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a day ago
- Entertainment
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18 Movies That Make People Mad
Redditor @One_Shock_1643 recently asked Reddit: 'What movie absolutely pissed you off?' and boy, did people deliver. Here are some of the best answers, and FYI, some posts have been edited for clarity! 'Now You See Me. Dumbest fucking plot twist of my fucking life. Waste of a good cast. Truly can't believe they made another one coming out this year.' — Former-Complaint-336 'Forrest Gump. It's improbable, insulting, and has a skewed view of the world. Jenny comes closest to reality, but in a totally cliché way.' — Susuze2000 'Toy Story 4. Why do you have to ruin the perfect ending?' — sword-sandal493 'World War Z. Took one of my favorite novels and changed just about everything about it except the title.' — TripleSingleHOF '40 Days and 40 Nights, a sex 'comedy' starring Josh Hartnett. I put comedy in quotes because very little of it actually tried to be funny. Anyway, it ends with his character getting tied up and raped by an ex-girlfriend, who wins a bunch of money in an office pool for doing so. Then his current girlfriend breaks up with him for cheating on her. Suffice to say, the tone of this movie is all over the place.' — CritterJams 'Pretty Woman. I knew mothers who said it was their prepubescent daughter's favorite movie when it came out. Scary.' — PlaceTraditional6861 'Downsizing. Total bait & switch of a movie.' — SovietWalrus1 'Sweet Home Alabama. Girl lies and brings her new rich and well-connected fiancé all the way to Alabama just for her to say no to him at the altar.' — okeh_dude 'Shutter Island. Probably more so because the commercials said 'the twist you'll never see coming,' so I spent the entire movie trying to guess what the twist could be and came up with a million overthought possibilities. In the end, it was my very first guess that I dismissed because I thought it was too obvious. I was so mad. The marketing should have never said there was a twist in that one.' — JonathanTheZombieKid 'Reality Bites, I hated the Ethan Hawke hipster character, and identified more with Ben Stiller's yuppie. And the whole movie dated quick.' — jackstraw_65 'Orphan. The dad is so irritating.' — Difficult-Act-8237 'The Terminal. Just the worst fucking movie ever... just two hours of a bumbling Tom Hanks doing a shitty 'foreign man' imitation ala Andy Kauffman and the big mystery of the coffee can at the end? [There] were autographs of Jazz musicians in a photo he was completing for his dead father. Ugh it was so bland, innane and boring that you couldn't even make fun of the fucking thing MST3k style. Ugh fuck that movie!!' — bigpaparod 'Longlegs. What a mess of a movie. It's all over the place. It feels like a fan-made edit of an entire TV show that they added some random music to.' — Acceptable_Orange624 'La La Land. It just fucking sucked.' — i_luv_pooping 'Thunderbolts. Such a trash movie. The more I thought about it, the more I got pissed for spending money on it.' — Effective-Agent-6856 'I remember once watching The Road and when it finished just felt like I had wasted hours of my life.' — jessicanmorganbell 'A Beautiful Mind. I'm an economist. How the hell could they fuck up their explanation of Nash equilibrium? Hey, Howard, get a real fucking economist to explain the man's central contribution to the fucking field he won a fucking Nobel fucking Prize for rather than making up some fucking bullshit.' — ikonoqlast And finally... 'Pretty much every Disney live-action remake.' — DazedLogic What movies make you irrationally mad? Let me know in the comments below!
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2 days ago
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Deaths And Other Scary Movie Incidents
Plenty of film crews go to extreme lengths to create scary movie scenes for horror films, thrillers, etc. Sometimes, however, the truly terrifying stuff is going on behind-the-scenes. Here are 26 terrifying things that happened on movie sets: Filming the hanging scene in The Mummy almost killed Brendan Fraser. He told The Kelly Clarkson Show, "I was standing on my toes like this, with the rope [around my neck], and you only got so far to go. And [director] Stephen [Sommers] ran over, and he said, 'Hey, it doesn't really look like you're, you know, choking — can you sell it?' And I was like, 'All right, fine.' So I thought, 'One more take, man.'...I was stuck on my toes — I had nowhere to go but down. And so [the crew member operating the rope] was pulling up, and I was going down, and the next thing I knew, my elbow was in my ear, the world was sideways, there was gravel in my teeth, and everyone was really quiet." Here's the scene: During Titanic's final shooting day in Dartmouth, Nova Scotia, tens of cast and crew members were unwittingly drugged when they ate chowder spiked with the mind-altering substance PCP. Leonardo DiCaprio and Kate Winslet weren't on set that day, but Bill Paxton was among the poisoned. Director James Cameron told Q with Tom Power, "This is a 100 percent true story. You haven't lived until you've been high on PCP, which by the way, I do not recommend to anyone." Everyone was rushed to the hospital under the initial concern that they might've eaten contaminated shellfish. James continued, "There was an emergency room with no one in it and, like, a nurse, and 85 crew members walk in. We don't know what's going on. And basically, somebody had taken a pound of PCP and dumped it into the have a pretty strong suspicion who it was, although it was never proven." While filming the water tank magic trick in Now You See Me, Isla Fisher almost drowned because her release chain got caught in her clothing. She told Chelsea Lately, "I was actually drowning. Everyone thought I was acting fabulously…no one realized I was actually wants to die in a swimming costume?" Here's the scene: While filming Youth in Revolt, Justin Long was drugged and abducted by people he met at a bar. On Armchair Expert, he said, "I came back to the bar, and it was fairly empty. And it was my last night of shooting this movie. And I went out with one of the actresses and these two PAs — a guy and a girl. And of course, I go to the bar, get my two shots, and these guys sidle up next to me. I just remember the feeling of — sounds so new agey — but they had this weird energy, the dark energy. And they said, 'What happened to you the other night, Mr. Big Shot?' And I said, 'What do you mean?' 'You guys were moved into some, like, fancy area. Like, this is our fucking bar, bro.' And I said, 'You know, of course, I'm so...' And they played right into my vulnerability, which was, 'I'm just like you. I grew up in a town like this.'" He continued, "And I said, I'm so sorry. Let's do a shot together.' They're like, 'All right, man,' and they must have sensed that that was my weakness because they kept coming over to our table, and, 'Oh you guys know the big shot, huh? Mr. Hollywood.' And I was like, 'No, I'm not. I'm like....' At the end of the were there for a couple hours, and I was a little bit, you know, buzzed. And we were leaving, and the guys — it was two in the morning in Birmingham — and they said, 'Do you want to go to a casino? We're going to a casino.' Thank God the actress said, 'No I'm going to go home,' and the PA said, 'Yeah, we'll go.' And I was eager to go because I love playing Blackjack. and I hadn't been there. I hadn't been to those Detroit casinos, and I thought two in the morning, kind of drunk with strangers, was a good time to go..." "I'm headed to the PA's car, and they said to — I'll call them townies for the sake of the townies said, 'Why don't we all take the same car?' PA were like 'No,' I said, 'Ehh..' and they said, 'Oh, what you think, we're going to do something to the Hollywood boy?' And I said, 'Yeah, guys, come on. We're all going in the same car.' We got into their car. They dropped me off at the hotel for a second to get my per diem to gamble with. Got back in; we're heading to the casino...I'm like, 'Where's my money? Guys are waiting for me. I don't want them to think I'm a, you know, Hollywood diva keeping them waiting.' So I run out to the car, got my money, and they stop at their condo. They said, 'We're gonna make a stop.' I forget why." "As we were going in, I remember they made a big deal about, 'Take your shoes off. Go in quietly.' They had a roommate that was sleeping. Took my shoes off. They took out a bong, and they passed it to me. They lit it, and I said, 'Oh no, you know, I'm okay. I want to have my wits about me because I play Blackjack.' And they said, 'Are you fucking kidding, bro? You're not going to smoke with us, bro? Come on.' So there I of course, I smell. I take a big hit of this; the second it hits my mouth, I know the taste was kind of chemically, kind of clear tasting is the best way I can describe it. And I ripped this crazy hit, and my mind — I just remember the feeling of, like, immediately losing control of my body, but not to the point where I shit my pants..." "My mind wasn't working. It was the strangest thing...I've since told the story to people. This one guy in particular in private security, and he thought it was I'm girl did [smoke], and she...[looked] like a demented, like, some cartoon character, you know, like like Ren and Stimpy kind of like frighteningly over the top. And I'm thinking to myself, 'Do I look like this?' You know, right, I feel like that. And the guy didn't. He hadn't been drinking, nor was he saying much. Then I passed the bong back to the two townies, and they were studying me kind of, like, looking at each other, like, conspiratorially, like, 'Is it working?' kind of thing. And I said, 'Are you gonna smoke?' ..." "And they said, 'No no, bro, we're straight. Are you cool? Is everything okay?' ...There's a part of me that is, I'm, like, hoping that's the drug, that's just the drug. It keeps getting worse. Then they say, 'Let's go get Shawn. Let's go wake up Shawn.' I said, 'No no. The roommate? Don't get him. I thought he was sleeping.' One of them stood up to go get the roommate, and I stood up. And the remaining townie started doing these karate kicks at my face. It was like in Boogie Nights, you know, where that crystal meth scene. He was saying things like, 'Whoa whoa, bro. Well, sit down. Calm down.' Karate kicks in my face. And the roommate came out fully dressed, wasn't sleeping. I'll never forget. He said, 'Oh yeah, you're right. That is the guy. Let me go get my camera...'" "So now I'm fully panicking, and this is before everyone had cameras with them, mercifully...I convinced the two to drive me back, and they were guilting me the whole time, like, and saying things like, 'You can't handle your weed, bro. What about that movie you did, Strange Wilderness?' They kept mentioning this movie, Strange Wilderness, and we get in the car. I'm in the backseat with the two PAs. The girl's next to me. So the two guys are driving. They're in front, and they were kind of whispering back and forth, and they're texting somebody. They're saying things like, 'Yeah I know.' I could hear snippets like, 'We're coming over. We got it.' And they would lean back to me and say, 'It's all right, bro. We're going to make one more stop, and that'll be it, okay? Okay, Justin?'" "And they said they started saying, like, 'How about we make another movie? You want to be a movie for TMZ or YouTube?' And I'm panicking, and the girl senses that I'm panicking. It was probably clearly, like, I was freaking out. I remember this is the worst part. She leaned forward to them and said, 'I could hear everything. What are you guys doing? He's freaking out. Don't do this to him. Why are you doing this?' And they say, 'Shut the fuck up. We know what we're doing. We're doing this thing. We got it. We got it under control.' And she leaned back to me, and she goes, 'It's okay, Justin. They said they were gonna take you home. Everything's gonna be fine.' And now, she's the girl, as is the silent other PA, who they're in the kidnapping movie, they're the ones who are like, 'Guys we're not really doing this, are we? Come on, right?' 'Cauze they were locals." "I didn't really know them. I'd been working with them for two weeks, and I liked them, but yeah, I didn't really know them. So now, I think I'm gonna die. I mean, that's where I went. And they started saying, 'How much money did you take out for the casino? How much money you got on you?' So I'm like, 'Aw fuck.'...I thought about giving them the money, but this was also my body at this point. The idea of taking out my phone, and dialing numbers is an impossible feat. So I'm just like, I don't know what to do. So I started, like, freaking out, punching the seat in front of me, and the worst part was they said they tried to mollify me. They were like, 'Okay, Justin, calm down. We're gonna take you back. It's gonna be okay.' And sure enough, and I knew the town well enough to know they had been going in the wrong direction." "And then they reversed course, and they started going back to my hotel. And I was somewhat relieved, and I remember thinking, 'Okay, thank God, they were fucking with me. They just wanted to see me scared or whatever.' And so they started going up to the hotel. They slow down, and I'm thinking, 'Here we go,' and they kept going. And I said, 'What are you doing? It was back there.' 'It's okay; we're just gonna make one more stop.' It was that. They wanted me calm, and that was the scariest part. So then I saw a red light coming up, and there's no one. It's three in the morning. There's no one on the road, so I'm coming up to this red light, and I think, 'Okay, I'm going to get out, and I'll just run to the whatever.' And they go right through the red light." "They blew the red light, blew the stop signs. They turn the corner, and they're going about 35 miles. I open the door, and I jump out..I rolled under the car, and they ran over my leg, totally over my leg. And then I roll more...I just remember thinking it was one of the happiest moments of my life. I remember right after I got run over, I stood up, and my leg was, like, just bent, twisted...I remember looking down and seeing blood just pooling, like, seeping out of the sides of my leg out to my jeans and thinking, 'Oh I love those jeans. I ruined these jeans.' Which is so weird have an attachment to, but also filled with the being alive...I had seen a car coming, headlights coming. And I'm hobbling toward it, flag it down, and weirdly, it] was a cab. And I got in the cab, and I locked the door." "And I said, 'Take me to the [hotel], you know. It's right.' I remember the cab driver...'What is happening? Get out of my car.' He didn't want me in there, and I can only...I must have had the craziest energy, you the PAs came up. He wasn't moving, and the PAs came up, and I'm panicking. I'm thinking, 'What if they come after me now?' And they did. The two PAs came up and started banging on the window. They were freaky, especially the girl with PCP in her system, was freaking said, repeating, 'I thought we killed a movie star! I thought we killed a movie star! Oh my God!'" "And the guy — the one who had been kind of calm — and he was freaking out...I got the sense then that they were safe by their [reactions]. They seemed safe at that point. And I was so close to the hotel, and he wasn't moving, so I had no real choice, right? So I go back. I wake up six hours later in more pain than I've ever been in and blood all over the sheets. I made my way to a x-rayed it, and no broken bones, which is crazy, but such bad nerve damage that, to this day — and I never dealt with it because, a couple days later, I went through a breakup," he said. The Leonardo DiCaprio-led Romeo + Juliet was filmed in Mexico, but the production could've been a movie itself. Director Baz Luhrmann told Arts Beat LA, "Look, first let me say I would not swap a day that I spent in Mexico for anything in the world. It was the most adventurous time. Having said that, it is true we were there months longer than we needed to be. We had hurricanes that wiped out the set. We all got sick. Shooting shut down for a week while I had a temperature of 110. The hair and makeup person, Aldo Signoretti, who worked with [director Federico] Fellini, was kidnapped. We paid $US300 to get him back. I thought rather a bargain." He continued, "I was not there; he was kidnapped. The bandidos rang up and said, 'For $US300, you can have him back.' So Maurizio [Silvi, the makeup artist], who is about this high, goes down clutching the money to outside the hotel, holds it up, chucks them the bag, and they threw him out of the car and broke his leg. So we had adventures. It was an incredible quest. It wasn't a walk in the park, and the fact that the kids did what they did and put up with what they did was amazing." "The reason the film is like it is, is that we embraced everything in the film. For example, Mercutio dies in that storm. Well, that was the hurricane that came and blew our sets away. The wide shots, which you could never get, I asked the guys if the cameras could handle it – we got out and did the wides and caught the storms, then we came back and did the close-ups with wind machines. For a budget of ours, which is between $15–17 million, you can't achieve that short of massive CGIs," he said. Here's the storm scene: The Exorcist director William Friedkin told Castle of Frankenstein magazine, "I'm not a convert to the occult, but after all I've seen on this film, I definitely believe in demonic possession. There are things that cannot be treated by medical or psychiatric means. It seems strange, foreign and impossible, but it exists. We were plagued by strange and sinister things from the beginning, it is simply the hardest thing I have ever done in my life." One of the scariest things that happened on set took place before cameras even rolled. Per SyFy, during pre-production, a sudden fire claimed the set of the MacNeils' house — and supposedly, only Regan's bedroom survived. Rebuilding took six weeks. Only a few days into shooting Maze Runner: The Death Cure, a stunt went wrong, seriously injuring Dylan O'Brien. He was reportedly pulled from a vehicle and hit by another. His injuries included brain trauma, a facial fracture, and a concussion. Production was paused for months so he could recover. Dylan told Men's Health, "It was a life-changing incident. I've approached everything differently, you could say, particularly with regards to standing my ground on set. It's very commonplace in the culture for young actors to be controlled, and the way they strive to do that is by always being like, 'Oh, don't become difficult. Don't be a pain in the ass.'..I learned after the accident to not conflate taking care of yourself and looking after yourself. Don't let them manipulate you into thinking that is being difficult, because I can look at that day and know I was a 24-year-old kid who was raising concerns about how we were approaching things, and they were not listened to, they were not respected. And then what happened happened. And by all accounts, it was all pretty gotten away with, I would say, as well." Noah's Ark (1928) director Michael Curtiz reportedly had a million-plus gallon water tank built for the Great Flood scene. When cinematographer Hal Mohr brought up safety concerns, he allegedly replied, "They're just going to have to take their chances." Hal walked off set, but Michael continued with the stunt, injuring many extras and breaking two of Guinn Williams's ribs. Additionally, lead actor Dolores Costello caught pneumonia after spending hours in the water. There are also unconfirmed reports that one extra allegedly died during the stunt. You can watch the flood scene at the 1:26:00-mark below: There were "a lot of weird things that happened on" The Amityville Horror (2005). Actor Melissa George told Radio Free Entertainment, "We were filming at the boathouse, and the police came by. They were on the water there, and they said that they found a dead body that had floated to the surface. We were like, 'Awesome!' That's making everything much more comfortable in this movie!'" Some people believe that The Twilight Zone cursed its stars because so many of them died in unnatural ways. One of the most heartbreaking examples happened on the set of the 1982 film. Per Slate, during a scene where Vic Morrow's character was saving two Vietnamese children – played by Renee Chen and Myca Dinh Le — from an American air raid, the three actors were wading in a river when a helicopter caught fire and crashed into the water. It killed the three of them. In the scene, Vic was supposed to say, "I'll keep you safe, kids. I promise. Nothing will hurt you, I swear to God." The studio and director John Landis settled the civil lawsuits brought against them, but — alongside helipcoter pilot Dorcey Wingo and three other people — they faced criminal involuntary manslaughter charges. The case went to trial in 1985, but the defendants were acquitted of serious charges. However, the tragedy led Warner Bros. vice president John Silvia to create a committee to set industry safety standards. Jim Caviezel got struck by lightning while filming The Passion of the Christ. He told The Words, "We were shooting the Sermon on the Mount. About four seconds before it happened, it was quiet, and then it was like someone slapped my ears. I had seven or eight seconds of, like, a pink, fuzzy color, and people started screaming. They said I had fire on the left side of my head and light around my body. All I can tell you is that I looked like I went to Don King's hairstylist." Here's the scene: Jeffrey Dean Morgan told The Hollywood Reporter that, while filming The Possession, "There were enough weird things going on around our set that I've never seen happen on sets before." He claimed that, in the middle of filming key scenes, lights would explode, or there would be a sudden cold draft. However, the most chilling incident happened after the movie wrapped. He said, "We had all of our props a couple days after we finished wrapping — they put everything in storage for if you're gonna do reshoots or anything. It burned to the ground. It was investigated, and there were no signs of arson, no electrical fire." Among the wreckage was the imitation dybbuk box that was central to the plot. Bo Derek hand-picked a lion that had already been in several movies to act alongside her in Tarzan, the Ape Man. However, when she arrived to set, he'd been replaced. She told Yahoo Entertainment, "I saw this gorgeous, young, spectacular male lion, and he just fixes on me. Not anyone else in our group, just me. They said, 'Oh, he's fresh from a zoo in Texas, but he's so sweet. You're going to love him.' And I said, 'I don't like the way he's looking at me.' You get that feeling on the back of your neck that you're prey — and that's the way he was looking at me." However, no one took her concerns seriously. During a scene where her costar Miles O'Keeffe was bringing her onto the shore, the lion attacked her. Bo said, "When the lion went to attack me, he pushed Miles on top of me, and I crawled out from underneath. The lion is swatting me — and they can break your neck with their paws. I'm getting beat up, but I knew he didn't like the water. So I'm trying to crawl into the surf, but the [waves] keep going out! The lion went to leap again, but [Miles] held him just long enough around the waist to confuse him, and that gave me time to get into the ocean. Right before the wave came, [the lion] did get on my back and went to take my shoulder off, but the angle was wrong. He just sliced me on my shoulder." Her husband, John Derek, who directed the movie, "was furious." Bo continued, "He was like, 'Screw movies, nothing is worth this!' But by the time we got to dinner, John was there with a storyboard, figuring out how to use the attack in the film." According to the Guardian, Fitzcarraldo director Werner Herzog nearly murdered lead actor Klaus Kinski. He allegedly crept up to the actor's house, planning to set it on fire, but he stopped when Klaus's dog attacked him. The director said, "We had a great love, a great bond, but both of us planned to murder each other. Klaus was one of the greatest actors of the century, but he was also a monster and a great pestilence. Every single day, I had to think of new ways of domesticating the beast." And according to Collider, the Indigenous people who worked as extras on Fitzcarraldo strongly disliked Klaus Kinski because of his constant complaining and poor behavior. The chief of a local tribe reportedly offered to kill the actor, but Werner Herzog turned him down solely so he wouldn't have to start production over with a new actor. Per the Guardian, Werner Herzog also claimed that, while filming Aguirre, Wrath of God, he pulled a gun on Klaus Kinski and threatened to kill him in a murder-suicide — all because the actor threatened to walk out on the film. Werner said, "My crew would almost mutiny when they heard that Klaus was on board. They would say, 'How could you do this do us? We can't take this man a minute longer.' I don't like the term wild man, but Dennis Hopper was in the kindergarten compared with Klaus. I remember scenes where Klaus was attacked, and how the other actors used to take such pleasure in punching and kicking him. He was often quite badly hurt." While filming the Back to the Future Part III scene where Marty McFly is hung, a stunt actor did the wideshots, but Michael J. Fox did the closeups. At first, he stood on a box for safety, but it wasn't looking right on camera. So, Michael decided to have them remove the box while he put his hands between his neck and the rope. In his book Lucky Man, he wrote, "This worked well for the next couple of takes, but on the third, I miscalculated the positioning of my hand. Noose around my neck, dangling from the gallows pole, my carotid artery was blocked, causing me briefly to pass out...I swung, unconscious, at the end of the rope for several seconds before Bob Zemeckis, fan of mine though he was, realized even I wasn't that good an actor." Bob had Michael taken down just in time. According to director John R. Leonetti, there were two "really creepy" supernatural experiences on the set of Annabelle. He told The Hollywood Reporter, "The first [incident] was when we were prepping. We went into the apartment where we were shooting, and in the transient window above the living room window. It was a full moon, and there were three fingers drawn through the dust along the window, and our demon has three fingers and three talons. [The markings] were being backlit by the moon. I have a picture! It was sick." Producer Peter Safran said the second experience was "much worse." He continued, "We shot in this amazing, old apartment building near Koreatown and we had some funky stuff go down. In particular, the first day that the demon was shooting in full makeup, we brought the demon up in the elevator. He walks out and walks around to the green room to where we're holding the talent, and just as he walks under — a giant glass light fixture is being followed by the actor playing the handyman of the building — and all of a sudden, the entire glass light fixture falls down on his head, the janitor's head. And in the script, the demon kills the janitor in that hallway. It was totally freaky." The Green Inferno writer/director Eli Roth told Yahoo Entertainment, "Thank God no one got killed, but we had many close calls, like when Lorenza Izzo almost drowned in the river during a take — and yes, we used it in the film. We had a safe word for her to yell, but it was so loud [that when] she was screaming it at the top of her lungs, none of us heard her. When you see her clinging to the rock screaming, that's real." Ed Harris almost drowned while shooting The Abyss. He told the New York Times, "The worst moments for me were being towed with fluid rushing up my nose and my eyes swelling up. Once, the regulator was put in upside down so that one-half of what was going into my lungs was water. For a brief second, I thought, 'This is it,' before Al [Giddings, a pro diver] swam over and put the regulator in right. And then I was mad at myself for feeling that panic." As a child actor, Sarah Polley had a lot of scary experiences due to the use of explosives while filming The Adventures of Baron Munchausen. She told the Guardian, "One took place in a rowing boat, which was placed in a giant tank of water to mimic the sea. Jack Purvis, Eric Idle, and I were seated in the rowing boat behind Angelo Ragusa [John Neville's stuntman], who sat astride a large Arabian horse. As I remember it, a series of smallish explosions were to go off beside the boat, followed by a larger explosive that was so powerful, it was placed deep underwater at the bottom of the tank. On the first take, the small explosions scared the horse, and it began backing up into us. Angelo forced it to jump overboard into the water to save us from being trampled. As the horse hit the bottom of the tank, its hooves pulled the larger explosive up, and as it surfaced, it detonated quite close to me." "I remember not hearing anything, Eric's terrified face, the crew looking panicked at the edge of the tank. I remember a hard, crushing sensation in my chest and being carried towards an ambulance as the crew looked on, alarmed. I remember that the doctors were kind, that my parents were told there was nothing wrong with me and that I went back to work the next day. The scenes with explosions continued, each one terrifying me more than the last," she said. Years later, Sarah reconnected with special effects artist Richard Conway on a different set. He told her, "I'm sorry. I'm so sorry about what happened to you on that movie...A lot of things went wrong. Everyone in my job carries around an image that haunts them of something that went wrong at work. For me, it's the look on your face as you were carried out of the water tank and into the ambulance after the explosive surfaced so close to you. You were crying. No – you weren't crying. You were hysterical. Screaming in terror." They watched the movie together, and he apologized again. Sarah said, "I hugged him, so grateful for the apology, even though I didn't think it was his to he was so childlike and full of genuine wonder, it was hard for me, for many years, to see how responsible [director] Terry Gilliam was for the terror of being on that set." For the scene in Poltergeist where Diane falls into the excavated pool, actor JoBeth Williams was swimming through the muck with real skeletons — which she thought were just fake props until years later. She told Vanity Fair, "I always assumed that the skeletons were made by the prop department. A few years later, I ran into one of the special effects guys, and I said, 'You guys making all those skeletons, that must have been really amazing.' He said, 'Oh, we didn't make them, those were real.' I said, 'What?' He said, 'Yeah, they were real skeletons.' ... I don't know where they were bought from, but that really grossed me out. I'm glad I didn't know that then, because I would've really been screaming a lot — for real." Watch the scene below: The Apocalypse Now prop department stored real corpses in a tent behind where the cast and crew ate. When producer Gray Frederickson found out, he told them, "You guys are nuts. Where did these come from? We've got to get rid of this immediately." However, they refused, saying, "No, no, they'll be very authentic, we'll have them upside down in the trees." He replied, "You can't do that!" The situation landed the production in legal hot water when it turned out their supplier was a grave robber. Gray told the Independent, "The police showed up on our set and took all of our passports. They didn't know we hadn't killed these people because the bodies were unidentified. I was pretty damn worried for a few days. But they got to the truth and put the guy in jail." Soldiers arrived to take the bodies away. Gray told the outlet, "I don't know what they did with them. So for the scenes in the movie, we had extras hanging from trees, not dead bodies." Here's the scene: A scene in Ghostland called for actor Taylor Hickson to put her face against a glass door and pound it with her hands. However, when she hit the glass, it shattered. Taylor fell through the broken glass, getting cuts on her face and neck. In 2018, she sued the production company, alleging she got a huge cut on the left side of her face that took 70 stitches to close. The Craft actors and crew reportedly had to return to location to reshoot the ritual scene because of setbacks that had even their witch consultant concerned. Allegedly, as Fairuza Balk said her lines invoking Manon, bats settled over the scene. The tide rose so high that it put out the candles. Director Andrew Fleming said, "Every time the girls started the ceremony, and only when they would start the ceremony, the waves would start coming up tremendously fast, pounding heavily. Then, right when Nancy says her line, 'Manon, fill me,' right at that exact moment, we lost power. It was a very strange thing." Here's the scene: And finally, Roar has been called "the most dangerous movie in history." Writer/director Noel Marshall cast himself and his family — including wife Tippi Hedren and stepdaughter Melanie Griffith — alongside over 150 untrained big cats and elephants. Over the course of filming, the cast and crew suffered more than 70 animal attacks. At one point, his son John tripped, and a lion closed its mouth over the back of his head. John told the New York Post, "I looked up, and there was blood on his teeth. It took six guys to pull him off me, and I got 56 stitches. I had to work with that lion on and off for five years because we kept running out of money."
Time Magazine
3 days ago
- Entertainment
- Time Magazine
Here's What's New on Netflix in June 2025
Netflix may be releasing a series about famous trainwrecks starting June 10, but its June 2025 lineup overall is on track to be a crowd-pleaser. Case in point: Squid Game returns for a third season on June 24. The birds and the bees are also coming to Netflix with The Birds and the Bee Movie streaming beginning June 1. And paging Shonda Rhimes fans: Grey's Anatomy season 21 starts streaming on June 14. The debut of Scandal? It's handled, as star Kerry Washington says in the show. It starts streaming on June 17. Here's everything coming to Netflix in June 2025—and what's leaving. Here are the Netflix originals coming in June 202 5 June 3 Sara-Woman in the Shadows June 4 Criminal Code (Season 2) Eva Lasting (Season 3) Power Moves with Shaquille O'Neal June 5 Barracuda Queens (Season 2) Ginny & Georgia (Season 3) Tires (Season 2) June 6 K.O. Mercy For None Tyler Perry's Straw The Survivors June 9 The Creature Cases (Chapter 5) June 10 Families Like Ours Trainwreck: The Astroworld Tragedy June 11 Aniela Cheers to Life Cocaine Air: Smugglers at 30,000 Ft Our Times Titan: The OceanGate Disaster June 12 FUBAR (Season 2) June 13 Kings of Jo'Burg (Season 3) June 17 Justin Willman: Magic Lover Kaulitz & Kaulitz (Season 2) Trainwreck: Mayor of Mayhem June 18 America's Sweethearts: Dallas Cowboys Cheerleaders (Season 2) Rosario Tijeras (Season 4) Somebody Feed Phil (Season 8) Yolanthe June 19 The Waterfront June 20 KPop Demon Hunters Olympo Semi-Soeter June 24 Steph Tolev: Filth Queen Trainwreck: Poop Cruise June 25 The Ultimatum: Queer Love (Season 2) June 27 Pokémon Horizons (Season 2)—The Search for Laqua Part 3 Squid Game (Season 3) June 1 The American Barbarian Bee Movie The Birds The Blues Brothers The Devil's Owen Dune (1984) The Equalizer Family Plot Focus Frenzy The Great Outdoors Hitchcock Hop The Legend of Zorro The Man Who Knew Too Much Neighbors Now You See Me Now You See Me 2 The Nutty Professor Pokémon The Series: XY Pokémon The Series: XY: XY: Kalos Quest Pokémon The Series: XY: XYZ Rear Window The Theory of Everything The Town U-571 Us Vertigo June 7 Boys on the Side Piece by Piece June 12 The Fairly OddParents: A New Wish (Season 2) Plane June 14 Grey's Anatomy (Season 21) June 16 The Last Witch Hunter June 17 Scandal (Seasons 1-7) June 22 The Intern Here's what's leaving Netflix in June 2025 June 1 Batman Begins Beginners Burlesque Closer Cult of Chucky Daddy Day Care The Dark Knight The Dark Knight Rises Den of Thieves From Prada to Nada GoodFellas Ma Magic Mike XXL Pride & Prejudice Ted Ted 2 Two Weeks Notice June 11 Gran Turismo: Based on a True Story Trap June 14 Godzilla x Kong: The New Empire June 16 The Equalizer (Seasons 1-3) Won't You Be My Neighbor? June 17 Carol June 19 Migration June 21 American Sniper June 22 Brain on Fire June 26 Ordinary People
Yahoo
24-05-2025
- Entertainment
- Yahoo
Dave Franco on Smoking With Bryan Cranston in ‘The Studio' Finale and Bringing ‘Toxic Positivity' to Every Scene
SPOILER ALERT: This story contains spoilers for the Season 1 finale of 'The Studio,' now streaming on Apple TV+. Months after filming his final scenes in 'The Studio,' guest star Dave Franco got a call from Seth Rogen and Evan Goldberg for a last minute idea that wound up featuring a 'Now You See Me' tie-in. More from Variety How 'The Studio' Composer Created 'Wall-to-Wall' Music and Set Out to Prove He Wasn't a 'One-Trick Pony' After 'Birdman' Catherine O'Hara on Her Scene-Stealing 'The Last of Us' Character, Why Pedro Pascal Is Like Meryl Streep and Catching COVID While Making 'The Studio' Zoë Kravitz on Getting High While Reading 'The Studio' Mushroom Scene and Why Getting Slapped by Kathryn Hahn Was 'The Honor of a Lifetime' 'They said: 'We have this idea where you give a recap of Episode 9 and you're totally fucked up, and we have to film this tomorrow. Are you in town? We're about to lock this cut,'' Franco recalls. 'I think it was just a genius idea rather than a dry, typical recap. There's something really fun about hearing what happened from the perspective of the most fucked-up person at the party.' The finale kicks off right where Episode 9 left off as the Continental Studio executives, as well as Patty Leigh (Catherine O'Hara), are left to clean up Matt's (Rogen) mess and get CinemaCon presenters Franco and Zoë Kravitz camera ready. But as the executives soon realize, Franco and Kravitz show no signs of slowing down. Franco came into the mix as the ensemble neared the end of a long shoot, along with two weeks on location in Las Vegas. 'Everyone was a little exhausted, a little loopy, and so we were leaning into that energy,' he tells Variety. 'I obviously wasn't there as long as everyone else, I just popped in for a handful of days, so I could come in with slightly fresh energy and try to infuse that into the scenes.' 'The Studio' is the latest Franco collaboration with Rogen and Goldberg — they go back all the way to 'Superbad' in 2007. 'They want it to be a group effort and their main rule is best idea wins, no matter who it's coming from. And I've adopted that mentality when directing my own movies,' Franco says. Below, Franco breaks down smoking with Bryan Cranston, filming that chaotic CinemaCon sequence with a live audience and how the 'Together' cast and crew 'killed ourselves every step of the way' to make that film a reality. It was a discovery process. Before my first scene in those final episodes, I was talking to Seth and Evan about how how fucked up I should be. We quickly realized that there's no limit, really. The crazier I am, the better. But the best thing to focus on is bringing this extreme positivity and optimism to every scene, which would juxtapose where everyone else in the episode is mentally. They are all completely stressed out and whenever you insert me a scene with this toxic positivity, it infuriates all of that. She's doing something that people haven't necessarily seen from her before, where she's just completely unhinged and having the time of her life and being as silly as possible. In that specific moment, she is terrified because she has taken way too many mushrooms, but my reaction is that I am so excited that someone is going to maybe be on the level where I'm at. Finding out that she is about to go flying makes me so happy because I'm going to have another partner-in-crime that night. For him to tap into his 'Malcolm in the Middle' roots where he is fully embracing his silliness and, like me, being as fucked up as he possibly can — it's always fun watching one of the greats be that unhinged. My wife and I's idea of a wild night is being in bed at 8 p.m. and watching a documentary with our two cats! In-between takes, I was trying to conserve my energy. Nicholas Stoller was there — I've known him a long time and adore him, and I remember him trying to riff with me between takes. And then after a few takes, he realized: 'Oh shit, Dave's exhausted. I'm going to let him be.' But it's just trying to find those moments to recharge during takes. That was all real. It was a real auditorium in Vegas and we had an audience. When you're doing that, it makes it so much easier because you feel their energy, you're performing to a real crowd. I think the challenge of that scene was going from being extremely delirious on multiple drugs and then turning on a dime and becoming my character from the Ron Howard movie, changing my accent and adopting this confidence in front of hundreds of audience members. When they were first applying the bloody makeup, we all decided that the more beat-up I looked, the funnier it would ultimately be because I still come in with this toxic positivity even though I just got my ass beat. That was fun to continue that level of optimism even when I'm moments away from going to the hospital. It's a difficult question to answer. Gosh, I mean, obviously Seth's character is dealing with wanting to create art that will last forever, that has integrity, but he's in a position where his studio also needs to make money and needs to think about the commerce of it all. So that's the struggle that he's dealing with and, when thinking about my personal approach to this job: I don't overthink it. I want to create projects that do feel unique, that feel like something we've never seen before and I know it's a little more difficult to get projects like that off the ground. Sometimes you have to make them on a very low budget and you're killing yourself to help them see the light of day, but that's the stuff that I really love. I've been fortunate to continue making things that I feel like are pushing boundaries. That's a very specific example of something where we killed ourselves every step of the way. Now that it's picking up a bit of traction, it's so gratifying to see that it is resonating. All the work was hopefully worth it. If anything, those final episodes are potentially reminding people that so many of us are doing this because we love movies. For me, my first job was at a mom-and-pop store when I was 14 years old, and it was actually illegal for me to be working there at that age, so they paid me by allowing me to take home as many movies as I wanted. That was my film school, that's how I started seeing all the classics and it's the reason why I'm doing any of this. I didn't start acting until I was maybe 18 or 19, and it wasn't even necessarily something that I loved at first, but I figured this was a potential way into the industry and to be a part of it all. I feel so fortunate that I'm able to dip into all different sides of it now with directing, writing and producing. This interview has been edited and condensed. Best of Variety New Movies Out Now in Theaters: What to See This Week Emmy Predictions: Talk/Scripted Variety Series - The Variety Categories Are Still a Mess; Netflix, Dropout, and 'Hot Ones' Stir Up Buzz Oscars Predictions 2026: 'Sinners' Becomes Early Contender Ahead of Cannes Film Festival
Newsweek
23-05-2025
- Entertainment
- Newsweek
Everything New on Netflix in June 2025
Based on facts, either observed and verified firsthand by the reporter, or reported and verified from knowledgeable sources. Newsweek AI is in beta. Translations may contain inaccuracies—please refer to the original content. Entertainment gossip and news from Newsweek's network of contributors Netflix has some fresh new titles heading the platform in June, and the first to be served are Alfred Hitchcock fans as the streaming service prepares to add six of his classics on June 1, including Vertigo, Rear Window, and The Birds. Some other June 1 highlights include Now You See Me and Now You See Me 2, the perfect time to catch up ahead of Now You See Me: Now You Don't releasing later this year. There's also The Theory of Everything, Bee Movie, The Blues Brothers, The Legend of Zorro, Us, and David Lynch's Dune coming on June 1. Squid Game Season 3. Squid Game Season 3. Netflix READ: Everything New on Max in June 2025 If you're looking for some fresh Netflix Originals, June's line-up has you covered as Squid Game season three arrives on June 27, with other hit shows returning earlier in the month, including Ginny & Georgia and FUBAR. To discover everything new on Netflix in June 2025, read on below. What's New on Netflix in June 2025? June 1 Barbarian (2022) Bee Movie (2007) Dune (1984) Family Plot (1976) Focus (2015) Frenzy (1972) Hitchcock (2012) Hop (2011) MacGruber (2010) Neighbors (2014) Now You See Me (2013) Now You See Me 2 (2016) Pokémon The Series: XY Pokémon The Series: XY: XY: Kalos Quest Pokémon The Series: XY: XYZ Rear Window (1954) The American (2010) The Birds (1963) The Blues Brothers (1980) The Devil's Own (1997) The Great Outdoors (1988) The Legend of Zorro (2005) The Man Who Knew Too Much (1956) The Night Before (2015) The Theory of Everything (2014) The Town (2010) U-571 (2000) Us (2019) Vertigo (1958) June 3 Sara: Woman in the Shadows (Season 1) June 4 Criminal Code (Season 2) Eva Lasting (Season 3) Power Moves with Shaquille O'Neal (Season 1) June 5 Barracuda Queens (Season 2) Ginny & Georgia (Season 3) Tires (Season 2) Uninvited (2024) June 6 Golden SixTONES (Season 1 – New Episodes Weekly) K.O. (2025) Mercy for None (Limited Series) STRAW (2025) The Survivors (Season 1) June 7 Boys on the Side (1995) Piece by Piece (2024) June 9 Get Hard (2015) Mashel: Magic and Muscles (Season 2) The Creature Cases (Chapter 5) June 10 Families Like Ours (Limited Series) Trainwreck: The Astroworld Tragedy (Volume 1 – Episode 1) June 11 Aniela (Season 1) Cheers to Life (2025) Cocaine Air: Smugglers at 30,000FT (Limited Series) Our Times (2025) Titan: The OceanGate Disaster (2025) June 12 Cells at Work! (Season 1) FUBAR (Season 2) Plane (2023) The Fairly OddParents: A New Wish (Season 2) June 13 Kings of Jo'Burg (Season 3) Too Hot to Handle: Spain (Season 1) June 14 Grey's Anatomy (Season 21) June 16 The Last Witch Hunter (2015) June 17 Justin Willman: Magic Lover (2025) Kaulitz & Kaulitz (Season 2) Scandal (Seasons 1-7) Trainwreck: Mayor of Mayhem (Volume 1 – Episode 2) June 18 AMERICA'S SWEETHEARTS: Dallas Cowboys Cheerleaders (Season 2) Rosario Tijeras (Mexico) (Season 4) Somebody Feed Phil (Season 8) YOLANTHE (Season 1) June 19 The Waterfront (Season 1) June 20 KPop Demon Hunters (2025) Olympo (Season 1) Semi-Soeter (Season 1) June 22 The Intern (2015) June 24 Steph Tolev: Filth Queen (2025) Trainwreck: Poop Cruise (Volume 1 – Episode 3) June 25 The Ultimatum: Queer Love (Season 2) June 27 Pokémon Horizons: Season 2—The Search for Laqua (Part 3) Squid Game (Season 3) Note: Titles in bold are Netflix Originals.
