Latest news with #LondonMuseum
Scottish Sun
5 days ago
- Scottish Sun
Chilling execution of ‘washed up' Medieval woman revealed as experts say brutal punishment was a ‘warning to others'
Her body was laden with fractures resembling that of a car accident victim, according to experts THAMES DIG Chilling execution of 'washed up' Medieval woman revealed as experts say brutal punishment was a 'warning to others' THE remains of a roughly 1,200-year-old woman found on the shores of the River Thames have exposed the brutal punishment practices of early Medieval Britain. London between 600 to 800 AD, or Lundenwic as it was then known, was a very different place than it is today. Advertisement 3 The woman, whose remains have been categorised as UPT90 sk 1278 in museum records, was between the ages of 28 and 40 when she died Credit: Museum of London 3 The River Thames near Blackfriars Bridge, London Credit: Getty The settlement, which covered the area of modern-day Covent Garden, was made up of narrow, winding streets and buildings made of timber and straw. It had a population of roughly 8,000 people - a far cry from the 9.26million residents that live there today. The remains of one Londoner, believed to have lived during the early medieval period between 680 and 810 AD, act as an example of these practices. Lawbreakers appeared to be executed in the streets, according to experts, and their bodies were left to decompose for all to see as a warning to others. Advertisement READ MORE ON ARCHAEOLOGY DEEP DIG Ancient burial of 'Ice Prince' uncovered alongside dismembered sacrifice The woman, whose remains have been categorised as UPT90 sk 1278 in museum records, was between the ages of 28 and 40 when she died. She was not buried, but rather sandwiched between two sheets of bark, lying on a mat of reeds with moss pads placed on her face, pelvis, and knees. When the woman was first excavated in 1991, archaeologists noted that she was likely placed on the foreshore of the Thames where her remains were in public view. "The burial treatment of UPT90 sk 1278 lets us know that her body was meant to be visible on the landscape, which could be interpreted as a warning to witnesses," said Dr. Madeline Mant, who studied the remains once they were moved to the London Museum. Advertisement Dr. Mant and her colleagues published their findings in the journal World Archaeology. Biggest burial site in Greek history guarded by two headless sphinx unearthed and it could be tomb of Alexander the Great "We can tell from the osteobiography of this individual and their burial treatment that they were executed, but the specific offense is impossible to know for certain," she added. "We can only infer from the law codes of the period." Just two weeks before her death, the woman was subject to torturous beatings and an eventual execution, researchers wrote. Advertisement Her body was laden with over 50 individual signs of injury, with fractures on her shoulders and spine resembling that of a car accident victim, according to experts. The researchers believe the 9th-century woman may have been beaten or flogged - where a victim is repeatedly hit with a whip or a stick. The second round of injuries on her torso and skull suggest the woman was punched or kicked repeatedly, in what experts have likened to torture beatings. Her execution was a final blow to the left side of her head. Advertisement Dr. Mant said her death was likely a form of capital punishment, which were becoming increasingly common in the period the woman is understood to have lived. "Early Medieval England was a time of change regarding law codes - the law code of Æthelberht (c. 589–616) did not include corporal punishment, but that of Wihtred of Kent (690–725) outlined specific punishments, for instance, beatings for those who could not pay fines," explained Dr. Mant. "Capital punishments were also included when willed by the king. "As time passed, more crimes were associated with the death penalty under King Alfred (871–899). Advertisement "Crimes such as theft, treason, witchcraft, and sorcery could be met with the death penalty, which could be brought about by stoning or drowning." 3 An illustration of London in the early Medieval period Credit: Mola The woman's diet consisted of terrestrial foods, like grains, vegetables, fruits, meat, dairy, and eggs. However, her remains show a period of increased stable nitrogen values sometime after she turned 5-years-old. Advertisement This could mean the woman either began eating more meat, or she suffered a period of starvation, during which her body began breaking down its own fat and protein stores. Starvation was a significant threat in early Medieval London, particularly for those who migrated to the city.
The Irish Sun
5 days ago
- Science
- The Irish Sun
Chilling execution of ‘washed up' Medieval woman revealed as experts say brutal punishment was a ‘warning to others'
THE remains of a roughly 1,200-year-old woman found on the shores of the River Thames have exposed the brutal punishment practices of early Medieval Britain. London between 600 to 800 AD , or Lundenwic as it was then known, was a very different place than it is today. 3 The woman, whose remains have been categorised as UPT90 sk 1278 in museum records, was between the ages of 28 and 40 when she died Credit: Museum of London 3 The River Thames near Blackfriars Bridge, London Credit: Getty The settlement, which covered the area of modern-day Covent Garden, was made up of narrow, winding streets and buildings made of timber and straw. It had a population of roughly 8,000 people - a far cry from the 9.26million residents that live there today. The remains of one Londoner, believed to have lived during the early medieval period between 680 and 810 AD , act as an example of these practices. Lawbreakers appeared to be executed in the streets, according to experts, and their bodies were left to decompose for all to see as a warning to others. READ MORE ON ARCHAEOLOGY The woman, whose remains have been categorised as UPT90 sk 1278 in museum records, was between the ages of 28 and 40 when she died. She was not buried, but rather sandwiched between two sheets of bark, lying on a mat of reeds with moss pads placed on her face, pelvis, and knees. When the woman was first excavated in 1991, archaeologists noted that she was likely placed on the foreshore of the Thames where her remains were in public view. "The burial treatment of UPT90 sk 1278 lets us know that her body was meant to be visible on the landscape, which could be interpreted as a warning to witnesses," said Dr. Madeline Mant, who studied the remains once they were moved to the London Museum . Most read in Science Dr. Mant and her colleagues their findings in the journal World Archaeology . Biggest burial site in Greek history guarded by two headless sphinx unearthed and it could be tomb of Alexander the Great "We can tell from the osteobiography of this individual and their burial treatment that they were executed, but the specific offense is impossible to know for certain," she added. "We can only infer from the law codes of the period." Just two weeks before her death, the woman was subject to torturous beatings and an eventual execution, researchers wrote. Her body was laden with over 50 individual signs of injury, with fractures on her shoulders and spine resembling that of a car accident victim, according to experts. The researchers believe the 9th-century woman may have been beaten or flogged - where a victim is repeatedly hit with a whip or a stick. The second round of injuries on her torso and skull suggest the woman was punched or kicked repeatedly, in what experts have likened to torture beatings. Her execution was a final blow to the left side of her head. Dr. Mant said her death was likely a form of capital punishment, which were becoming increasingly common in the period the woman is understood to have lived. "Early Medieval England was a time of change regarding law codes - the law code of Æthelberht (c. 589–616) did not include corporal punishment, but that of Wihtred of Kent (690–725) outlined specific punishments, for instance, beatings for those who could not pay fines," explained Dr. Mant. "Capital punishments were also included when willed by the king. "As time passed, more crimes were associated with the death penalty under King Alfred (871–899). "Crimes such as theft, treason, witchcraft, and sorcery could be met with the death penalty, which could be brought about by stoning or drowning." 3 An illustration of London in the early Medieval period Credit: Mola The woman's diet consisted of terrestrial foods, like grains, vegetables, fruits, meat, dairy, and eggs. However, her remains show a period of increased stable nitrogen values sometime after she turned 5-years-old. This could mean the woman either began eating more meat, or she suffered a period of starvation, during which her body began breaking down its own fat and protein stores. Starvation was a significant threat in early Medieval London, particularly for those who migrated to the city.
Leader Live
12-05-2025
- Entertainment
- Leader Live
Young influencers announced to support King's Foundation for 35th anniversary
The 35 under 35 is a network of young people working with the King's Foundation to promote the change Charles wants to see in the world. From environmental filmmakers like Jack Harries to traditional makers such as Rosa Harradine and King's Foundation graduate and sustainable fashion label founder Isabelle Pennington-Edmead, the final 35 are a network of young people who represent the change the foundation stands for across nature and sustainability, traditional arts and crafts, textiles, architecture and urbanism, health and wellbeing, horticulture and farming. Kristina Murrin, chief executive of the King's Foundation, said: 'We are unbelievably excited to unveil our 35 under 35 – an exceptional group of young people who we can't wait to start working with. 'We wanted to celebrate our 35th anniversary by identifying the next generation of makers and changemakers who chime with His Majesty's vision for a better future, and we are confident the final 35 will be incredible ambassadors for his work through the King's Foundation.' The 35 under 35 network will take part in King's Foundation events throughout the charity's 35th anniversary year and will be attending a launch party at the Garrison Chapel (the Foundation's London exhibition space) on Thursday. The aim for the network is to raise awareness of the work of the King's Foundation and create a network of individuals who can work together and exchange knowledge across their disciplines into the future, in line with Charles's philosophy of harmony. The foundation promotes Charles's belief in harmony, where everything in nature is interconnected including ourselves, and that to solve global environmental challenges society must work with nature, not against it. The 35 under 35 will also be spotlighted on the King's Foundation social media channels and website, and have the chance to network with its students, alumni and ambassadors. Among the 35 under 35 is Freya de Lisle, who has been an apprentice stonemason at York Minster for the last three years. She undertakes banker masonry, carving, fixing and conservation work using traditional craft skills, and is dedicated to a career in the preservation of heritage sites. She said: 'I am delighted to have been selected as one of the young people taking part in the 35 under 35 initiative. 'Being deeply committed to the preservation of craft skills, it comes as a great privilege to work with the King's Foundation, which centres sustainability, traditional skills and the wellbeing of communities in its outreach and campaigning.' Another member of the 35 under 35 is Tihara Smith, a fashion designer and textile artist specialising in raffia embroidery inspired by traditional Caribbean crafts and the Windrush generation. Her work celebrates Caribbean heritage and pays tribute to her Caribbean grandparents through sustainable design. In 2021, the London Museum acquired an outfit from her graduate collection and she has led workshops for institutions including the V&A and Somerset House. She said: 'I'm so excited to be selected as one of the 35 under 35 for the King's Foundation. 'As a fashion designer and textile artist inspired by traditional Caribbean crafts and the legacy of the Windrush generation, my work celebrates Caribbean heritage and sustainability. 'It also allows me to pay tribute to my grandparents, both part of the Windrush generation, which makes this recognition especially meaningful to me. 'I'm grateful for the opportunity to continue highlighting Windrush history and championing traditional arts through this amazing platform.' Jack Harries, a British filmmaker, climate activist and storyteller who uses media to spotlight urgent global issues, is also among the 35. He first rose to prominence through the YouTube channel JacksGap, where he built a global following. Now, through his production company Earthrise Studio, he creates environmental films that document the climate crisis and amplify frontline voices. The King's Foundation, previously known as The Prince's Foundation following an amalgamation of Charles's charities which stretch back to 1990, aims to 'advocate for the change His Majesty wants to see in the world'. Its textiles education programme works to train the next generation of young craftspeople in heritage and endangered skills, but it also focuses on sustainability, farming and agriculture, health and wellbeing, and architecture and urbanism.
North Wales Chronicle
12-05-2025
- Entertainment
- North Wales Chronicle
Young influencers announced to support King's Foundation for 35th anniversary
The 35 under 35 is a network of young people working with the King's Foundation to promote the change Charles wants to see in the world. From environmental filmmakers like Jack Harries to traditional makers such as Rosa Harradine and King's Foundation graduate and sustainable fashion label founder Isabelle Pennington-Edmead, the final 35 are a network of young people who represent the change the foundation stands for across nature and sustainability, traditional arts and crafts, textiles, architecture and urbanism, health and wellbeing, horticulture and farming. Kristina Murrin, chief executive of the King's Foundation, said: 'We are unbelievably excited to unveil our 35 under 35 – an exceptional group of young people who we can't wait to start working with. 'We wanted to celebrate our 35th anniversary by identifying the next generation of makers and changemakers who chime with His Majesty's vision for a better future, and we are confident the final 35 will be incredible ambassadors for his work through the King's Foundation.' The 35 under 35 network will take part in King's Foundation events throughout the charity's 35th anniversary year and will be attending a launch party at the Garrison Chapel (the Foundation's London exhibition space) on Thursday. The aim for the network is to raise awareness of the work of the King's Foundation and create a network of individuals who can work together and exchange knowledge across their disciplines into the future, in line with Charles's philosophy of harmony. The foundation promotes Charles's belief in harmony, where everything in nature is interconnected including ourselves, and that to solve global environmental challenges society must work with nature, not against it. The 35 under 35 will also be spotlighted on the King's Foundation social media channels and website, and have the chance to network with its students, alumni and ambassadors. Among the 35 under 35 is Freya de Lisle, who has been an apprentice stonemason at York Minster for the last three years. She undertakes banker masonry, carving, fixing and conservation work using traditional craft skills, and is dedicated to a career in the preservation of heritage sites. She said: 'I am delighted to have been selected as one of the young people taking part in the 35 under 35 initiative. 'Being deeply committed to the preservation of craft skills, it comes as a great privilege to work with the King's Foundation, which centres sustainability, traditional skills and the wellbeing of communities in its outreach and campaigning.' Another member of the 35 under 35 is Tihara Smith, a fashion designer and textile artist specialising in raffia embroidery inspired by traditional Caribbean crafts and the Windrush generation. Her work celebrates Caribbean heritage and pays tribute to her Caribbean grandparents through sustainable design. In 2021, the London Museum acquired an outfit from her graduate collection and she has led workshops for institutions including the V&A and Somerset House. She said: 'I'm so excited to be selected as one of the 35 under 35 for the King's Foundation. 'As a fashion designer and textile artist inspired by traditional Caribbean crafts and the legacy of the Windrush generation, my work celebrates Caribbean heritage and sustainability. 'It also allows me to pay tribute to my grandparents, both part of the Windrush generation, which makes this recognition especially meaningful to me. 'I'm grateful for the opportunity to continue highlighting Windrush history and championing traditional arts through this amazing platform.' Jack Harries, a British filmmaker, climate activist and storyteller who uses media to spotlight urgent global issues, is also among the 35. He first rose to prominence through the YouTube channel JacksGap, where he built a global following. Now, through his production company Earthrise Studio, he creates environmental films that document the climate crisis and amplify frontline voices. The King's Foundation, previously known as The Prince's Foundation following an amalgamation of Charles's charities which stretch back to 1990, aims to 'advocate for the change His Majesty wants to see in the world'. Its textiles education programme works to train the next generation of young craftspeople in heritage and endangered skills, but it also focuses on sustainability, farming and agriculture, health and wellbeing, and architecture and urbanism.
Rhyl Journal
11-05-2025
- Entertainment
- Rhyl Journal
Young influencers announced to support King's Foundation for 35th anniversary
The 35 under 35 is a network of young people working with the King's Foundation to promote the change Charles wants to see in the world. From environmental filmmakers like Jack Harries to traditional makers such as Rosa Harradine and King's Foundation graduate and sustainable fashion label founder Isabelle Pennington-Edmead, the final 35 are a network of young people who represent the change the foundation stands for across nature and sustainability, traditional arts and crafts, textiles, architecture and urbanism, health and wellbeing, horticulture and farming. Kristina Murrin, chief executive of the King's Foundation, said: 'We are unbelievably excited to unveil our 35 under 35 – an exceptional group of young people who we can't wait to start working with. 'We wanted to celebrate our 35th anniversary by identifying the next generation of makers and changemakers who chime with His Majesty's vision for a better future, and we are confident the final 35 will be incredible ambassadors for his work through the King's Foundation.' The 35 under 35 network will take part in King's Foundation events throughout the charity's 35th anniversary year and will be attending a launch party at the Garrison Chapel (the Foundation's London exhibition space) on Thursday. The aim for the network is to raise awareness of the work of the King's Foundation and create a network of individuals who can work together and exchange knowledge across their disciplines into the future, in line with Charles's philosophy of harmony. The foundation promotes Charles's belief in harmony, where everything in nature is interconnected including ourselves, and that to solve global environmental challenges society must work with nature, not against it. The 35 under 35 will also be spotlighted on the King's Foundation social media channels and website, and have the chance to network with its students, alumni and ambassadors. Among the 35 under 35 is Freya de Lisle, who has been an apprentice stonemason at York Minster for the last three years. She undertakes banker masonry, carving, fixing and conservation work using traditional craft skills, and is dedicated to a career in the preservation of heritage sites. She said: 'I am delighted to have been selected as one of the young people taking part in the 35 under 35 initiative. 'Being deeply committed to the preservation of craft skills, it comes as a great privilege to work with the King's Foundation, which centres sustainability, traditional skills and the wellbeing of communities in its outreach and campaigning.' Another member of the 35 under 35 is Tihara Smith, a fashion designer and textile artist specialising in raffia embroidery inspired by traditional Caribbean crafts and the Windrush generation. Her work celebrates Caribbean heritage and pays tribute to her Caribbean grandparents through sustainable design. In 2021, the London Museum acquired an outfit from her graduate collection and she has led workshops for institutions including the V&A and Somerset House. She said: 'I'm so excited to be selected as one of the 35 under 35 for the King's Foundation. 'As a fashion designer and textile artist inspired by traditional Caribbean crafts and the legacy of the Windrush generation, my work celebrates Caribbean heritage and sustainability. 'It also allows me to pay tribute to my grandparents, both part of the Windrush generation, which makes this recognition especially meaningful to me. 'I'm grateful for the opportunity to continue highlighting Windrush history and championing traditional arts through this amazing platform.' Jack Harries, a British filmmaker, climate activist and storyteller who uses media to spotlight urgent global issues, is also among the 35. He first rose to prominence through the YouTube channel JacksGap, where he built a global following. Now, through his production company Earthrise Studio, he creates environmental films that document the climate crisis and amplify frontline voices. The King's Foundation, previously known as The Prince's Foundation following an amalgamation of Charles's charities which stretch back to 1990, aims to 'advocate for the change His Majesty wants to see in the world'. Its textiles education programme works to train the next generation of young craftspeople in heritage and endangered skills, but it also focuses on sustainability, farming and agriculture, health and wellbeing, and architecture and urbanism.
