Latest news with #Papon
Time of India
29-05-2025
- Entertainment
- Time of India
Papon sings unreleased melody from ‘Metro In Dino', reflects on musical bond with Pritam
Picture Credit: Instagram Playback singer Papon , who is known for 'Bulleya', 'Jiyein Kyun', 'Moh Moh Ke Dhaage', recently performed an unreleased song at the launch of the track 'Zamaana Lage' from the upcoming film 'Metro In Dino' in Mumbai. The unreleased track hasn't been titled as yet given music composer Pritam's spontaneous process of making music. The unreleased track boasts heartfelt lyrics and a soulful melody. Papon even appears in the music video of 'Zamaana Lage' strumming guitar and singing along with Pritam. Speaking about his collaboration with Pritam on this project, Papon shared that he lost count of how many songs he sang and recorded for the film. This is not Pritam's first time making such a bouquet of music, as he has done it earlier with the Ranbir Kapoor and Katrina Kaif-starrer 'Jagga Jasoos'. Talking about working on the music of 'Metro In Dino', Papon told IANS, "We've been singing together for a long time, but this time, the emotion was more intertwined with the camera, especially with Pritam da. I've never shot so much in my life". He further mentioned, "Every day, the script kept changing. Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like [Click Here] - 2025 Top Trending Search - Local network access Esseps Learn More Undo I honestly don't even know how many songs we ended up recording, or which ones I sang! Pritam da would say, 'Every day, you have to sing a new song.' It felt like an experiment, a workshop, a space for fun and creativity. It's a beautiful process, a learning journey. And when you see it all come together, it's absolutely stunning". 'Metro In Dino' is directed by Anurag Basu and marks his another collaboration with his musical soulmate Pritam, a journey which started in 2006 with 'Gangster'. 'Metro In Dino' weaves together stories of love and human connections, and is set against the vibrant backdrop of urban life. The film features an ensemble cast including Aditya Roy Kapur, Sara Ali Khan, Anupam Kher , Konkona Sen Sharma, and Fatima Sana Shaikh. The film is set to release in cinemas on July 4, 2025. Check out our list of the latest Hindi , English , Tamil , Telugu , Malayalam , and Kannada movies . Don't miss our picks for the best Hindi movies , best Tamil movies, and best Telugu films .
India Today
25-05-2025
- Entertainment
- India Today
Singer Papon bows back to fan at concert in heart-winning gesture. Watch
Singer Papon delivered a memorable performance at his Pune concert on Friday, May 23. Alongside his soulful vocals, he won hearts with a touching gesture for a fan that truly stood the show, a fan came up onto the stage and bowed down to show respect. In a touching and humble gesture, Papon bowed back, surprising everyone with his kindness. The video of this sweet moment has gone the video here: Papon didn't just shine on stage, he also delighted fans with three new song releases over two months including 'Sabse Haseen Tu,' 'Room Khali Hai,' and 'Sadma'. Each track struck a chord with listeners, further cementing his status as one of the industry's most cherished a recent interview with Zoom, Papon cleared up a common confusion about his Bollywood debut. Many people think his first song was 'Om Mantra' from the 2006 film 'Strings: Bound by Faith'. But Papon said his real debut was two years earlier in 2004 with the song 'Sajna Bawre' from the film 'Let's Enjoy'. He said to the news portal, 'My Bollywood debut is Sajna Bawre from the film Let's Enjoy. Om Mantra has only one line.'Papon has also released a new song 'Room Khali Hai' from his upcoming album 'Puraa Aasman'. The lyrics are written by his friend Manoj Chaudhry from Uttarakhand. Papon described the song as a simple, emotional track about waiting for life to move whose real name is Angaraag Mahanta, is one of India's most loved singers. Known for blending folk music with contemporary styles, he has delivered several hit songs including 'Moh Moh Ke Dhaage,' 'Kaun Mera,' and 'Jiyein Kyun' among Watch
Time of India
24-05-2025
- Entertainment
- Time of India
Goa for me is like Assam, I come here to slow down and reconnect: Papon
Papon Singer-composer Papon has spent over two decades crafting songs that resonate with emotion and simplicity, blending the roots of Assamese folk with contemporary sounds. While his music has taken him across global stages, it is Goa that keeps drawing him back, a place he sees as both a creative refuge and a mirror of his Assamese roots. From quiet beaches and the laid-back vibe to spontaneous jam sessions, Goa is not just a getaway for Papon; it is a space where life slows down, allowing music to breathe and evolve. Excerpts from a recent interview... Papon Your recent single Sabse Haseen Tu was described as a celebration of love. What inspired this track and where does it sit in your current creative journey? Sabse Haseen Tu is a song that just flowed naturally. Sometimes you come across a melody that feels timeless, and this track felt like that. I wanted to capture the pure, uncomplicated essence of love, the kind that makes you feel light and happy. At this point in my career, I'm focusing on creating music that feels authentic and brings joy, and this song reflects that mindset. For me, simplicity reflects truth, and truth is always simple. I believe in storytelling through my music rather than just creating a musical mix. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like They Lost Their Money - Learn From Their Lesson Expertinspector Click Here Undo I also maintain the purity in my music by being selective about it. I am not a fan of singing any song that I'm not proud of or don't feel like owning. You've been busy this year performing in India and across the globe. How has this tour experience influenced your connection with audiences worldwide? Playing in different countries and seeing people from diverse backgrounds connect with my music is truly special. It has taught me that music has no boundaries. The energy from these shows has reinvigorated me, and every concert feels like a celebration of that connection. The live concert space in India has seen a massive boom recently, with global musicians performing here and Indian independent artistes getting bigger stages. How do you view this evolution? Also, what challenges do singers still face, especially around issues like safety and concert management? It's an exciting time for live music in India. Independent artistes are finally getting the recognition they deserve, and audiences are more experimental with their tastes. However, safety and proper management are still areas where we need to improve. Sometimes the passion of the audience can overwhelm the logistics, and it's crucial to ensure that both the crowd and the artists feel safe and comfortable. You've seamlessly blended Assamese folk with contemporary sounds. How do you approach preserving traditional elements while appealing to modern audiences? I think it comes down to respect — respect for tradition and innovation. Assamese folk music has a unique soul, and while I experiment with contemporary sounds, I make sure the essence of the folk elements remains intact. It's like introducing an old friend to a new crowd. You don't change the friend; you just find a way for everyone to connect. Your song Moh Moh Ke Dhaage remains iconic. Did you ever anticipate the song's widespread acclaim? I had no idea it would become so iconic. When I recorded it, I just focused on conveying the emotion of the lyrics. The overwhelming response was a beautiful surprise. It made me more mindful of choosing songs that resonate emotionally rather than just technically, and that's something I carry forward in my music. What brought you to Goa this time? How was the time spent here? Goa is where I come to recharge. This time it wasn't just about taking a break; it was about reconnecting with myself. I spent time just walking on the beach, listening to the waves. It reminded me to keep things simple, both in life and in music. During the pandemic, you chose to spend several months in Goa. What influenced that decision? During the pandemic, I needed a place where I could breathe freely and find some peace. Goa gave me that space. The calmness of the place brought out a different side of my creativity — more introspective and grounded. I ended up writing a lot during that period. Goa is one of my favorite places because it has the right mix of urban and rural life. During the pandemic, it was the only drivable place I could imagine since airports were quite chaotic to travel through. Goa reminds me of Assam. The red soil, the coconut trees, the laid-back vibe, the easy way of life, the fish, the rice, and the people. That's why I keep coming back to Goa, and I even plan to eventually settle down here. Check out our list of the latest Hindi , English , Tamil , Telugu , Malayalam , and Kannada movies . Don't miss our picks for the best Hindi movies , best Tamil movies, and best Telugu films .
Time of India
02-05-2025
- Entertainment
- Time of India
Reels have the power to put your music in everyone's pocket: Papon
His Instagram bio reads, 'I am an ancient soul trapped in a young mind'. And in a chat with Bangalore Times, while on a visit to the city, reflected on this duality. He said, 'Often, I feel like a young boy discovering new things and enjoying current trends. Tired of too many ads? go ad free now Yet, I'm also deeply rooted in generational values and virtues that set me apart from many of my peers.' Excerpts from a conversation with the Assamese musician and playback singer as he talks about staying true to honest music, his artistic philosophy and his observations on how music is being discovered in the digital age: 'Art is fundamentally about emotions' In playback singing, there's a need to deeply connect with the emotions of the character and the narrative, and I think that brings out the essence of being an artiste. An artiste can embody various emotions – all the rasas, as they say. We delve into all different kinds of feelings, perhaps in a way that differs from someone who isn't an artiste, because art is fundamentally about emotions. Over time, you learn how to connect with situations you might never have personally experienced, such as the emotions of a character in a film. You can quickly imagine what to evoke and how you're supposed to sound at that moment as that character. I believe, someone who can latch onto emotions from their own life experiences or even something completely foreign to them, is what defines a good artiste. Ultimately, art is emotion. 'In the age of reels, getting reach is just a click away for artistes' Today, due to Instagram plays very significant in how music is discovered. People even come across a reel and discover new music. It is rapidly becoming a platform for music consumption, it was initially intended for visual content. Tired of too many ads? go ad free now It has also got its limitations – the short duration, the vertical format, which, I think personally does take away from the viewing experience, especially when you consider how we naturally see the world in a wider aspect ratio, like in a cinema. But at the same time, it has just become the medium which takes your music to everybody's pocket. That's the biggest reach you can have. You can create something and bypass all the traditional channels like distribution and labels, and if your stuff is good, the world can see it. It's a bit of a Catch-22 situation. But for now, this is the reality and it's good. Bollywood singing was never my dream. I didn't really know what Bollywood was, beyond my family watching movies. I just accepted what came my way, embraced opportunities, and gave my best - Papon 'I carry my parents' wisdom to always make honest music' As an artiste, I want to be honest above all. It's what my parents (Assamese musicians Khagen Mahanta and Archana Mahanta) instilled in me. I was simply told to do honest music. I don't know exactly why my father said that, but he explained that whatever music I create – even if he couldn't fully understand it because sounds and generations change – it wouldn't matter as long as it was honest, from the heart to the heart. He said, keep it simple, keep it honest. 'It's nice to see regional music being given more space' I've always strived to highlight the richness of Assamese music because of my father. As an artiste with a vast repertoire, he understood both folk and modern music. He travelled, collected, and absorbed diverse music from different places and cultures, and that resonated with me too. So, as I travel, I also try to connect with other cultures and their music. Phonetically, every language is different, and that itself is musical – the way a language is spoken. So, it's nice to see that regional music is gaining more popularity and there's more space for it.
News18
25-04-2025
- Entertainment
- News18
Papon Reveals How Song Jiyein Kyun Changed Everything For Him In Bollywood
According to Papon, Rohan Sippy met him after his performance in Mumbai, and later, Pritam called him to offer the breakthrough song. It was the song Jiyein Kyun from Dum Maaro Dum that catapulted Papon to fame. Composed by Pritam and written by Jaideep Sahni, the emotional track opened doors to numerous opportunities, establishing him as one of the most sought-after singers in the industry. Reflecting on the pivotal role of the melancholic tune in his career, Papon recently shared in an interview that music maestro Pritam offered him the song after being impressed by his independent Assamese album, Jonaki Raati. Talking to Hindustan Times, Papon admitted, 'Jiyein Kyun was my first big break in Bollywood. Technically, the first song I sang in Bollywood was Sajana from Let's Enjoy (2004), but Jiyein Kyun changed everything for me." The singer mentioned that Bollywood was never his priority before Jiyein Kyun came his way. Looking back, Papon recalled that he was offered the song after a performance in Mumbai. He shared that director Rohan Sippy approached him after the show, and music composer Pritam called him to appreciate his talent before offering him the breakthrough track that would define his career. As the conversation progressed, Papon also shared how Jiyein Kyun challenged the industry's vocal norms at the time of its release. Unlike other playback singers, Papon's earthy tone stood out, making it difficult for others to place his voice against the typical Bollywood hero sound, which was often more polished and conventional. Papon continued, 'Back then, everyone was singing high. I was the only newcomer who sang that low. I actually recorded it seven semitones lower than it was originally composed by Pritam da, and that distinct depth became both a unique strength and, initially, a challenge as well. It was difficult to place a voice like mine against the typical Bollywood hero." The depth of the song struck a chord with the audience, eventually becoming an anthem for lovers introspecting after heartbreak. Concluding, Papon expressed his heartfelt gratitude to Pritam and Rohan Sippy for the opportunity. He remarked, 'It's one of my absolute favourites to sing live. I sincerely thank Pritam Da and Rohan Sippy for trusting my voice." The Assamese singer has many hits, including Moh Moh Ke Dhaage (Dum Laga Ke Haisha), Kyon (Barfi!), Humnava (Hamari Adhuri Kahani) and Bulleya (Sultan) to his credit. First Published:
