Latest news with #Naveen
Scroll.in
3 hours ago
- Entertainment
- Scroll.in
‘Flow love flow flawlessly': Ngũgĩ wa Thiong'o's poetry contemplates truth and justice in Venice
'Not an obituary. We cannot write an obituary about an 'idea' that illuminated so many generations transcending geopolitical borders,' as my friend and journalist Pooja Mitra so eloquently puts it. Celebrating instead his love for truth and justice and generosity by sharing a suite of his Venice poems with my photographs of Venice. The photographs do not in anyway interpret the poems. Nor were the poems written for the photographs! At different moments in time both. The only common factor was his 'choosing to like' the nocturnal ones from a host of many. From: ngugi@ To: Naveen Kishore Sat, 24 Aug, 2019 at 12:47 pm Dear Naveen And yes, please let us share our take on Venice! The camera and the pen on Venice!!! Best Ngugi The thing about cities like Venice is their singularity. Nothing quite like it exists. Night-time Venice empties itself of people. And becomes shadow. Unlike other 'nights' in 'other' cities there is a resigned melancholy to these shadows. Not furtive. Or filled with the 'scurry-home' that accompanies fear. Just a combination of light and shade that causes these shadows into being. Almost a nightly re-birth. For the day-time brings bustle. And the Babel of languages carried by each individual traveller-tourist. The night is safe in the absence of sound. Unless you listen to the sound of your own feet returning home. — Naveen Kishore. From: ngugi@ To: Naveen Kishore Wed, 21 Oct, 2020 at 11:28 pm Dear Naveen Your mind and soul churn out image after image. There is one engine that has no arrival, It steams image after image, like you. Art is a journey without an end, because Because it continues its self-resurrection Into new selves Look at the guy called Shakespeare Still talking to us Or the unknown numerous others Like them that authored Mahabharata Art knows not death. Art contains arrival and departure. Venice, Italy Home to churches pigeons gondolas and boats on waterways San Marco to Salute I never have seen so many shrines of worship in one city Inside the boats, tourists press against one another or Push and shove on bridges linking the islands that make Venice. Enter a restaurant or Any shop selling all manner of wares and masks Cacophonous tongues of the globe accost you They're from Asia, Africa, Europe to the Americas. Though Venice is Italyland It's the outnumbered Italian that sounds foreign. With eager eyes and smartphones Tourists run about capturing images: They take them home to tell titillating tales of La Serenissima and Wondrous paintings and sculptures decorating Venetian palaces La Serenissima Venice Venice Venice You have stolen hearts of writers from many lands Which have given birth to great literature. Shakespeare penned The Merchant of Venice and The tale of Othello, the black hero of ancient Venice. Thomas Mann, the German, dreamt up Death in Venice. From Goethe, Henry James to Italo Calvino they've told stories. So I, Ngũgĩ, will also weave one or two in Gĩkũyũ To remind the world that the African sweat also built Venice The way it did other European cities: Amsterdam Copenhagen London Lisbon Madrid Paris Stockholm Venice Venice Venice three times I call you to make sure you hear: Your serenity might lull one into forgetting It hides a history of the blood you once enslaved. Quick Judgment In a restaurant near my place in Campo San Samuele I told them I wanted their specialty, so that On returning home to Africa I would sing gloria to the taste of Italian food. They brought me fish and spaghetti with black ink all over it. What kind of people are these? They flood my food with black ink just because I am black? I walked back to Campo San Samuele angry and hungry. Another day my guide Lucio De Capitani took me to Trattoria da Jonny. I ordered lamb and hastened to tell them not to add anything to the meal. Lucio de Capitani asked for the dish he loved most. They brought him fish and spaghetti flooded with black ink. This is the most beloved dish in Venice, he told me, and The black ink is what we love most. It is not pen ink; It is a black liquid squeezed out of a squid. Bridges of Locked Love Venice is home to hundreds of islands Linked by numerous bridges. Rialto Bridge; Bridge of Sighs; Academy ; and The Devil's Bridge all have stories to tell. Brides and Bridegrooms come from far and wide China, Japan or Korea; They exchange rings and take selfies at their favourite bridge. Lovers descend from all corners of the globe, Pour their love and vows into a padlock, They hang the locks on the bridge and throw the key into the river So their love will remain locked together forever. The bridges hang low under the weight of locked love. But the one I recall more clearly is the Bridge of Sighs: It links Doge's Palace and the New Prison on Piazza San Marco. The wealthy stand on the bridge and sigh with satisfaction The victims of wealth stand on the bridge and sigh with sorrow. Ponte del Diavolo, Venice Legend has it that once, With Venice and Vienna at War, A daughter of Venice and A son of Vienna, a soldier, Felt their hearts rebel against war. They decided to cross the valley of hate, and Swim in the warm waters of love. The family side of the daughter killed the soldier. The girl was left with a bleeding heart. A Healer took her to the devil Who brought back her man to life, but The Devil demanded his fee: On the night before Christmas, The healer was to bring him, at the bridge, souls of the recent dead. Death came for the Healer too soon. When the Devil went to the bridge he did not get his due. Every year when that day comes a cat prowls the bridge, but It is the devil disguised as a cat Waiting for the healer to bring him souls of the recent dead. All he hears are the murmurings of the flowing waters: Flow flawless love flow. Love makes the soul soar Hate makes the soul sink Flow love flow flawlessly Spread One love to all the earth You Devil Go away. Let love to rule the world. Moulaye Niang, Venice I met Moulaye in his factory at Salizadar Del Pignater Burning Murano glass with flaming gas. He made beads; he made necklaces; he made earrings. As he moulded different shapes, he composed lullabies A soul on fire whispering soul into the soul of fire. He reminded me of Prometheus Who once stole fire, for the humans, From the seat of the Gods above. The fire Gave humans the light and the power of making things. This Prometheus is Othello's country man. He comes from Senegal, West Africa. He changes Murano glass into marvels of colorful shapes. This Senegalese glass artist also sings. The light and sounds of Africa are everywhere. Resurrection in Venice I met Othello in Venice but Not the one from Shakespeare Who worked for them Fought their wars Crushed their enemies In defence of Venice. He let Iago's lies Born of racism Get under his skin into his heart and head. He snuffed the life of Desdemona his love And then took his own, Freeing his soul to follow his love. I met Othello in Venice but Not the one painted by Vittore Capaccio Piloting the Venetian gondolas Gliding along their waterways The many canals small and wide On all sides of the Grand Canal. The affluent of Venice felt so good about the ride Which took them to Piazza del Marco and back Feeding their eyes on the architectural wonders Renaissance and Gothic Palaces lined on either side. I met Othello in Venice but Not the one in Bellini's Miracle of the Cross Thrown into the river below the Bridge of To retrieve the remnant of the True Cross. Desperately he fights the waves in order not to drown. The lady of the house looks on from the window above in delight. I met Othello in Venice but Not the one in the ten sculptures That line the walls of Ca'Rezzonico Rented by Ca'Foscari University of Venice for our banquet, Chains still around the slaves' legs and necks. I ask: Are these sculptures here to celebrate slavery or To remind people that What they now eat and drink are fruits of those Once snatched from the mouth of hungry and thirsty slaves? I met Othello in Venice but Not the one painted on the floor of the entrance into Moresco Hotel, On Fondamenta del Passamonte between Rio Nuovo and Rialto Bridge, Near the Peggy Guggenheim Arts Museum. As guests enter, they step on the painting, And deposit the dust and mud from their shoes. No, not this or that Othello. The Othello I met is named Peter Kariũki. Ten years old and black, He organises other boys to play his version of basketball. At Campo de le Gate They bounce balls on the floor and shoot into the basket. He ensures they follow the rules and work in harmony. His bright eyes light up as if They can see into tomorrow and the days after: My mother and father are black and come from Limuru, Kenya They gave me life born of love; My mother and father are white and come from Venice, Italy They gave me life born of love. I was born in Limuru I grew up in Venice In me Kenya and Italy are conjoined. They call me Peter Kariũki The one who resurrects understanding among peoples No matter the color of their skin or The land of their origins and migrations. Courtesy Naveen Kishore, publisher, Seagull Books. All photographs by Naveen Kishore.
News18
2 days ago
- Entertainment
- News18
‘I Want To Join;: Internet Wants To Enroll In This Grandpa's Dance Masterclass
Last Updated: The song is Chori Chori Dil Tera from the 1993 film Phool Aur Angaar. Dance videos flood social media every day, but some catch your attention in a special way. They make you pause and smile because of their energy and charm. Recently, one such video has been making waves online, and it is impossible not to enjoy watching it. The video shows a trio dancing enthusiastically to a popular song by Kumar Sanu. But here's the exciting part, the star of the group is an elderly man named Naveen Bharadwaz. He may look old, but his energy can easily beat even someone much younger. In the video, Naveen dances with full enthusiasm and nails every step with style and confidence. This clip, shared on Instagram, shows Naveen standing in the middle with two men on either side of him. Together, they perform simple, fun dance steps to the song Chori Chori Dil Tera. This song is from the 1993 film Phool Aur Angaar, sung by Kumar Sanu and Sujata Goswami. Watching these three is a joy. Their steps look smooth and easy. The best part is that anyone can try these moves even if you're not a dancer (trust us, we tried). Take a look at the video here: With dance like this, the video was bound to become a viral hit. Since being shared online, it has accumulated more than two million views. People couldn't get enough of the lively performance and shared their praise in the comment section. One user commented, 'Ohoooooo dadaji, super," while another added, 'Mind blowing performance." The dance became even more special for someone who shared, 'It's my favourite song." A viewer, clearly impressed, said, 'If you can accommodate one more, I'm sooo sooo mad to join you people." 'That's called swag," 'Wow! Superb", and 'Slayer" were some of the other remarks showing how much people enjoyed the dance. A few days ago, another such video caught the attention of social media users and impressed many viewers. This time, it featured an elderly woman dancing to the hit song Kajra Re. She was wearing a simple purple saree and danced like a pro to the song. What made the video even more special was how she mouthed the lyrics and interacted warmly with the guests. Many users praised her with remarks like 'professional-level dancing" and 'beautiful expressions." First Published:
Time of India
3 days ago
- Entertainment
- Time of India
You can't push boundaries without first reaching the masses: Naveen Shankar
Naveen Shankar is re-evaluating his approach to scripts. The actor, who is now on board Shivarajkumar's next, directed by Karthik Adwaith, and plays the role of an antagonist, says, 'Earlier, I focused solely on the content, the emotional core, and the structure. But I wasn't mindful of the commercial element. I now realise that even a niche story is a business. Both a film and an actor need to reach people before we can push boundaries,' says Naveen. 'SHIVARAJKUMAR CARRIES BOTH LEGACY AND LOVE IN HIS HEART' Naveen's also done potboilers like Hoysala and Salaar, but his film with Shivarajkumar is a step up in his career, feels the actor. 'It's a key role and one whose character design was compelling and reason enough to say yes. And I respect Shivarajkumar for the man he is and the way he treats his co-stars. He carries both legacy and love in his heart, and these are things I value so much,' he shares. We are in a creative crisis. Many brilliant directors and actors might not survive this phase. But I truly believe that when we hit rock bottom, survival instincts kick in Naveen He admits there was a time when he leaned heavily on high-content narratives, believing they alone could sustain a career. 'But if you want to play the long game, you have to consider marketability too. The same storyline can become an out-and-out commercial film if presented right. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Giao dịch vàng CFDs với sàn môi giới tin cậy IC Markets Tìm hiểu thêm Undo That's something I understand better now,' he says. 'FOR OUTSIDERS, CARVING OUT A SPACE IN THE FILM INDUSTRY IS A SLOW PROCESS' Addressing the disparities within the industry, Naveen shares, 'Star kids often get a head start, especially in the commercial space. Whereas people like us who have no link to the film industry have often had to be grateful for even getting a film and work within a budget of `80 lakhs. For the rest of us, it's a space we have to carve out slowly. The only way is to prove yourself, not just as an actor but as someone who can capture the market,' he states. 'STARDOM GIVES YOU THE PRIVILEGE TO PUSH THE ENVELOPE AND ENGAGE MORE VIEWERS' The actor sees his journey in the industry as a strong one, especially with films like Gultoo, Hondisi Bareyiri, Dharani Mandala Madhyadolage, Hoysala, and Nodidavaru Yenantare. 'These were soulful films, with one or two commercial films. But now, I'm looking for a blend — storytelling depth with commercial appeal. Seven years after my entry, it's a transition, and I think it's time. You need to be known to people; stardom gives you the privilege to push the envelope and engage more viewers,' he adds. 'BIG BUDGETS ALONE AREN'T ENOUGH' Navigating what he describes as a 'creative crisis' in the industry, Naveen Shankar shares, 'Many brilliant directors and actors might not survive this phase. But I truly believe that when we hit rock bottom, survival instincts kick in. People don't ask about the story anymore; they talk about budgets. There are two things I've realised. Content alone is not enough. You need commercial hits to stay relevant. That's the reality. And I'm ready to face it. At the same time, big budgets alone aren't enough; it has to have substance too. Check out our list of the latest Hindi , English , Tamil , Telugu , Malayalam , and Kannada movies . Don't miss our picks for the best Hindi movies , best Tamil movies, and best Telugu films .
India.com
4 days ago
- Entertainment
- India.com
Meet Rekha's first hero, bigger star than Amitabh Bachchan, Vinod Khanna, career got ruined after he went to jail due to..., name was...
Bollywood has seen many legendary stars who have elevated Hindi cinema, including icons like Amitabh Bachchan, Raj Kapoor, Manoj Kumar, Vinod Khanna, and Dharmendra. Among them was one actor who, at his peak, even surpassed the fame of Big B and the Kapoors. However, fate took a harsh turn. From being a top star, he faced a steep downfall and was later entangled in legal trouble following his wife's suicide, which even led him to jail. Let's identify who this actor was. The First Hero Of Rekha Here we are talking about veteran actor Naveen Nischol, who ventured into modelling after finishing school and even cleared the major round of Mr. India competition held in Delhi during the 1960s. While travelling to Mumbai for the final round, he met his father's friend, renowned filmmaker Mohan Segal. After a while, Segal advised Naveen to join the Film Institute in Pune to gain proper training in cinema. In upcoming years, Mohan Segal gave Naveen his big break and featured him opposite Rekha in 'Sawan Bhadon', which became debut film for both future stars and he initially became the first hero to feature with the legendary actress. Became Bigger Than Amitabh Bachchan, Vinod Khanna Released in 1970, the debut film of Naveen became a major hit, which gave him instant fame. Filmmakers began approaching him eagerly, and he went on to star in films like 'Victoria No. 203,' 'Dhund', and 'Hanste Zakhm.' At a point, he was even regarded as a bigger star than Amitabh Bachchan, Dharmendra and Vinod Khanna. Interestingly, Amitabh played a negative role in 1971 romantic drama 'Parwana', while Naveen was the lead with veteran actress Yogita Baali. However, by the mid-70s, box office failures began affecting Naveen's career, pushing him toward supporting and character roles, which caused a huge downfall in his career graph. When Naveen Landed Into A Serious Legal Trouble Naveen Nischol's first marriage was to Neelu Kapoor, who was the niece of Dev Anand and sister of renowned filmmaker Shekhar Kapur. However, rumours of his involvement with actress Padmini Kapila led to the breakdown of the marriage that later turned into divorce. He later tied the knot with Geetanjali, who was previously divorced. On April 22, 2006, Geetanjali committed suicide and left a note in which she accused Naveen of mental harassment and alleged that his brother Praveen, encouraged it. The note mentioned ' I, Geetanjali Navin Nischol, am committing suicide because Shri Navinji is an alcoholic and is beyond reform, because of his alcoholism, I am mentally tortured by him and he is being instigated by Pravin Nischol to torture me and I hold Pravin responsible for all this torture to me.' As a result, both Naveen and Praveen were taken into police custody until May 6, 2006. According to India Today, their lawyer Satish Maneshinde stated that Geetanjali was battling depression and alcoholism. The two were eventually released. On March 19, 2011 Naveen took his last breath as the actor suffered a cardiac arrest.
India Today
5 days ago
- India Today
Lawrence Bishnoi gang's sharpshooter, Naveen Kumar, killed in encounter in Hapur
Lawrence Bishnoi gang member and sharpshooter, Naveen Kumar, was killed in a late-night encounter with a joint team of the Noida Unit of UP STF and the Delhi Police Special Cell in the Kotwali police station area of encounter took place late Wednesday night during a high-stakes operation targeting gang members. Naveen sustained serious bullet injuries and was rushed to the hospital, where he was declared dead on deceased, who is a resident of Loni in Ghaziabad, was wanted in multiple serious cases including murder and under the MCOCA (Maharashtra Control of Organised Crime Act) and had been on the run. According to officials, Naveen was an active member of the Lawrence Bishnoi gang and operated closely with Hashim Baba, another high-ranking gang was known for his precision as a sharpshooter and had been convicted in two cases in Delhi records indicate that Naveen had over 20 serious cases registered against him in both Delhi and Uttar Pradesh, including murder, attempted murder, kidnapping, robbery and organised crime under MCOCA.
