Latest news with #LostInSpace
Boston Globe
4 days ago
- Entertainment
- Boston Globe
Somerville welcomes SOMEDAY Fest, a new free music and arts festival
Somerville resident Ryan DiLello, who edits SOME and co-founded the festival, describes SOMEDAY Fest as a 'scrappy' and accessible gateway to the city's arts community, citing free entry and a 2-to-10 p.m. runtime as factors that might pique the interest of folks passing through Union Square. Perhaps the rock riffs of Jonny Tex – two performers on the outdoor stage – will catch residents' attention and lead them to the festival's indoor stage, where folkier and pop-adjacent acts such as Get Starting Point A guide through the most important stories of the morning, delivered Monday through Friday. Enter Email Sign Up The event's grassroots nature was inspired by (who will also take the stage at SOMEDAY Fest). The free event paired live music with a variety of community-oriented workshops that empowered guests to learn skills like DJing and bike repairs. DiLello says he walked away from the festival feeling like a part of a 'very visible' creative community, and was galvanized to build upon that visibility with his own iteration. Advertisement After finding inspiration in his own backyard, he found financial support, too; neighborhood businesses like Remnant Brewing and Field & Vine stepped up as sponsors to supplement the $2500 grant. DiLello hopes that SOMEDAY Fest's impact will demonstrate the importance of arts grants in creative communities, especially in the face of executive orders that terminated National Endowment for the Arts grants for organizations like Advertisement 'This festival absolutely could not have happened without that grant money to get us off of the ground,' DiLello says. 'To create a lot of community joy around money that was placed within the trust of the arts I think is a huge way to stand up to that real misfortune.' It's also a way to help maintain the momentum of Somerville's music scene. The city's popular event DiLello says that SOMEDAY Fest isn't a replacement for NICE, but hopes that the event will offer guests a similar sense of connection that will empower them to be more active in the community. 'Whether that's event organizing, or releasing that next album, or forming a tenants' association, I just want that energy to be continued and passed between events and people,' he concludes. Advertisement GIG GUIDE At Roadrunner on To celebrate the highly-specific 22 ½ anniversary of her 2002 record 'Lost In Space,' and later brings the tour to Yola brings her shimmering, supersized "My Way" EP to The Sinclair on Friday. (Valeria Rios) Valeria Rios Also on complements the fluid funk and R&B of Leader Bank Pavilion kicks off its concert season on Advertisement On Friday, Sleigh Bells raise an art-rock ruckus at the Paradise Rock Club. (David Perez) David Perez The Paradise Rock Club shimmies with variety this weekend, courtesy of art-rock duo will also stick around for repeat performances this week, as the band holds court at MGM Music Hall at Fenway on Judy Grunwald, left, in the Elvis shirt, and Beth Kaplan in the Ramones shirt, performing at the Rathskeller in Boston. Paul Robicheau NOW SPINNING New Zealand band Phoebe Rings offer their own slant on city pop with their debut LP 'Aseurai.' (Frances Carter) Frances Carter Phoebe Rings, 'Aseurai.' The debut record from Phoebe Rings is a fresh listen for fans of jazz and dream-pop – yet it doesn't fit squarely under either category. 'Aseurai' finds the New Zealand band stepping out with their own slant on city pop, twisting prismatic synths to project a rainbow of emotions. Advertisement Mt. Joy's fourth LP feels like a 13-track thesis on why they're a great fit for headlining festivals. (Caity Krone) Caity Krone Mt. Joy, BONUS TRACK Victoria Wasylak can be reached at . Follow her on Bluesky @
New York Post
27-05-2025
- Entertainment
- New York Post
Singer-songwriter Aimee Mann on ‘Lost in Space' tour, new musical
Singer-songwriter Aimee Mann is on the road again this summer with a tour of the East Coast that will take her to the Music Hall of Williamsburg in Brooklyn and out to the East End of Long Island this June. Known for her witty, personal lyrics and clear, melodic voice, she's playing the hits from her fourth studio album, released back in 2002. That means fans at her 21+ shows might be hearing these songs — which the elder millennials among us might remember from 'Buffy the Vampire Slayer' — for the very first time. We caught up with Aimee to check in on the tour, her life in LA and what's inspiring her latest work. You're celebrating the 22 1/2 year anniversary of your album 'Lost In Space' with an East Coast tour (playing the Grand Ballroom at Canoe Place Inn in Hampton Bays June 12). Why this album and why now? We were a little slow off the mark. We wanted to do the 20th anniversary thing but for a variety of reasons it took longer. Obviously I like all my records, but I feel like this one has just such an interesting sound and really creates a mood. Your catalogue cuts across genres — from the hit 'Voices Carry' with the new wave band 'Til Tuesday to 'Save Me' the breakout 90s ear worm from the Oscar-nominated 'Magnolia' soundtrack. Your album 'Mental Illness' even won the 2018 Grammy Award for Best Folk Album. Are you still evolving as an artist? The first band I was in was this really unlistenable kind of art rock, punk, new wave band — one of those bands where you say to yourself, 'Let's do everything weird.' Which is super fun, but not necessarily fun for the listener. 'Til Tuesday was a reaction against that. I wanted to play music that was more melodic. I think it takes a lot of practice at songwriting to figure out what you like and what you're good at. It's a lot of experimentation and over time you realize, 'Oh, this is the kind of thing I'm really good at, or 'This is the kind of thing I like to do.' And acoustic guitar-based pop with a little folk flavor is my favorite place to park. Left to right: Robert Holmes and Aimee Mann, both of the group 'Til Tuesday perform onstage at Liberty State Park, Jersey City in 1985. Getty Images But there's also this writerly quality to your songs that I think defines you. Do you agree? I like that description. That's a fun way to think of myself. But no, I haven't really thought of it that way. I just know that words are very important, and it's fun to try to get better at writing lyrics and to be more exact in your language. You're based in LA with your husband Michael Penn. Do you have plans for your time in New York when you aren't on stage? I have really good friends in Brooklyn that I stay with when I go to New York. So it kind of feels like I have my neighborhood coffee place. But I never lived in New York; I was in Boston for 15 years. On this tour, it's hard to say. It might be in and out, but it all sort of depends. I'll let karma decide. Wherever the tour bus goes, that's where I'll go. Mann performs as part of 'The Aimee Mann And Ted Leo Christmas Show' at City Winery last November in NYC. Getty Images Are you working on new music? I'm writing songs for a new record. I'm not sure exactly what I want it to sound like yet, but I have a record called 'The Forgotten Arm,' [2005] and I've been playing a lot of songs from that so I'm kind of interested in returning to that sound. I'm also developing a musical based on those songs. That record was written about drug addiction and the musical is about two people who are together, and one is a drug addict. It's the dynamic of that relationship. I think we'll do a workshop presentation at Joe's Pub sometime this fall.
