Latest news with #IBeatLoneliness
Yahoo
3 days ago
- Entertainment
- Yahoo
Bush Unleash 'The Land of Milk and Honey,' First Official Single from Upcoming Album: Stream
The post Bush Unleash 'The Land of Milk and Honey,' First Official Single from Upcoming Album: Stream appeared first on Consequence. Bush have unveiled the new song 'The Land of Milk and Honey,' the first official single from the band's upcoming album, I Beat Loneliness, arriving July 18th via earMUSIC. 'The Land of Milk and Honey' follows the song '60 Ways to Forget People,' a preview track that wasn't released as an official single. Get Bush Tickets Here Frontman Gavin Rossdale states of the new single, ''The Land of Milk and Honey' is a wild ride into the heart of the new record, I Beat Loneliness. It's built to be played loud — to liberate and uplift. That's the spirit behind it.' A press release adds that 'the track stands as a defiant anthem of resistance — personal and political — examining the illusion of freedom in a world ruled by power, obsession, and disconnection.' Bush will hit the road as special guests on Shinedown's summer US tour, beginning July 19th in Boston, and running through an August 30th show in Memphis. Tickets are available here. Listen to 'The Land of Milk and Honey' below or via all major streaming services, and check back on Friday (June 6th) for the official music video. Pre-order the album I Beat Loneliness at this location. Popular Posts Sabrina Carpenter Announces New Single "Manchild" King of the Hill Revival Gets Hulu Release Date, New Opening Sequence Eddie Murphy and Martin Lawrence Are Now In-Laws Jonathan Joss, Voice of John Redcorn on King of the Hill, Shot and Killed by Neighbor T-Pain Announces 20th Anniversary US Tour King of the Hill Voice Actor Jonathan Joss Was Victim of Hate Crime, Husband Says Subscribe to Consequence's email digest and get the latest breaking news in music, film, and television, tour updates, access to exclusive giveaways, and more straight to your inbox.
Yahoo
17-04-2025
- Entertainment
- Yahoo
Bush Officially Announce New Album, Unveil New Song '60 Ways to Forget People': Stream
The post Bush Officially Announce New Album, Unveil New Song '60 Ways to Forget People': Stream appeared first on Consequence. Bush have officially announced their new album, I Beat Loneliness, arriving July 18th. In advance of its release, the band has unveiled the track '60 Ways to Forget People.' Clocking in at under three minutes in length, the melodic rocker puts Gavin Rossdale's sultry vocals up front, and he carries the song through its spacey verses and raging chorus drops. Lyrically, the song explores 'the complexities of heartbreak, personal transformation, and the painful process of letting go,' per the band's press release. Get Bush Tickets Here 'What I feel about this record is it addresses the common struggles we all have,' Rossdale said in the press release. ''60 Ways to Forget People' is an ode to sacrifice and a dedication to the focus it takes to be better. All the time and in all things.' Produced by Rossdale and Erik Ron (Panic! At The Disco, Set It Off, Bad Omen), I Beat Loneliness marks Bush's 10th studio album. Rossdale previously revealed the album title and that the band had completed work on the record back in early January. The LP artwork/tracklist can be seen below. Per a press release, '60 Ways to Forget People' is a teaser track, with the official lead single from the album expected to drop on June 5th. Bush are supporting the release with an extensive itinerary of 2025 shows, including their upcoming 'Greatest Hits' tour, which kicks off on April 21st in Victoria, British Columbia. The band will then head back out this summer with Shinedown (get tickets here). Stream '60 Ways to Forget People' and see the artwork for I Beat Loneliness below. Pre-order the album via this location. Artwork: Tracklist: 01. Scars 02. I Beat Loneliness 03. The Land Of Milk And Honey 04. We're All The Same On The Inside 05. I Am Here To Save Your Life 06. 60 Ways To Forget People 07. Love Me Till The Pain Fades 08. We Are Of This Earth 09. Everyone Is Broken 10. Don't Be Afraid 11. Footsteps In The Sand 12. Rebel With A Cause Popular Posts The 100 Best Guitarists of All Time Reggie Watts Bummed Out by Coachella: "[Its] Soul Feels Increasingly Absent" Green Day Open Coachella With "American Idiot" Performance: "Not a Part of MAGA Agenda" A Night of Mayhem: Lady Gaga's Coachella Performance Is One for the History Books Wife of Weezer Bassist Scott Shriner Shot By Police, Charged with Attempted Murder The Original Misfits Rip Through 20-Song Set at Coachella Subscribe to Consequence's email digest and get the latest breaking news in music, film, and television, tour updates, access to exclusive giveaways, and more straight to your inbox.
Los Angeles Times
14-02-2025
- Entertainment
- Los Angeles Times
Gavin Rossdale on his new cooking show and the burden of being beautiful
Three decades after he found alternative-rock stardom as the frontman of Bush, Gavin Rossdale has a new job: TV chef. In each episode of 'Dinner With Gavin Rossdale,' which premiered Thursday on Vizio's WatchFree+ platform, the 59-year-old singer and guitarist welcomes a different celebrity guest — first up is Serena Williams, followed by the likes of Selma Blair, Tom Jones and Jack McBrayer — into his Studio City abode for a home-cooked meal and an intimate conversation. Rossdale, who shares three sons with ex-wife Gwen Stefani, spoke on a recent morning about the show and his life in Los Angeles and about Bush, which will resume touring later this year behind the band's 10th studio album, 'I Beat Loneliness.' Why'd you want to do a cooking show?Two reasons. One was finding a job where I could stay home and be with my kids. The other was that I thought I could maybe develop people's sense of who I am. But it was all a bit of a bluff, really: I'm not a professional chef who can tell you what to do. And I don't want to be that guy. I'm a home cook, and I just based the show on fun dinners that I've had. There's definitely as much talking as cooking in each food is absolutely second place — maybe third place. People refer to it as a cooking show, but it's really an interview show. I can't stand someone giving me a plate of food, then poring over it: 'What do you think?' The food just disarms people. Did you have other shows in mind as a model?I thought 'Dinner for Five' was amazing. I asked Jon Favreau to lunch when I first had the idea — we knew enough of the same people that he didn't think I was stalking him. I wanted to know what the pitfalls were. Then I realized: Trying to get five people to look comfortable at a dinner where they just met, and I'm cooking? Awkward as f—. One-on-one seemed like a way to get much more out of it. In the episode with Serena, you guys talk about your long friendship. When did you meet?Many years ago at my friend Nels Van Patten's house. Must have been 1999 because I was making 'Golden State,' which was the first record I made in America. I came over here and didn't know anyone apart from Gwen. I'd been a really big tennis player when I was a kid but gave it up when I got into music. So I thought I'd pick it up again, and I found this guy who turned into one of my best friends. The whole Van Patten family — this is the actor Dick Van Patten — there's three brothers, and I'm like the fourth. And when you went to their house, there were all these incredible tennis players there — it was like this tennis academy in Van Nuys. One day Serena showed up with Venus, and Serena told me, 'Oh my God, I grew up on your music.' The two of you sing Bush's 'Comedown' at the end of her episode. Do you sing with each of your guests?I sang with Tom. With Jack, they put a guitar out — 'Let's see what happens' — so I'm having a conversation with him, holding an acoustic for no reason. Well, the reason was that he might succumb to me seducing him into singing some Johnny Cash. But we didn't do that. I just wanted to make people feel comfortable. With Selma, we played ping-pong, which is the Henry Miller way of de-intellectualizing the area. Guests would come to his house and they'd start with a really rigorous round of ping-pong and lose all the intellectual pretense. I played ping-pong once with [Russian oligarch] Roman Abramovich. Funny old life, it is. You've been a musician long enough to know what success means in that world. What would success mean for this show?I don't know. I try to only work on stuff that I believe in and I love, which is enough for me since these days it's a crap shoot as to which things are gonna connect. I've just made a new Bush record, even though I don't need to make records in a way. I could just tour. Going on the road only to play the old hits —It's artistically bankrupt. If you're an artist, you're meant to reflect the zeitgeist, reflect the world, reflect something. This seems like a strange bill now, but I remember seeing Bush open for Nickelback in was my manager at the time. We hadn't opened for anyone at that point, so at first I said, 'Is this a good move?' He was like, 'We're gonna get you back in these arenas, and this is how we're gonna do it.' Bush fans were almost mad at me: 'They should be opening for you!' But stats don't lie. It actually took till about last summer for the plan to work [laughs]. The long play. Steve Albini's death last year got me thinking about the very '90s controversy around his role as producer on Bush's 'Razorblade Suitcase.'It was shocking because it was bringing the hugest commercial world to the underground. I'd grown up on Fugazi and Jesus Lizard and Slint, and I kept seeing Steve's name going back to Big Black — you know, 'Songs About F—ing.' So exciting to see an album called that. Then, of course, it's all the Nirvana flak. There was something perverse about just heading right into the eye of the storm: OK, if you're gonna compare the two bands, let's work with the same person, and you'll see what the differences are. How does 'Razorblade Suitcase' sit for you now?I'm really proud of it, though I'm more proud of my friendship with Steve, to be honest — proud of sustaining it. I think a lot of people got the wrong side of him and forfeited the relationship after they finished their record. But whenever I went to Chicago, I'd always see him. It was fun to have been in his world and survived it. I remember [Interscope Records CEO] Jimmy Iovine saying, 'That was a huge gamble, and it paid off.' One of the few compliments he ever gave me. If I had the chance to make that record again today, the only thing I'd change would be to edit some of the arrangements. We'd just come off being an arena band with one record, so we got a bit jammy because we had the time to fill. There's this song 'Cold Contagious,' and whenever I play it, I'm like, 'This is so f—ing long. What was I thinking?' You've lived in L.A. for two decades. Why'd you move here?Because Gwen got pregnant. We were always gonna live in London — she loved Madness and Sting — then the second she got pregnant and we went to the first doctor visit, it was like, 'We're staying in Los Angeles.' How'd you react?Whatever she wanted. I had this very weird calling toward Los Angeles when I was a kid. I didn't like the environment where I grew up in Swiss Cottage [in northwest London]. It was all football fans tricking out their Ford Escorts, and I just felt stifled. I had to hide my love of David Bowie for fear of getting slapped around. And then I went to a really nice school with people with big futures, and I thought they were all posh c—. So I was caught between two worlds, and I used to dream about Los Angeles. What was the dream based on?Just the thrill of success — I saw it as a sort of Xanadu. Do you remember Bush's first gig in L.A.?Dragonfly on Santa Monica [in December 1994]. The power went out three times. if you'd been struggling for years. I thought that was the end — that we'd come a long way just to blow it. [KROQ program director] Kevin Weatherly, who basically put us on the map, he came backstage and he goes, 'You guys are the real deal. Need better electrics, though.' In the '90s, you struck me as a somewhat reluctant heartthrob. You understood the value of your looks, but you didn't seem super psyched about it was always used as a stick to beat me with. You could say that working with Steve was an antidote to that. On the other hand, Jim Morrison looked really f—ing good. Mick Jagger looks great. Is that a crime? In the same way you can't be responsible if you've got an eye on the center of your forehead, you can't be responsible if the eyes are right where they should be.
