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US stars Lauryn Hill, Wyclef Jean and YG Marley headline DStv Delicious International Food & Music Festival
US stars Lauryn Hill, Wyclef Jean and YG Marley headline DStv Delicious International Food & Music Festival

TimesLIVE

time6 days ago

  • Entertainment
  • TimesLIVE

US stars Lauryn Hill, Wyclef Jean and YG Marley headline DStv Delicious International Food & Music Festival

Global super star Lauryn Hill is headlining this year's DStv Delicious International Food & Music Festival alongside her son YG Marley and Haitian rapper and singer Wyclef Jean. The festival sponsored by LottoStar, taking place on September 20 and 21, is expected to be a culinary experience with captivating performances. 'It's incredible to be back at the iconic Kyalami Grand Prix Circuit. We can't wait to welcome fans to a weekend that celebrates us all through music and food as we come together during Heritage Month,' said festival marketing director Funeka Peppeta. 'We're proud to announce the phenomenal artist line-up for Sunday, with Saturday's main acts and the Channel O Dance Stage line-up to be revealed soon. This year promises to be an unforgettable experience, from world-class music to bold culinary, art and fashion moments that reflect the rich diversity of our country and heritage. ' Here's what you need to know: WHO IS HEADLINING THE SHOW? DAY 1: Saturday will also see songstress Lira continue her triumphant return to stage. Lauryn Hill will perform with longtime collaborator Wyclef Jean as musical guest. Ziggy Marley and YG Marley will make special appearances in celebration of the Miseducation of Lauryn Hill 25th Anniversary Tour with hits including Zion, the 1970s-inspired Doo Wop (That Thing) and Everything Is Everything. DAY 2: Sunday promises to be a spirit-filled festival as South Africa's prized gospel group Joyous Celebration Rewind will spread upliftment with selected alumni, including the Idols South Africa and SABC Crown Gospel Award-winning Khaya Mthethwa. Sama winner NAACP Award nominated Mandisi Dyantyis will grace the stage with his fusion of indigenous African music and jazz idioms. Zoë Modiga, recipient of Glamour's Woman of the Year: Musician Game Changer Award, and Standard Bank's Young Artist Award in 2023, will complement this with her Afro-realist take on jazz. WHEN AND WHERE Gauteng's Kyalami Grand Prix Circuit on September 20 and 21. HOW MUCH WILL IT COST? Early bird general admission tickets are available until July 28 at R650. You can snap up Delicious Lounge tickets in the main arena at R2,500 per person, and tickets for the all-inclusive Injabulo Lounge on The Terrace at R8,350 per person. Secure your tickets via Ticketmaster, or visit w for more details.

Kippies Fringe at Market Theatre resonates with SA's past and present
Kippies Fringe at Market Theatre resonates with SA's past and present

News24

time06-07-2025

  • Entertainment
  • News24

Kippies Fringe at Market Theatre resonates with SA's past and present

The Kippies Fringe programme was started by The Market Theatre Foundation's artistic director Greg Homann in 2022. In partnership with The Art Cave, this year's programme features themes of 100 Years of Kippies Moeketsi, Heritage Month and Women's Month. Most of the shows have boasted sold-out performances. After sifting through more than 160 applications, The Market Theatre's Kippies Fringe programme curators and co-founders of The Art Cave, Philangezwi Nxumalo and Tebogo Malapane, curated a themed programme that will resonate as much with theatre practitioners as it will with regular South Africans. From Youth Month in June to Women's Month in August, The Art Cave team said it had been a gruelling process to select 12 extraordinary experimental theatre projects that would challenge the public's perception of this art form. The Market Theatre Foundation's artistic director, Greg Homann, who initiated the fringe platform in 2022, said the programme had been temporarily shelved last year due to challenges with a curating team. Homann initiated the programme with the vision to reenergise the space that, for the most part, had been lying dormant for more than a decade, and give artists access to a platform outside of the traditional theatre space. Supplied The platform is predominantly a protest theatre space and The Market Theatre opened in 1976 in the same week as the Soweto uprisings. This, Homann said, was one of the reasons the theatre had always been a safe space for creatives to not only remember South Africa's history, but also encourage conversations about the plight of contemporary South Africans. 'The Hyena's Tuckshop' tonight at the Market Theatre! Kippies Fringe has opened its doors, show starts 6:30 PM. Webtickets: In-house bookings: 083 246 4950 / AnthonyE@ #KippiesFringe #ChildrensTheatre #MarketTheatre — The Market Theatre (@MarketTheatre) June 28, 2025 Malapane explained that, instead of the traditional audition process, they had taken the route of perusing proposals with detailed descriptions of the plays. This resonated with their vision for The Art Cave, which they co-founded with the intention of creating a platform where producers would explore unconventional ways of making theatre productions. The Art Cave was conceived five years ago, and we've been running a festival where young, emerging creators showcase their work. We then select one or two plays to be developed and we stage them in collaboration with The Market Theatre Laboratory. We've been doing it consistently since 2022. Philangezwi Nxumalo This, Nxumalo said, sparked the partnership between The Art Cave and The Market Theatre Foundation as Homann identified them as possessing the required skills to manage the fringe. In June, the fringe presented The Hyena's Tuckshop in commemoration of Youth Month. The play honours the lives of South African children who died after allegedly eating contaminated food purchased at spaza shops. 'Kippie Moeketsi [who the venue is named after] would have turned 100 years old in July, so this month is dedicated to him. We have a jazz musical and poetry show titled Sombali (The Florist) that speaks to who Kippie was,' said Nxumalo. The play, Halala Mr Party, which The Art Cave described as speaking of the courageous and generous people who had dedicated their lives to helping others in the creative sector, only to not receive any assistance in times of need. The production aligns with who Kippie was, as they described him as being among the artists whose contributions were not always met with reciprocity. For Women's Month, The Art Cave selected a gender-based violence awareness production, as well as a piece that celebrates womanhood and being queer. August wraps with a one-night-only R&B show, however, The Art Cave said that the artist line-up was a surprise. The productions being staged in September, including Intsusa and Isiwula, will mostly be delivered in the vernacular, in alignment with Heritage Month. We celebrate our diversity in September and the different traditions and cultural practices. Phila is Zulu, I'm Pedi. Being a man in isiZulu could be different from what this means in Sepedi. The good thing is that we could find ways to relate. I can't learn from Phila unless I understand and pride myself in being a Mopedi man. Tebogo Malapane Malapane described Heritage Month as an opportunity to revisit one's roots and remember who one is in order to engage in fruitful cultural exchanges, especially when living in places like Gauteng, where multiple cultures converge. Malapane added that the danger of being uncertain about one's identity lay in how easy it was for one to get lost when navigating life in multicultural spaces. This year's programme has boasted sold-out performances for most productions. Malapane and Nxumalo are confident that the fringe will continue to go from strength to strength. Show Comments ()

A taste of home: Indian American student wins hearts in NYC school with her Maggi lunch
A taste of home: Indian American student wins hearts in NYC school with her Maggi lunch

Time of India

time06-06-2025

  • Entertainment
  • Time of India

A taste of home: Indian American student wins hearts in NYC school with her Maggi lunch

New York City 's official Twitter page, @nycgov, recently delighted viewers with a wholesome video that beautifully captured the essence of cultural pride and diversity. The spotlight was on a young Indian-origin student named Anya, who joyfully presented the contents of her school lunchbox . This clip was part of a broader initiative to highlight the city's rich multicultural environment, especially within its public school system. Tied to the observance of Asian American and Pacific Islander (AAPI) Heritage Month, the campaign used food as a way to honor identity and community. A Glimpse into Anya's Heritage Through Food Anya appeared in the video with an enthusiastic introduction, warmly guiding the audience through her meal of Maggi noodles . With bright eyes and a cheerful voice, she explained how her lunch was prepared—starting with boiling the noodles, mixing in water and spices, and watching the dish transform into a golden, flavorful treat. Anya also expressed her deep love for her mother's chicken curry, noting that it was her favorite dish. She spoke fondly of the aromatic spices her mother used, each lending a distinct scent and taste that made the meal unforgettable. Maggi as a Symbol of Comfort and Connection Maggi noodles, a household staple in India, are more than just a quick meal. For many, they evoke memories of home, childhood, and comfort. Anya's lunch sparked feelings of familiarity and nostalgia for viewers, particularly those from South Asian backgrounds. Her simple yet heartfelt narration brought smiles and sparked conversations, especially on social media, where audiences found joy in her pride and honesty. Community Reactions Overflow with Love The video rapidly gained traction online, touching hearts far and wide. Many viewers left heartfelt comments praising Anya for sharing her culture and expressing admiration for her confidence. Words like 'adorable,' 'beautiful,' and 'so sweet' filled the replies, underscoring how small, personal stories can resonate on a global scale. The shared enthusiasm for dishes like Maggi and homemade curry created a sense of unity among strangers who found common ground in food and family traditions. Lunchboxes That Tell a Bigger Story This video was part of the 'What's In My Lunchbox' series, which aims to celebrate cultural backgrounds through the eyes—and meals—of schoolchildren. By showcasing the unique and flavorful items in students' lunchboxes, New York City's campaign emphasizes inclusion and the value of heritage. As the city continues to embrace its diverse population, these glimpses into everyday life reveal powerful narratives about identity, tradition, and belonging.

TG lensman's works featured in expo at Coca-Cola hqrs in US
TG lensman's works featured in expo at Coca-Cola hqrs in US

Hans India

time04-06-2025

  • Hans India

TG lensman's works featured in expo at Coca-Cola hqrs in US

Hyderabad: Anirudh Dhannayak, a documentary and fine art photographer from Karimnagar, Telangana, has garnered international recognition this year as his work was featured in a prestigious group exhibition at the global headquarters of Coca-Cola in Atlanta recently, as part of the Asian American and Pacific Islander (AAPI) Heritage Month celebrations. Themed 'Roots to Resonance,' the exhibition spotlighted artists who explore the nuances of identity, heritage, and cultural continuity within the diaspora. Anirudh's journey into photography is as evocative as his art. What began as a childhood curiosity—capturing travel memories with a simple camera—transformed over the years into a passionate pursuit of truth, culture, and human emotion. Although initially steered toward engineering, a serendipitous moment during a family wedding, where his photographs won admiration from overseas guests, marked a turning point. That event not only affirmed his talent but also gifted him the tool that would shape his future: a camera. He later formalised his training with a Bachelor's degree in Communication Design, specialising in Photography, and is currently pursuing his Master's at the Savannah College of Art and Design, US. His ongoing project, 'Natya Shastra: The Science of Dance,' explores the evolution and spiritual significance of the classical Indian dance form, Kuchipudi, within the Indian-American diaspora. Blending traditional motifs with experimental formats like stop-motion and moving portraits, the project exemplifies Anirudh's commitment to storytelling that bridges generations and geographies.

How Getting to Know My Parents Helped Me See Myself More Clearly
How Getting to Know My Parents Helped Me See Myself More Clearly

Yahoo

time20-05-2025

  • General
  • Yahoo

How Getting to Know My Parents Helped Me See Myself More Clearly

May is Asian American Pacific Islander (AAPI) Heritage Month. During this month, many are celebrating by reading books from AAPI authors, gathering with friends and families, and finding ways to support local AAPI businesses. I am reminded of just how diverse and rich our community is. Even within my own Korean American community, we are alike and we are different. We have our own stories to tell, and much of these stories go beyond us. They are connected to our ancestors and our parents. One of the most powerful ways to connect with our heritage is by discovering the stories of our parents. I grew up in a traditional Korean family, where my relationship with my parents was only the extent of what I wanted to eat for dinner or how I performed on my report card. Of course there were many moments of wishing for a different kind of relationship with them when I would hear stories of how my classmates at school actually hung out with their parents. They talked, and they shared about their days. More from SheKnows 10 AAPI-Owned Food Brands to Support Right Now (& Every Day) My parents' lives, like many others, were lived mostly in survival mode due to immigration. My umma was only 32 and my appa was 37, with two young girls to take care of. I turned 42 this year and what I remember about my 30s is self-discovery, navigating newly married life, nourishing my friendships, and finding my grounding as a school teacher. I was just starting to become an adult. My 30s were starkly different from my parents' 30s. Before they came to the U.S, what were their dreams – Individually and collectively? What were they like in their youth with their peers? Did they also get into fights with their parents, too? It was hard to imagine them outside of their parental roles. If we are to celebrate our heritage fully, it is to believe that each of our stories matter. And when we know a person by their stories, it is to see their humanity, their strength, their courage, their dreams, their hopes, and to say that we know them by name. Who they are is part of my story, too, and a story of Korean Americans. Here is what I have done to foster a different kind of conversation and interaction with my parents in order to know them as people. I hope it encourages you to know yours, too. I am grateful that my parents have a great amount of photos in numerous cardboard boxes and photo albums. Before, I looked through these photos and saw age and time. How young my umma looked, or how cute my sister was when she was a baby. And our conversations remained surface-level. Now, I see them as building blocks for new discoveries. You can look at one photo on several different occasions, and a new story will appear. This can happen with intentional questions, a safe space to be vulnerable, and time to sit and listen without rushing. When we were at my parents' house celebrating my appa's birthday last December, I purposely took out one of the cardboard boxes and looked through some photos. One photo stood out to me as one I wanted to know more about. My appa was probably in his early 20s, and he was with some friends on a mountain somewhere. I asked him where it was taken and why they were there. He smiled and suddenly repositioned his body and sat up straight, as to give a big announcement. He looked engaged. My appa shared with me that the photo was taken when he was 16 years old, and the three other young men are his best friends. Their favorite place to go on weekends was Seoraksan, which is located in a national park near the city of Sokcho – his hometown. They would hike, talk, drink, and eat for hours. The first thing that came to my mind was, 'This is where I get my love of hiking.' Here I thought my dad probably studied day and night, even on weekends. But no, weekends were for friends, and away from school. I honestly didn't think he and I had much in common. The Appa I knew is stoic, with not a lot of hobbies outside of work. When we learn of our parents' stories, we are humbled and it allows us to see them apart from our own experiences with them. Many AAPI stories that are told of our parents are ones of trauma and sorrow. What is equally important is amplifying expansive stories – the many different parts to who they are. Our parents are not a monolith. Some questions we can ask when looking at photographs with our parents are: Where were you in this photo? Who were you with? Why were you there? Tell me what you remember about this time. How do you feel looking at this photo now? Do you remember what else was happening in your life during this time? I know for me, asking personal questions like this was awkward for the first several times. It was equally awkward and surprising for my parents, too. It took time and patience. Both my parents started to open up and share eventually. When we are trying to change a dynamic in any relationship, growing pains are inevitable. And change happens over time and it's not linear. Being intentional about gauging the atmosphere, how my parents are feeling at the moment, if we have enough time, have helped in starting these conversations. And, starting with one question per visit is helpful too. Choosing a photo that might provoke joy and positive times is helpful, too, although we may not always know what they are. Lastly, I am honest with my parents. I tell them I am asking these questions now because I genuinely want to know them. And how I know it may feel strange and different and that's okay. Another way to get to know our parents' stories is sharing our own. This one is harder for me to do; because my parents can be quick to judge or give unwanted advice, I don't always find it productive. But, I can choose what I share and when I share it. For example, when I started my teaching job years ago, I told my umma that working was hard and I missed being at school. I asked my umma what she remembers about her first job. What was hard about it? What did she miss before working? These questions led to some difficult, heartbreaking conversations for us, but I am honored that she opened up to me. Sometimes, my parents don't open up, and I have to be patient with them. I also have to make peace knowing that there may be parts of them they don't want to let me in on, and I have to be okay with it. My favorite is talking over a meal. In my Korean culture, food is everything. Gathering for dinner after a long day of work is something we look forward to. No matter how our days were, or the argument we had in the morning, we can still come together at the end of the day to slow down with food. I am still figuring this one out, as we are used to a lot of silence during dinner — at least in my family. I give myself a goal of asking one question to my parents while having a meal. I found our conversations to be richer than before by asking questions that are relevant and organic. For instance, my umma is the best cook I know. I would ask her about when she first had that particular dish and to tell us about it. This was how I found out about her favorite soy milk noodle soup (kongguksu) shop near her middle school where she grew up. She told my husband and I about how she and her girlfriends sometimes had to wait an hour on a sweltering hot day just for one bowl of this refreshing soup. We listened as we enjoyed it on a summer day last year. I looked at my umma, and the way she smiled, she was taken back to a joyful time with friends. When you get to know someone beyond the roles they play, your heart opens up for greater empathy and healing. Whether we are sharing stories of our own, looking at photographs, or sharing a meal, we can be encouraged that it's never too late to know and celebrate our parents in this way. I often think about how perhaps my parents never shared because immigration had led them to believe that they are nameless and voiceless. This AAPI Heritage Month and beyond, let's remind our parents they are not nameless by giving them the space to show us who they are. Because who they are is part of who we are, and we cannot forget that. Launch Gallery: Our Favorite Kids' Books by AAPI Authors, for Toddlers to Teens Best of SheKnows The Most Striking Rare Boy Names in the U.S. Right Now — & the Reason You Haven't Heard Them (Yet) 19 Celebrity Stepparents Who Have a Tight Bond With Their Stepkids I'm 29 Weeks Pregnant, & Comfortable Sandals Are a *Must* This Summer—These Are the Best Ones on the Market

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