Latest news with #TheDry
Sydney Morning Herald
3 days ago
- Entertainment
- Sydney Morning Herald
‘A lot of wacky stuff goes on': Eric Bana goes wild, again, for Netflix murder mystery
A brooding cop, troubled by his past. Stunning wilderness. Long-held secrets in a tight-knit community. A murder investigation. Eric Bana. Share these details with an Identikit artist, and you'll probably get something that looks like The Dry, or its sequel Force of Nature, the Australian feature films in which Bana starred as Jane Harper's detective Aaron Falk. But that, insists the 56-year-old whose star turn on the other side of the law as Chopper Read is now, remarkably, 25 years old, would be wide of the mark. 'I just love working outdoors. It's been a pretty consistent theme, that I'm always drawn to big outdoor shows,' he says. 'But I don't think they have too much in common after that.' In Netflix's six-part crime series Untamed, Bana plays Kyle Turner, a detective with the Investigative Services Branch. 'It's kind of like the FBI of the National Park Service,' he explains of the real-life ISB. 'There aren't that many of them [investigators], and they move around from park to park, depending on the workload.' Kyle is based in Yosemite, where he's lived for years. His ex-wife Jill lives nearby, and though she has repartnered, they are bound – not especially healthily – by trauma. Neither of them can, or will, move on. When a young woman drops to her death from a cliff (almost collecting a couple of climbers along the way, in one of the more spectacular opening sequences in recent memory), Kyle suspects foul play rather than an accident. Soon, he realises the dead woman is linked to a case he had investigated many years earlier, and that the sprawling wilderness he holds dear also hides a whole range of nefarious activities besides illegal campfires. The spark for the show was lit when screenwriter Mark L. Smith read an article about a real-life crime in a park, and the ISB investigation that followed. 'And it was just like, 'We haven't seen this on film before, a murder mystery thriller investigation in a national park',' Bana says. 'That's where the idea began, and then he just started fleshing it out. 'Well, who would this person be?' Loading 'He's not based on a real character,' he hastens to add of Kyle. 'It was just the germ of the idea.' Bana is a producer as well as star of the series, and as it was in development, a real-life story was unfolding in the Australian wilderness – the so-called High Country Murders of Russell Hill and Carol Clay, for which former Jetstar pilot Greg Lynn was ultimately convicted. For Bana, that duality of the remote wilderness was part of the appeal of the Untamed story. 'A lot of wacky stuff goes on, and that plays into the psyche,' he says. 'Even if you love the outdoors, there's the element that you always feel a little bit exposed.' There's the natural aspect – which, in Australia, often means the threat of bushfire or flooding or extreme heat or cold, or simply wandering off track and becoming hopelessly lost. 'But then there's also that thing of, well, what if there's someone else out here? What about the humans, you know? So on a subconscious level, I think everyone relates to that, and we definitely were trying to tap into that.' Bana read a script for the first episode in 2018, and was immediately onboard. But it took years to get it made. Why the delay? Loading 'COVID, strikes, trends, quality, making sure we had everything right. Just all the normal things – and the abnormal ones. I've lived with Kyle for a long, long time, probably one of the longest gestation periods I've had for a character.' ISB officers generally 'don't work as part of a massive team, and they are often highly skilled in their particular areas, used to working alone', Bana says. And Kyle has that lone-wolf vibe dialled up to 11. Basically, he just doesn't like people very much, himself included. Though the park is a major character too, the series was actually shot in Canada's Whistler, which Bana had previously visited on skiing holidays with his wife and kids a couple of times, but had never seen in the warmer months. 'In the middle of summer you can't get into Yosemite because of the tourists, and the restrictions,' he says. 'We just had more freedom of movement in British Columbia.' For Bana, much of that movement was done on the back of a horse. He first learnt to ride for Troy, more than 20 years ago. 'That was a pretty intensive training period because we were bareback, no stirrups for that film. So from there, everything's pretty easy afterwards.' Sometimes he'd get to set in the backwoods by car, sometimes by chairlift. And on one memorable day, he and co-star Sam Neill rode their horses to location. Loading 'They weren't in the scene, we were just using them as transpo,' he says of their trusty steeds. 'He's not even on camera today, my guy, but I'm using his saddlebag for packing some stuff. You'd just pinch yourself every day you were up on a horse on top of a mountain somewhere at the back of Whistler, and realise it was actually a job. It's just amazing.' Untamed marks Bana's second TV series out of the States, following Dirty John (based on the true-crime podcast) in 2018. Those with long memories will recall that he got his start as part of the cast of sketch-comedy show Full Frontal in the mid-1990s, had a brief eponymous solo show, Eric, from 1996, and played Joe Sabatini in the ABC's weeknight serial Something in the Air in the early 2000s. But post- Chopper, he has almost exclusively been a movie actor. Untamed doesn't represent a major shift, he insists. 'It doesn't feel that different. I mean, there are some days when you feel like, 'OK, we're really having to go quickly', but generally, there's not a huge difference between making a TV show and making a movie. ' On Dirty John, we had one director over the eight episodes, so that just felt like a big film. This, because I worked so closely with [creators] Mark and Elle, felt like a big film shoot, with three directors. It was amazing and incredible to work on and to put together an incredible cast for this.' That includes Rosemarie DeWitt (Mad Men, United States of Tara, The Boys) as Kyle's ex-wife, Jill, and Lily Santiago (La Brea) as Kyle's offsider Naya Vasquez. And, of course, it includes Sam Neill, aka The Prop (see the NZ actor and winemaker's prolific social media output for further detail). 'Sam Neill's a legend,' Bana proclaims happily. But, remarkably, this was the first time the pair had ever worked together. In fact, he adds, 'We'd never even met prior to this project, ever been in the same room. 'We have mutual friends, and the first day we met, we're both like, 'How is this possible?' 'He said, 'I feel like I've known you my whole life'. And I said, 'I feel the same'.' Of course, they got on like a house on fire. And, of course, Neill brought out a few bottles of his Two Paddocks pinot noir at the end of long shooting days. 'Absolutely, my word. He wasn't getting away from the job without some of that,' Bana says. But tell me, Eric – did he open the really good stuff, his top-of-the-line Fusilier, or First Paddock offerings? 'Oh,' Bana says with a laugh. 'I'm going to have to go through my picture library this afternoon and find out just how close a friend I am.'
The Age
3 days ago
- Entertainment
- The Age
‘A lot of wacky stuff goes on': Eric Bana goes wild, again, for Netflix murder mystery
A brooding cop, troubled by his past. Stunning wilderness. Long-held secrets in a tight-knit community. A murder investigation. Eric Bana. Share these details with an Identikit artist, and you'll probably get something that looks like The Dry, or its sequel Force of Nature, the Australian feature films in which Bana starred as Jane Harper's detective Aaron Falk. But that, insists the 56-year-old whose star turn on the other side of the law as Chopper Read is now, remarkably, 25 years old, would be wide of the mark. 'I just love working outdoors. It's been a pretty consistent theme, that I'm always drawn to big outdoor shows,' he says. 'But I don't think they have too much in common after that.' In Netflix's six-part crime series Untamed, Bana plays Kyle Turner, a detective with the Investigative Services Branch. 'It's kind of like the FBI of the National Park Service,' he explains of the real-life ISB. 'There aren't that many of them [investigators], and they move around from park to park, depending on the workload.' Kyle is based in Yosemite, where he's lived for years. His ex-wife Jill lives nearby, and though she has repartnered, they are bound – not especially healthily – by trauma. Neither of them can, or will, move on. When a young woman drops to her death from a cliff (almost collecting a couple of climbers along the way, in one of the more spectacular opening sequences in recent memory), Kyle suspects foul play rather than an accident. Soon, he realises the dead woman is linked to a case he had investigated many years earlier, and that the sprawling wilderness he holds dear also hides a whole range of nefarious activities besides illegal campfires. The spark for the show was lit when screenwriter Mark L. Smith read an article about a real-life crime in a park, and the ISB investigation that followed. 'And it was just like, 'We haven't seen this on film before, a murder mystery thriller investigation in a national park',' Bana says. 'That's where the idea began, and then he just started fleshing it out. 'Well, who would this person be?' Loading 'He's not based on a real character,' he hastens to add of Kyle. 'It was just the germ of the idea.' Bana is a producer as well as star of the series, and as it was in development, a real-life story was unfolding in the Australian wilderness – the so-called High Country Murders of Russell Hill and Carol Clay, for which former Jetstar pilot Greg Lynn was ultimately convicted. For Bana, that duality of the remote wilderness was part of the appeal of the Untamed story. 'A lot of wacky stuff goes on, and that plays into the psyche,' he says. 'Even if you love the outdoors, there's the element that you always feel a little bit exposed.' There's the natural aspect – which, in Australia, often means the threat of bushfire or flooding or extreme heat or cold, or simply wandering off track and becoming hopelessly lost. 'But then there's also that thing of, well, what if there's someone else out here? What about the humans, you know? So on a subconscious level, I think everyone relates to that, and we definitely were trying to tap into that.' Bana read a script for the first episode in 2018, and was immediately onboard. But it took years to get it made. Why the delay? Loading 'COVID, strikes, trends, quality, making sure we had everything right. Just all the normal things – and the abnormal ones. I've lived with Kyle for a long, long time, probably one of the longest gestation periods I've had for a character.' ISB officers generally 'don't work as part of a massive team, and they are often highly skilled in their particular areas, used to working alone', Bana says. And Kyle has that lone-wolf vibe dialled up to 11. Basically, he just doesn't like people very much, himself included. Though the park is a major character too, the series was actually shot in Canada's Whistler, which Bana had previously visited on skiing holidays with his wife and kids a couple of times, but had never seen in the warmer months. 'In the middle of summer you can't get into Yosemite because of the tourists, and the restrictions,' he says. 'We just had more freedom of movement in British Columbia.' For Bana, much of that movement was done on the back of a horse. He first learnt to ride for Troy, more than 20 years ago. 'That was a pretty intensive training period because we were bareback, no stirrups for that film. So from there, everything's pretty easy afterwards.' Sometimes he'd get to set in the backwoods by car, sometimes by chairlift. And on one memorable day, he and co-star Sam Neill rode their horses to location. Loading 'They weren't in the scene, we were just using them as transpo,' he says of their trusty steeds. 'He's not even on camera today, my guy, but I'm using his saddlebag for packing some stuff. You'd just pinch yourself every day you were up on a horse on top of a mountain somewhere at the back of Whistler, and realise it was actually a job. It's just amazing.' Untamed marks Bana's second TV series out of the States, following Dirty John (based on the true-crime podcast) in 2018. Those with long memories will recall that he got his start as part of the cast of sketch-comedy show Full Frontal in the mid-1990s, had a brief eponymous solo show, Eric, from 1996, and played Joe Sabatini in the ABC's weeknight serial Something in the Air in the early 2000s. But post- Chopper, he has almost exclusively been a movie actor. Untamed doesn't represent a major shift, he insists. 'It doesn't feel that different. I mean, there are some days when you feel like, 'OK, we're really having to go quickly', but generally, there's not a huge difference between making a TV show and making a movie. ' On Dirty John, we had one director over the eight episodes, so that just felt like a big film. This, because I worked so closely with [creators] Mark and Elle, felt like a big film shoot, with three directors. It was amazing and incredible to work on and to put together an incredible cast for this.' That includes Rosemarie DeWitt (Mad Men, United States of Tara, The Boys) as Kyle's ex-wife, Jill, and Lily Santiago (La Brea) as Kyle's offsider Naya Vasquez. And, of course, it includes Sam Neill, aka The Prop (see the NZ actor and winemaker's prolific social media output for further detail). 'Sam Neill's a legend,' Bana proclaims happily. But, remarkably, this was the first time the pair had ever worked together. In fact, he adds, 'We'd never even met prior to this project, ever been in the same room. 'We have mutual friends, and the first day we met, we're both like, 'How is this possible?' 'He said, 'I feel like I've known you my whole life'. And I said, 'I feel the same'.' Of course, they got on like a house on fire. And, of course, Neill brought out a few bottles of his Two Paddocks pinot noir at the end of long shooting days. 'Absolutely, my word. He wasn't getting away from the job without some of that,' Bana says. But tell me, Eric – did he open the really good stuff, his top-of-the-line Fusilier, or First Paddock offerings? 'Oh,' Bana says with a laugh. 'I'm going to have to go through my picture library this afternoon and find out just how close a friend I am.'
Man of Many
7 days ago
- Entertainment
- Man of Many
'We Were All Pinching Ourselves': Eric Bana Talks Netflix's ‘Untamed'
By Dean Blake - News Published: 18 Jul 2025 Share Copy Link Readtime: 5 min Every product is carefully selected by our editors and experts. If you buy from a link, we may earn a commission. Learn more. For more information on how we test products, click here. Eric Bana has been a mainstay in the Australian creative industry for as long as we can remember, and for good reason. An incredibly talented actor, Bana's got the ability to play across multiple genres, from sketch comedy in his breakout role in Full Frontal, his work as Bruce Banner in 2003's Hulk, to his moodier, more dramatic offerings in The Dry. And now Bana is back, working with Netflix on the newly launched Untamed: a rather unique concept for a show, straddling the line between murder mystery, character-focused drama, and a beautiful invitation into the natural world. In Untamed, Bana plays Kyle Turner, a special agent for the National Parks Service who has been tasked with investigating a Jane Doe found in Yosemite National Park. Throughout the six-episode mini-series, Turner uncovers the seedy underbelly of the park, as well as Jane Doe's identity, and killer. It's a great watch if you haven't already dived in, and we were given the chance to chat with Bana ahead of the shows release, where we asked about the filming process, his time on set, and when we'll get some more Poida (don't hold your breath). Eric Bana in Netflix's Untamed | Image: Supplied First of all, congratulations on the show – it looks really great. Can you tell me a bit about the process of filming Untamed on-site? It's based in Yosemite National Park, but it was filmed in British Columbia in Canada, which is really dense woodland. How difficult was that? I guess once we got there it wasn't too bad, I think the most difficult part was searching for the locations and making sure they matched what was on the page and to try and get the epic scale of what we wanted—that was the huge selling point of the show, to have a murder mystery set in a national park. We wanted to deliver a transportive experience to the audience that would feel like they were somewhere else, that they could breathe in that air. It was tough on the crew in terms of moving the equipment around and the logistics of it, but once we were in those locations we were all pinching ourselves. You play Kyle Turner, a special agent of the National Parks Service. Can you tell me a bit about how you fleshed the character out over the course of filming, or how you found the character in something that is as character-driven as Untamed? There was so much on the page, and it was so beautifully written. When I first came across the material we only had the (script for) the first episode, but there was more than enough to tease and flesh out the potential—not only for my character, but the relationships he has with the other characters in the story. Mark Smith's writing is superb, so I was really confident that the journey we were about to go on would be a great one. It just kept revealing itself to me, every episode, it kept getting more intense, with more twists and turns. Eric Bana in Netflix's Untamed | Image: Supplied Is there any particular part of the filming process that sticks out to you as something that was really special, or memorable? I think every episode had a scene or a location where you'd stand there in the quiet moments and just really, really take it in. Particularly for Lily Santiago, who plays Naya (Vasquez), her and I were on our horses most days, traipsing around the mountains of British Columbia, and I'd always just say, 'we're getting paid for this, this is actually a job'. It was quite an amazing experience. Is there anything you're most proud of with the show? All of it, really. It is the show that we set out to make, it is the show that we had in our minds, and we were greatly supposed by Netflix to go out and make exactly what Mark had written. I think the scale of it is what really sets it apart—like I was saying, our hope was that when our audience click on to watch, they can feel like they've gone somewhere. There's a crime to solve, and there's a genre I'm familiar with, but this world feels very different. It's almost like a combination of a nature documentary with murder mystery. Sam Neill and Eric Bana in Netflix's Untamed | Image: Supplied You got to work with some pretty amazing actors in Untamed I wanted to ask about working with Sam Neill. It's always super exciting to see Aussies and Kiwis on the big screen, can you tell me about that experience? It was really special, we'd actually never worked together before. We have a lot of mutual friends and so I felt like I already knew him, and I got exactly what I was expecting and more from him. When we got together, I was like, 'we've actually never met. We've actually never been in the same room as each other,' which was so bizarre given all these years. And he plays such a pivotal character in the show, we were so lucky to get him onboard. Without giving too much away, his journey and our journey together through the course of the six episodes… I was really fortunate to have him as a scene partner. I think the whole cast was great. Just a really wonderful cast, greatly supported by some epic writing from one of the best writers around at the moment. When I told the rest of the Man of Many team, everyone had the same question: when are we getting more Full Frontal? (laughs) You must have an old team. How do you even find that stuff. Untamed is available exclusively on Netflix.
Irish Examiner
02-07-2025
- Entertainment
- Irish Examiner
'The audience will know all the references': Nancy Harris on her West Cork-set play
BAFTA-nominated playwright and screenwriter Nancy Harris, whose play The Beacon is coming to the Everyman, says that she loves a good mystery story. Fascinated by the West Cork podcast which explored the story of the murdered French woman, Sophie Toscan du Plantier, near Schull, London-based Harris, who spent a lot of time in Baltimore growing up, says she has always been taken by stories of local people living under a cloud of suspicion. 'Ian Bailey [suspected of the killing of the French film-maker] was just one person who was very prominent. There are other stories of local legends who may have murdered their wives,' says Harris. Harris, who was born in Dublin to Cork-born journalists, Anne and Eoghan Harris, admits to being nervous about the Cork premiere of her play. 'The audience will know all the places and references. I feel kind of like a traitor in the midst of Cork for having been born in Dublin. We spent huge amounts of time in Cork. "Last week, after a meeting, I went for a walk through Cork city and out to Bishopstown where my grandparents lived. I found myself outside their house (which had been sold on) where I hadn't been since my grandmother's wake. I felt really emotional.' Describing herself as 'a little bit rebellious,' Harris didn't want to follow in her parents' footsteps. 'So I went to college to study drama and classical civilisation and do anything other than write. But I really couldn't do anything else other than write. I found my way back to it at the end of my university degree. I wrote a play but I didn't know how I did it. So I spent a few years figuring out whether I could do it again. "I realised the thing I loved the most was playwrighting and that all my life, I had been coming to it. I had an amazing classics teacher at school and thought I wanted to be like her. Drama and the classics, with Greek tragedy included, feed into each other.' Geraldine Hughes stars as Beiv in The Beacon, at the Everyman. Picture: Miki Barlok Harris, who started her career at Soho Theatre writing 20-minute plays with a group of five other writers, is currently working on the third series of The Dry. This funny Irish TV comedy-drama is written solely by Harris. It deals with alcoholism in a dysfunctional family. 'It's a big serious subject. I'm someone who loves comedy. The comedy in The Dry is really essential because I wouldn't want to sit down and be depressed watching it. Myself and Paddy Breathnach, who's a brilliant director, work hard to make sure there's light and shade all the time.' While her dark play, originally commissioned by Druid in 2019, has a mysterious death at the heart of it, it's also a family drama with deep dysfunction. There's humour there too. The central character, Beiv, is a celebrated feminist artist whom Harris likens to British artist Tracey Emin, given the 'sexually explicit' nature of her work. 'Beiv has always lived a very transgressive life. Her ex-husband died in mysterious circumstances ten years ago and his body was never found. Colm, her estranged son, has returned from San Francisco with his new wife, Bonnie, looking for answers.' But he must confront secrets from his own past. Ross O Donnellan, Leonard Buckley, and Ayoola Smart feature in The Beacon. Picture: Miki Barlok Beiv is renovating a house on an island off West Cork, where her ex-husband was from. Even though they were separated, they remained friends. It's believed that Beiv was with her ex the night he went missing. While bonded to each other, the relationship between the pair was 'tumultuous'. With Beiv on the island is Colm's old friend, Donal. There are basically four people in the cottage over the course of a week during which ghosts from the past surface. While Harris says a career as a playwright and screenwriter is full of ups and downs with 'no direct line of ascent,' it is also thrilling. 'I don't know what the next thing is. If you're somebody who wants certainty, it's probably not the best career.' But Harris certainly seems to have cracked it. The Beacon is at the Everyman from Friday, July 4 to July 19.
Daily Mail
23-06-2025
- Entertainment
- Daily Mail
Award-winning ITV drama confirms next series will be the last in blow set to leave fans ‘in tears' - and filming for the final episode has already kicked off
ITV has announced that one of their hit series will be coming to an end after its third season. First airing in 2022, The Dry follows the life and family of Shiv Sheridan (Roisin Gallagher), a woman recovering from alcoholism who returns home to Dublin after 10 unsuccessful years as an artist in London. Shiv, 35, is faced with moving back in with her family, all of whom are big drinkers, and are skeptical of her decision to go 'dry'. The series is the brainchild of Irish writer Nancy Harris, who was inspired to write a series that would reconnect her with her Irish identity. She was supported in production by similarly Dublin-born director Paddy Breathnach, who has directed every single episode. The show was initially broadcast on RTÉ One, but was moved to ITV for the second season after its huge popularity. 'Relatable, dark, despicable, yet abundantly human characters. The dry has everything you want from a dramedy and it's full of Irish craic.' Wrote one reviewer on IMDB. 'Shiv and her fellow Sheridan clan are a fantastic Portrayal of ordinary Vs extraordinary and how trauma can creep up on us. This series had me roaring with laughter and crying real tears. Can't wait to see more.' But the Irish comedy-drama will come to an end after the release of the third season, Harris has confirmed, in a statement reflecting on the show. 'It has been a true joy to see audiences embrace the Sheridan family in all their dysfunctional glory' she said. 'I am so grateful to have gotten to tell this story over three seasons.' 'The third and final season aims to go deeper than ever before, really getting under the skin of Shiv and the family in a way that we hope is both surprising, funny and (painfully) honest,' she concluded. Achieving an impressive 94% Rotten Tomatoes score, The Dry has been praised for its authenticity, humour and intelligence. Filming is currently underway for the third and final season of the show, which is scheduled to premiere in 2026. The new season will see the return of the original cast, IFTA nominee Siobhán Cullen (Caroline), Adam Richardson (Ant), Oscar nominee Ciarán Hinds(Tom), Pom Boyd(Bernie), Moe Dunford(Jack)and Eoin Duffy(Rory). Season 3 is said to unearth a huge secret that changes the course of destiny for the Sheridans. But will their fragile family infrastructure shatter under the impact, or become stronger and more durable? 'It's going to be a wild ride' says Nancy Harris, 'and we can't wait to share it with our audience.'
