Latest news with #NineDaysQueen
CNN
07-03-2025
- Entertainment
- CNN
Is this the only known portrait of England's doomed ‘Nine Days Queen'?
Lady Jane Grey, a teenage pawn in the power struggles that plagued the Tudor court, ruled England for just nine days and was later executed for treason. Now, researchers believe they may have identified the only known portrait of the so-called 'Nine Days Queen' painted before her death. Following the death of Edward VI in 1553, unscrupulous politicians propelled the staunchly Protestant young girl to the throne in a bid to prevent her Roman Catholic relative, Mary Tudor, from becoming Queen. The mysterious portrait, on loan to conservation charity English Heritage from a private collection, shows a young woman clad modestly in a white cap and shawl. According to English Heritage, it was acquired by Anthony Grey, 11th Earl of Kent, in 1701, as an image of Lady Jane Grey. It remained 'the defining image' of England's shortest reigning monarch until 21st-century art historians questioned its attribution and rejected its identity. In an attempt to settle the question, English Heritage worked alongside London's Courtauld Institute of Art and dendrochronologist Ian Tyers to conduct a technical analysis of the piece, its senior collections conservator, Rachel Turnbull, said in a statement published Friday. A dendrochronological analysis—a scientific method of dating tree rings—of the painting's panel suggests it was probably used for the artwork between 1539 and around 1571, according to the statement. The panel, which is made of two Baltic oak boards from two different trees, has a merchant or cargo mark on its back that resembles a mark on a portrait of King Edward VI, Jane's predecessor on the throne. Scans using infrared reflectography show significant changes were made to the woman's outfit and face after the completion of the initial portrait, English Heritage said. The white scarf around her shoulders is believed to be a later addition. Bands encircling her right arm under the scarf are thought to be possibly part of a larger decorated sleeve that is now hidden, or a now-gone scarf that was previously draped over her lower arms, like the outfits she is depicted as wearing in portraits painted after her death. The linen cap, or coif, covering her hair also appears significantly altered. A coif with a different shape and potentially even a hood, which is a fancier headpiece worn over a coif, can be seen around her face in the scans. The researchers suggested a veil may even have been present at one point before being painted out. The woman's eyes now look to the left, but they were previously looking right, English Heritage said. In addition to the repainted areas, the subject's eyes, mouth and ears have been scratched out, defacing the artwork for what were probably religious or political reasons, the organization said. It noted that a posthumous depiction of Lady Jane Grey in London's National Portrait Gallery shows similar marks. The changes to the painting may have been made in order to tone it down and present the subject as a demure Protestant martyr, it added. 'While we can't confirm that this is definitely Lady Jane Grey, our results certainly make a compelling argument!' said Turnbull. 'From the newly discovered evidence of a once perhaps more elaborate costume and the dating of the wooden panel from within her lifetime, to the deliberate scratching of her eyes, it is possible that we are looking at the shadows of a once more royal portrait of Lady Jane Grey, toned down into subdued, Protestant martyrdom after her death. Regardless of her identity, the results of our research have been fascinating,' she added. 'This is such an interesting picture posing so many questions, and if this is Jane Grey, a valuable addition to the portraiture of this young heroine, as a woman of character—a powerful challenge to the traditional representation of her as a blindfolded victim,' bestselling historical novelist Philippa Gregory said in the release. Jane spent a lot of time at the royal court after her father was made Duke of Suffolk in October 1551. Her Protestantism made her a candidate for the throne for those who supported the English Reformation, like the powerful Duke of Northumberland, who married her to his son and persuaded a dying King Edward to make her his successor. Edward died on July 6, 1553, and Jane, who had fainted when first presented with the idea of becoming Queen, ascended the throne four days later. However, by July 19, she relinquished her crown to Edward's sister, Mary Tudor, who had the support of the populace, and who was meant to be the heir, according to both the law and Henry VIII's will. Jane was subsequently charged with high treason, to which she pleaded guilty, and was beheaded on February 12, 1554. She was 16 years old. The portrait is on display at Wrest Park in Bedfordshire, England.
CNN
07-03-2025
- Entertainment
- CNN
Is this the only known portrait of England's doomed ‘Nine Days Queen'?
Lady Jane Grey, a teenage pawn in the power struggles that plagued the Tudor court, ruled England for just nine days and was later executed for treason. Now, researchers believe they may have identified the only known portrait of the so-called 'Nine Days Queen' painted before her death. Following the death of Edward VI in 1553, unscrupulous politicians propelled the staunchly Protestant young girl to the throne in a bid to prevent her Roman Catholic relative, Mary Tudor, from becoming Queen. The mysterious portrait, on loan to conservation charity English Heritage from a private collection, shows a young woman clad modestly in a white cap and shawl. According to English Heritage, it was acquired by Anthony Grey, 11th Earl of Kent, in 1701, as an image of Lady Jane Grey. It remained 'the defining image' of England's shortest reigning monarch until 21st-century art historians questioned its attribution and rejected its identity. In an attempt to settle the question, English Heritage worked alongside London's Courtauld Institute of Art and dendrochronologist Ian Tyers to conduct a technical analysis of the piece, its senior collections conservator, Rachel Turnbull, said in a statement published Friday. A dendrochronological analysis—a scientific method of dating tree rings—of the painting's panel suggests it was probably used for the artwork between 1539 and around 1571, according to the statement. The panel, which is made of two Baltic oak boards from two different trees, has a merchant or cargo mark on its back that resembles a mark on a portrait of King Edward VI, Jane's predecessor on the throne. Scans using infrared reflectography show significant changes were made to the woman's outfit and face after the completion of the initial portrait, English Heritage said. The white scarf around her shoulders is believed to be a later addition. Bands encircling her right arm under the scarf are thought to be possibly part of a larger decorated sleeve that is now hidden, or a now-gone scarf that was previously draped over her lower arms, like the outfits she is depicted as wearing in portraits painted after her death. The linen cap, or coif, covering her hair also appears significantly altered. A coif with a different shape and potentially even a hood, which is a fancier headpiece worn over a coif, can be seen around her face in the scans. The researchers suggested a veil may even have been present at one point before being painted out. The woman's eyes now look to the left, but they were previously looking right, English Heritage said. In addition to the repainted areas, the subject's eyes, mouth and ears have been scratched out, defacing the artwork for what were probably religious or political reasons, the organization said. It noted that a posthumous depiction of Lady Jane Grey in London's National Portrait Gallery shows similar marks. The changes to the painting may have been made in order to tone it down and present the subject as a demure Protestant martyr, it added. 'While we can't confirm that this is definitely Lady Jane Grey, our results certainly make a compelling argument!' said Turnbull. 'From the newly discovered evidence of a once perhaps more elaborate costume and the dating of the wooden panel from within her lifetime, to the deliberate scratching of her eyes, it is possible that we are looking at the shadows of a once more royal portrait of Lady Jane Grey, toned down into subdued, Protestant martyrdom after her death. Regardless of her identity, the results of our research have been fascinating,' she added. 'This is such an interesting picture posing so many questions, and if this is Jane Grey, a valuable addition to the portraiture of this young heroine, as a woman of character—a powerful challenge to the traditional representation of her as a blindfolded victim,' bestselling historical novelist Philippa Gregory said in the release. Jane spent a lot of time at the royal court after her father was made Duke of Suffolk in October 1551. Her Protestantism made her a candidate for the throne for those who supported the English Reformation, like the powerful Duke of Northumberland, who married her to his son and persuaded a dying King Edward to make her his successor. Edward died on July 6, 1553, and Jane, who had fainted when first presented with the idea of becoming Queen, ascended the throne four days later. However, by July 19, she relinquished her crown to Edward's sister, Mary Tudor, who had the support of the populace, and who was meant to be the heir, according to both the law and Henry VIII's will. Jane was subsequently charged with high treason, to which she pleaded guilty, and was beheaded on February 12, 1554. She was 16 years old. The portrait is on display at Wrest Park in Bedfordshire, England.
Yahoo
07-03-2025
- Entertainment
- Yahoo
Is this the only known portrait of England's doomed ‘Nine Days Queen'?
Lady Jane Grey, a teenage pawn in the power struggles that plagued the Tudor court, ruled England for just nine days and was later executed for treason. Now, researchers believe they may have identified the only known portrait of the so-called 'Nine Days Queen' painted before her death. Following the death of Edward VI in 1553, unscrupulous politicians propelled the staunchly Protestant young girl to the throne in a bid to prevent her Roman Catholic relative, Mary Tudor, from becoming Queen. The mysterious portrait, on loan to conservation charity English Heritage from a private collection, shows a young woman clad modestly in a white cap and shawl. According to English Heritage, it was acquired by Anthony Grey, 11th Earl of Kent, in 1701, as an image of Lady Jane Grey. It remained 'the defining image' of England's shortest reigning monarch until 21st-century art historians questioned its attribution and rejected its identity. In an attempt to settle the question, English Heritage worked alongside London's Courtauld Institute of Art and dendrochronologist Ian Tyers to conduct a technical analysis of the piece, its senior collections conservator, Rachel Turnbull, said in a statement published Friday. A dendrochronological analysis—a scientific method of dating tree rings—of the painting's panel suggests it was probably used for the artwork between 1539 and around 1571, according to the statement. The panel, which is made of two Baltic oak boards from two different trees, has a merchant or cargo mark on its back that resembles a mark on a portrait of King Edward VI, Jane's predecessor on the throne. Scans using infrared reflectography show significant changes were made to the woman's outfit and face after the completion of the initial portrait, English Heritage said. The white scarf around her shoulders is believed to be a later addition. Bands encircling her right arm under the scarf are thought to be possibly part of a larger decorated sleeve that is now hidden, or a now-gone scarf that was previously draped over her lower arms, like the outfits she is depicted as wearing in portraits painted after her death. The linen cap, or coif, covering her hair also appears significantly altered. A coif with a different shape and potentially even a hood, which is a fancier headpiece worn over a coif, can be seen around her face in the scans. The researchers suggested a veil may even have been present at one point before being painted out. The woman's eyes now look to the left, but they were previously looking right, English Heritage said. In addition to the repainted areas, the subject's eyes, mouth and ears have been scratched out, defacing the artwork for what were probably religious or political reasons, the organization said. It noted that a posthumous depiction of Lady Jane Grey in London's National Portrait Gallery shows similar marks. The changes to the painting may have been made in order to tone it down and present the subject as a demure Protestant martyr, it added. 'While we can't confirm that this is definitely Lady Jane Grey, our results certainly make a compelling argument!' said Turnbull. 'From the newly discovered evidence of a once perhaps more elaborate costume and the dating of the wooden panel from within her lifetime, to the deliberate scratching of her eyes, it is possible that we are looking at the shadows of a once more royal portrait of Lady Jane Grey, toned down into subdued, Protestant martyrdom after her death. Regardless of her identity, the results of our research have been fascinating,' she added. 'This is such an interesting picture posing so many questions, and if this is Jane Grey, a valuable addition to the portraiture of this young heroine, as a woman of character—a powerful challenge to the traditional representation of her as a blindfolded victim,' bestselling historical novelist Philippa Gregory said in the release. Jane spent a lot of time at the royal court after her father was made Duke of Suffolk in October 1551. Her Protestantism made her a candidate for the throne for those who supported the English Reformation, like the powerful Duke of Northumberland, who married her to his son and persuaded a dying King Edward to make her his successor. Edward died on July 6, 1553, and Jane, who had fainted when first presented with the idea of becoming Queen, ascended the throne four days later. However, by July 19, she relinquished her crown to Edward's sister, Mary Tudor, who had the support of the populace, and who was meant to be the heir, according to both the law and Henry VIII's will. Jane was subsequently charged with high treason, to which she pleaded guilty, and was beheaded on February 12, 1554. She was 16 years old. The portrait is on display at Wrest Park in Bedfordshire, England.
CNN
07-03-2025
- Entertainment
- CNN
Is this the only known portrait of England's doomed ‘Nine Days Queen'?
Lady Jane Grey, a teenage pawn in the power struggles that plagued the Tudor court, ruled England for just nine days and was later executed for treason. Now, researchers believe they may have identified the only known portrait of the so-called 'Nine Days Queen' painted before her death. Following the death of Edward VI in 1553, unscrupulous politicians propelled the staunchly Protestant young girl to the throne in a bid to prevent her Roman Catholic relative, Mary Tudor, from becoming Queen. The mysterious portrait, on loan to conservation charity English Heritage from a private collection, shows a young woman clad modestly in a white cap and shawl. According to English Heritage, it was acquired by Anthony Grey, 11th Earl of Kent, in 1701, as an image of Lady Jane Grey. It remained 'the defining image' of England's shortest reigning monarch until 21st-century art historians questioned its attribution and rejected its identity. In an attempt to settle the question, English Heritage worked alongside London's Courtauld Institute of Art and dendrochronologist Ian Tyers to conduct a technical analysis of the piece, its senior collections conservator, Rachel Turnbull, said in a statement published Friday. A dendrochronological analysis—a scientific method of dating tree rings—of the painting's panel suggests it was probably used for the artwork between 1539 and around 1571, according to the statement. The panel, which is made of two Baltic oak boards from two different trees, has a merchant or cargo mark on its back that resembles a mark on a portrait of King Edward VI, Jane's predecessor on the throne. Scans using infrared reflectography show significant changes were made to the woman's outfit and face after the completion of the initial portrait, English Heritage said. The white scarf around her shoulders is believed to be a later addition. Bands encircling her right arm under the scarf are thought to be possibly part of a larger decorated sleeve that is now hidden, or a now-gone scarf that was previously draped over her lower arms, like the outfits she is depicted as wearing in portraits painted after her death. The linen cap, or coif, covering her hair also appears significantly altered. A coif with a different shape and potentially even a hood, which is a fancier headpiece worn over a coif, can be seen around her face in the scans. The researchers suggested a veil may even have been present at one point before being painted out. The woman's eyes now look to the left, but they were previously looking right, English Heritage said. In addition to the repainted areas, the subject's eyes, mouth and ears have been scratched out, defacing the artwork for what were probably religious or political reasons, the organization said. It noted that a posthumous depiction of Lady Jane Grey in London's National Portrait Gallery shows similar marks. The changes to the painting may have been made in order to tone it down and present the subject as a demure Protestant martyr, it added. 'While we can't confirm that this is definitely Lady Jane Grey, our results certainly make a compelling argument!' said Turnbull. 'From the newly discovered evidence of a once perhaps more elaborate costume and the dating of the wooden panel from within her lifetime, to the deliberate scratching of her eyes, it is possible that we are looking at the shadows of a once more royal portrait of Lady Jane Grey, toned down into subdued, Protestant martyrdom after her death. Regardless of her identity, the results of our research have been fascinating,' she added. 'This is such an interesting picture posing so many questions, and if this is Jane Grey, a valuable addition to the portraiture of this young heroine, as a woman of character—a powerful challenge to the traditional representation of her as a blindfolded victim,' bestselling historical novelist Philippa Gregory said in the release. Jane spent a lot of time at the royal court after her father was made Duke of Suffolk in October 1551. Her Protestantism made her a candidate for the throne for those who supported the English Reformation, like the powerful Duke of Northumberland, who married her to his son and persuaded a dying King Edward to make her his successor. Edward died on July 6, 1553, and Jane, who had fainted when first presented with the idea of becoming Queen, ascended the throne four days later. However, by July 19, she relinquished her crown to Edward's sister, Mary Tudor, who had the support of the populace, and who was meant to be the heir, according to both the law and Henry VIII's will. Jane was subsequently charged with high treason, to which she pleaded guilty, and was beheaded on February 12, 1554. She was 16 years old. The portrait is on display at Wrest Park in Bedfordshire, England.
The Independent
07-03-2025
- General
- The Independent
Researchers think they've unearthed the only portrait of England's ‘nine-day queen'
A portrait, believed to be on of the only paintings of Lady Jane Grey from her lifetime, will be displayed alongside six new historic paintings from Friday. New research from English Heritage and the Courtauld Institute of Art has provided 'compelling evidence in favour of confirming' that a mysterious portrait depicts the 'nine-day queen'. Researchers used tree-ring dating to determine that the painted panel, comprised of two Baltic oak boards from two different trees, suggests a likely usage date for between 1539 and 1571. The back of the panel displays a merchant or cargo mark identical to that used on a royal portrait of King Edward VI. Infra-red reflectography, which shows what lies beneath the surface of the painting, showed that the sitter's costume had been significantly changed after the initial portrait was complete. Changes were found around the sleeves, and researchers suggested a white scarf on her shoulders was added in later. Bands encircling the sitter's right arm under the scarf, believed to be part of a wider decorative sleeve, or the top of a previous scarf worn draped over the lower arms, is similar to outfits worn by Lady Jane Grey in other depictions. Lady Jane Grey was an English noblewoman who was proclaimed Queen of England and Ireland for had the shortest reign in British history. The great-granddaughter of Henry VII, she was a committed protestant who supported the reformed Church of England, continuing the foundations laid by her cousin, Edward VI. She was deposed after nine days by Mary I, who would attempt to restore England to Catholicism. It's believed the changes made to the portrait in later years were made to depict the sitter as a protestant martyr. Researchers marked a major change to the portrait's eyes. Currently positioned to the sitter's left, the eyes were previously looking to the sitter's right, past the viewer. The eyes, mouth and ears had been deliberately scratched out - potentially for religious or political reasons - and an image of Lady Jane Grey in the National Portrait Gallery bears the same marks. The portrait, on loan from a private collection, is on display at Wrest Park in Bedfordshire alongside six other new historic paintings from today. It was obtained by Anthony Grey, 11th Earl of Kent, in 1701 as part of the Estate's historic collection, as a depiction of Lady Jane Grey. Peter Moore, English Heritage's Curator at Wrest Park, said: 'It remained the defining image of the 'Nine Days Queen' for over 300 years, until its attribution was thrown into doubt and its identity rejected. 'On loan from a private collection, it is thrilling to have this painting back at Wrest and the new research provides tantalising evidence which brings us much closer to the assertion that this could be Lady Jane Grey.' For years the 'nine-day queen' has fascinated many, as all known portraits of her had been created after she died aged 17 years old. The most famous depiction of the monarch hangs in the National Gallery from Paul Delaroche. The Execution of Lady Jane Grey depicts the teenager blindfolded and helpless in front of the execution block. This new research would confirm that, if this portrait is Lady Jane Grey, it would be the only known depiction to have been painted during her lifetime. Rachel Turnbull, English Heritage's Senior Collections Conservator, said 'Working alongside the Courtauld Institute of Art, and Dendrochronologist Ian Tyers, English Heritage has undertaken remarkable research in an effort to determine the identity of this portrait. She added that while it didn't confirm with certainty that the sitter was Lady Jane Grey, it was certainly a 'compelling argument.' 'From the newly discovered evidence of a once perhaps more elaborate costume and the dating of the wooden panel from within her lifetime, to the deliberate scratching of her eyes, it is possible that we are looking at the shadows of a once more royal portrait of Lady Jane Grey, toned down into subdued, Protestant martyrdom after her death. Regardless of her identity, the results of our research have been fascinating.'
