Latest news with #MeghannFahy
Toronto Sun
4 days ago
- Entertainment
- Toronto Sun
Can't stop talking about Netflix's bonkers ‘Sirens'? Join us
Published May 30, 2025 • 9 minute read Meghann Fahy, Julianne Moore and Milly Alcock attend the Netflix Premiere of Sirens at the Paris Theater on May 20, 2025 in New York City. Photo by Roy Rochlin / Getty Images for Netflix Reviews and recommendations are unbiased and products are independently selected. Postmedia may earn an affiliate commission from purchases made through links on this page. Hey, hey: If you've perused Netflix at all in the past week, chances are you've encountered the new dark comedy 'Sirens,' starring Julianne Moore, Meghann Fahy and Milly Alcock as a trio of women locked in a battle of power and status on the fictional New England island of Port Haven. The streaming platform reported that the five-episode series debuted at No. 1 over Memorial Day weekend, which would explain all the buzz and fan theories floating around the internet. The other reason is a plot salad whose ingredients include: photographic blackmail, suspected cult activity, gruesome bird death and people falling off cliffs (both in real life and in their dreams). And more! This advertisement has not loaded yet, but your article continues below. THIS CONTENT IS RESERVED FOR SUBSCRIBERS ONLY Subscribe now to read the latest news in your city and across Canada. Unlimited online access to articles from across Canada with one account. Get exclusive access to the Toronto Sun ePaper, an electronic replica of the print edition that you can share, download and comment on. Enjoy insights and behind-the-scenes analysis from our award-winning journalists. Support local journalists and the next generation of journalists. Daily puzzles including the New York Times Crossword. SUBSCRIBE TO UNLOCK MORE ARTICLES Subscribe now to read the latest news in your city and across Canada. Unlimited online access to articles from across Canada with one account. Get exclusive access to the Toronto Sun ePaper, an electronic replica of the print edition that you can share, download and comment on. Enjoy insights and behind-the-scenes analysis from our award-winning journalists. Support local journalists and the next generation of journalists. Daily puzzles including the New York Times Crossword. REGISTER / SIGN IN TO UNLOCK MORE ARTICLES Create an account or sign in to continue with your reading experience. Access articles from across Canada with one account. Share your thoughts and join the conversation in the comments. Enjoy additional articles per month. Get email updates from your favourite authors. THIS ARTICLE IS FREE TO READ REGISTER TO UNLOCK. Create an account or sign in to continue with your reading experience. Access articles from across Canada with one account Share your thoughts and join the conversation in the comments Enjoy additional articles per month Get email updates from your favourite authors Don't have an account? Create Account Moore stars as Michaela Kell, an ambitious lawyer turned socialite who hires 25-year-old Simone DeWitt (Alcock) as a live-in personal assistant on the island estate she shares with Peter (Kevin Bacon), her husband of 13 years. Fahy plays Simone's older sister, Devon, who still lives in their hometown of Buffalo and tends to their father, Bruce (Bill Camp), who has early-onset dementia. Eventually, Devon shows up at the Kells' property looking for Simone. The DeWitt sisters had a rough upbringing, especially after their mom died, so Devon is stunned to discover her sister's new life of luxury. Audiences might be just as surprised by the show as a whole. Because while 'Sirens' has all the trappings of a prestige TV hit, it is also – how best to put this? – completely insane. Creator Molly Smith Metzler (Netflix's 'Maid') based the series on her 2011 play 'Elemeno Pea' and takes advantage of the expanded runtime. She leans into soap opera dramatics, all of which build to a jolting crescendo. This advertisement has not loaded yet, but your article continues below. This is the sort of show you'll want to discuss as soon as its bonkers finale fades to black, so we – Washington Post senior video journalist Allie Caren and Style reporter Sonia Rao – thought we'd get the conversation started. There are plenty of spoilers ahead, obviously, so don't say you haven't been warned. – – – Allie Caren: I'm a sucker for so many things in this show: ultra-wealth; sweeping, pristinely manicured oceanfront real estate; complicated family dynamics; and 'summering' in a coastal town. What's not to like? Sonia Rao: 'Sirens' certainly belongs in the thriving genre of rich people doing silly rich people things, similar to HBO's 'The White Lotus' and 'Big Little Lies.' At times, it can feel like a counterpart to Hulu's 'Nine Perfect Strangers,' especially when Devon starts to believe – deep breath – that Michaela a.k.a. Kiki somehow killed Peter's ex-wife and is now the leader of a spiritual cult that ends each meeting with a strange phrase: 'Hey, hey.' Rich people, cults, luscious aesthetics – it sort of comes off as an SEO dump of what makes for a popular TV show these days. Not to say it doesn't have its merits, but … didn't Nicole Kidman already make this? Your noon-hour look at what's happening in Toronto and beyond. By signing up you consent to receive the above newsletter from Postmedia Network Inc. Please try again This advertisement has not loaded yet, but your article continues below. AC: There are definite similarities between 'Nine Perfect Strangers' and 'Sirens,' down to the significance of something as small as a smoothie. In the former series, Masha (Kidman), the director of a remote healing resort, micro-dosed her guests' smoothies. Kiki, on the other hand, is much too preoccupied to take a single sip of the daily blends her personal chef, Patrice (Lauren Weedman), whips up. She waves it off in one scene like it wouldn't cost 20-something dollars at Erewhon. Hey, Patrice, I'll take it! SR: Julianne Moore was the main reason I decided to watch 'Sirens.' She so carefully navigated her performance in Todd Haynes's 'May December' as a Mary Kay Letourneau analogue married to a much younger man, and Kiki seemed similarly stubborn about sugarcoating her rather transactional marriage to Peter. We do learn as the show goes on, though, that Kiki is far more in touch with reality than she lets on. This advertisement has not loaded yet, but your article continues below. AC: Moore pulled me in, too. There are so many personas wrapped into her character: first, an emotionally unpredictable boss you're scared to cross but determined to please; second, a mysterious, witchy conservationist who finds purpose in using her wealth to help nature; and finally, your best friend, stand-in mom, confidante, running buddy and sometimes snuggle partner who comforts and consoles and protects you. Kiki has range. What did you make of Simone and Devon's relationship? SR: That was probably the most intriguing part of the storytelling for me, as one of two sisters with a similar five-year age gap who (thankfully!) grew up in a much happier household than theirs. Simone and Devon's mom died when they were young, numbing their father, Bruce, and forcing Devon to become Simone's primary caretaker. Bruce continues to emotionally abuse and neglect Simone once Devon goes to college, and child protective services eventually places Simone in foster care until Devon decides to abandon her studies and return home to Buffalo. This advertisement has not loaded yet, but your article continues below. It's brutal on both sisters, given that Simone suffers post-traumatic stress disorder and Devon feels like she never got to lead a life of her own. Simone's behavior early in the series makes sense to me – she yearns for a stable maternal figure and latches onto Kiki, who shows her kindness – but Devon is an enigma. I get that she coped by developing a sex addiction, which is only worsened by her attempts to abstain from alcohol, but I just cannot move past her licking a complete stranger's neck when he was trying to give her a platonic hug. And why is he so chill about her doing that? Devon is exceptionally weird and rude to everyone on the island, even people who never mistreated her in the first place. Fahy is innocent in all this. She and Alcock are really believable as sisters with resentments simmering just below the surface. I wish they'd received a stronger set of scripts. This advertisement has not loaded yet, but your article continues below. AC: Simone's PTSD dramatically affects her relationship with Devon, too. In fact, if you rewatch the series, you'll realize it's present before the viewer even learns about its cause: Their mother tried to kill herself and Simone by piping in fumes to their parked car. (Devon found Simone in time to get her help, but their mom died.) The sprints Simone makes on the stretch of beach between the Kell property and the home of her boyfriend, Ethan (Glenn Howerton), makes for good symbolism: Simone is constantly running from her past (and eventually, her present). She runs, more than once, on the sand along the water's edge between these two spots; rushing out of Ethan's home, racing across the sand, flying up four flights of stairs (plus landings! She must be a StairMaster queen!) before dashing across the Kells' expansive back lawn to reach the back door. (In fact, there isn't much of a 'runner's high' in this show at all: running is almost always associated here with negativity and racing – physically or figuratively – from someone, something or oneself.) This advertisement has not loaded yet, but your article continues below. SR: We should probably talk about the water, too. While Devon and Simone use the code word 'sirens' with each other as an SOS, it doubles as an allusion to the seductive female creatures in Greek mythology, whose voices lure sailors to their doom. Sirens are often thought of as mermaids, but they're sometimes depicted with the lower body of a bird – making Kiki's obsession with the animal all the more meaningful. Devon, Simone and Kiki are all alluring women who are, at different points, accused of leading men to their demise. AC: And Kiki has a mermaidlike appeal to her, doesn't she? With her porcelain skin, auburn hair, and flowy gowns and ensembles? Even the colors of her matching running sets fit the fin – er – bill. This advertisement has not loaded yet, but your article continues below. A majority of the other costume and wardrobe decisions are far less subtle. The only place I'd expect to find a larger collection of Lilly Pulitzer is a brick-and-mortar store or the Kentucky Derby. (Hope the brand got a kickback.) Costume designer Caroline Duncan shied away from quiet luxury and instead leaned in fully to the oversaturated, bright, preppy palettes so often associated with coastal towns. SR: Part of it might be my personal distaste for the Lilly Pulitzer aesthetic, but I found this show really hard to look at. Beyond the color palette, many of Kiki's scenes were blindingly bright – which, paired with a slight blur effect, is clearly referencing the mythological Sirens' hypnotic quality. But the Vaseline lens aesthetic is deployed inconsistently and kept making me feel like I needed to wipe some gunk off my glasses. Not to mention the fact that Devon is shot in some of the harshest lighting I've seen on TV since the last season of 'The Bear.' Again, I understand the symbolism, but the back-and-forth ended up distracting me more than anything. This advertisement has not loaded yet, but your article continues below. I'd love to hear your perspective, though. What did you think? AC: I was captivated by the over-lit, mesmerizing, dreamy effect of the close-ups especially. They force the viewer to be a bit uncomfortable – and I think that was the point. I also deeply appreciate a well-spent drone budget. Bravo to the bird's-eye look at Simone running on the beach (again and again and again) and to the closing shot of Simone reigning over her new domain in a silky, icy blue dress at the miniseries' end. The incredibly deliberate cinematography captures the beauty and excitement of late summer so well. It makes me want to book a trip to Bar Harbor, like, yesterday. SR: I'm absolutely with you there. The show takes place over Labor Day weekend, but it feels like such a blessing that it's coming out at the very start of the season for us. This advertisement has not loaded yet, but your article continues below. I'm not suggesting I'd want a long weekend resembling theirs, though. My jaw dropped at the finale, in which Simone – after breaking up with Ethan – decides to shack up with Peter, who sends Kiki packing the very same day. The seeds were planted for this crazy development: Kiki compares her marriage to a business transaction in an earlier conversation with Simone, who gets fired after Kiki discovers she kissed Peter earlier that weekend. Simone is a survivor who will clearly do whatever it takes to get out ahead, but I still don't find it believable that she would go after the husband of a woman she absolutely adored. She is supposed to have an undergraduate degree from Yale – can't she get a different well-paying job? This advertisement has not loaded yet, but your article continues below. Also, what's the deal with Peter's kids from his first marriage? There is an entire subplot where Kiki thinks Peter is cheating on her when, instead, he's spending time in secret with his estranged children, who apparently dislike Kiki. He announces they're coming to the estate mere moments before dumping Kiki and getting together with Simone – whom the kids would dislike even more, surely? I wish we got to see his two adult children meet his latest girlfriend. AC: The whole seeing-my-kids-and-new-grandson-in-secret thing was a forced subplot for me. You could have removed the cheating allegations, the chocolates 'from Tokyo' and the lying and instead filled it with the interactions you suggest. I would have even been happy to see the kids interact with Kiki before her demise. This advertisement has not loaded yet, but your article continues below. I honestly had no idea Kiki would end up the victim ('victim') in the end. I thought she'd begin the villain and remain so – maybe that's what they wanted me to think; maybe I just fell for it. SR: Yeah, I think that's the intention. Sirens are a mythical manifestation of men fearing women with power, and by the end of the show it's clear that Peter's nice-guy shtick is all a ruse. He can't stand the idea of Kiki holding anything over him and gets rid of her as soon as he senses her influence growing. I'm a little confused what the show wants us to think of Simone. She seems to be the ultimate villain in the finale, manipulating her way to the top, but Kiki ends up telling Devon on the boat leaving the island that neither she nor Simone are monsters. Is Simone truly a victim of circumstance? Surely there were other, more moral ways out of her situation. One of my friends told me from the very start of us watching this show that she was on Team Kiki. Maybe I should listen to that friend more. Crime World Olympics Sunshine Girls Toronto Raptors
Forbes
5 days ago
- Entertainment
- Forbes
A Surprising Update About ‘Sirens' Season 2 On Netflix
Sirens Once again, we play the game of 'Is this miniseries really a miniseries?' when it comes to something performing well on a streaming service. And while Netflix's Siren is, in fact, supposed to be a limited series, there appears to be a chance it could live on for a second season if some people involved with the show get their way. This development comes from a few sources. Here's star Meghann Fahy speaking to Variety about what she thinks will happen to her character after the events of season 1: 'I think Devon goes back a really different person. You see a huge evolution with her. And I do think that when she goes home, she won't drink anymore. I don't think she sees Ray [Josh Segarra] as Ray anymore. I like to think that she gets herself together a bit, and leaves with more self-respect than she arrived with. Even though she stays and ultimately is stuck taking care of Dad, she's actively made her choice now, and there is power in that for her.' That may be head-canon and not a literal season 2 plot, but Fahy says it's not totally implausible: 'It ends in a very natural way, but I can imagine what the characters' worlds become,' she says. 'I, for one, would love to know what happens to Michaela, where she goes. So I think it's definitely within the realm of possibility. We didn't talk about it on set, but I would love to do more.' Past that, creator Molly Smith Metzler told Glamour: "I wrote the play 15 years ago," she said. "I've been thinking about them this whole time. I could write them until the day I die. I'd never say never, but could I do them justice in another season? I'd have to think about it. The fact that so many people are asking is really encouraging." Sirens And here's star Milly Alcock speaking to Town and Country, who would 'love to explore a season 2' even if the story would need to be separate from season 1. 'But of course, I think that Simone's such a fascinating person. I'd love to.' Once again, here are the pillars of Netflix renewal: That said, I don't know. It takes a lot for a miniseries to break out of being a miniseries as you may have to be, say, White Lotus or Shogun-level popular and acclaimed for that. But we'll see about Sirens season 2. Follow me on Twitter, YouTube, Bluesky and Instagram. Pick up my sci-fi novels the Herokiller series and The Earthborn Trilogy.
Forbes
27-05-2025
- Entertainment
- Forbes
‘Sirens': Why Does Devon From The Netflix Hit Series Look So Familiar?
Partial poster of "Sirens" featuring Meghann Fahy. The cast of the Netflix hit Sirens includes Meghann Fahy, who plays Devon DeWitt. What else has Fahy starred in? A dark comedy-drama, Sirens premiered on Netflix on May 22 with five episodes. Sirens also stars Julianne Moore as Michael Kell, Milly Alcock as Simone DeWitt, Bill Camp as Bruce DeWitt, Glenn Howerton as Ethan Corbin and Kevin Bacon as Peter Kell. Sirens debuted at No. 1 on Netflix's Global Top 10 TV shows for the week of May 19-May 25 with 16.7 million views, which equates to 72.9 million hours viewed. The official summary for Sirens reads, 'Devon thinks her sister, Simone, has a really creepy relationship with her new boss, the enigmatic socialite Michaela Kell. Michaela's cult-ish life of luxury is like a drug to Simone, and Devon has decided it's time for an intervention, but she has no idea what a formidable opponent Michaela will be. 'Told over the course of one explosive weekend at The Kells' lavish island estate, Sirens is an incisive, sexy, and darkly funny exploration of women, power and class.' Meghann Fahy at the Giorgio Armani RTW Spring 2025 fashion show held at the Park Avenue Armory on ... More October 17, 2024 in New York, New York. (Photo by John Nacion/WWD via Getty Images) Born April 25, 1990, in Longmeadow, Mass., Fahy made her screen debut in 2009 in a guest role as Devyn in an episode of the hit Blake Lively teen drama Gossip Girl. Apart from a recurring role on the long-running ABC daytime drama One Life to Live from 2010-2012, Fahy also appeared in several guest roles in such series as The Good Wife, Chicago Fire, Law & Order: Special Victims Unit and Blue Bloods. In 2017, Fahy landed a lead role in showbiz dramedy The Bold Type, which ran on Freeform for five seasons until 2021. In 2022, Fahy landed one of her biggest roles to date, which has been followed by one high profile role after the next. Take a look below at all the projects Fahy has starred in over the past three years, which explains why she looks so familiar. Meghann Fahy and Aubrey Plaza in "The White Lotus" Season 2. Meghann Fahy stars as Daphne Sullivan, the wife of Cameron Sullivan (Theo James) in Season 2 of creator Mike White's smash hit HBO and Max mystery drama The White Lotus. The Sullivan's storyline involves the uneasy dynamic they have with Harper and Ethan Spiller (Aubrey Plaza and Will Sharpe) the couple they traveled with to the White Lotus resort in Sicily. Fahy was nominated for her first Primetime Emmy Award — in the Outstanding Supporting Actress in a Drama Series category — alongside her White Lotus Season 2 co-stars Plaza, Jennifer Coolidge, Sabrina Impacciatore and Simona Tabasco. Coolidge won her second consecutive Emmy for her role as Tanya McQuiod-Hunt. Eve Hewson and Meghann Fahy in "The Perfect Couple." Meghann Fahy starred in the pivotal role of Merritt Monaco, the doomed best friend and maid of honor to Amelia Sacks (Eve Hewson) in the hit Netflix murder mystery miniseries The Perfect Couple. Merritt's murder takes place the night before Amelia is to marry Benji Winbury (Billy Howle) — the son of the ultra-wealthy Greer Garrison Winbury (Nicole Kidman) and Tag Winbury (Liev Schreiber) — on the island of Nantucket, Mass. As the investigation unfolds, everyone in the wedding party and members of the Winbury family become suspects in the murder. Gavin Warren, Meghann Fahy, Zachary Levi and Jacob Laval in "The Unbreakable Boy." Zachary Levi and Meghann Fahy star as Scott and Teresa LeRette in The Unbreakable Boy, which also stars Jacob Laval and Gavin Warren as their sons, Austin and Logan. A biographical drama, The Unbreakable Boy largely centers on the story of Austin, a boy on the autism spectrum who suffers from brittle bone disease. Meghann Fahy and Brandon Sklenar in "Drop." Meghann Fahy stars in the film thriller Drop as Violet, a widowed mother who years after her husband's death, goes on her first date with Henry (Brandon Sklenar), whom she met online. The couple meets in a posh restaurant atop a skyscraper, but the lofty atmosphere soon turns to dread as Violet begins receiving drops on her phone with instructions to kill Henry. If she ignores her online tormentor's orders, an intruder who has already broken into her home and will proceed to kill Violet's son, Toby (Jacob Robinson) and his babysitter, Jen (Violett Beane), who is Violet's younger sister. All five episodes of Meghann Fahy's new series, Sirens, is streaming on Netflix.
CNN
27-05-2025
- Entertainment
- CNN
‘Sirens' stars Julianne Moore in a dark comic mystery
Moore, Meghann Fahy, and Milly Alcock star in the show about two sisters ensnared in the world of a glamorous socialite. David Daniel talked with Moore about the limited series.
Yahoo
25-05-2025
- Entertainment
- Yahoo
‘Sirens' Star Meghann Fahy Breaks Down the Show's Shocking Ending, That ‘Powerful' Last Scene With Julianne Moore and Her Hopes for a Season 2
SPOILER ALERT: This story discusses major plot developments from this season of 'Sirens,' now streaming on Netflix. Meghann Fahy is on a career hot streak, starring in buzzy series like 'The White Lotus' and 'The Perfect Couple' and films including 'Your Monster' and 'Drop.' Many of her characters are known for being perfectly coiffed, elegant women who are hiding secrets to keep up appearances. Yet Fahy lights up when discussing her new role on the series 'Sirens' — one that is completely against type. More from Variety Julianne Moore, Meghann Fahy and Milly Alcock Work in Harmony to Give Netflix Cult Dramedy 'Sirens' Its Hypnotic Hold: TV Review 'Maid' Creator Molly Smith Metzler Takes on Class in America Once Again With 'Sirens' as She Renews Netflix Deal (EXCLUSIVE) What's Coming to Netflix in May 2025 'Devon is one of my favorite characters I've ever played,' she says. 'There's something so liberating about her, because she is so relentlessly herself, regardless of her environment. She says what's on her mind, and doesn't think about how other people feel about that. Which is certainly not how I move through the world.' 'Sirens' — from 'Maids' creator Molly Smith Metzler — is the story of Fahy's Devon, a blue-collar woman caring for her increasingly ill father, Bruce (Bill Camp), who heads to a mysterious New England property to confront her sister, Simone (Milly Alcock). Simone is the dutiful personal assistant for an ultra-wealthy socialite named Michaela (Julianne Moore), whom Devon thinks might also be a murderous cult leader. Needless to say, when the outspoken, combat-booted Devon lands at the front door of Michaela's ultra-chic, pastel world, there is a battle of the wills. In key moments in the show, Devon and Michaela square off, as the two continually argue about who is closer to Simone, and debate whether she should head home to Buffalo to help take care of Bruce. Fahy says that she was blown away by her iconic scene partner's generosity in those moments. 'Having to call Julianne Moore some of the names that I call her on this show was the craziest experience I've ever had on a set,' she says. 'It was very surreal to just make eye contact with her, generally. But she's even better than you could imagine, and so grounded and generous and a true pro. I just did my best to follow her lead.' Despite their tête-à-têtes during the series, one of the final scenes shows both women taking a solemn ferry ride away from the estate, as Michaela's husband Peter (Kevin Bacon) abruptly dumps her for Simone. As both Devon and Michaela float away defeated, there is humility and understanding between them, far softer than in any of their previous interactions. 'That scene for me was very moving,' Fahy says. 'I loved that it was this moment where these two women were acknowledging that they misjudged the other and, in their own way, apologizing for it and wishing the other well on whatever their journey was going to be after that. It's such a powerful note for the show to end on, because I think there's a lot of misunderstanding happening on the show. It's one of the themes, and to see these women acknowledging that was powerful.' The grief both characters display when leaving Simone speaks to the connections Alcock was able to make with her fellow actors. Although the two sisters present completely differently — Devon is a hard-drinking shit-talker who uses sex transactionally, while Simone focuses on working hard, preppy outfits and her type-A drive — both personalities were developed as a result of serious trauma from when they were children. 'We did spend a bunch of time together, and it was an easy sisterly dynamic from the beginning,' Fahy says. 'I felt very protective of her, sort of naturally in the way that Devon does on the show too. At one point we filmed in New York, and I live there. So when she came to town, I couldn't wait to hang out. I was dragging her all around the place, and was always joking that I was the older sister who always wanted to hang out while she was like, 'I have plans in Williamsburg!'' This natural sisterly dynamic allowed for a flexible emotional canvas, which was helpful as the series' full plot was mysterious to the actors even as they started production. 'What was interesting was we were well into filming before we knew where it was going,' Fahy says. 'We didn't know how it was going to end. We had three blocks: We shot the first two episodes together, the second two episodes together, and then the final episode on its own. We had three different directors. So it was kind of an incredible reveal when we got the finale script and said, 'That's what happened!' 'I was so surprised to hear that Simone ends up with Peter, but the more I thought about it, the more I said, 'You know what? This feels realistic to me,'' she say. 'It makes sense to me that Simone would think, 'There's no way in hell am I going back to Buffalo. I will do anything that it takes to avoid that.' It also felt true to me that Devon would go home. There's a powerful moment when Devon says goodbye after Simone has already walked away, because that's her accepting the truth, accepting that her sister doesn't want to be home and isn't going to go home, and she might not know her anymore after this moment, and just being at peace with that. 'I think Devon goes back a really different person,' she continues. 'You see a huge evolution with her. And I do think that when she goes home, she won't drink anymore. I don't think she sees Ray [Josh Segarra] as Ray anymore. I like to think that she gets herself together a bit, and leaves with more self-respect than she arrived with. Even though she stays and ultimately is stuck taking care of Dad, she's actively made her choice now, and there is power in that for her.' Although the story of 'Sirens' feels complete — and is being marketed as a limited series by Netflix — Fahy says she'd be game to tell more stories in that universe. 'it ends in a very natural way, but I can imagine what the characters' worlds become,' she says. 'I, for one, would love to know what happens to Michaela, where she goes. So I think it's definitely within the realm of possibility. We didn't talk about it on set, but I would love to do more.' 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