Latest news with #MiharaYasuhiro
Yahoo
a day ago
- Entertainment
- Yahoo
Asics Is the Fastest-Growing Sneaker Brand on StockX in 2025 So Far
StockX released its latest Big Facts report today, providing insights into the best-selling products on its platform for the first half of 2025. The data revealed that Asics sneakers were the fastest-growing footwear brand on the platform for the second year in a row, with sales up 71 percent compared to this time last year. StockX also confirmed that the Gel-1130 and Gel-NYC were the biggest drivers in sales for Asics sneakers. The second fastest-growing brand for 2025 thus far was from Japanese label Mihara Yasuhiro, and ranked at number three was Salomon, which saw a 53 percent increase from the year prior. Coming in at fourth is Anta, which is fueled by Kyrie Irving's signature shoes with the brand. The fifth sneaker brand on the list is On, which saw a 15 percent increase from a year prior. StockX also shared its three most-searched and top-selling sneakers in the first half of this year, including the cream grey-colored Asics Gel-NYC, the metallic silver Nike Total 90, and the silver Puma Speedcat Ballet. COMPLEX SHOP: Shop the brands you love, anytime and anywhere. Uncover what's next. Buy. Collect. Obsess. Related Products ASICS ASICS GEL-K1011 WHITE/PURE SILVER $130 , ASICS ASICS GEL-NYC MIDNIGHT/MIDNIGHT $130 , ASICS ASICS GEL-NYC BLACK/GREIGE $130 , ASICS ASICS GEL-1130 KALE $110 Related News , , Related News Ronnie Fieg Previews New Kith x Adidas Superstar Collab Ja Morant's Ja 3 Is Coming to Nike By You Soon COMPLEX SHOP: Shop the brands you love, anytime and anywhere. Uncover what's next. Buy. Collect. Obsess. Making Culture Pop. Find the latest entertainment news and the best in music, pop culture, sneakers, style and original shows. Solve the daily Crossword
Fashion United
11-07-2025
- Entertainment
- Fashion United
Heavy loads and wisecracks: The SS26 trends of the men's fashion weeks
The merging of street and business attire appears to be the theme of the spring/summer 2026 menswear season. This gradual process, which had already begun in previous years, has now become established. Does this mean that the sometimes humorous and playful style, which appeals to a younger target audience, is being lost? The SS26 menswear collections prove that growing up also involves a touch of humour. Life, and the global sentiment shaped by wars and crises, is serious enough anyway. Boxer shorts From left to right: Études, C.R.E.O.L.E, AWGE, Dolce & Gabbana (SS26) Credits: ©Launchmetrics/spotlight Trousers are slipping lower again, in homage to the 1990s hip-hop style, revealing puffed-up boxer shorts. Brands like Études and Dolce & Gabbana also exhibit, however, that the look doesn't have to rely solely on streetwear. Boxer shorts can also serve as a contrast in a classic outfit with a suit and shirt. XXL bermudas vs. short shorts From left to right: Saint Laurent, Prada and Marke Credits: ©Launchmetrics/spotlight Speaking of shorts, there seem to be two teams when it comes to 'short' trousers for SS26. On the one hand, pants are getting shorter and shorter, as seen at Prada, Saint Laurent and Marke. While the German label Marke still adds some volume to the piece, similar to a bubble skirt, the other two fashion houses display shorts that could almost pass as underwear. From left to right: Sacai, C.R.E.O.L.E and PDF Credits: ©Launchmetrics/spotlight In contrast to the 'short' shorts are pants for men who prefer to feel a light breeze and for whom trousers cannot be wide and long enough. Brands like C.R.E.O.L.E and PDF show extra-large Bermuda shorts with many patterns – an XXL version of the loose swimming trunks that go far beyond the knee. Sacai, meanwhile, opts for a more restrained and chic version, not designed for the beach. Wisecrackers Yohji Yamaoto, White Mountaineering, Camperlab and Acne Studios Credits: ©Launchmetrics/spotlight No one could avoid 'cheeky slogans' and quotes this season, which lie somewhere between posts on the social media platform Tumblr in the 2010s, wall tattoos and today's WhatsApp statuses. The various pieces were mostly kept simple, thus putting the spotlight particularly on the slogan. Mihara Yasuhiro, Sacai, C.R.E.O.L.E and Colrs Credits: ©Launchmetrics/spotlight Designer Mihara Yasuhiro didn't directly integrate such a look into his collection, but during the finale, he himself walked the catwalk in a wide grey T-shirt with 'Don't Tag Me' written on it in bright yellow block letters. Mini prints From left to right: Walter Van Beirendonck, Louis Vuitton and AWGE Credits: ©Launchmetrics/spotlight In addition to the slogans, all-over prints with small, simple drawings were also popular. Either motifs for jackets and T-shirts were multiplied or different graphics were combined to create one large overall picture in the style of hidden-object puzzles. Workwear suits From left to right: Agnès B., JuunJ and Louis Vuitton Credits: ©Launchmetrics/spotlight Workwear has always been an important part of streetwear. This isn't changing with the move towards a more classic look. Such a direction was illustrated on the catwalk with overalls, which were either straight or loosely cut, depending on the material. Under one-piece garments, models typically wore simple shirts, sometimes even with a tie. This factory worker-inspired look was loosened up with casual styling, utilising sandals or a wool hat, bringing all three segments together. Traditional costumes Craig Green, Richert Beil and Dior Credits: ©Launchmetrics/spotlight Tradition and modernity also came together in the brands that were inspired by folk clothing, who then gave it a personal touch. The Berlin-based label Richert Beil, for example, showed a version of the classic Lederhosen in a black latex look. Craig Green, meanwhile, presented some wide, traditional-style leather belt straps with floral decorations reminiscent of the Alpine region. Jonathan Anderson, meanwhile, followed in the footsteps of the founder Christian Dior and his interest in English culture for his Dior debut. Various floral embroideries were part of the collection – including a garland of flowers that stretched across a waistcoat. Burden on the shoulders From left to right: Egonlab, Songzio, Hed Mayner and (SS26) Credits: ©Launchmetrics/spotlight This season, there seemed to be a particular focus on the shoulders in outerwear – perhaps as a visualisation of the burden currently on the fashion industry due to weak consumer sentiment. Silhouettes were particularly voluminous on the upper body – also similar to a protective armour – and mostly straight on the legs. equipped a blazer with a huge spike on the sleeve. From left to right: Ami, Walter van Beirendonck, Sean Suen, Kidill (SS26) Credits: ©Launchmetrics/spotlight Collars also seemed to be getting pointier and larger, sometimes extending far above the shoulders on open shirts in the style of the 1970s and 1980s. Close-fitting accessories such as scarves were tied around the neck. Accessories to watch Lavallière From left to right: Orange Culture Nigeria, System and Wales Bonner Credits: ©Launchmetrics/spotlight The short neckerchief – with a tight or loose knot – has become one of the most popular menswear accessories to enhance a casual look in recent years. In addition, the designers of Men's Fashion Week proved that the classic tie doesn't always have to be stuffy. Nevertheless, another piece also seemed to be joining it to create the stylish yet casual summer look. Brands such as Wales Bonner, System and Orange Culture Nigeria adorned their models with a lavallière scarf. The accessory, which lies somewhere between a silk scarf and a tie, and is particularly distinguished by slanted edges, was tied with a very loose knot. It was striking that all three brands presented the piece in the same tone as the respective shirt, so it didn't immediately stand out. Statement belts From left to right: Kenzo and AWGE Credits: ©Launchmetrics/spotlight Much more striking were the large belt buckles, which showed individual letters or even whole words. After the large trucker-style belt buckles had already made a comeback in recent years as part of the Y2K trend, it was clear that this type of belt would also find its way back into the limelight. Now all that's missing is the return of the belt with an LED display.
Hypebeast
01-07-2025
- Entertainment
- Hypebeast
Nothing Is What It Seems in Maison Mihara Yasuhiro's "Ordinary People" Spring 2026 Collection
Summary Mastered byMaison Mihara Yasuhirois the skill of splicing – literally piecing together garments, eras, and silhouettes that might otherwise never comingle. The designer's Spring 2026 Paris runway was no exception, taking the art of fashioning the familiar and the fanciful, the past and the present, the 'high fashion' with the low, envisioning a Frankenstein'd, far-from-ordinary assortment of future-facing apparel and accessories. Entitled 'Ordinary People,' the designer's Spring 2026 range speaks to today's news cycle, particularly a commentary on that in Japan. 'In Japan, it doesn't take much to make the news,' he said after the show, perVogue Runway. 'Things like extramarital affairs and smoking scandals can become national stories, but in the world, there are wars, famines, and so much misery.' 'Nowadays, people tag people on social media. If you deviate from the norm, you get tagged,' he continued. 'So I made this for those people. It's a message to people who just want to live a normal life.' Blazers, suits, and overcoats are paired with sweatpants and cargo shorts on the bottom, while half-buttoned Oxford shirts hang loosely over basic tanks and graphic tees. Tuned into innovating the trompe l'oeil technique since early on, Maison Mihara Yasuhiro's Spring 2026 centerfold is its deceiving jacketing silhouettes. On many jackets – denim jackets, varsity jackets, and Sukajan bombers alike – the sleeves are split in half, simply hanging over the look rather than actually encasing the arm. Introduced about a fifth of the way through the runway, comes a collaboration with British-Indian artistNavinder Nangla, his infamous 'Fassion Weak' motif stamped alongside other misspelled tagging like 'Khaos' and different plays on 'Ordinary People.' 'Don't Tag Me' is another slogan that surfaces throughout the range, imprinted in the center of crewnecks and cardigans. As for accessories, models carry catch-all bags shaped like stuffed animals, totes filled with flowers, and don banana-chain necklaces. Explore Maison Mihara Yasuhiro's 'Ordinary People' Spring 2026 collection in the runway images above and stay tuned to Hypebeast for continuing coverage on Paris Fashion Week.
