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India Today
01-08-2025
- Entertainment
- India Today
My Oxford Year review: An imperfect yet effective slow-burn anchored by Sofia, Corey
Adapted from Julia Whelan's bestselling novel of the same name, 'My Oxford Year' is a quiet, reflective romance that nudges you to question what really makes love meaningful, is it longevity, or is it intensity lived at the moment?For Bollywood viewers who've grown up romanticising films like 'Kal Ho Naa Ho', there's something strikingly familiar here. It's not the melodrama or the grand declarations, but the emotional core, an aching, tender love story wrapped in self-discovery, illness, timing, and Sofia Carson and Corey Mylchreest, 'My Oxford Year' follows the story of Anna, a bright and ambitious American scholar, who lands at Oxford with her future already planned. However, despite her plans, what she doesn't expect is to fall for Jamie, a charming professor, and a British man. This unexpected romance trickles down to the exploration of different meanings to love and relationship. At its core, this is a story about love, loss, and living with intention. Carson and Mylchreest are both deeply watchable. Their simmering chemistry doesn't demand attention, it earns it. Theirs is a love language of poetry, long walks, unspoken glances, and one particularly poignant moment where a simple 'thank you' is met with 'I love you too.' It's heartbreakingly beautiful. The film leans into the old-school, slow-burn charm of nerdy romance. There's palpable romantic tension, which is backed by thoughtful writing that never overplays its hand. Sofia and Corey bring a quiet depth to their roles, never making their characters feel like genre said, not everything works seamlessly for the film. The subplot involving Jamie's family dynamics feels undercooked, which, if explored, would have provided a better emotional arc to the story. Some scenes glide past moments that deserve more narrative where 'My Oxford Year' truly succeeds is in its emotional takeaway. Much like Aman from 'Kal Ho Naa Ho', Jamie's arc isn't just about romance, it's about choice, and finding beauty in impermanence. The film gently nudges you to live - deliberately, honestly, and with a full heart. Remember what Aman said? 'Jiyo, Khush raho, Muskurao. Kya Pata Kal Ho Naa Ho (Live, Be Happy, Smile, you don't know about tomorrow!)''My Oxford Year' is a romantic drama that rewards patience. It may not be perfect, but it leaves you thinking, feeling, and wondering about the kind of love that doesn't need to be loud to be unforgettable. For anyone who still believes in letters over texts and love over logic, this one might just be for you.'My Oxford Year' is now available on Netflix.- Ends3.5 out of 5 stars to My Oxford May Also Like


Indian Express
31-07-2025
- Entertainment
- Indian Express
I'm Gen Z, and I went to watch Saiyaara to figure out why young Indians are crying on camera
My fifth trip to the theatre this month – thanks to a generational movie run this summer – was a solo date. A conscious choice to watch Saiyaara alone and soak in the Mohit Suri magic, mascara-free, without friends teasing me for shedding fat tears the moment the hero kneels before a zoomed-in shot of his girl's kohl-rimmed eyes. Young and old, friends and couples, had queued up to watch newcomers Aneet Padda and Ahaan Pandey prove their mettle to critics and audiences alike, holding their own against Metro…In Dino's seasoned ensemble. Hushed whispers about the film's aggressive PR and meme marketing had already made their way into my Instagram algorithm. But by the time the end credits rolled, I was bombarded by clips of people sobbing on theatre floors, arriving with IV drips strapped to their arms, and snappy edits comparing Saiyaara's leads to Suri's previous heartbreak icons from Aashiqui 2. After its smashing opening weekend, Saiyaara was everywhere. What Saiyaara pulled off wasn't accidental virality; it was a moment of cultural ignition. And what's remarkable is that this wave wasn't powered by stars or conventional advertising, but by digital emotion and peer validation. The crying reels weren't 'content pieces' in the usual sense; they became the campaign. According to Himanshu Singla, co-founder, Idiotic Media, what worked in this case was the authenticity of emotion paired with the absence of noise. 'There were no back-to-back interviews, influencer blitzes or media overkill. Just one powerful trailer, a deeply affecting soundtrack, and then the internet took over,' he said. From a meme marketing perspective, Singla saw an organic yet incredibly effective shift. Memes like 'China's building AI, India's crying over Saiyaara' went viral not because they captured a cultural moment, but because they reframed emotion into commentary. 'That's the beauty of memes: they translate complex sentiment into something instantly shareable,' he told A post shared by The Bad Engineer (@satirical_dhruv) For people walking into theatres with no context, the emotional frenzy was disarming. Hushed sobs, long hugs in silence, stunned expressions – the emotional intensity created rare, unprompted curiosity. 'Why are people reacting like this? What's going on in this film?' Even those who didn't walk away emotionally shattered wanted to see what the fuss was about. 'That's a very modern form of digital pull rooted not in persuasion, but participation,' said Singla. Pranav Bhardwaj, an advocate, believes audiences were missing this kind of cinema. 'An over-the-top, fantastical, intense, slightly cringey love story. Mohit Suri knows exactly what his audience wants. Saiyaara sticks to the classic bad boy–good girl formula, and pairs it with a solid album. It's a decent film, and we hadn't had that in a while,' he said. Crying during movies is natural – from Kal Ho Naa Ho to Rockstar, we've all walked out of theatres with red eyes. But Bhardwaj believes crying on camera is now part of a digital performance: 'It's become fashionable; a way to get followers, engagement, or even hate comments.' You cried a little in the dark cocoon of the theatre, so what? But recording yourself thrashing on the floor, on the verge of passing out, hyperventilating, and uploading it — has Gen Z taken it too far? While some say it's performative, others see something deeper. Pavitra Singh believes this trend points to a larger loneliness epidemic. 'This digital closeness makes them feel seen and heard. Many don't have anyone to vent to in real life, so they turn to their digital audience for solidarity,' she said. For Shubhangi Priyadarshini, a graphic designer, the rise of emotional honesty online is also about reclaiming vulnerability. 'It's either a performance or a cry for help,' she said. 'And when a film like Saiyaara gives us a socially acceptable reason to release those emotions, it feels safer. It's easier to cry for a fictional story than to confront your pain.' From a millennial's perspective, Mini believes the younger lot today is far more emotionally expressive. 'They don't hold back. Whether in films or real life, they're upfront, vocal, and less concerned about perception,' she said, crediting this shift to growing up in a culture that encourages conversations around mental health. 'When someone shares those raw moments online, it resonates. People are slowly realising that it's okay to not feel okay, and that they're not alone,' said the communications specialist. Everything you see online is not real. Much like Shilpa Pal, who watched the film on its second day, I, too, was surprised to find a relatively composed theatre. No one is convulsing on the floor. No IV drips. No dramatic breakdowns. I won't lie, I was a little bummed. 'What you see on social media is exaggerated,' said Pal, PR consultant at Pitchfork Partners. 'No one was howling or sitting on the floor. That just didn't happen.' According to her, the reason why youngsters are expressing themselves so dramatically online is simply because 'that's what people do these days'. They share emotions publicly on social media. But is this the first time we're seeing something like this? No. During Aashiqui 2, people had similar reactions. More recently, when Sanam Teri Kasam re-released, such dramatic reactions did go viral. 'This movie could mean to them what Kaho Naa Pyaar Hai or DDLJ meant to millennials. While the intensity of their reactions may feel excessive, having a film they'll cherish and reference for years to come is completely valid,' Pal said, adding, 'And honestly, aren't we all a little tired of watching actors in their 50s romancing women in their 20s and 30s? Who doesn't enjoy a fresh change?' As a generation raised being told not to cry or show too much emotion, it's no wonder we're spilling it all now — sometimes in the wrong places. Whether you joined the hate bandwagon or tore through a box of tissues while rooting for the leads, Saiyaara made you feel something — pain, joy, love, or cringe. That's for you to decide. As for me, I'll just go back to my playlist and hum along to Faheem Abdullah's soulful voice. Ishika Roy is a is a Sub Editor for the lifestyle desk at The Indian Express. She shares a keen interest in reading, writing and researching on all things beauty, entertainment, pop culture and lifestyle. Ishika holds a Bachelor's degree in Sociology from Miranda House, Delhi and a Post-graduate degree in Journalism from Symbiosis Institute of Media and Communication, Pune. ... Read More


News18
30-07-2025
- Entertainment
- News18
Sonu Nigam Birthday: Did You Know This Was His First Song? Celebrate Singer's Top Tracks
Last Updated: Happy Birthday Sonu Nigam: On singer's 52nd birthday, revisit his journey from his 1992 debut to unforgettable romantic tracks like Kal Ho Naa Ho and Main Agar Kahoon. Happy Birthday Sonu Nigam: Singer, musician, composer and he also acted once. It's none other than Sonu Nigam's 52nd birthday today, July 30. His songs, be it the heart-wrenching Jaane Nahi Denge Tujhe to the foot-tapping Allah Maaf Kare, are coated with emotions, feelings and memories. Sonu's music has been a part of our playlist for decades, and now even Gen Z is enchanted by his melodious spell. Apart from Hindi, the Padma Shri recipient has lent his voice in multiple languages, including Bengali, Odia, and Tamil. On the occasion of Sonu Nigam turning a day older, let's take a look at his first song, followed by the singer's top 10 romantic numbers. Sonu Nigam kicked off his music career with a song from the 1990 film Janam, which sadly remained unreleased. His first break came in 1992 with the track Hum To Chhaila Ban Gaye from DD1's TV serial Talaash. A year later, Sonu Nigam made his film debut with the song O Aasman Wale from the movie Aaja Meri Jaan. However, it was his heart-touching voice in Sandese Aate Hai from director JP Dutta's Border that took him to overnight fame. Top 10 Romantic Songs Of Sonu Nigam Kal Ho Naa Ho: The list could only begin with the title track of the Shah Rukh Khan-starrer Kal Ho Naa Ho. Packed with a lingering emotion, the track is equal parts haunting and hopeful. Composed brilliantly by Shankar-Ehsaan-Lo, Kal Ho Naa Ho remains a favourite of fans even after two decades of its release. Main Hoon Naa: A song that reassures and fills you with the hope that you are not alone. Main Hoon Naa captures the comforting presence of someone who silently stands by you like a pillar of support. Sonu Nigam and Shreya Ghoshal's duet makes the number even more special. Main Agar Kahoon: Composed by talented musical duo Vishal-Shekhar, Main Agar Kahoon weaves love, admiration, and unspoken emotions. This romantic ballad from the cult SRK-Deepika Padukone-starrer Om Shanti Om is a true expression of love, brought to life by Sonu Nigam. Suraj Hua Maddham: Kajol and Shah Rukh Khan's chemistry was undoubtedly a hit. But it was Sonu Nigam's charm in the song that made the Kabhi Khushi Kabhie Gham song a hit. Alka Yagnik's pleasant vocals added to the magic. Do Pal: Sonu Nigam brought fans to tears with this song of heartbreak and separation. The heavy lyrics, sung to perfection by the singer and the legendary Lata Mangeshkar, reflected the pain of star-crossed lovers like that of Veer (Shah Rukh Khan) and Zaara (Preity Zinta). Yeh Dil Deewana: Don't call yourself a SRK fan if you haven't heard this one from Pardes. The superstar driving through the streets in his car, lip-syncing to Sonu Nigam's terrific vocals, has become the top road trip pick. Although it has notes of heartbreak, Yeh Dil Deewana is equally groovy, making it one of the iconic tracks. Tumhi Dekho Naa: This Karan Johar directorial touched on the topic of extramarital affairs. Shah Rukh Khan and Rani Mukerji's tense chemistry was definitely a hit. But guess what else was a hit? The dreams the duo's characters were weaving upon realising that they had fallen in love, captured perfectly by Sonu Nigam's Tumhi Dekho Naa. Saathiya: Sonu Nigam's raw and unfiltered voice takes fans on a rollercoaster of emotions: longing, passion and chaos, proving that love is madness. Saathiya's title track will remind you of love's tenderness and turmoil. Sapna Jahan: Sapna Jahan, from Brothers (2015), featuring Akshay Kumar and Jacqueliene Fernandez, might feel a bit underrated, but it is nonetheless a fantastic song about finding love when you least expect it. The song is an ode to the dreams that come true when you meet the love of your life. Soniyo: Soniyo, from the 2008 film Raaz 2, is a track that can spread a smile on your face on a gloomy monsoon evening. Its soft notes, layered lyrics and passionate essence, crafted masterfully by Sonu Nigam, will wrap you in a warm embrace. First Published: July 30, 2025, 07:06 IST Disclaimer: Comments reflect users' views, not News18's. Please keep discussions respectful and constructive. Abusive, defamatory, or illegal comments will be removed. News18 may disable any comment at its discretion. By posting, you agree to our Terms of Use and Privacy Policy.


India.com
27-07-2025
- Entertainment
- India.com
Shah Rukh Khan's biggest flop film, didn't release for 10 years, couldn't even earn Rs 1 crore, movie is..., lead actress was...
Shah Rukh Khan's biggest flop film, didn't release for 10 years, couldn't even earn Rs 1 crore, movie is..., lead actress was... Shah Rukh Khan doesn't need any introduction. The superstar has captivated audiences with his incredible performances not only in India but also across the globe. Hailed as the 'King of Bollywood', his exceptional action prowess and romantic hero image has made him a household name worldwide. He has continued to spread his magic on-screen with several blockbuster films. Despite that, they are few misses in his career, and the worst one is the film that he wouldn't forget. Shah Rukh Khan's worst film is… Shah Rukh Khan's most forgettable film Yeh Lamhe Judaai Ke was shot in 1994, but released 10 years later in 2004. Due to exceeding time, the film was shot in two parts, almost being unrelatable to each other, leaving audiences confused. The film was panned when released, and has the lowest rating of 3.1 out of 10 on IMDb. Helmed by Birendra Nath Tiwari, Yeh Lamhe Judaai Ke initially starred Raveena Tandon, Navneet Nishan, Divya Desai, Mohnish Behl, and Kiran Kumar. While the filming was almost completed, Shah Rukh Khan and Raveena Tandon had a fall out with the director over a kissing sequence that the latter desired in the film. Due to this, the stars left the film midway, which led to a big loss for producers. Shah Rukh Khan refused to promote the film In 2003, Tiwari decided to revive the film, hoping it would work on Shah Rukh Khan's superstardom. He cast new actors, including Rashami Desai and completed the film with an abrupt storyline. Yeh Lamhe Judaai Ke eventually released theatrically in 2004, just weeks before Shah Rukh Khan's blockbuster release Main Hoon Na and months after Kal Ho Naa Ho. SRK was at the peak of his stardom and refused to promote Tiwari's film. It failed commercially and reportedly couldn't even earn Rs 1 crore at the box office. Yeh Lamhe Judaai Ke remains one of the most insignificant films in 33 years of Shah Rukh Khan's glorious career.


India.com
29-06-2025
- Entertainment
- India.com
Aishwarya Rai was thrown from these 5 blockbusters with Shah Rukh Khan without..., the films are...
Aishwarya Rai was thrown from these 5 blockbusters with Shah Rukh Khan without..., the films are... In the glitzy and glamorous world of Bollywood, it's often the dazzling and glittering lives of celebrities that come to the forefront. However, their challenges and struggles that happen behind the scenes are often brushed under the carpet. One such story is of India's most celebrated actress who is not only known for her beauty, impeccable acting but also for presenting India on a global stage. Yes, we are talking about Aishwarya Rai Bachchan. While now Aishwarya has become a seasoned actress, back in the day, she was dominating the entertainment landscape. But while she was bagging a lot of appreciation and love at the peak of her career, she also underwent a setback that's unknown to many. Dropped without warning In a throwback interview with Rendezvous with Simi Garewal, Aishwarya Rai revealed that while she was at the top of her game, she was removed from not just one, two, but five major projects all opposite Shah Rukh Khan. And what was even more painful for her was that she didn't get any explanation for the same. These 5 projects included major blockbusters like Chalte Chalte, Kal Ho Naa Ho, and Veer-Zaara, which were written keeping her in mind. She was removed from these roles without any justification, which left her feeling despair, shocked, and hurt. Expressing her hurt, she said: 'There were a couple of films that were supposed to happen with me. But suddenly they weren't happening, without any reason whatsoever.' Simi also asked Aishwarya if she decided to step away from those films, she replied: 'No, it wasn't my decision. You obviously are taken aback, confused, and of course hurt. You wonder about it.' Harsh Lesson Learnt Aishwarya, further expressing her discontent, revealed that this situation opened her eyes to how the industry works. 'You become more aware of what you've heard about, like in terms of situations, people, and the domino effect,' she remarked. Aishwarya was a big actress at that time who delivered back-to-back hits, and this unfairness was an epitome of the unpredictability and instability of this industry. 'It became obvious that it can happen to me too…with all your apparent box office success or 'secure positioning' in the industry,' she said. Rising with Grace Despite the professional blows, Aishwarya didn't let the bitterness take over; she rather chose to move on with grace and continued to excel in her career. After that, she delivered powerful performances in films like Dhoom 2, Jodhaa Akbar, and more.