Latest news with #Maharani
Yahoo
3 days ago
- Business
- Yahoo
Chaman Lal Setia Exports Ltd (BOM:530307) Q4 2025 Earnings Call Highlights: Navigating Growth ...
Release Date: May 29, 2025 For the complete transcript of the earnings call, please refer to the full earnings call transcript. Chaman Lal Setia Exports Ltd (BOM:530307) reported an 11% increase in revenue, indicating positive growth despite challenging market conditions. The company successfully managed to maintain profitability despite high ocean freight costs and fluctuating rice prices. New infrastructure developments, including three new units in Karnal, are expected to enhance production capacity and revenue. The company has a strong presence in multiple countries, selling in over 80 countries, which diversifies risk and expands market reach. Chaman Lal Setia Exports Ltd (BOM:530307) is actively expanding its customer base and exploring new markets, including potential opportunities in Japan. The company faced significant challenges due to increased transportation costs, which impacted profitability. Rice prices have been volatile, with a noted decrease in prices affecting revenue in certain quarters. The company's gross margins have decreased from 31% to 22% over the last five years, indicating pressure on profitability. There were issues with electricity affecting the efficiency of new plants, currently operating at 60% capacity. The domestic market expansion, particularly for the Maharani brand, has been slower than anticipated, with limited substantial progress. Warning! GuruFocus has detected 3 Warning Signs with BOM:530307. Q: What is the volume growth for this year and quarter, and what is the current inventory volume? A: The sales volume increased by 11-12% this year. The current stock includes over 65,000 tons of rice and 7,600 tons of paddy. (Respondent: Unidentified_1 and Unidentified_4) Q: What are the expectations for volume growth this year, and were there any inventory losses due to higher-priced inventory? A: There were no inventory losses as the inventory was bought at a lower price, and sales were hedged. Prices are now rising, allowing sales at higher prices. (Respondent: Unidentified_1 and Unidentified_4) Q: How have transportation costs impacted profitability and margins? A: Transportation costs have doubled in the last year, impacting profitability. However, this is expected to be a short-term issue as business readjusts. (Respondent: Unidentified_4) Q: What is the status of the new facility at Gandhidham, and what activities are planned there? A: The Gandhidham plant is set to be inaugurated soon. The company follows a flexible model to protect against market fluctuations. (Respondent: Unidentified_4) Q: What is the future guidance for revenue and capacity expansion? A: The company expects to achieve a revenue of 2000 crores with the new plants coming online. Three new units in Karnal are operational, with two running at 60% efficiency. (Respondent: Unidentified_1 and Unidentified_4) For the complete transcript of the earnings call, please refer to the full earnings call transcript. This article first appeared on GuruFocus. Error while retrieving data Sign in to access your portfolio Error while retrieving data Error while retrieving data Error while retrieving data Error while retrieving data
Mint
6 days ago
- Business
- Mint
Why Sony handing over India-England cricket digital rights to JioStar is a win-win deal
In a move that would've raised eyebrows not so long ago, media rivals Sony Pictures Networks India (SPNI) and JioStar have teamed up to share the broadcast rights to India's cricket tours in England in 2025 and 2026. While Sony retains the television rights, JioHotstar will exclusively stream all matches online, starting with the five-Test series from June 20. The deal reflects the stand of both companies today and where the business of cricket broadcasting is headed. SPNI secured the England and Wales Cricket Board (ECB) rights in 2023 for eight years during a phase when broadcasters were aggressively locking in international boards. DisneyStar had picked up the TV rights to the Indian Premier League, the International Cricket Council (ICC) rights and Cricket Australia, while Viacom18 signed on Cricket South Africa and the digital rights of the IPL. The bidding war came just before OTT monetisation challenges, rising rights fees, uncertain ad yields and market realities caught up with the broadcasters, forcing a rethink. Since then, Sony's digital focus has leaned toward strengthening SonyLiv's reputation as a home for premium original content. It hasn't chased live sports as aggressively as its rivals. Also Read | How IPL's soaring valuation fuels Indian cricket board's growing revenue SonyLiv's success with shows such as Scam 1992, Maharani and Rocket Boys has helped build a distinctive identity, but cricket streaming requires a different scale of technology, bandwidth, and investment. In that context, subletting the digital rights of the India-England series to JioStar makes business sense. JioStar is better placed to monetise the property in today's fragmented media environment. The platform has built a massive reach through IPL by combining Disney+ Hotstar's paid subscriber base with JioCinema, and has already established user habits around cricket streaming. For Sony, the deal helps de-risk a potentially overvalued property. While the financial terms haven't been disclosed, industry insiders said the ECB rights were picked up at a premium. By retaining TV and offloading digital, Sony safeguards its distribution revenue via cable and DTH and avoids pouring resources into digital marketing or tech for a one-off series. Post-IPL gap There's also a timing factor. The India-England Test series arrives right after IPL, without Rohit Sharma and Virat Kohli in the Test squad, and advertisers are already showing signs of fatigue in the current market. Driving advertising sales around the tour would've been a tall order. JioStar, with its recent IPL momentum, is better positioned to carry that forward. From JioStar's perspective, the move fills the post-IPL gap. There's no India cricket on its calendar otherwise and the England tour offers continuity for viewers and advertisers alike. It also helps retain subscribers acquired during the IPL window. Also Read | India's sports economy inches closer to $2 billion as endorsements, emerging sports fuel growth This isn't the first time broadcasters have split TV and digital rights. Disney Star and ZEE had earlier tried a similar arrangement for ICC events. ZEE was to take TV while Disney retained digital. That deal fell through when the Sony-ZEE merger collapsed and ZEE couldn't make the payments. But the principle of playing to one's strengths is increasingly relevant in the sports rights business. The question now is whether this marks a broader strategic shift for Sony. Is this a one-off move to monetise a tricky asset or a signal that the network is retreating from digital sports altogether? Digital home For now, it appears tactical. But as streaming becomes central to how cricket is consumed, the gap between SonyLiv's entertainment positioning and the demands of live sports will only widen, unless the company makes a decisive move. Meanwhile, JioStar continues to entrench itself as the digital home for Indian cricket. Whether through direct rights or smart partnerships, it is building a platform where the fan journey doesn't pause between tournaments. Also Read | Gen Z wants more than just cricket from sports entertainment, looks for authentic athlete engagement At its core, this is a deal born out of business logic, not emotion. The viewer doesn't care who owns the rights, they care about access. The platform wants monetisation. The rights holder wants to avoid losses. And if that means former rivals shaking hands, so be it. In a rights market defined increasingly by scale, cost discipline, and collaboration, Sony and JioStar may have just shown everyone what grown-up cricket broadcasting looks like.
India Today
7 days ago
- Entertainment
- India Today
Let the world see peace: Huma Qureshi meets BSF jawans in J&K, salutes their valour
Actor Huma Qureshi visited the India-Pakistan border in RS Pura, where she engaged with Border Security Force (BSF) jawans, their women's wing, and families impacted along the International Border following Operation also addressed the crowd at a cultural event held at the Octroi Post, by the tourism department in collaboration with the BSF. 'Please do not let hate win. Come to Jammu and Kashmir, come as travellers and go back as believers,' she the event, the 'Maharani' actor praised the Indian Army and BSF for their role in Operation Sindoor and for bravely protecting India's borders. 'Thank you for giving me a chance to come here today and interact with our soldiers, especially the women troopers who are guarding our borders round-the-clock without caring for their lives. I realised once again how lucky we are that you are protecting our borders,' she actor even shared a video montage from her trip where she can be seen interacting with the families of the jawans and the people at the Octroi the video here: View this post on Instagram A post shared by Huma Qureshi (@iamhumaq)She even attended the beating retreat ceremony, which resumed last week after being paused during the India-Pakistan military conflict that erupted following the April 22 terror attack in on the work front, Huma Qureshi will appear next in 'Maharani 4'. The story of Maharani follows Qureshi as Rani Bharti and is set in Bihar, delving into the state's political landscape with real-life inspirations. The series debuted on SonyLIV in 2021, followed by its second season in 2022 and the third in 2024. It was created by Subhash Kapoor and directed by Saurabh Watch
India Today
22-05-2025
- Entertainment
- India Today
Actor Amit Sial tears into Anurag Kashyap's remarks on actor's entourage fee
Actor Amit Sial strongly responded to filmmaker-actor Anurag Kashyap's recent remarks regarding actors' entourages and their luxury demands significantly driving up film budgets. Sial questioned Kashyap's criticism, suggesting that such dynamics are well known within the industry and should come as no an interview, he emphasised that producers must be well-prepared to manage these situations rather than expressing regret or blame later. According to Sial, taking responsibility and making informed decisions is key, and lamenting over budget constraints caused by entourage expenses reflects a lack of foresight rather than a genuine speaking to Hindi Rush, Amit Sial said, 'These extra costs and their effects on the film and its overall budget are 100 per cent real. You take someone who is high on a pedestal; you go to him as a producer, knowing damn well who he is as a person and an actor.' He added, 'To expect people to suddenly change into a good actor or person and bring them down to your level just because you wrote a great script is delusional. That person must throw out 500 people like you daily from his life.'Amit Sial, best known for his roles in 'Jamtara' and 'Maharani', continued to say, 'I understand that the costs are high, but you can't choose the wrong people for the kind of film you want to make. You want a huge star who will guarantee you an audience; then you have to bear these costs without complaining. There is no reason to complain; don't do it if you feel like something wrong is happening; no one has kept a gun to your head.'advertisementFor the unversed, the retaliation came after Kashyap's remarks during an interview with Humans of Cinema, where he sparked discussion about industry expenses.'It's not a holiday; it's not a picnic. A lot of the money that is spent doesn't go into making the film. It goes into the paraphernalia; it goes into the entourage. You're shooting in the middle of a jungle, but one car will be sent to the city three hours away specifically to get you that five-star burger you want,' he the acting work, Amit Sial was last seen in 'Raid 2', co-starring Ajay Devgn, Riteish Deshmukh, Vaani Kapoor and Saurabh Watch
India Today
21-05-2025
- Entertainment
- India Today
Huma Qureshi: The ‘Maharani' of reinvention
Huma Qureshi has had a lot brewing lately. As if her acting duties weren't enough, she has donned the cape of a producer, written a novel that she hopes to adapt into a feature, and is developing a sari also the passion project of celebrating the 50th anniversary of Saleem's, her father's famous restaurant in New Delhi. At India Today's Indo-UAE Conclave 2025 in Dubai recently, Qureshi said she's enjoying her current state of 'exploration'. It has seen her as the face of one of streaming's popular and longest-running series in Maharani (on SonyLIV) and amassing quite an upcoming roster with a new season of Delhi Crime, a new edition of the Jolly LLB franchise, and being part of the highly-anticipated Yash-starrer two kids who came from Delhi not knowing a single person in Mumbai to have reached this far has been nothing short of magical,' said Qureshi of her and brother Saqib Saleem's journey in the Hindi film industry. 'Despite all claims of the industry being so closed, it still opened its arms to both of us and gave a lot of opportunities.'Qureshi has been riding the streaming wave successfully, having been part of Leila and Mithya as well as the beloved Netflix film Monica, O My Darling, where her titular act of a femme fatale, unlike one she's done before, won her much appreciation. 'I just like to have fun with my characters. The only rule I have is that I will never repeat myself,' said Qureshi. Her stubbornness, she noted, came in handy as she has worked towards picking parts that break stereotypes. 'I guess anytime someone said you can't, mustn't and shouldn't do this, I have always questioned 'Why not?' That's the key defining factor for me as an artiste and an individual,' she mentality took her far and helped cope with challenges. There have been doubts, mistakes committed and comparisons made, but what's worked is that she decided 'to be true to yourself'. Qureshi won't let industry expectations of appearance weigh her down or determine her choices.'Why am I expected to always try and look younger than who I am? If a great script comes my way, I should say no to it because I am afraid of portraying someone who is a few years older than me?' Instead, Qureshi, 38, takes control of her own narrative, be it being one of the first to ride the OTT wave to leave a distinct mark on all her characters. Her only grouse—she wants more dancing parts. 'I am such a good dancer,' she said. 'It's such an unfortunate thing. Can we start a petition?'HUMA UNCUT@INDO-UAE CONCLAVE* 'Every time someone tries to put me in a box, I am like 'No, give me a reason why?''* 'There are parts I can do but I don't get the calls. So what do I do? Sit at home and cry ki mujhe mauka nahin mil raha hai? I am not going to lament. I am going to go out there, take control of my own narrative and choose the stories I want to tell and the filmmakers I want to work with.'advertisement* 'I feel like now we are in the 2.0 era of the OTT revolution where we need to rethink what kind of stories we are putting out there and who we want to reach.'* 'For sure female-led shows and films are doing extremely well. But I will give you something to chew on. I am part of one of the most-watched-and-loved show Maharani, but am I getting paid as much as the male counterparts who are doing shows? Far from it.'* 'I just like to have fun with my characters. The only rule I have is that I will never repeat myself.'Subscribe to India Today Magazine
