Hutch, a former lethal assassin, is pulled back into his violent past after thwarting a home invasion... setting off a chain of events that unravels secrets about his wife Becca's past and his own. Architecture: Cork Heritage Open Day Saturday, August 16 Cork's Geological Heritage A walking tour through the city's ancient past with Thomas Heising. Meeting point 12pm outside Cork City Council on Anglesea Street. Cork Heritage Open Day 2025 Cork Heritage Open Day celebrates 20 years showcasing the city's remarkable architecture and history. More than 35 buildings — many usually closed to the public — will open their doors, alongside guided tours, walks, talks, and exhibitions that bring Cork's story to life. Organised by Cork City Council with the Heritage Council, this free event marks the start of National Heritage Week and remains the country's largest celebration of its kind. Concert: Sharon Van Etten and the Attachment Theory Cork Opera House, Tuesday, August 19 Sharon Van Etten returns to Ireland with her band the Attachment Theory, bringing her powerful voice, magnetic stage presence, and their brilliant self-titled 2025 release to the Opera House. A master of blending raw emotion with soaring melodies, Van Etten has long been a favourite of Irish audiences (they also play Dublin's Collins Barracks on Thursday, August 21). Joined by special guest Angie McMahon, this promises a night of unmissable performances from one of the most compelling artists of her generation. Theatre: The Girl on the Train Everyman Theatre, Tuesday-Saturday, August 19-23 Much-acclaimed psychological thriller, The Girl on the Train, comes to The Everyman stage - starring Laura Whitmore The Girl on the Train pulls into the Everyman in a gripping stage adaptation of Paula Hawkins' global bestseller from 2015. Rachel Watson (Laura Whitmore) escapes her own life by watching a seemingly perfect couple from her daily commute — until the woman vanishes, pulling Rachel into a web of secrets, suspicion, and shocking truths. Following a sold-out UK tour, this psychological thriller promises to keep you on the edge of your seat. — Compiled by Eoghan O'Sullivan
Irish Examiner
06-08-2025
- Entertainment
- Irish Examiner
'Pagan rave' among new shows announced for Safe Harbour festival in Cork
The Sounds from a Safe Harbour festival in Cork has announced several more shows for its September event. The new shows come in the wake of a scramble for tickets on Tuesday for the European premiere of Cillian Murphy's latest film, Steve. Not surprisingly, the three screenings on Saturday, September 13, at the Arc cinema were quickly sold out. All tickets for the post-screening Q&A at Cork Opera House were also snapped up. That event will feature the Cork actor talking about the film alongside director Tim Mielants, and writer Max Porter, who was involved in adapting his own novel Shy for the big screen. Among the new shows announced in the music strand of the festival is Sirens, a concert featuring a group of female performers at St Anne's Church, Shandon. Hosted by Lisa Hannigan, it will feature the likes of Beth Orton, Gemma Sugrue and Laoise Leahy performing a combination of their own songs and interpretations of works by other female artists. Billy Mag Fhloinn, folklorist. Details were also announced for the 37d03d Opening Ritual event on the festival's opening evening, Thursday, September 11. Directed by folklorist Billy Mag Fhloinn — one of the festival curators — at Elizabeth Fort, it will apparently have the feel of a 'pagan rave', alongside performances from the likes of the Dingle Druid, Bobby Fingers, Róis, and Fish Go Deep. Country music is also having a bit of a breakout moment, and this will be reflected at Safe Harbour by Sounds From A Honky Tonk, a dance-filled celebration of the genre hosted by Swedish singer-songwriter Amanda Bergman. The biennial Cork festival, marking 10 years in existence, is renowned for its collaborations between artists, many of whom gather early in the week to work on music together. Efterklang. Picture:Søren Lynggaard. Some of the fruits of those collaborations will be seen this year at events such as Mixtape on the Friday, featuring the Cork Opera House Concert Orchestra and the SFSH Choir, with arrangements by Bryce Dessner of The National and celebrated cellist Kate Ellis. This year's closing event at the Opera House will be hosted by Danish group Efterklang, featuring a host of guests from the festival lineup. Sounds from a Safe Harbour takes place in Cork September 11-14. Tickets and full information available via
Irish Examiner
03-08-2025
- Entertainment
- Irish Examiner
Culture That Made Me: Cork DJ Shane Johnson picks his touchstones
Born in 1970, Shane Johnson grew up in Bishopstown, Co Cork. In 1988, he started DJing with Greg Dowling. As Fish Go Deep, the duo also began releasing music. Their residency sets at Sir Henry's nightclub in Cork in the 1990s have attained legendary status. The bi-weekly podcast of their long-running radio show has clocked more than 5 million listens. He will perform with Martin Roche (Get Down Edits) at Cork's Lee Rowing Club, Saturday, August 9, as part of a series of club nights that will also include Alexis Taylor of Hot Chip (Fri, Aug 8) See: Johnson also plays Eden in Ibiza on Sept 5. The Jesus and Mary Chain I loved Psychocandy by the Jesus and Mary Chain. I was drawn to the sheer antisocial aspects of it. You're a teenager, what are you gonna do? Play music that sounds like barbed wire. The album was tremendously exciting. Listening back with the ears I have now, underneath all the distortion, I can hear stuff like Phil Spector. There are actual pop songs in there, but they're buried beneath this obnoxious sound, which appealed to me. Dexys Midnight Runners Searching for the Young Soul Rebels by Dexys Midnight Runners was such a different record to what came out of UK pop music on its release in 1980. I started listening to it a few years later. The references were back to black music. The band had a look and an attitude that grabbed me. On the album's first song, Kevin Rowland runs through a list of Irish writers, including Oscar Wilde, Sean O'Casey, George Bernard Shaw. That sunk in subconsciously – you didn't hear too many Irish references in British pop music around that time. Def Jam Recordings My dad was into jazz. He had a great hi-fi system in the front room. I love jazz now, but as a teenager, it was an annoyance, not what I wanted to hear. The first genre music I picked up on was hip hop. I got into the Def Jam stuff, coming out of New York – Public Enemy, LL Cool J, Eric B. & Rakim. Public Enemy's first album, Yo! Bum Rush the Show, was a different sound. The lyrics are political and anti-establishment, which appeals to teenagers. It was eye-opening – Chuck D was giving you the news from the streets as opposed to the TV. Sir Henry's Sir Henrys, South Main Street, Cork. The first time I was in Sir Henry's was my brother's 21st birthday around 1984. It was a fancy dress party. I was massively underage, but I got in because I was in disguise. It was my first experience of the lights, the music, all these people smiling and dancing. I've held that memory as a DJ. When you're looking down on this heaving mass of people, everyone having the night of their lives, you feed into those experiences and memories yourself as a DJ. Sometimes you can get complacent as a DJ. You must catch yourself when it's great, keeping in mind it's not always as good as this. Since leaving Henry's, Greg and myself have had plenty of good nights elsewhere, but it's hard match nights we had there. Mike Pickering Mike Pickering, from the Haçienda in Manchester, was the first DJ Greg Dowling and myself brought over to Sir Henry's. He was massively influential. Greg and myself had been trying to figure out the mechanics of DJing. To see someone more experienced, on another level in terms of his selection and the way he put music together, up close was inspiring. Joe Claussell In the late 1990s, we brought Joe Claussell over to Sir Henry's. He was a big DJ in New York. He had a way to frame songs – he'd play a song you wouldn't think is a song for the dance floor, but the context he played it, with the song he played before and after it, turned it into a song that made sense on the dance floor. That was eye opening – the epitome of a great club DJ is taking a song, making it their own, using context all the time. Tokyo Olympics Around 1983, I got a ticket for my favourite band at the time – Human League at Cork's City Hall, but they cancelled the gig. There was a storm. Their gear hadn't arrived by ferry. I was inconsolable. My older sister, Gina, took pity on me. She brought me down to the Regional Tech, where a Dublin band, Tokyo Olympics, were playing. I've a memory of the wise arse on the door saying to my sister, 'Do you want a family ticket, love?' I bought a box of 10 Major [cigarettes] for the occasion. My older brother, Billy, was at the gig. He was bumming fags off me for the night. I remember the band being great. They made one album, Radio. I relistened to it recently. It holds up well. The Smiths The Smiths in 1985. (Photo by) In 1984, I went to see The Smiths at the Savoy. One of my siblings brought me along. That was amazing – to see the fervour of the crowd, Morrissey on stage in his pomp, flowers everywhere, sticking out his back pocket. Just being overwhelmed by the experience, the noise, the slight edge of danger, not sure what's gonna happen. That's what gives live music and clubbing the real edge. Art Farmer I've been to tons of memorable gigs at the Cork Jazz Festival. On a Sunday night, for after-hours, where you'd get musicians still hanging around playing little sessions in the Metropole Hotel, my dad always slipped me in with a friend or two to catch impromptu gigs there. One year stands out. I was with a good friend, Joe Corcoran, who's since died. We sat in one of the small rooms, to see Art Farmer. He played flugelhorn and trumpet. He would have been almost 70. He played the most sublime set. The Second Woman Eileen Walsh in The Second Woman at Cork Opera House. Picture: Jed Niezgoda. I saw The Second Woman in Cork Midsummer Festival with Eileen Walsh playing the same scene repeatedly – with different actors, a hundred actors – for 24 hours. It's a seven-minute scene. It changes depending on what the other actor brings, their attitude, and how she reacts. My wife and I went up to Maureen's for a pint after an hour and a half of it. Having discussed it, we got into it again for a couple of hours. Then left in the early hours of the morning and came back the next morning to see how things were going. It was a fabulous experience. It shows what you can do with theatre. Geoff Dyer Geoff Dyer is such a funny writer. His interests resonate – the way he talks about men and their obsessions. There's nobody like him. He's invented an entire category for himself – it's not memoir, biography nor travel. It's bits of all these things. He's an amazing eye. His recall is phenomenal. His latest book, Homework, a memoir of his early years, is painted so vividly. It's a beautiful book to immerse yourself in. I enjoy his writing so much. Scarecrow Scarecrow is a movie from the 1970s featuring Gene Hackman and Al Pacino. People in the know say it's a great unsung movie, directed by Jerry Schatzberg. Both actors are the best versions of themselves. Sometimes Pacino can be too big, but he was contained in it. Hackman is always brilliant. They play two interesting characters. It's great.
Irish Examiner
27-06-2025
- Entertainment
- Irish Examiner
Line-up revealed as Magic Nights By The Lee returns to Cork with pop-up nightclub
A one-of-a-kind pop-up nightclub will appear in Cork this summer as Magic Nights By The Lee returns. Taking place at the Lee Rowing Club in Cork's Marina over two weekends, a lineup of international DJs, Irish legends, and local crews will perform under the stars on August 8 –10 and August 15 – 17. Hot Chip frontman Alexis Taylor kicks off the series on August 8 with a DJ set, joined by genre-blending maestro Arveene for a night of groove. Alexis Taylor Deep house pioneer Shane Johnson of Fish Go Deep returns for a set that promises depth and soul. He's joined by Waterford's Get Down Edits, with slick disco edits and funk-infused selections. On Sunday, August 10, Cork party-starters Sunday Times take over, navigating a journey from jazz, funk, and soul through to deep house and electro with pure, dancefloor-focused joy. Celebrated DJ and storyteller Dónal Dineen brings his Backstory night to the Lee on Friday, August 15, joined by sonic explorers Hewan Mulugeta and J Bosteels. Together, they'll spin a global tapestry of rare grooves, leftfield funk, and deep vinyl treasures. DJ and storyteller Dónal Dineen Cork's Rise Up marks 15 years of uplifting sound with residents Jonezy and Benji Revelation, joined by Limerick crew RootsFactory and vocalist Eva Keyes for heavyweight bass, roots vibrations, and conscious energy all night long. The final night will see beloved '90s Cork club night Mór Disco return for its second outing at the Lee Rowing Club. With Stevie G and Angi behind the decks, get ready for dazzling disco, intergalactic grooves, and torch songs galore. Pure dancefloor euphoria awaits. 'Magic Nights is all about the atmosphere — the music, the community. You won't find this kind of setting anywhere else,' say event organisers The Good Room. Tickets available at
