Latest news with #MPX
Yahoo
3 days ago
- Business
- Yahoo
Some Investors May Be Worried About Marine Products' (NYSE:MPX) Returns On Capital
Finding a business that has the potential to grow substantially is not easy, but it is possible if we look at a few key financial metrics. One common approach is to try and find a company with returns on capital employed (ROCE) that are increasing, in conjunction with a growing amount of capital employed. Ultimately, this demonstrates that it's a business that is reinvesting profits at increasing rates of return. Having said that, from a first glance at Marine Products (NYSE:MPX) we aren't jumping out of our chairs at how returns are trending, but let's have a deeper look. We've found 21 US stocks that are forecast to pay a dividend yield of over 6% next year. See the full list for free. For those that aren't sure what ROCE is, it measures the amount of pre-tax profits a company can generate from the capital employed in its business. The formula for this calculation on Marine Products is: Return on Capital Employed = Earnings Before Interest and Tax (EBIT) ÷ (Total Assets - Current Liabilities) 0.10 = US$15m ÷ (US$183m - US$34m) (Based on the trailing twelve months to March 2025). So, Marine Products has an ROCE of 10%. That's a relatively normal return on capital, and it's around the 12% generated by the Leisure industry. Check out our latest analysis for Marine Products While the past is not representative of the future, it can be helpful to know how a company has performed historically, which is why we have this chart above. If you're interested in investigating Marine Products' past further, check out this free graph covering Marine Products' past earnings, revenue and cash flow. On the surface, the trend of ROCE at Marine Products doesn't inspire confidence. Over the last five years, returns on capital have decreased to 10% from 35% five years ago. And considering revenue has dropped while employing more capital, we'd be cautious. If this were to continue, you might be looking at a company that is trying to reinvest for growth but is actually losing market share since sales haven't increased. From the above analysis, we find it rather worrisome that returns on capital and sales for Marine Products have fallen, meanwhile the business is employing more capital than it was five years ago. Long term shareholders who've owned the stock over the last five years have experienced a 12% depreciation in their investment, so it appears the market might not like these trends either. With underlying trends that aren't great in these areas, we'd consider looking elsewhere. Marine Products does have some risks, we noticed 2 warning signs (and 1 which is a bit unpleasant) we think you should know about. While Marine Products isn't earning the highest return, check out this free list of companies that are earning high returns on equity with solid balance sheets. Have feedback on this article? Concerned about the content? Get in touch with us directly. Alternatively, email editorial-team (at) article by Simply Wall St is general in nature. We provide commentary based on historical data and analyst forecasts only using an unbiased methodology and our articles are not intended to be financial advice. It does not constitute a recommendation to buy or sell any stock, and does not take account of your objectives, or your financial situation. We aim to bring you long-term focused analysis driven by fundamental data. Note that our analysis may not factor in the latest price-sensitive company announcements or qualitative material. Simply Wall St has no position in any stocks mentioned.
Yahoo
14-05-2025
- Entertainment
- Yahoo
‘Ida' and ‘Corpus Christi' Stars Unite for ‘The Time That Never Came' as Dystopian Melodrama Debuts First Look, Locks a Private View as Co-Producer (EXCLUSIVE)
Agata Kulesza ('Ida') and Bartosz Bielenia ('Corpus Christi') will brace for 'The Time That Never Came.' The dystopian melodrama, set to premiere in 2026, will focus on a couple in a world obsessed with youth. Sara (Kulesza) chose to age naturally while Oskar, her partner, took an anti-aging treatment. Years later, when they reunite — divided by time but bound by the past — Sara begins a journey to reclaim lost love, confront buried emotions and find freedom. More from Variety MPX Launches Sales on Michael Shannon Darts Comedy 'Bulls' in Cannes (EXCLUSIVE) Viola Davis' Ashé Ventures Boards Maria Farinha Filmes' Biopic of Trailblazing Black Gymnast Daiane dos Santos (EXCLUSIVE) Ukraine's Sergei Loznitsa on Cannes Competitor 'Two Prosecutors' and Budding Trump-Putin Alliance: Totalitarian Threat 'Looming on the Horizon' Ed (Bielenia) is a calm and resourceful driver who helps Sara escape the Refuge. As they travel together to the City of Youth, unexpected events begin to shift her plans. Kulesza, also known for 'Green Border,' told Variety: 'I truly hope we can create a universal story, one that invites reflection on where older people stand in today's world and whether we're placing far too much value on youth, which is, from the outset, a race we're all destined to lose. I understand that when you're young, you don't think about growing old — but aging comes for all of us.' The film is directed by Julia Rogowska, who is making her feature debut. 'I'm genuinely interested in what young people think about and how they perceive the world. This story, and the world Julia created in her imagination, moved me immediately,' added Kulesza. 'I think we connected through that sensitivity and through the things that trouble us in the world. I'm at a stage in life that feels like a transition. It pains me that aging has become taboo, and that older people are pushed aside. We talk about them only in terms of age, but no one asks what that person has meant to the world or what they've done. They become nothing more than a number.' According to Rogowska, 'The Time That Never Came' was born from conversations about 'where our collective obsession with youth comes from and what the fear of aging silently takes away from us.' 'Together with screenwriter Małgorzata Piłacińska, we explored what we are willing to sacrifice, or even give up entirely, out of that fear. At its core, this is also a love story: one shaped by time, memory and longing. I was drawn to the emotional tension of melodrama: the idea that even after years apart, two people can still carry the weight of what was lost, and the hope of what might still be reclaimed.' She called Sara 'the kind of heroine we need today.' 'We've been told that significant change is the domain of the young, but Sara defies that notion,' Rogowska said. 'She challenges how we think not only about aging, but also about freedom.' Also featuring Dobromir Dymecki as Oskar and Michalina Łabacz, 'The Time That Never Came' is produced by Krystyna Kantor for Shipsboy (Poland). Joanna Szymańska co-produces, as well as Dries Phlypo for A Private View (Belgium). Next Film handles Polish distribution. 'As a company focused on international co-productions, we've always looked for stories that connect across cultures, but 'The Time That Never Came' is our first majority feature. Sara's journey struck us as emotionally resonant, artistically ambitious, and deeply relevant to the world we live in. This is the kind of bold, genre-crossing cinema we believe audiences are looking for,' said Kantor. Previously, A Private View collaborated with Shipsboy on 'Dust,' directed by Anke Blondé. 'We got to know Shipsboy as a reliable, committed, and strong partner. We're excited to now switch roles and stand behind 'The Time That Never Came' as co-producer, supporting this remarkable story,' noted Phlypo. 'The film offers a critical perspective on beauty ideals and aging while unfolding a captivating and universal love story. From the very beginning, we were drawn to the originality and distinct character of this project, a narrative in which love, despite every obstacle and temptation, always finds its way back to the surface,' he said. 'It's about the strength it takes to let go, the consequences of the choices we make and the search for freedom and self-worth.' Best of Variety New Movies Out Now in Theaters: What to See This Week Emmy Predictions: Talk/Scripted Variety Series - The Variety Categories Are Still a Mess; Netflix, Dropout, and 'Hot Ones' Stir Up Buzz Oscars Predictions 2026: 'Sinners' Becomes Early Contender Ahead of Cannes Film Festival
Yahoo
14-05-2025
- Entertainment
- Yahoo
‘Enzo' Review: Robin Campillo Honors the Late Laurent Cantet With a Film That Embodies the Best of Both Directors
'Enzo' begins and ends with an unusual screen credit. It reads: 'A film by Laurent Cantet' and then 'Directed by Robin Campillo'(in French, of course). Cantet died in April 2024, too diminished by cancer to direct what turned out to be his final feature — a slight yet insightful drama about an agitated 16-year-old French boy butting his head against the sheltered upbringing that feels more alien with each passing day. Ergo, longtime collaborator Campillo stepped in to realize Cantet's vision. The result beautifully melds the two filmmakers' sensibilities — one straight (Cantet), the other gay (Campillo) — in a blurring of the lines that renders all the more intriguing the ambiguous sexual attraction between 16-year-old Enzo (Eloy Pohu) and Vlad (Maksym Slivinskyi), the 20-something Ukrainian laborer on whom he fixates. 'Enzo' simmers with homoerotic tension, and yet, the title character's crush never develops enough to call it a 'gay movie' outright. There's no defiling of peaches or precocious sexual experimentation between the roughly decade-apart duo, though the ambiguous subtext proves infinitely more fascinating, leaving everyone who sees it with a different interpretation. More from Variety Fionnuala Halligan Appointed Red Sea Film Festival Director of International Programs 'Ida' and 'Corpus Christi' Stars Unite for 'The Time That Never Came' as Dystopian Melodrama Debuts First Look, Locks a Private View as Co-Producer (EXCLUSIVE) MPX Launches Sales on Michael Shannon Darts Comedy 'Bulls' in Cannes (EXCLUSIVE) 'Enzo' represents a poignant opening-night selection for the Directors' Fortnight section of the Cannes Film Festival all the same, especially in light of Cantet's Palme d'Or win for 'The Class' in 2008. 'Enzo' is far from typical, as either a coming-out or a coming-of-age story. Featuring newcomer Eloy Pohu in the title role, the understated film focuses on a teen's clumsy and occasionally contradictory struggle to define himself apart from the relatively privileged life his doctor father (Pierfrancesco Favino) and nurse mom (Élodie Bouchez) have given him. While his older brother prepares for university, Enzo decides he's had enough of academia. The young man wants to work with his hands. Judging by the untended blisters on his knuckles and palms, however, Enzo doesn't show much aptitude for it — to the extent that his supervisor drives the boy home one day to speak with his parents, surprised to discover that Enzo lives in a posh home with ocean views and a private pool. Cantet is best known to international audiences for 'The Class,' which marked the clearest expression of his career-long fascination with race, class and various obstacles certain adolescents face to finding their path in French society, where opportunity abounds but an embarrassment of choice can sometimes feel crippling. It's a common theme in Cantet's films to observe adolescents battling against their own best interests, and in that regard, 'Enzo' more closely resembles his barely seen 2017 drama 'The Workshop.' Where audiences less charitable than Cantet might see his characters as unexceptional and perhaps even lost causes, this humanistic chronicler of modern life cared so deeply about these fictional souls that we can't help feeling invested in their fates (rendered all the more real by Cantet's preference for casting nonprofessionals). In a sense, the dominant feeling one gets from watching 'Enzo' is that of concern, shared by the boy's father, who respects his son's desire to chart his own course, even as he feels insulted by how violently Enzo rejects their success. What exactly provokes this turmoil in Enzo? That's the mystery at the heart of the movie, and one that neither Campillo nor Cantet seem particularly motivated to answer. Instead, they leave the analysis up to us. Enzo's hardly unique in rebelling against his upbringing. Practically all adolescents do that to some extent, though Enzo lacks an appropriate role model to show him an alternative. The movie opens on the construction site where the lad has difficulty keeping up with what appear to be rather modest responsibilities, revealing a lack of commitment on his part. And yet, he shows a certain camaraderie with the crew, latching on to Vlad in particular. The cocky Ukrainian is constantly boasting of his conquests with women, which intrigues Enzo, who has a girlfriend of his own. Through Vlad, Enzo discovers an unexpected attraction, intensified by the political reality that Vlad escaped back home. It impresses Enzo that such a macho figure as this can admit to being afraid of war, which awakens in the boy a very real if slightly unfocused frustration — toward others' apathy, his own comfort or the undeniable yearnings within himself. Take your pick. Beyond Pohu's furrowed brow, there's little to indicate what Enzo is feeling. Still, there's something universal and incredibly timely in this aspect of his fight, as young people all over the world are grappling with the moral dimensions of conflicts in Ukraine, Gaza and Syria, while their parents and peers don't necessarily share their passion. 'Enzo' reflects how a rebel without a cause finds something to care about, if you will. In Enzo's case, his engagement is mixed up with an infatuation he's uncertain how to process, which is partly explained by a phone call every bit as moving as the one that closes 'Call Me by Your Name.' Enzo may not be so bright in scholastic terms, but he's far more sensitive than his family seems to realize, and there's a certain irony to the way this movie asks us to intellectualize someone operating on instinct, stumbling toward a better understanding of himself. Best of Variety The Best Albums of the Decade
San Francisco Chronicle
24-04-2025
- Business
- San Francisco Chronicle
Marine Products: Q1 Earnings Snapshot
ATLANTA (AP) — ATLANTA (AP) — Marine Products Corp. (MPX) on Thursday reported net income of $2.2 million in its first quarter. On a per-share basis, the Atlanta-based company said it had net income of 6 cents. The recreational boat maker posted revenue of $59 million in the period. _____ April 24, 2025
Associated Press
28-02-2025
- Business
- Associated Press
Marco Polo and New to The Street Unite to Transform Global Operations Into Powerful Brand Identities
NEW YORK CITY, NEW YORK / ACCESS Newswire has long been a leader in helping financial firms expand their global footprint through cutting-edge regulatory solutions, advanced technology platforms, and strategic digital marketplaces. In a groundbreaking development, Marco Polo is partnering with New to The Street, the premier financial media powerhouse, to offer an unparalleled suite of media and PR solutions. This collaboration will enable Marco Polo's clients to enhance their brand presence in U.S. markets and promote select international private and public investment opportunities to U.S. institutional investors. Bridging the Gap for International Securities Firms Hundreds of international securities firms across Europe, Canada, Asia, and other global markets are currently unlicensed in the U.S., limiting their ability to market products to American investors. Many of these firms boast significant deal flow, robust research, and innovative financial solutions, yet remain underrecognized in the U.S. Marco Polo's Passport Solution has already paved the way for these firms to compliantly market their offerings in the U.S. Now, with the MPX/New to The Street partnership, these firms - and their corporate clients - will gain access to New to The Street's unparalleled media reach, brand-building capabilities, and high-impact exposure in the U.S. financial landscape. Transformative Visibility and Exposure This exclusive partnership delivers high-visibility, multi-platform exposure, including: NYSE Exchange Floor Interview - Broadcast directly from the iconic NYSE trading floor, placing your firm at the center of global finance. Bloomberg Television Broadcast (As Sponsored Programming) - Nationwide exposure to 95.1M+ U.S. homes on one of the world's most influential financial news networks. Reuters Billboard in Times Square (1 Week) - Unrivaled brand exposure in the heart of New York City's financial district, generating millions of impressions. New to The Street YouTube Feature (2.4M+ Subscribers) - A powerful digital distribution platform, leveraging one of the largest financial media YouTube channels. NTTS/ACCESWIRE Press Release - Professionally written and distributed to top-tier financial media platforms for maximum exposure. NEWSOUT! PR Inclusion - Expanded press release distribution across high-impact financial networks. Earned Media Report from NYSE + NTTS YouTube Distribution - Comprehensive earned media analysis, with strategic YouTube amplification. A Game-Changer for International Securities Firms and Institutional Investors The MPX/New to The Street partnership is set to redefine the visibility, credibility, and engagement levels of international securities firms within the U.S. and global institutional markets. Institutional investors will now have compliant, efficient, and secure access to an expanding universe of high-potential international securities firms with compelling deal flow and services. Leadership Quote Vince Caruso, CEO of New to The Street, expressed enthusiasm about the partnership, stating: 'This collaboration is a game-changer for international financial firms looking to expand in the U.S. market. Our platform has consistently elevated brands and financial institutions, and now, through our strategic partnership with Marco Polo, we are providing a direct pipeline to U.S. investors and institutions. With our powerful combination of national TV exposure, earned media, and iconic outdoor billboards, we are setting a new standard for global financial branding.' 'Via our Passport solution we provide the regulatory visas for securities firms around the world to compliantly market their deals, research and more to US institutions. Via our Bridge solutions we use Ai and tokenization to match buyers and sellers. With our News to the Street partnership, we can now offer an extraordinary platform for the best of these firms to build global brands in the world's deepest investment markets. Compliant, effective and branded distribution of hundreds of international providers - the US will be the new crossroads of global markets' Vinode Ramgopal & Steve Carlson (Co-chairs of Marco Polo Exchange) For Marco Polo: Owen Eberstadt For New to The Street: Monica Brennan Email: [email protected] Contact Information Monica Brennan
