Latest news with #Sabahan
The Star
17 hours ago
- Sport
- The Star
Sabah's muay thai prodigy Angie Yan shines in Turkiye
KOTA KINABALU: Sabahan Angie Yan Jia Chi has once again made the state and country proud by retaining her world under-23 title in the female Wai Kru division at the 2025 IFMA World Muay Thai Championships in Antalya, Turkiye. Yan, 23, dazzled the judges in the final with a performance that combined tradition, grace, and technical precision, scoring 9.60 points to edge out her Filipina opponent by just 0.1 point. The narrow victory sealed her third consecutive world championship in the age category, having previously triumphed in Thailand (2023) and Greece (2024). Her mother, Sally Kuan, beamed with pride at her daughter's latest achievement, crediting Yan's discipline and love for muay thai's cultural roots. 'This win not only adds another gold to Malaysia's medal tally, but also highlights the determination and cultural pride of our youth in keeping tradition alive on the world stage,' she said. Yan has built a reputation as a dominant force in the non-combat Wai Kru category, a traditional pre-fight ritual that celebrates respect, heritage and mental focus in muay thai. Her growing list of accolades includes gold medals at the 2023 IFMA World Cup U-23 in Turkiye; the World Combat Games in Riyadh, Saudi Arabia; and last year's Malaysia Games (Sukma) in Sarawak. Beyond competitive success, Yan also had the honour of being one of the two Malaysians at the 2024 Paris Olympics, not as a medal contender, but as part of a cultural showcase to promote muay thai globally. She was selected to perform a special muay thai demonstration aimed at advocating for its inclusion as an official medal sport in the future. 'This experience gave me the chance to promote our art on the world's biggest stage. It is about more than just competition, it is about honouring a tradition and showing the world how much it means to us,' Yan said in an earlier statement. Meanwhile, both the national and state muay thai bodies extended their congratulations, commending Yan's consistency and her role in promoting the sport. Sabah Muaythai Association president Nazri Ab Razak praised her as a role model for aspiring athletes. 'With five world titles now under Sabah's belt, we hope her success will inspire more youths in the state to pursue excellence in the sport, especially in its cultural disciplines,' he said. He also noted that the sport is entering the third phase of its five-year development plan in Sabah, with growing emphasis on expanding local competitions and strengthening grassroots talent. Among upcoming events, muay thai will feature prominently in the Sabah Games (Saga) in Tawau this October where, for the first time, the Wai Kru category will be officially included after making its debut as a demonstration event at Saga 2023 in Kota Kinabalu. Nazri said the inclusion is a testament to growing recognition of muay thai's cultural value alongside its sporting merit. 'We will continue developing the sport and creating more platforms for young Sabahan athletes to shine,' he added.
The Star
a day ago
- Entertainment
- The Star
Getting crowned on the second try
KOTA KINABALU: Eight years ago, she walked away empty-handed. This year, she walked away with the crown. Atitih Yatih Robert of Tamparuli was crowned the 65th Unduk Ngadau Kaamatan at the Hongkod Koisaan on May 31, a traditional beauty pageant held in conjunction with the Kaamatan harvest festival. The 26-year-old emerged the winner among 51 finalists from across Sabah and beyond, including participants from the Klang Valley, Putrajaya and Johor. A graduate of Universiti Putra Malaysia (UPM) in Education (Bahasa Malaysia), Atitih is currently awaiting her teacher placement. She first entered the pageant in 2017 at age 18, representing Kota Marudu, where she placed in the top 15 and was named Miss Popular Unduk Ngadau Sabah – a victory that nevertheless sparked disappointment among fans. 'I know many were disappointed back then. They asked me to return and this time, I gave it my all,' Atitih said. After an eight-year hiatus to focus on her academic and career goals, she made a comeback with renewed purpose – this time representing Tamparuli, where she was crowned the district's Unduk Ngadau. Her maternal family traces its lineage back to Kampung Ruminding, Kiulu, in the Tuaran district, where her late grandmother Sungkim Elohoban once lived. Many of her relatives, including the current village chief, are still based there. Atitih's return to the stage wasn't easy. In the five months leading up to the pageant, she lost over 10kg by practising regular workouts and a strict diet. 'That was my biggest challenge,' she admitted. 'I used to weigh about 70kg. I loved sweets – especially chocolate – but I made the decision to commit,' she said, adding that she pushed through even though there were moments when she felt like fainting from hunger. 'It's not just about appearance. I wanted to show discipline and that I was serious.' She also worked on building her confidence and overcoming deep-seated shyness. Atitih has been active in traditional dance, singing, acting and poetry recitation throughout her university life. She also held leadership roles, including in the Sabah Student Association at UPM and Persatuan Siswazah Sabah di Semenanjung (G3S), where she promoted cultural pride among Sabahan youth. She wore a traditional dress from Tenghilan known as the Pinialap, making her the first contestant to ever showcase the design at the Unduk Ngadau stage – a nod to both her heritage and pride in her team. Atitih took home RM15,000 in cash, a tiara, a UNK2025 sash, a trophy, bouquet and other prizes including scholarships, skincare products, dental treatments, free hotel stays and airline tickets. Held annually as the highlight of the Kaamatan Festival, the Unduk Ngadau pageant is a cultural tradition cherished by the Kadazandusun Murut Rungus (KDMR) community – symbolising beauty, sacrifice and the legacy of Huminodun. This year also marked a turning point for the pageant with the introduction of e-Unduk, a digital scoring system developed by Sabahan IT expert Aedeshie Daisy Rayner. The organising committee described the system as an innovation that enhances the traditional scoring framework using scientific algorithms – a move they say will ensure greater fairness and credibility in the judging process. As the curtains closed on the final night, cheers erupted for the top seven finalists who stood tall on stage – each carrying the pride of their districts and the spirit of Kaamatan. Joining Atitih were Elka Alika Pijeh (Tambunan) as first runner-up and Celarin Jenny (Kiulu) as second runner-up. Rini Swanda Jukilin (Beluran), Steavaynie Ginadus (Beaufort), Jenylin Janis (Ranau) and Evanatie Sannie (Bandaraya Kota Kinabalu) were the other finalists.
Daily Express
a day ago
- Sport
- Daily Express
Sabahan Angie Yan strikes gold again at world Muaythai championships
Published on: Sunday, June 01, 2025 Published on: Sun, Jun 01, 2025 Text Size: Angie in action at the competition. - Pic via social media KOTA KINABALU: Sabahan athlete Angie Yan Jia Chi has once again made the nation proud by retaining her Under-23 World Champion title in the Wai Kru event at the 2025 World Muaythai Championships in Antalya, Turkey. In the final held on Saturday, Angie delivered a charismatic and technically precise performance to defeat her opponent from the Philippines. Her victory not only secured a gold medal for Malaysia but also reaffirmed the young athlete's dedication and spirit in championing the traditional art of Muaythai on the global stage. * Follow us on our official WhatsApp channel and Telegram for breaking news alerts and key updates! * Do you have access to the Daily Express e-paper and online exclusive news? Check out subscription plans available. Stay up-to-date by following Daily Express's Telegram channel. Daily Express Malaysia
Borneo Post
2 days ago
- Business
- Borneo Post
The rise of Sabah's entrepreneur moms
In an era where professional ambition often converges with personal aspirations, a remarkable cohort of women is redefining success: the strong entrepreneur moms. These formidable individuals seamlessly juggle the demands of nurturing a family with the relentless pursuit of building thriving businesses. Far from being a niche phenomenon, their growing numbers reflect a powerful shift in how we perceive female leadership and work-life integration. Their stories are not just about financial achievement but about resilience, innovation, and the extraordinary ability to create impact in both the workplace and at home. Meet Francisca 'Cisca' Jean John, another inspiring woman joining the ranks of entrepreneur moms. Cisca is a familiar face at local pop-up events like the Jesselton Artisan Market (JAM) and Urban Tamu, consistently proving that having a family and a busy career doesn't mean sacrificing your passions. In fact, for Cisca, it's quite the opposite. I had the pleasure of speaking with her to learn more about her captivating ventures, RTC Collection and Cwafty Jean. A busy Cisca manning her booth at a Jesselton Artisan Market event. 1. Tell us about yourself and your background Hi! I'm Cisca, a proud Sabahan mom of four from Papar, currently working full-time as a Purchasing Officer at Gayana Eco Resort Sdn Bhd. Outside the 9-to-5, I'm also the founder and maker behind RTC Collections and Cwafty Jean — two brands I built from scratch with love, creativity, and a little bit of chaos (the good kind!). I didn't come from a business background, but my journey into creative entrepreneurship started with a dream to build something truly mine — something heartfelt, handmade, and impactful. From bath and body care to whimsical home accessories, I now get to create things that not only bring joy to others but also fulfil my soul. It's not always easy, especially balancing a day job and motherhood, but it's incredibly rewarding. Handmade bath and body products from RTC Collection. 2. Tell us more about your handmade bath and body product brand. RTC Collections is my handcrafted bath and body brand that focuses on self-care through gentle, nourishing, and thoughtfully made products. Everything is made in small batches — from whipped body butters to artisanal soaps — using natural, skin-loving ingredients that are safe even for sensitive skin. More than just products, RTC Collections is a little love note to those who need a reminder to slow down, breathe and care for themselves in simple, meaningful ways. It's a brand rooted in sincerity, intention, and the belief that pampering doesn't need to come from a big factory — it can come from a small kitchen, too. 3. What inspired you to create handmade bath and body products? It started from a very personal place. One of my sons was struggling with eczema, and after trying countless over-the-counter treatments and pharmacy products with little to no results, I knew I had to look for a more natural, gentler solution. Then one day, during the height of the Covid-19 pandemic, when we were all stuck at home and our company was going through a rough patch (I was one of the staff whose salary wasn't paid), I came across an online class on how to make handmade soap. It felt like a divine nudge. I had always dreamed of being an entrepreneur, but I didn't want to sell other people's products — I wanted to make my own. That course became the beginning of everything. I found not just a skill, but a passion. It allowed me to take back some control during a time of uncertainty, and also gave me the freedom to create products that are safe, comforting, and healing, especially for families like mine. 4. How are your products different from other products in the market? What sets you apart? What makes RTC stand out is the intention behind every product. I formulate everything myself, in small, carefully measured batches, right from the comfort of my tiny two-bedroom apartment. Space may be limited, but passion isn't — I've learned to make it work efficiently without compromising quality. My focus is always on gentle ingredients, unique textures, and scents that spark joy. I don't rush production. Each product is made with care, love, and a genuine desire to help people feel better in their own skin. The personal touch, the consistency, and the story behind each product are what my customers say keep them coming back. 5. What is the most satisfying and proudest part of being a maker and small-time entrepreneur? The most satisfying thing is seeing people fall in love with something I made with my own hands. Every DM, every repeat order, every review that says, 'this helped my skin' or 'this made my day'—that's the magic. It's also incredibly fulfilling to know that I'm building this brand while being a present mom, managing a full-time job, and staying true to my creative vision. It's not just a business to me; it's a legacy of resilience and love. The best-selling punch-needle coasters from Cwafty Jean. 6. What are your bestselling products at Cwafty Jean? Cwafty Jean is where I let my artsy side run wild. My best sellers are definitely the cotton yarn punch needle coasters and keychains! People are especially drawn to the whimsical, artsy, and cute vibe of each piece — they're functional, but also feel like little works of art. I also take on custom orders, which gives customers the chance to own something that's not only handmade but also personal and meaningful. Each stitch, each colour choice, and each design carries its own unique story. 7. As a mom, what is your message for kids aspiring to become makers and entrepreneurs in the future? Don't be afraid to start small. Even if you're only working with limited tools or space, if you have passion and persistence, that's more than enough. Be curious, be kind to yourself, and always create from the heart. You don't need to follow what everyone else is doing. Build something you believe in. That's where real magic begins. Follow @rtccollections and @cwaftyjean on Instagram to learn more about Cisca's bath and body products and punch needle craftworks.
Borneo Post
2 days ago
- Entertainment
- Borneo Post
Story of Huminodun and meaning of Kaamatan
State Level Unduk Ngadau Kaamatan 2025, Tati Atitih Yatih Robert, representing the district of Tamparuli, with her fellow top seven finishers. As May came to a close with the newest Unduk Ngadau Kaamatan 2025 crowned, the echoes of gongs faded into the cool Sabahan evening. The final cheers of the crowd rang out at the Hongkod Koisaan Hall (KDCA) in Penampang, where the climax of Kaamatan 2025 had just unfolded. Laughter and music gave way to quiet reflection as families returned home, their hearts full from a month-long celebration that brought villages and cities to life. Once again, Sabah had come together, united in thanksgiving, in joy, and in memory. And as the dust settled from traditional dances, spirited singing and cultural showcases, what lingered was the spirit of a story, a story that has defined Kaamatan for generations. At the heart of this grand harvest celebration lies an ancient and sacred tale, the story of Huminodun. It is a story passed down through generations of Kadazandusun elders, whispered over firelight, retold at community gatherings and honoured in sacred rites. Long ago, the world was a very different place. The land was young, and the people lived under the benevolent care of Kinoingan and his wife, Suminundu, divine beings who watched over humanity with love. They nurtured the earth and taught the people to live in harmony with nature. But harmony was shattered when a great famine descended. Crops failed, rivers ran dry, and the soil could no longer bear fruit. The people suffered, crying out in anguish as starvation threatened to wipe them out. Kinoingan, heartbroken by the suffering of his creation, searched for a solution. It was then that he realised only a great sacrifice could save the world. And that sacrifice would have to come from someone divine, someone pure of heart. His only daughter, Huminodun, a radiant young woman known for her grace, wisdom and compassion, stepped forward. Seeing the pain of her people, she offered herself willingly, knowing that her death would restore life to the earth. Kinoingan wept, but he honoured her bravery. Huminodun's body was laid to rest in the ground, and from it sprang rice, the sacred grain that became the lifeblood of the Kadazandusun people. Her flesh became nourishment and her spirit, 'Bambazon,' now dwells in every grain of rice. This divine sacrifice is the spiritual foundation of Kaamatan. It is not just a harvest festival; it is a remembrance, a thanksgiving and a renewal. Every time rice is planted or harvested, every time it is eaten, the people remember Huminodun. Her story is a testament to the belief that from selflessness springs abundance, and that life is a gift not to be taken for granted. Although rooted in ancient beliefs, Kaamatan today has evolved into a vibrant and inclusive celebration that brings together Sabahans from all walks of life. Traditionally observed by the Kadazandusun community, it is now embraced by nearly every ethnic group in the state: the Murut, Rungus, Lundayeh, Tatana, Tidong, Bisaya, Bajau, Chinese and others, each contributing their own colours, music, food, and language to the month-long celebration. It is a cultural mosaic bound together by shared gratitude and mutual respect. At the spiritual heart of Kaamatan is the Magavau, a sacred ritual led by the 'Bobohizan,' the high priestess of the Kadazandusun. She calls forth the spirit of Bambazon in an ancient ceremony filled with chants and offerings, ensuring that the rice spirit remains content and that the cycle of fertility continues. Although fewer communities today practise the Magavau, its symbolism remains strong, reminding all of the sacred relationship between humanity and the earth. Complementing these sacred elements are the rich cultural expressions that make Kaamatan such a joyful celebration. The Sumazau, Sabah's most iconic traditional dance, sees dancers move with slow, birdlike grace to the rhythm of gongs. Traditional attires, elaborately beaded and finely embroidered, fill community halls with a kaleidoscope of colours. Villages host friendly competitions in traditional sports, while food stalls offer everything from hinava to linopot, reflecting the rich culinary heritage of the land. Among the most eagerly anticipated highlights of Kaamatan is the Unduk Ngadau Kaamatan pageant, a unique cultural event held in honour of Huminodun herself. District winners from across Sabah and other parts of Malaysia gather to compete, not merely in beauty, but in cultural knowledge, poise, and the embodiment of Huminodun's virtues. The Unduk Ngadau Kaamatan, crowned at the peak of Kaamatan, is not just a beauty queen; she is a cultural ambassador, a living symbol of grace, sacrifice and continuity. In recent years, another event has added new dimension to the festivities: the Buvazoi Tavantang Kaamatan, formerly known as Mister Kaamatan. This male cultural pageant, which has been rebranded to Randawi Tavantang Kaamatan from next year onwards, celebrates young Sabahan men who exemplify strength, cultural awareness and community leadership. Contestants compete not only in physique but in their understanding of heritage, language and values. The emergence of Buvazoi Tavantang Kaamatan alongside Unduk Ngadau Kaamatan reflects the modern celebration's balance, honouring both masculine and feminine contributions to community and traditions. No less exciting is the Sugandoi Kaamatan, a singing competition that draws vocal talents from across Sabah. Held at district and state levels, the Sugandoi Kaamatan gives voice to the rich musical traditions of the people. Contestants sing in native languages and often perform songs that carry the rhythms and stories of their ancestors. For many, winning Sugandoi Kaamatan is not just a personal triumph; it is a chance to preserve their culture through the power of song. In a festival so deeply rooted in oral tradition, Sugandoi Kaamatan keeps storytelling alive in one of its most beautiful forms. Kaamatan has also grown to become an expression of unity. In a state defined by its ethnic and religious diversity, Kaamatan is a space where all are welcome. It is common to see Muslims and Christians, rural villagers and urban professionals, young and old coming together to celebrate. Cultural exhibitions, community open houses and public performances create opportunities for mutual understanding, bridging generations and backgrounds. It is, in many ways, a blueprint for harmony, showing that cultural pride and inclusiveness can coexist. Beyond the dancing, singing and pageantry, Kaamatan is a powerful reaffirmation of identity. As globalisation and modernity threaten to erode traditional practices, this festival serves as a living classroom where the youth learn the meaning of their customs. It is an opportunity for older generations to pass down stories, rituals and skills, not just to preserve them, but to breathe new life into them. In this sense, Kaamatan is not only a celebration of the harvest, but a harvest of culture itself. It is also a time of economic vitality. As Sabahans travel to their hometowns or flock to celebration grounds, rural and local economies benefit. Artisans sell traditional crafts, farmers showcase their produce and young entrepreneurs use the festive spirit to market everything from food to fashion. Tourists, both local and foreign, are drawn to the rich tapestry of sights, sounds and flavours, making Kaamatan one of the most significant cultural attractions in the region. Yet, when the last gong sounds and the lights dim, what remains is the story of Huminodun, a reminder that from sacrifice comes sustenance, and from gratitude comes unity. Her spirit, said to dwell in every grain of rice, continues to nourish the people, not just physically, but spiritually. In honouring her, Sabahans reaffirm their connection to the land, to each other, and to the timeless values of compassion, selflessness and resilience. I brought my young Chinese friend Ben to KDCA to experience Kaamatan firsthand. Although he is a Sabahan, he had only heard of the festival in passing and was unfamiliar with its deeper cultural significance. Our visit opened his eyes to the richness of this celebration. He thoroughly enjoyed the day, starting with the Buvazoi Tavantang Kaamatan contest, where he was captivated by the vibrant performances. He sampled lihing, explored the traditional houses that showcased the diverse heritage of Sabah's indigenous communities, and even bought a beautiful bead necklace and a traditional headband as keepsakes. It was a meaningful and immersive introduction to the spirit of Kaamatan. With Kaamatan 2025 over, the people of Sabah carry forward not only the joy of celebration but the weight of legacy. From ancient story to modern festivity, the journey of Kaamatan is one of cultural endurance and spiritual truth. It is a celebration not only of what is harvested from the land but what is cherished in the heart. Footnote Dr Richard A. Gontusan is a Human Resource Skill Training and Investment Consultants. His Kaamatan activities included conducting public speaking talks to Unduk Ngadau Kaamatan contestants, judging the contest at district levels and helping to set the questions for the Q & A segment of the State Level Unduk Ngadau Kaamatan 2025. His views expressed in this article are not necessarily the views of The Borneo Post
