Latest news with #PaulSimon
San Francisco Chronicle
a day ago
- Entertainment
- San Francisco Chronicle
Paul Simon's quiet power remains strong in San Francisco concert
Witnessing singer-songwriters mature over decades can often reveal the true substance of their work. For Paul Simon, his light, nuanced tenor — that first emerged as part of the folk duo Simon & Garfunkel to help define the sound of the 1960s — has changed into something lower and softer at age 83. It commands that you lean in at times. His growl is like the grain of the wood barrels that age whiskey. It colors and underlines Simon's abilities as a songwriter, the stunning poetry that's been a part of American culture for seven decades. More Information Davies Symphony Hall Setlist Act 1: 'The Lord' 'Love Is Like A Braid' 'My Professional Opinion' 'Your Forgiveness' 'Trail of Volcanoes' 'The Sacred Harp' 'Wait' Act 2: 'Graceland' 'Slip Slidin' Away' 'Train in the Distance' 'Homeward Bound' (Simon & Garfunkel song) 'The Late Great Johnny Ace' 'St. Judy's Comet' 'Under African Skies' 'Rene and Georgette Magritte With Their Dog After the War' 'Rewrite' 'Spirit Voices' 'Mother and Child Reunion' 'Me and Julio Down by the Schoolyard' Encore One: 'Father and Daughter' '50 Ways to Leave Your Lover' 'The Boxer' (Simon & Garfunkel song) Encore Two: 'The Sound of Silence' (Simon & Garfunkel song) That lived-in voice, shaped by time and experience, met a fitting match in the intimate setting of Davies Symphony Hall where Simon — onstage just a few weeks after his emergency back surgery — performed the first of three shows on Saturday, July 19, as part of his A Quiet Celebration tour in support of his latest album, 'Seven Psalms.' One of the most affecting moments of the two hour-long concert came when he sang 'Homeward Bound.' About a young man who seeks his calling in the world but eventually feels the pull back to where he came from, the song has a different poignancy. You feels the miles he's traveled in his voice, and there's a new wisdom Simon now imbues into the 1966 Simon & Garfunkel classic. Tears welled in the eyes of many in the largely baby boomer audience. It was a moment that made clear that some great storytellers and their material can get better with age. A member of the Rock & Roll and Grammy Halls of Fame, Simon helped form the soundtrack of 1960s counterculture with folk-rock hits written with Art Garfunkel, including 'The Sound of Silence' and 'Mrs. Robinson' — the latter forever tied to the Bay Area thanks to its use in the 1967 film 'The Graduate,' where it plays as Dustin Hoffman drives across the Bay Bridge. Albums 'Graceland' (1986) with its Southern African influences and 'The Rhythm of the Saints' (1990) drawing from Brazilian folk traditions were best sellers and artistic successes. 'This tour is the first opportunity I've had performing with my band since before COVID,' he told the audience referring to his excellent ensemble that included Caleb Burhans (viola), Jamey Haddad (percussion), Gyan Riley (guitar), Mick Rossi (piano, keys), Andy Snitzer (saxophone), Nancy Stagnitta (flute), Mark Stewart (guitar), Eugene Friesen (cello), Steve Gadd (drums) and Bakithi Kumalo (bass) Then he went on to explaining the first act of the evening would be his 'Seven Psalms' showcase; he promised 'the greatest hits' would come later. The 'Seven Psalms' acoustic set was performed on a mostly dark stage, the lighting suggesting a campfire. The material, inspired by the Book of Psalms, is nuanced and reflective, with a quiet intensity. The opening track, 'The Lord,' set the mood with lyrics like 'Tribal voices old and young. Celebrations a history of families sung. The endlеss river flows.' It conjured a sense of looking back, tinged with melancholy but also with a sense of eternity. The night came alive in a new way when singer Edie Brickell, Simon's wife, took to the stage for a transcendent 'The Sacred Harp.' The bends and curves of Brickell's voice gently wounds its way around Simon's lyrics, her sweetness giving lovely contrast to Simon's rougher sounds. The couple finished the first act with 'Wait,' whose lyrics — 'I'm not ready. I'm just packing my gear. Wait. My hand's steady. My mind is still clear' — remind you that 'Seven Psalms' is a powerful late-career album by Simon that contemplates bigger mortal themes. Act two began with a spirited 'Graceland,' the title track from Simon's seventh solo studio album released in 1986. 'Slip Slidin' Away' (1977) and 'Train in the Distance'(1983) are among the songs that feel very different in Simon's mature vocals. The lightness on these and others are gone, but a new character colors them. The ayahuasca-inspired 'Spirit Voices' (Simon joked about the song's source in one of his sparse addresses to the audience) was another smooth, joyful highlight of the second act. So was the concluding 'Me and Julio Down by the Schoolyard' from his 1972 self-titled album, which has become such a shorthand for a certain kind of cool in pop culture (especially after its use by Wes Anderson in his 2001 film 'The Royal Tenenbaums') that it got a roar from the crowd. For his encores, Simon was joined by his band to sing 'Father and Daughter,' from the soundtrack to 2002 animated film 'The Wild Thornberries,' followed by '50 Ways to Leave Your Lover' (1975) and the Simon & Garfunkel hit 'The Boxer'(1970). Then, on stage by himself, he performed 'The Sound of Silence,' a fittingly gentle way to bid us goodnight.
Forbes
2 days ago
- Entertainment
- Forbes
Paul Simon Delivers As ‘A Quiet Celebration' Tour Winds Down
Paul Simon performs on stage during his 'A Quiet Celebration' tour. Wednesday, May 21, 2025 at ... More Symphony Center in Chicago, IL 'Here's a… an old song,' said Paul Simon with a smile on stage in Chicago. 'I suddenly realized they're all old songs,' he said softly with a wink on opening night of a sold out three evening stand at Symphony Center, part of his 'A Quiet Celebration' return run. Few songwriters can match the canon of music Simon, 83, has meticulously crafted over the course of more than six decades. Partnering with Art Garfunkel, Simon moved over 100 million records globally, tacking on another 35 million albums sold as a solo artist, rendering him one of the best selling artists of all time. The duo's final studio album Bridge Over Troubled Water stood for a spell as the best selling album ever following its release in 1970, with Simon continually experimenting with an array of sounds in his wonderfully diverse body of solo work, going on to move in excess of 16 million copies of his 1986 opus Graceland. Paul Simon performs on stage during his 'A Quiet Celebration' tour. Wednesday, May 21, 2025 at ... More Symphony Center in Chicago, IL Following a farewell tour in 2018, Simon has appeared on stage a handful of times but 'A Quiet Celebration' marks his first full tour since, with the legendary singer and songwriter appearing for multi night runs in each city, performing in smaller theaters better equipped to support and showcase the nuance in his new music better than the arenas he could otherwise easily fill (a North American run which continues this weekend in San Francisco, California ahead of closing shows in Vancouver, British Columbia July 26 through 28 and Seattle, Washington on July 31 and August 2 and 3). At the heart of the incredible return run lies Simon's latest album Seven Psalms, a spiritual affair inspired by the old testament's Book of Psalms which appears on record as an acoustic suite: seven unbroken songs ruminating upon life and mortality which were designed to be absorbed by the listener in full, with the carefully chosen rooms on this tour supporting Simon's mission. Paul Simon performs on stage during his 'A Quiet Celebration' tour. Wednesday, May 21, 2025 at ... More Symphony Center in Chicago, IL On stage at Symphony Center, home to the Chicago Symphony Orchestra, Simon and company opened the show with the new album uninterrupted over the course of about 35 minutes, closing the performance with both deep cuts and hits over about two hours and 15 minutes. 'The Lord' read the screen flanking the band as Simon got going with sparse acoustic guitar while voices built the conclusion of the new album's opening track. Flute cut through xylophone and percussion early as more guitar and timpani rang out later. That dueling percussion lent 'My Professional Opinion' a bit of a shuffle while Simon plucked in an almost flamenco fashion during 'Your Forgiveness.' Paul Simon performs on stage during his 'A Quiet Celebration' tour. Wednesday, May 21, 2025 at ... More Symphony Center in Chicago, IL Vocalist Edie Brickell, Simon's wife of 33 years, joined for both 'The Sacred Harp' and 'Wait,' with the backing band swelling to 12 as Simon and Brickell harmonized on the chorus of the former while church bells brought the stunning full album performance of the new Seven Psalms to a close moments later. 'This is the first time since COVID that I'm able to play with my fellow musicians,' noted Simon at the top of the show, setting up the album suite. 'The second half is a bunch of hits. Some deep tracks - sort of,' explained the songwriter. 'Songs I always liked - but haven't played live much before. I hope you enjoy yourselves.' Slide guitar, flute and fiddle fueled a hootenanny as Simon donned his trademark baseball cap during 'Graceland." Simon started 'Slip Slidin' Away' solo acoustic before dusting off 'Train in the Distance' from 1983's Hearts and Bones record. 'Here's a song from the Simon & Garfunkel days,' he said, characteristically underselling 'Homeward Bound' as the second set began to find its footing. Paul Simon performs on stage during his 'A Quiet Celebration' tour. Wednesday, May 21, 2025 at ... More Symphony Center in Chicago, IL One of the great storytellers, Simon was in fine form on stage, returning to Hearts and Bones as he told the story behind 'The Late Great Johnny Ace,' a highlight on opening night in Chicago. 'Here's a song direct from a childhood memory…' he began. 'When I was an adolescent, there was a blues singer named Johnny Ace. His #1 record was 'Pledging My Love.' I loved that song,' Simon continued, explaining how Ace accidentally shot himself on Christmas day in 1954. 'I heard it the next day on the radio. The DJ said, 'We're gonna play his new song and from now on we're gonna call him the late great Johnny Ace.'' Simon conducted a bit as drums stomped in, gesturing left toward flute, violin and cello as images of John Lennon and John F. Kennedy appeared on screen as Simon namechecked them lyrically (also both victims of gun violence). Paul Simon performs on stage during his 'A Quiet Celebration' tour. Wednesday, May 21, 2025 at ... More Symphony Center in Chicago, IL 'This next song comes from the Graceland album and it's written about a specific person,' said Simon, reintroducing fans to Joseph Shabalala of South African vocal group Ladysmith Black Mambazo. 'Here to help me sing - and improve the performance vastly - is Edie Brickell,' said Simon dryly with a smile. While he experimented with South African sounds on Graceland (bassist Bakithi Kumalo, 69, who performed on the album, is back for this live run) it was authentic reggae he was after in 1972, working with Jimmy Cliff's backing band on 'Mother and Child Reunion.' Heading for home, Simon and company worked up 'Me and Julio Down Down by the Schoolyard' shortly thereafter as opening night neared encore. Paul Simon performs on stage during his 'A Quiet Celebration' tour. Wednesday, May 21, 2025 at ... More Symphony Center in Chicago, IL Returning to the stage, the Chicago faithful went berserk as Simon put his spin upon '50 Ways to Leave Your Lover,' clapping along slightly offbeat as he made his way back to the Simon & Garfunkel canon one more time. 'This song is called 'The Boxer,'' he said simply. Starting the legendary track on his own, the band came swooping in out of the first verse as the crowd roared, with Simon's arms spread wide as the band took a bow. Gazing to his left, Simon was clearly swept up in the moment as he wrapped up the evening with the iconic 'The Sound of Silence,' delivering both a stirring and stunning solo take on the unparalleled number to the rapt audience. 'In restless dreams I walked alone…' sang Paul Simon as 'A Quiet Celebration' drew to a close on opening night in the Windy City.
Los Angeles Times
4 days ago
- Entertainment
- Los Angeles Times
Paul Simon delivers a commanding incantation at Disney Hall
In 2018, Paul Simon walked onto the Hollywood Bowl stage for what most in the crowd believed to be his last tour stop in Los Angeles, ever. Simon expected that too — he'd billed the event as his 'Homeward Bound — Farewell Tour.' After 50 years of performing, a then-record three Grammy wins for album, a catalog of some of the most sophisticated and inquisitive American songwriting ever put to paper — he'd go out in full garlands. So what a shock and delight when Simon, now 83, announced a few years later that he was not quite done yet. In 2023, he released a new album, 'Seven Psalms,' an elliptical, gracious invocation for the arc of his life, drawing on biblical imagery and intertwined guitar fugues. But even better, Simon would also return to the stage for a new tour, including a five-night run at Disney Concert Hall. For L.A. fans, these shows were one last chance to reconnect with Simon, who now had a profound late-career album to bookend his catalog. Those songs spanned from his years in the Greenwich Village folk scene of the '60s and '70s to a Sabrina Carpenter duet on 'Saturday Night Live's' 50th anniversary special. Wednesday's show — the last of the Disney hall stand — got to all of it, with Simon still in exquisite form in the last light of his performing career. If Simon, seven years ago, had any doubts about his interest or ability to perform live at this exacting level, they must have disappeared the second he got a guitar in his hand at Disney Hall. The set opened with a full run of 'Seven Psalms,' a short yet profound song cycle in which a dense, ornamental acoustic guitar figure recurs over several songs in an intimate valediction. 'Seven Pslams' belongs alongside David Bowie's 'Blackstar' or Johnny Cash's 'American Recordings' albums in the canon of wide-lens looks at the mystery of late life. Simon's music was wise before its time even when he was a young man. But the perspective he has at this vantage, on the backside of 80 with a rejuvenated muse, was especially moving. 'I lived a life of pleasant sorrows, until the real deal came,' he sang on 'Love Is Like a Braid.' 'And in that time of prayer and waiting, where doubt and reason dwell / A jury sat, deliberating. All is lost or all is well.' Simon's band members for this stint — a dozen or so strong, spanning percussion, woodwinds and guitars — were mostly impressionists during this portion, adding distant bells and chamber flourishes to the patina of these songs. While he kicked up his heels a bit on the bluesy 'My Professional Opinion,' there was a trembling power in 'Trail of Volcanoes' and, especially, 'Your Forgiveness,' in which Simon took stock of his time on Earth and whatever lies next. 'Two billion heart beats and out / Waving the flag in the last parade / I have my reasons to doubt,' he sang, followed by a gracious incantation: 'Dip your hand in heaven's waters, god's imagination … All of life's abundance in a drop of condensation.' The hit-heavy back half of the show was a little rowdier. One fan even made a bit of history when he tossed a $20 bill onstage, which was enough for Simon to gamely oblige his request to play a verse of 'Kodachrome.' Simon and his band had looser reins here. 'Graceland' and 'Under African Skies' still radiated curiosity for the world's musical bounty, with the fraught complexity of that album nonetheless paving a stone on the road for African music's current global ascent. (He introduced his bassist, Bakithi Kumalo, as the last surviving member of the original 'Graceland' band.) An elegant 'Slip Slidin' Away' led up to a poignant 'The Late Great Johnny Ace,' which took a tale of rock 'n' roll self-destruction and pinned it to a generational sense of cultural collapse. Simon didn't reference any current events beyond the John F. Kennedy, Robert F. Kennedy and John Lennon assassinations, but you could feel a contemporary gravity in the song. Veteran drummer Steve Gadd reprised his jazzy breaks for '50 Ways to Leave Your Lover,' and the fatherhood ballad 'St. Judy's Comet' was a sweet, deep-cut flourish. (That mood continued when Edie Brickell, Simon's wife and vocalist, slipped in from the side stage to whistle the hook on 'Me and Julio Down by the Schoolyard.) But the band hit full velocity on a pair of songs from 'The Rhythm of the Saints.' 'Spirit Voices' conjured an ayahuasca reverie with its thicket of guitars and hand percussion, while the sprawling and time-signature-bending 'The Cool, Cool River' showed Simon the musician — not just the poet — still in absolute command. Simon's set never got to 'Bridge Over Troubled Water' or 'You Can Call Me Al,' but the final encore wrapped with just him and a guitar and the eternal hymn of 'The Sound of Silence.' His guitar work retained all its original power in the opening instrumental runs, and Simon looked genuinely grateful that, perhaps even to his own surprise, the stage hadn't lost its promise or potency for him just yet. Who knows whether Wednesday was the last time Angelenos will get to see Simon perform live (this tour wraps next month in Seattle). If it was, then it was a beautiful benediction for one of America's defining songwriters. But if it wasn't, take any chance you get to see him again.
Yahoo
4 days ago
- Entertainment
- Yahoo
Paul Simon Sparks New Health Fears After Canceling Two Concerts Amid Ongoing Back Issues
Music icon Paul Simon is sparking new fears for his health after axing two upcoming shows due to excruciating back pain – leaving insiders fearing the 'Bridge Over Troubled Waters' singer is headed towards his sad last days. Now sources fear the 83-year-old voice of multiple generations is coming to grips that he's headed to the final curtain of his career — and life — as he is overwhelmed by a growing raft of physical ills. The shocking show cancellations last month came as the aging 83-year-old Graceland maestro must undergo a 'surgical procedure' to relieve 'unmanageable' back agony. As Globe has reported, the condition's the latest in a string of health woes including one that's robbed the 'Sound of Silence' singer of 96 percent of the hearing in his left ear back in 2023. The baffling and still undiagnosed hearing condition struck while Paul was working on his latest album, Seven Psalms, and kept him from touring and playing some of his more famous hits like, 'You Can Call Me Al.' 'Quite suddenly I lost most of the hearing in my left ear, and nobody has an explanation for it,' Paul says. 'My reaction to that was frustration and annoyance — not quite anger yet — because I thought it would pass, it would repair itself.' But sources say that only some of his hearing returned. Sources say the singer, who rocketed to super-stardom on a massive string of mid-1960s hits with his then-partner Art Garfunkel, has become resigned to his approaching final curtain. 'It's just the age we're at,' the musician notes. 'Gordon Lightfoot just passed away, Jeff Beck too. My generation's time is up.' Medical experts tell Globe that Paul's crippling issues are likely to grow worse — and his adoring public should prepare for his retirement. 'At his age, hearing, nerve and joint damage are only likely to increase,' says Dr. Gabe Mirkin, a Florida longevity specialist. 'The older we are, the harder it is to bounce back from such serious ailments.' A music industry source says Paul seems to be having trouble accepting the inevitable, adding: 'It must be total agony for him to come to terms with what is clearly a fast-approaching end.' Solve the daily Crossword
News.com.au
11-07-2025
- Entertainment
- News.com.au
Richard Gere slammed over broken promise to preserve home
Music legend Paul Simon's daughter has lashed out at Richard Gere for selling her childhood home to real estate developers — who are now demolishing the historic property. Singer Lulu Simon, 30, took to Instagram to share some strong words for the 'Pretty Woman' star. 'Just in case anyone was wondering if I still hate Richard Gere – I do! 'He bought my childhood home, promised he would take care of the land as condition of his purchase proceeded to never actually move in & just sold it to a developer as 9 separate plots,' she claimed, according to People as reported by Fox News. 'Hate! Him!' Lulu concluded while attaching a screenshot of an article showing Gere's latest real estate venture. In a second Instagram story, Lulu wrote, 'I hope my dead pets buried in that backyard haunt you until you descend into a slow and unrelenting madness'. The text was written above a photo of Gere with photos of cats and dogs surrounding the 'Chicago' actor. According to records, Simon purchased the home in 2002 for $US16.5 million ($A25 million) — three years before he and his wife, Edie Brickell, welcomed daughter Lulu. The singer-songwriter first listed the property for a whopping $US13.9 million ($A21.1 million). Gere purchased the home in 2022 for $US10.8 million ($A16.4 million) and originally planned to turn a large portion of its expansive grounds into a farm. The Golden Globe winner and his wife, Alejandra Silva, sold the Simon property in October 2024 for $US10.75 million ($A16.4 million). In May, news surfaced that the home was scheduled for demolition to create room for the nine-plot real estate venture. The news of the reported demolition came after the Geres moved to Spain. Alejandra is from there and wished to be closer to family. 'For me, going to Madrid is going to be a great adventure because I have never lived full time outside the United States,' the 75-year-old told Vanity Fair Spain. 'And I think it will also be very interesting for my children. For Alejandra, it will be wonderful to be closer to her family, her lifelong friends and her culture. 'She was very generous in giving me six years living in my world, so I think it's fair that I give her at least six others living in hers. In any case, I love Spain and I think your lifestyle is fabulous. Also, your ability to live, transmitting joy and happiness. 'It is a beautiful place, the food is extraordinary and people exude sensitivity and generosity, as well as a strong will to laugh and enjoy. So I'm looking forward to going there.' After relocating at the end of 2024, Silva expressed an interest in returning to the US at the 2025 Gala: Carnaval in New York City. 'For a few years [we'll live in Spain], and then come back. But we're always coming back,' she said, referring to her sons Alexander, 5, and James, 4. 'We'll come back here in the summer because we have the kids at camp. We just have to balance our lives there and here,' she continued. After years of living in New York City, the couple decided to move to Spain. 'I'm with my family … I missed them a lot. But I miss the US So we come back and forth,' she told the outlet.
