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Toronto Sun
3 days ago
- Entertainment
- Toronto Sun
Simple Plan didn't want to wait until they were 'really old' to make a documentary
Published Jul 16, 2025 • 4 minute read Montreal punk-pop band Simple Plan L-R: Drummer Chuck Comeau, guitarist Sébastien Lefebvre, singer Pierre Bouvier, guitarist Jeff Stinco. Photo by Allen McInnis / Montreal Gazette The problem with so many rock documentaries is they too often come out as the artist winds down their career — at least that's how pop-punk act Simple Plan see it. This advertisement has not loaded yet, but your article continues below. THIS CONTENT IS RESERVED FOR SUBSCRIBERS ONLY Subscribe now to read the latest news in your city and across Canada. Unlimited online access to articles from across Canada with one account. Get exclusive access to the Toronto Sun ePaper, an electronic replica of the print edition that you can share, download and comment on. Enjoy insights and behind-the-scenes analysis from our award-winning journalists. Support local journalists and the next generation of journalists. Daily puzzles including the New York Times Crossword. SUBSCRIBE TO UNLOCK MORE ARTICLES Subscribe now to read the latest news in your city and across Canada. Unlimited online access to articles from across Canada with one account. Get exclusive access to the Toronto Sun ePaper, an electronic replica of the print edition that you can share, download and comment on. Enjoy insights and behind-the-scenes analysis from our award-winning journalists. Support local journalists and the next generation of journalists. Daily puzzles including the New York Times Crossword. REGISTER / SIGN IN TO UNLOCK MORE ARTICLES Create an account or sign in to continue with your reading experience. Access articles from across Canada with one account. Share your thoughts and join the conversation in the comments. Enjoy additional articles per month. Get email updates from your favourite authors. THIS ARTICLE IS FREE TO READ REGISTER TO UNLOCK. Create an account or sign in to continue with your reading experience. Access articles from across Canada with one account Share your thoughts and join the conversation in the comments Enjoy additional articles per month Get email updates from your favourite authors Don't have an account? Create Account With their new career-spanning feature-length doc, which premiered this month on Prime Video, the Montreal pop-punk act says they didn't want to follow the pack and wait until the sunset of their lives to share the ups and downs. 'Sometimes bands … wait until super late, until they're really old,' 45-year-old drummer Chuck Comeau explained in a recent video interview. 'Why not kick off a whole new chapter, look back on what we've accomplished, and use this to start the next part of the story?' Luckily, Simple Plan has plenty of fresh material to talk about. The band has recently been swept up by a resurgence in popularity for their early 2000s hits, thanks in part to TikTok clips that have introduced their pop-punk anthems 'I'm Just a Kid' and 'Perfect' to a new generation. Your noon-hour look at what's happening in Toronto and beyond. By signing up you consent to receive the above newsletter from Postmedia Network Inc. Please try again This advertisement has not loaded yet, but your article continues below. The unexpected popularity has attracted bigger crowds than ever to their shows, just as the group passes their 25th anniversary. 'Simple Plan: The Kids in the Crowd,' from music video director Didier Charette of Hawkesbury, Ont., a town on the border of Ontario and Quebec, skirts much of the ugliness and complications of mainstream fame to focus on the band's rise and enduring appeal. Members recall the odds they overcame as French-Canadian suburbanites seeking stardom in the English music market without much of a blueprint to work from. 'There was nobody coming from Montreal, speaking French, that had done it,' Comeau said. 'The only reference point, I guess, was Celine Dion.' Charette's documentary feature debut relies heavily on archival footage in recounting the earliest days of Simple Plan's precursor band, Reset. They formed in the mid-1990s as a group of high schoolers that included Comeau and Simple Plan lead vocalist Pierre Bouvier. While that band found some success, Comeau and Bouvier left amid personal squabbles. This advertisement has not loaded yet, but your article continues below. The two made amends and joined forces with local musicians Jeff Stinco and Sebastien Lefebvre to form Simple Plan in 1999. They pursued a major label record deal, eventually landed one, and then jumped the typical hurdles of the music industry. Some critics derided the band as too soft for modern rock, often comparing them to their brattier Canadian counterparts Sum 41. One music magazine stung them with the most backhanded of praise, labelling them 'good guys, bad band.' Meanwhile, some audiences openly displayed their disdain, with festival concertgoers actually whipping water bottles at the band during their live sets. To Simple Plan, these experiences were obstacles to overcome. 'The process of going through this old footage … was really a nice way to … give ourselves a pat on the back and say, 'Hey, we're doing pretty good,'' Bouvier said. This advertisement has not loaded yet, but your article continues below. 'We don't do that enough,' Comeau agreed. Bouvier concedes those early negative incidents might've left the band with emotional battle scars and a drive to prove their worth. 'We had a chip on our shoulder,' he said. 'And a way for us to overcome those haters, so to speak, (was to say) we're going to give the best show ever and … there's no way you're going to walk away saying that that wasn't a great show.' Avril Lavigne, Mark McGrath of Sugar Ray and Mark Hoppus of Blink-182 are among the band's contemporaries who come to their defence in new interviews. Other significant moments in Simple Plan's history are downplayed by the film, in particular, the departure of the longtime bassist David Desrosiers following allegations of sexual misconduct involving one of the band's fans. This advertisement has not loaded yet, but your article continues below. In 2020, Desrosiers left the band following accusations from an anonymous person on social media that alleged he made inappropriate 'jokes' with her when she was a minor and that they had consensual sex after she came of age. She also alleged he invited others for group sex without asking her, and threatened and demeaned her. At the time, Desrosiers acknowledged that 'some of the interactions I have had with women have caused them harm' and he pledged to seek professional help. The documentary spends little time on the allegations. While Desrosiers appears in archival footage, he is not interviewed in present day. Even the current band members only discuss the incident in the vaguest of ways, offering very little insight into how suddenly losing one of their members affected them as a unit. This advertisement has not loaded yet, but your article continues below. Comeau described Desrosiers' exit as 'one of the most challenging moments in our career.' 'It comes with a lot of pain,' he said. 'He was very important to the band. He had a huge contribution musically and personally … and we wanted to make sure the movie would reflect that.' While the band hasn't 'had tons of interactions' with Desrosiers since he left, Comeau said they consulted him during production and showed him a cut of the documentary. 'We felt like we couldn't avoid David because he was a big part of the story,' he added. 'He wasn't interviewed, but we really wanted his contribution to be shown.' Comeau said Simple Plan wanted to make clear in the documentary that their priority was 'to regain the trust of our fans and make sure that we could move forward as a band.' 'Now it's the four of us, and it's been five years,' he added. 'I think we feel like there's another 25 years in us.' Love concerts, but can't make it to the venue? Stream live shows and events from your couch with VEEPS, a music-first streaming service now operating in Canada. Click here for an introductory offer of 30% off. Explore upcoming concerts and the extensive archive of past performances. Celebrity Crime Toronto Maple Leafs Entertainment Canada
Hamilton Spectator
3 days ago
- Entertainment
- Hamilton Spectator
Simple Plan didn't want to wait until they were ‘really old' to make a documentary
TORONTO - The problem with so many rock documentaries is they too often come out as the artist winds down their career — at least that's how pop-punk act Simple Plan see it. With their new career-spanning feature-length doc, which premiered this month on Prime Video, the Montreal pop-punk act says they didn't want to follow the pack and wait until the sunset of their lives to share the ups and downs. 'Sometimes bands ... wait until super late, until they're really old,' 45-year-old drummer Chuck Comeau explained in a recent video interview. 'Why not kick off a whole new chapter, look back on what we've accomplished, and use this to start the next part of the story?' Luckily, Simple Plan has plenty of fresh material to talk about. The band has recently been swept up by a resurgence in popularity for their early 2000s hits, thanks in part to TikTok clips that have introduced their pop-punk anthems 'I'm Just a Kid' and 'Perfect' to a new generation. The unexpected popularity has attracted bigger crowds than ever to their shows, just as the group passes their 25th anniversary. 'Simple Plan: The Kids in the Crowd,' from music video director Didier Charette of Hawkesbury, Ont., a town on the border of Ontario and Quebec, skirts much of the ugliness and complications of mainstream fame to focus on the band's rise and enduring appeal. Members recall the odds they overcame as French-Canadian suburbanites seeking stardom in the English music market without much of a blueprint to work from. 'There was nobody coming from Montreal, speaking French, that had done it,' Comeau said. 'The only reference point, I guess, was Celine Dion.' Charette's documentary feature debut relies heavily on archival footage in recounting the earliest days of Simple Plan's precursor band, Reset. They formed in the mid-1990s as a group of high schoolers that included Comeau and Simple Plan lead vocalist Pierre Bouvier. While that band found some success, Comeau and Bouvier left amid personal squabbles. The two made amends and joined forces with local musicians Jeff Stinco and Sébastien Lefebvre to form Simple Plan in 1999. They pursued a major label record deal, eventually landed one, and then jumped the typical hurdles of the music industry. Some critics derided the band as too soft for modern rock, often comparing them to their brattier Canadian counterparts Sum 41. One music magazine stung them with the most backhanded of praise, labelling them 'good guys, bad band.' Meanwhile, some audiences openly displayed their disdain, with festival concertgoers actually whipping water bottles at the band during their live sets. To Simple Plan, these experiences were obstacles to overcome. 'The process of going through this old footage ... was really a nice way to ... give ourselves a pat on the back and say, 'Hey, we're doing pretty good,'' Bouvier said. 'We don't do that enough,' Comeau agreed. Bouvier concedes those early negative incidents might've left the band with emotional battle scars and a drive to prove their worth. 'We had a chip on our shoulder,' he said. 'And a way for us to overcome those haters, so to speak, (was to say) we're going to give the best show ever and ... there's no way you're going to walk away saying that that wasn't a great show.' Avril Lavigne, Mark McGrath of Sugar Ray and Mark Hoppus of Blink-182 are among the band's contemporaries who come to their defence in new interviews. Other significant moments in Simple Plan's history are downplayed by the film, in particular, the departure of the longtime bassist David Desrosiers following allegations of sexual misconduct involving one of the band's fans. In 2020, Desrosiers left the band following accusations from an anonymous person on social media that alleged he made inappropriate 'jokes' with her when she was a minor and that they had consensual sex after she came of age. She also alleged he invited others for group sex without asking her, and threatened and demeaned her. At the time, Desrosiers acknowledged that 'some of the interactions I have had with women have caused them harm' and he pledged to seek professional help. The documentary spends little time on the allegations. While Desrosiers appears in archival footage, he is not interviewed in present day. Even the current band members only discuss the incident in the vaguest of ways, offering very little insight into how suddenly losing one of their members affected them as a unit. Comeau described Desrosiers' exit as 'one of the most challenging moments in our career.' 'It comes with a lot of pain,' he said. 'He was very important to the band. He had a huge contribution musically and personally … and we wanted to make sure the movie would reflect that.' While the band hasn't 'had tons of interactions' with Desrosiers since he left, Comeau said they consulted him during production and showed him a cut of the documentary. 'We felt like we couldn't avoid David because he was a big part of the story,' he added. 'He wasn't interviewed, but we really wanted his contribution to be shown.' Comeau said Simple Plan wanted to make clear in the documentary that their priority was 'to regain the trust of our fans and make sure that we could move forward as a band.' 'Now it's the four of us, and it's been five years,' he added. 'I think we feel like there's another 25 years in us.' This report by The Canadian Press was first published July 16, 2025.
Winnipeg Free Press
3 days ago
- Entertainment
- Winnipeg Free Press
Simple Plan didn't want to wait until they were ‘really old' to make a documentary
TORONTO – The problem with so many rock documentaries is they too often come out as the artist winds down their career — at least that's how pop-punk act Simple Plan see it. With their new career-spanning feature-length doc, which premiered this month on Prime Video, the Montreal pop-punk act says they didn't want to follow the pack and wait until the sunset of their lives to share the ups and downs. 'Sometimes bands … wait until super late, until they're really old,' 45-year-old drummer Chuck Comeau explained in a recent video interview. 'Why not kick off a whole new chapter, look back on what we've accomplished, and use this to start the next part of the story?' Luckily, Simple Plan has plenty of fresh material to talk about. The band has recently been swept up by a resurgence in popularity for their early 2000s hits, thanks in part to TikTok clips that have introduced their pop-punk anthems 'I'm Just a Kid' and 'Perfect' to a new generation. The unexpected popularity has attracted bigger crowds than ever to their shows, just as the group passes their 25th anniversary. 'Simple Plan: The Kids in the Crowd,' from music video director Didier Charette of Hawkesbury, Ont., a town on the border of Ontario and Quebec, skirts much of the ugliness and complications of mainstream fame to focus on the band's rise and enduring appeal. Members recall the odds they overcame as French-Canadian suburbanites seeking stardom in the English music market without much of a blueprint to work from. 'There was nobody coming from Montreal, speaking French, that had done it,' Comeau said. 'The only reference point, I guess, was Celine Dion.' Charette's documentary feature debut relies heavily on archival footage in recounting the earliest days of Simple Plan's precursor band, Reset. They formed in the mid-1990s as a group of high schoolers that included Comeau and Simple Plan lead vocalist Pierre Bouvier. While that band found some success, Comeau and Bouvier left amid personal squabbles. The two made amends and joined forces with local musicians Jeff Stinco and Sébastien Lefebvre to form Simple Plan in 1999. They pursued a major label record deal, eventually landed one, and then jumped the typical hurdles of the music industry. Some critics derided the band as too soft for modern rock, often comparing them to their brattier Canadian counterparts Sum 41. One music magazine stung them with the most backhanded of praise, labelling them 'good guys, bad band.' Meanwhile, some audiences openly displayed their disdain, with festival concertgoers actually whipping water bottles at the band during their live sets. To Simple Plan, these experiences were obstacles to overcome. 'The process of going through this old footage … was really a nice way to … give ourselves a pat on the back and say, 'Hey, we're doing pretty good,'' Bouvier said. 'We don't do that enough,' Comeau agreed. Bouvier concedes those early negative incidents might've left the band with emotional battle scars and a drive to prove their worth. 'We had a chip on our shoulder,' he said. 'And a way for us to overcome those haters, so to speak, (was to say) we're going to give the best show ever and … there's no way you're going to walk away saying that that wasn't a great show.' Avril Lavigne, Mark McGrath of Sugar Ray and Mark Hoppus of Blink-182 are among the band's contemporaries who come to their defence in new interviews. Other significant moments in Simple Plan's history are downplayed by the film, in particular, the departure of the longtime bassist David Desrosiers following allegations of sexual misconduct involving one of the band's fans. In 2020, Desrosiers left the band following accusations from an anonymous person on social media that alleged he made inappropriate 'jokes' with her when she was a minor and that they had consensual sex after she came of age. She also alleged he invited others for group sex without asking her, and threatened and demeaned her. At the time, Desrosiers acknowledged that 'some of the interactions I have had with women have caused them harm' and he pledged to seek professional help. The documentary spends little time on the allegations. While Desrosiers appears in archival footage, he is not interviewed in present day. Even the current band members only discuss the incident in the vaguest of ways, offering very little insight into how suddenly losing one of their members affected them as a unit. Comeau described Desrosiers' exit as 'one of the most challenging moments in our career.' 'It comes with a lot of pain,' he said. 'He was very important to the band. He had a huge contribution musically and personally … and we wanted to make sure the movie would reflect that.' While the band hasn't 'had tons of interactions' with Desrosiers since he left, Comeau said they consulted him during production and showed him a cut of the documentary. Weekly A weekly look at what's happening in Winnipeg's arts and entertainment scene. 'We felt like we couldn't avoid David because he was a big part of the story,' he added. 'He wasn't interviewed, but we really wanted his contribution to be shown.' Comeau said Simple Plan wanted to make clear in the documentary that their priority was 'to regain the trust of our fans and make sure that we could move forward as a band.' 'Now it's the four of us, and it's been five years,' he added. 'I think we feel like there's another 25 years in us.' This report by The Canadian Press was first published July 16, 2025.
Perth Now
3 days ago
- Entertainment
- Perth Now
Matteo Bocelli eyes duet with his hero Ed Sheeran after working with his co-writer on new album
Matteo Bocelli would love to duet with his idol Ed Sheeran. The son of legendary tenor Andrea Bocelli, 66, has worked with Grammy winner Ed's co-writer Amy Wadge - with whom he penned huge hit Thinking Out Loud - on the balladeer's upcoming second studio album, Falling In Love. The 27-year-old singer's famous father featured on a 2017 classical version of Ed's song Perfect, Perfect Symphony. And, he would love to follow in his parent's footsteps and duet with Ed, but admits he would likely get overwhelmed and struggle to "handle the situation" - despite having performed for King Charles, and at the weddings of Amazon co-founder Jeff Bezos and his spouse Lauren Sánchez and reality star Kourtney Kardashian and Blink-182 rocker Travis Barker. Speaking exclusively to BANG Showbiz, Matteo said when asked about a potential collaboration with the Bad Habits hitmaker: "Always. I was so honoured to have received a song written by him and his brother [Matthew Sheeran], called Chasing Stars. But obviously, yes, I would love one day to be on stage with him - but I don't know if I'd be able to handle the situation." It was after Ed came to Italy to record Perfect Symphony and spent time with the Bocelli's that he found out Matteo was looking for material for his debut album, 2023's Matteo, and later sent him Chasing Stars, about a close bond between a father and son. Matteo - who brought all of his co-writers and producers that worked on the new album to his Tuscany home to record the album - also praised Amy for making him feel at ease expressing himself with "no filters". He said of the heartfelt songwriter: "I worked with Amy many times, multiple times, and she is not just an incredible songwriter, but she's a beautiful soul. She's a beautiful human being. And at the bottom of you know, every writing session, I need to have these people. I need to have people with which I feel myself, with which I feel I'm able to express myself, you know, freely, with no filters. And she's one of them. And so yes, I'm very excited to have a song with her that is To Get To Love You." Matteo's new album Falling In Love is released September 12 on Decca Records. He tours the UK in November. Matteo Bocelli's 2025 UK tour dates: November 2, Manchester, The Bridgewater Hall November 4, Birmingham Symphony Hall November 5, London Adelphi Theatre
Observer
5 days ago
- Entertainment
- Observer
Ed Sheeran showcases debut collection of Jackson Pollock-esque art
British pop star Ed Sheeran has swapped a microphone for paint brushes, with the fruits of his endeavours to go on display later this week, the London gallery exhibiting his works confirmed Wednesday. The abstract pieces -- colourful Jackson Pollock-esque paintings and prints -- will be available to buy, with part of the proceeds going to the Ed Sheeran Foundation, which supports musical education in schools. They are also set to be exhibited at Heni art gallery in central London from Friday until August 1, with the collection called "Cosmic Carpark Paintings", the gallery said. Sheeran, 34, behind smash hits like "Shape of You" and "Perfect", took to social media earlier this week to share the news, explaining he worked on the paintings last year in between shows. He also shared a video of his painting process at work, showing him splashing large canvases with brightly coloured paint. "I love painting, more for fun and to give to friends, but this time I was encouraged to do a show of them by @damienhirst and @heni," he posted on Instagram. "I paint when I'm not working on a record, just to do something creative with my brain. And it's mostly just splashing colours on canvases, think Jackson Pollock but with colourful house paint." Sheeran added that did not make him "an artist" but noted that he loves "making art" and that "it makes me feel great, and I love the end result". Heni, which said Sheeran's "painting journey" began in 2019 following his record-breaking Divide tour, noted he used one of his earlier creations as the official artwork for his single "Afterglow" in 2020. The colourful pieces in his debut collection were "inspired by celestial patterns" and painted in a disused London carpark last year, it added. Singer, songwriter, and performer Sheeran is one of the most listened to artists in the world. He also makes the list of the 40 richest people under 40 in the UK, with a fortune estimated at £370 million ($504 million), according to the Sunday Times' latest annual wealth rankings of Britons. —AFP
