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RIMS conducts special surgery
RIMS conducts special surgery

Time of India

time2 days ago

  • Health
  • Time of India

RIMS conducts special surgery

Raichur: For the first time, a successful surgery to remove a water-filled sac from a woman's fallopian tube was conducted at the Raichur Institute of Medical Sciences (RIMS) teaching hospital on Saturday. It used a state-of-the-art laparoscope funded by the KKRDB grant. Deputy commissioner Nitish K visited the hospital and observed the surgical procedures being carried out by the doctors. After the successful completion of the surgery, he extended his congratulations to the team led by Dr Radha Sanghavi, associate professor Dr Anuja Sagamakunta, anaesthetist Dr Kiran Nayak, Dr MK Patil, head of the department of surgery Dr Anil Kumar, and nursing officers Annapurna, Shambhavi, Lingaraj, and Narayan. "This surgery, which typically costs between Rs 1-1.5 lakh in a private facility, is being offered at no charge at RIMS Hospital. The public should take advantage of these services. Walkland treatment, which usually costs at least Rs 10-12 lakh, is also being provided free of charge at the speech and hearing department of RIMS Hospital. Continuous eye check-ups and surgeries are being conducted here," stated DC Nitish.

Govt will develop Raj institute of medical sciences in three phases
Govt will develop Raj institute of medical sciences in three phases

Time of India

time4 days ago

  • Health
  • Time of India

Govt will develop Raj institute of medical sciences in three phases

Jaipur: The medical education department has prepared a roadmap for the development of RUHS Hospital into the Rajasthan Institute of Medical Sciences (RIMS) on the lines of All India Institute of Medical Sciences (AIIMS). The development of RIMS is proposed to be done in three phases. In the first phase, existing facilities will be strengthened, and super-specialty services will be expanded. In the second phase, dedicated super-specialty departments will be established, and in the third phase, research and development activities will be encouraged. The funds for the development of RIMS have also been allocated, but there is a need to expedite the work. Health minister Gajendra Khimsar said the state govt has allocated a budget of Rs 750 crore to develop RUHS Hospital as RIMS. He said officials should promptly issue the necessary financial and administrative approvals for RIMS in line with the state govt's commitment and complete the tender process in a timely manner to expedite the work. Khimsar inspected RUHS Hospital Thursday and gave necessary directions to the officials. He said, "The development of RUHS as RIMS will provide an excellent healthcare option not only for Jaipur residents but also for people across the state, and it will promote research and development in the medical field." Principal secretary (health) Gayatri Rathore emphasised creating an action plan with a timeline to complete the development tasks related to RIMS on time. Any obstacles at any level should be immediately reported. She appreciated the availability of 24-hour maternal and child health services at RUHS Hospital and suggested that efforts be made to ensure cases referred from nearby areas and other districts come to RUHS, allowing optimal use of specialised services here. Over the past few months, the medical education department made developments in RUHS Hospital, and more facilities are coming up. "The establishment of a trauma centre, geriatrics healthcare resource and research centre, and a dedicated thalassemia unit is underway. The critical care block is ready and will be inaugurated soon. A proposal for establishing a dedicated super-specialty wing will be sent to the finance department," said Ambrish Kumar, secretary, medical education. Facilities like the cath lab, plastic surgery, angiography, angioplasty, sports injury, and ligament surgery have started at the hospital over the past few months. There are now 13 operational theatres, including 11 regular and 2 emergency operation theatres. Currently, around 2,200 to 2,600 patients visit the OPD daily for medical consultation. In July, over 1,800 surgeries of various types were performed. Post-mortem services have also been initiated, and a 24-hour labour room is now operational at the hospital.

Ratan Thiyam: A Visionary Who Revolutionized Indian Theatre
Ratan Thiyam: A Visionary Who Revolutionized Indian Theatre

Time of India

time5 days ago

  • Entertainment
  • Time of India

Ratan Thiyam: A Visionary Who Revolutionized Indian Theatre

Guwahati: Born on Jan 20, 1948, at Nabadwip in West Bengal's Nadia district, Ratan Thiyam, recognised as one of India's greatest theatre innovators, grew up in Imphal, surrounded by art and art-making, which profoundly influenced his life and work. His father, Thiyam Tarunkumar, was one of the most respected gurus of classical Manipuri dance, while his mother, Bilasini Devi, was a renowned dancer. Thiyam passed away at 77 at the Regional Institute of Medical Sciences (RIMS) in Imphal at approximately 1:30am Wednesday. Along with KN Panikkar, BV Karanth, Habib Tanvir, Bansi Koul, and Jabar Patel, Thiyam, affectionately known as 'Oja' (teacher in Meiteilon), was a major pioneer of the "theatre of roots" movement, developed during the 1960s-1970s. This movement sought to reclaim and integrate Indian classical, folk, and indigenous performance traditions with modern sensibilities, a powerful strategy for redefining Indian cultural identity. A graduate of dramatic arts from the prestigious National School of Drama (NSD), Thiyam was not only a powerful stage director but also a complete theatre craftsman and creative visionary. He was a multifaceted genius — a designer, music composer, choreographer, lighting expert, costume designer, architect, playwright, painter, and poet, whose brilliance extended across nearly every element of the performing and creative arts. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like 15 most beautiful women in the world Undo Thiyam took Manipur and Indian theatre onto the global stage, creating a new theatrical form by synthesising diverse performance traditions from his homeland. His works showcase the seamless blending of elements from the classical Natya Shastra (Indian theatre style during the second century BC) and Western realistic theatre with Manipuri's rich indigenous performing arts such as martial arts (thang-ta), dance, music, and ritualistic gestures. Through this artistic strategy, Thiyam asserted the socio-political and cultural uniqueness of Manipur, positioning it as separate from the mainland's dominant cultural narratives. This gained him national and international recognition as a playwright and director. His celebrated plays, such as Chakravyuha and Uttar Priyadarshi, brought global acclaim to Manipuri theatre and Indian drama at large. His main contributions to Indian theatre innovations are profound and transformative, significantly shaping the direction of contemporary Indian performance. His influence reverberates through his unique stylistic language, institutional leadership, and continued advocacy for indigenous forms and social consciousness. In 1976, Thiyam established the Chorus Repertory Theatre in Imphal, which became a national hub for experimental, visually rich, and socially responsible theatre. The theatre trained and inspired generations of artists and encouraged the fusion of rural and urban motifs, traditional and modern directing techniques, and innovative stagecraft. His work is celebrated for its striking visual design, choreography, and music, combining scenic minimalism and grand imagery. His plays featured stylised movements, ritualistic gestures, symbolic props, and a deep focus on atmosphere that set new standards for Indian stagecraft, creating a holistic theatre experience. Thiyam's plays often explore profound themes. His Leima Yenlingai Khuna Kaba (1980) addresses the motif of corruption in society transforming into an instrument of religious terror, while Urubhangam (1981), adapted from the Sanskrit play by Bhāsa, focuses on Duryodhana's tragic story from the Mahabharata. Lengshonnei (1986), his adaptation of Bertolt Brecht's version of Sophocles' Antigone, reinterprets the Greek tragedy through classical and traditional Indian forms interwoven with tribal rituals. Another masterwork, Chakravyuha (1984), rooted in the Mahabharata (Drona Parva), is considered one of Thiyam's finest productions, where he presents a powerful meditation on war, entrapment, and the heroism of the young warrior Abhimanyu. Another acclaimed production, Urubhangam (Broken Thigh, 1981), adapted from the Sanskrit play by Bhāsa, is based on an episode from the Mahabharata, focusing on the tragic downfall of Duryodhana. Both Urubhangam and Chakravyuha reflect Thiyam's belief in the timeless relevance of epics, recontextualised to comment on modern dilemmas. One of his most internationally acclaimed works is Uttar Priyadarshi, an adaptation of a Hindi verse play by celebrated poet and writer Agyeya, where Thiyam retells the story of Emperor Ashoka's spiritual transformation. These works exemplify Thiyam's ability to blend ancient texts and diverse performing traditions into cohesive contemporary theatre, addressing social, political, and philosophical questions with a rooted yet innovative dramatic language. A towering figure in contemporary Indian theatre, celebrated for combining classical, indigenous, and modern elements in his plays, Thiyam's death marks the departure of one of India's greatest theatre innovators, whose lifelong dedication elevated Manipuri traditions to the global stage and enriched the country's artistic heritage.

Ratan Thiyam, Indian playwright and theatre icon, dies at 77
Ratan Thiyam, Indian playwright and theatre icon, dies at 77

India Today

time6 days ago

  • Entertainment
  • India Today

Ratan Thiyam, Indian playwright and theatre icon, dies at 77

Legendary Indian playwright, theatre director, and cultural visionary Ratan Thiyam died in the early hours of Wednesday at the age of 77, leaving behind a towering legacy in Indian theatre. He breathed his last at around 1:30 am at the Regional Institute of Medical Sciences (RIMS) in Imphal, where he had been undergoing treatment.A pioneering figure in the "Theatre of Roots" movement, Thiyam was best known for fusing traditional Manipuri performance styles with contemporary theatrical forms, crafting a distinctive stage language that earned him critical acclaim both in India and abroad. His decades-long career transformed the landscape of modern Indian theatre, making him one of its most revered and influential contributions were recognised with numerous national and international accolades. His honours included the Indo-Greek Friendship Award (1984), Sangeet Natak Akademi Award (1987), Fringe Firsts Award at the Edinburgh International Festival (1987), and the Padma Shri conferred by the Government of India in 1989. In 1990, he gained global recognition with the Diploma from the Cervantino International Festival in Mexico. His later awards included the Kalidas Samman (2005), John D. Rockefeller Award (2008), Bharat Muni Samman (2011), and the prestigious Sangeet Natak Akademi Fellowship (Akademi Ratna) in 2012, capping his legacy as a true cultural titan. He also received the Bhupen Hazarika Foundation Award in news of his demise spread, tributes and condolences poured in from across the country. Assam Chief Minister Himanta Biswa Sarma described Thiyam as 'a leading light of the Theatre of Roots movement' and 'a brilliant ambassador of the rich culture of Manipur and the Northeast.''He used art as a powerful vehicle to convey the emotions and aspirations of the people,' Sarma said in a heartfelt tribute on social Manipur Chief Minister N. Biren Singh also expressed deep sorrow over Thiyam's passing, calling him 'a true luminary of Indian theatre' and 'an esteemed son of Manipur.' Singh remembered Thiyam for his unwavering passion for theatre and his role in preserving and promoting Manipuri cultural heritage through the stage.'His work carried the soul of Manipur, echoing its stories, its struggles, and its beauty,' Singh a former chairperson of the National School of Drama (NSD), is credited with elevating Indian theatre to international standards. His innovative use of movement, music, and stagecraft brought alive themes of identity, morality, and human conflict, grounded in Indian philosophical and aesthetic for iconic productions such as Chakravyuh, Uttar Priyadarshi, and Andha Yug, Thiyam built a formidable reputation as a master storyteller, philosopher, and cultural guardian. His theatre company, Chorus Repertory Theatre, based in Imphal, became a training ground and home for aspiring artists from across the Thiyam's death marks the end of an era, but his artistic spirit will continue to resonate through generations of theatre practitioners, scholars, and contributions not only brought Manipuri theatre into the national spotlight but also made a lasting impact on the global stage.- Ends

Role of timber smugglers in farmers' attack on forest officials suspected
Role of timber smugglers in farmers' attack on forest officials suspected

New Indian Express

time21-07-2025

  • New Indian Express

Role of timber smugglers in farmers' attack on forest officials suspected

ADILABAD: Timber smugglers allegedly instigated residents and farmers of Compartments 71 and 72 of Keshavapatnam village in Echoda mandal to attack forest officials during a plantation drive on Sunday. The drive aimed to restore over 1,600 acres of forest degraded by smuggling of high-value multani teak and to curb illegal activity near the sensitive Pembi forest. A group of women obstructed the officials, claiming the land was podu (shifting cultivation) land. When asked for pattas, they failed to produce any. An argument ensued, and a mob, allegedly provoked by known smugglers Sk Jumma, Farid, Altaf, Rashid, Hassan and others attacked police personnel deployed for security. They used rods and pelted stones, injuring five police personnel and damaging a vehicle. The injured persons were taken to Echoda PHC; three were later shifted to RIMS, Adilabad. RIMS director Dr Rathod Jai Singh said all were stable. District Forest Officer Prashant Bajirao Patil said the smugglers misled villagers. 'There is no podu issue here. The attack was clearly orchestrated,' he said. He noted a similar incident in January when forest teams were attacked during raids in the same village. Police are identifying suspects to file cases for assault and damage to property. Officials said tribal families have begun vacating the area, unable to resist pressure from the entrenched timber mafia, whose members are believed to be descendants of pre-Partition settlers from present-day Pakistan, and experts in teak smuggling. Forest officer vows action Khammam: In a bid to protect forest land, the district forest department is taking stringent measures. District Forest Officer (DFO) Siddharth Vikram Singh stated on Saturday that encroachments on forest land and attacks on forest officials will not be tolerated, and strict legal action will be taken as per the law. He said that in the Karepalli forest range of Khammam forest division, the department had planted trees over more than 50 hectares in the Utkuru North Beet, Cheemalapadu reserve forest, during 2020–21 at a cost of `59.54 lakh. However, locals from Errabodu and Manikyaram villages destroyed 33,848 trees in the area, causing an estimated loss of `45.3 lakh to the department. Between 2022 and 2025, eight cases under PFO Act were registered against over 40 accused persons. Noting the importance of forests, the DFO appealed to the public to refrain from encroachment and violence against forest staff. He said that protecting forests is a shared responsibility that benefits us all.

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