Latest news with #TheUntouchables
Yahoo
3 days ago
- Entertainment
- Yahoo
Legal Trouble Is on the Horizon for Kevin Costner Following Stunt Performer's Lawsuit
"Hearst Magazines and Yahoo may earn commission or revenue on some items through these links." 1955–present A stunt performer has sued Kevin Costner over an alleged unscripted rape scene in the 2024 western Horizon: An American Saga — Chapter 2. Devyn LaBella, the lead stunt double for star Ella Hunt, filed a lawsuit in Los Angeles court on May 27 accusing Costner, in his capacity as the movie's director, and Horizon's production companies of sexual harassment and creating a hostile work environment. In the lawsuit, LaBella alleges the 70-year-old director improvised a rape scene 'without proper notice, consent, preparation, or appropriate safeguard measures in place.' The scene took place between actor Roger Ivens and LaBella, who was standing in for Hunt's character Juliette. According to LaBella, Costner added the unrehearsed scene at the last minute and filmed on an open set without her consent and without the presence of a mandatory intimacy coordinator. The suit further claims she faced retaliation after reporting the 'violent' incident and wasn't called back to continue her work on the film series. Costner's attorney Marty Singer denied the allegations, telling Rolling Stone that the lawsuit had 'absolutely no merit.' Singer also said the Oscar winner 'always wants to make sure that everyone is comfortable working on his films and takes safety on set very seriously.' Award-winning actor and director Kevin Costner has starred in the movies Dances With Wolves, The Untouchables, and Robin Hood: Prince of Thieves, as well as the hit TV show Yellowstone. After studying at California State University, Costner broke into Hollywood and established a reputation as a lead actor in the critically acclaimed 1980s features The Untouchables, Bull Durham, and Field of Dreams. He then directed and starred in the 1990 epic film Dances With Wolves, which won seven Oscars including Best Picture and Best Director. Although Costner has largely worked in film, his television roles have been memorable. He won an Emmy and a Golden Globe for his performance in the 2012 History Channel miniseries Hatfields & McCoys before starring as John Dutton in the neo-Western series Yellowstone, which ended after five seasons in 2024. FULL NAME: Kevin Michael CostnerBORN: January 18, 1955BIRTHPLACE: Lynwood, CaliforniaSPOUSES: Cindy Silva (1978-1994) and Christine Baumgartner (2004-2024)CHILDREN: Annie, Lily, Joe, Liam, Cayden, Hayes, and GraceASTROLOGICAL SIGN: Capricorn Kevin Michael Costner was born on January 18, 1955, in Lynwood, California. He is the son of a power company employee, and his father's job necessitated a number of moves during Costner's youth. In his high school years, Costner struggled with insecurities because of his short stature. He hadn't yet hit his major growth spurt and has said he was between 5-foot-2 and 5-foot-4. Eventually, he did grow and now stands around 6 feet, 1 inch. Costner attended California State University in Fullerton, where he studied marketing. During college, he developed an interest in acting and decided to pursue the craft professional after graduating in 1978. Costner spent years as a struggling performer in the late 1970s. He sometimes worked as a carpenter and also had a behind-the-scenes job as a gofer for Raleigh Studios for a time. Finally, he broke onto the scene and has consistently worked since the '80s. Costner is sometimes compared to such screen legends as Gary Cooper and Jimmy Stewart. A selection of his most notable movies and TV shows are below. Costner landed a role as a suicide victim in the 1983 ensemble drama The Big Chill, with Glenn Close, Kevin Kline, William Hurt, Jeff Goldblum, and others. What looked like his first big break ended in disappointment when all of his scenes ended up on the cutting room floor. 'I rehearsed for a month with the whole cast and shot for about a week. I knew when I was shooting it that if anything would be cut it would be my scenes,' Costner later explained. But The Big Chill's director, Lawrence Kasdan, remembered Costner and later signed him for the 1985 western Silverado. The movie—which also starred Kline, Scott Glenn, and Danny Glover—proved to be a springboard to other opportunities in Hollywood. In 1987, Costner's career really took off with two hit films. He starred with Sean Young in the popular thriller No Way Out and played the legendary crime fighter Eliot Ness in The Untouchables, with Sean Connery and Robert De Niro. Untouchables director Brian De Palma praised Costner's work on the movie, saying that 'he can take those old western lawman lines and make them real.' Continuing his winning streak, Costner starred in the baseball romantic comedy Bull Durham (1988), with Susan Sarandon and Tim Robbins. With 1989's Field of Dreams, Costner again won over audiences with his everyman appeal. He played a farmer who creates a baseball diamond on his land on the instruction of a voice he hears. The fantastical yet heartfelt film did well both critically and commercially. Costner, now an established box office star, got the green light to work on his directorial debut, Dances with Wolves. The movie, based on the Michael Black novel of the same name, followed a Civil War soldier who befriends a tribe of Sioux Indians. The film's production was a labor of love with shooting stretching out over 18 months, five of which were spent on location in South Dakota. In addition to directing and producing, Costner also starred in the lead role of Lieutenant Dunbar. When Dances with Wolves arrived to theaters in November 1990, it was incredibly well received. The movie sold north of $184 million in tickets worldwide, making it the third highest-grossing release of the year behind Home Alone and Ghost. Critics loved it, too. The movie garnered a whopping 12 Academy Award nominations, including nods for Costner's acting and directing. On Oscars night, Costner accepted two of the film's trophies, for Best Picture and Best Director. Costner continued to enjoy box office success with the adventure tale Robin Hood: Prince of Thieves (1991) and the romantic drama The Bodyguard (1992) with Whitney Houston. But Costner soon ran into a series of disappointments. While earning kudos from critics, his film with Clint Eastwood, A Perfect World (1993), failed to make much an impression on moviegoers. Then, his turn as the famous western icon in Wyatt Earp (1994) received mixed reviews and did mediocre business at the box office. Working as its star and producer, Costner faced a tremendous amount of challenges with the post-apocalyptic film Waterworld (1995). This futuristic tale of a nearly landless Earth had problems from the start. Filming largely took place on the open ocean on specially built platforms, one of which sank but was subsequently recovered. The cast and crew also battled seasickness and the elements, which sometimes delayed the production. The movie, which also starred Dennis Hopper and Jeanne Tripplehorn, opened strong with a $21 million first weekend, but it soon lost steam at the box office. It also received a tepid reception from critics. Undaunted, Costner worked on another futuristic epic, The Postman (1997). He played the title character, a man who pretends to be a letter carrier in a post-Apocalyptic America fractured by nuclear war. His charade brings hope to an isolated community. Some critics called The Postman the worst film of the year, while others noted that it was 'a misfire' and 'way too long, too pretentious and too self-indulgent.' After The Postman, Costner's star power seemed to fade somewhat. He didn't help his reputation by getting into a very public dispute with Universal over edits made to his next baseball film, For the Love of Game (1998). However, the actor showed that he still could give an impressive performance with Thirteen Days (2000), a true-life drama about the 1962 Cuban Missile Crisis. Remaining busy into the new millennium, Costner starred in the heist film 3000 Miles to Graceland (2001) and in the 2005 romantic comedies The Upside of Anger and Rumor Has It... with Jennifer Aniston and Shirley MacLaine. Following the 2008 election comedy Swing Vote, he appeared in the 2010 drama The Company Men, with Chris Cooper, Ben Affleck, and Tommy Lee Jones. In 2012, Costner tackled a juicy role on the small screen, starring in and producing the History Channel miniseries Hatfields & McCoys as Devil Anse Hatfield, the leader of a famous feuding family. His nemesis, Randall McCoy, was played by Bill Paxton. Hatfields & McCoys earned Emmy and Globe Globe nominations as one of the best shows of the year, and Costner left both ceremonies with awards for best actor in a miniseries. A busy 2014 had Costner appearing in Man of Steel as Superman's adoptive Earth father—a role he reprised for 2016's Batman v Superman: Dawn of Justice—as well as in Jack Ryan: Shadow Recruit, 3 Days to Kill, Draft Day, and Black or White. After starring as coach Jim White in the inspirational sports drama McFarland, USA (2015), he had prominent supporting roles in Hidden Figures (2016) and Molly's Game (2017). Beginning in 2018, Costner found more success on the small screen with the Paramount series Yellowstone. The drama had the veteran actor starring as John Dutton, owner of a sprawling ranch, with a cast that included Kelly Reilly, Luke Grimes, and Wes Bentley as his children. For his performance, Costner won a Golden Globe for Best Actor in a TV Drama in 2023. Despite the show's success, Costner became embroiled in drama behind-the-scenes. In August 2023, he spoke out about his lengthy dispute with Paramount over finances, claiming in his divorce proceedings that the network owed him $12 million in wages. It was later reported that he was also in a feud with series creator Taylor Sheridan. 'I made Yellowstone the first priority, and to insinuate anything else would be wrong,' Costner told Deadline in May 2024. 'I don't know why they didn't stick up for me.' The turmoil led the actor to exit the show early before it abruptly ended in its fifth season in December 2024. Costner starred in Netflix's The Highwaymen (2019) as Frank Hamer, the former Texas Ranger who spearheaded the successful hunt of the infamous crime duo of Bonnie Parker and Clyde Barrow. He then went in a different direction after years of leading man roles, voicing the character of Enzo the dog in The Art of Racing in the Rain (2019). Costner's latest major production has been Horizon: An American Saga. He directs and stars in the Western epic, initially slated to encompass four films. Chapter 1 arrived in 2024 to mixed reviews and disappointing box office numbers. Horizon: An American Saga — Chapter 2 released just months and fared worse. The movies' poor performances have put the future films in jeopardy, though Costner has promised 'to go as far as my money takes me.' He has reportedly invested around $100 million of his own money. The third Horizon film is in production. Then, in May 2025, a stunt performer who worked on Horizon: An American Saga — Chapter 2 filed a sexual harassment lawsuit against Costner and the film's production companies over an unscripted rape scene. In the lawsuit, Ella Hunt's stunt double Devyn LaBella accused him of improvising an unscheduled and unrehearsed rape scene without her consent and without a mandatory intimacy coordinator on set. Costner's attorney denied the allegations. In 2005, Costner turned to one of his other passions: music. He started working with a country rock band called Modern West. They released their first album, Untold Truths, in 2008, and followed with 2010's Turn It On and 2011's From Where I Stand. In 2012, the group put out Famous for Killing Each Other: Music from and Inspired By Hatfields & McCoys. Kevin Costner & Modern West has since released the tracks 'Alive in the City' (2014) and 'Love Shine' (2017). Costner has been married and divorced twice. Most recently, the actor was married to Christine Baumgartner from 2004 until February 2024. Together, they share three children: Cayden, Hayes, and Grace. Costner also has three children—Annie, Lily, and Joe—from his first marriage to Cindy Silva. Additionally, he has a son, Liam, from his relationship with socialite Bridget Rooney. In everything he does, Costner seems to be listening to his own counsel, not following any typical Hollywood playbook. 'You've got to blaze your own trail or you're just going to feed at the trough,' he once explained. 'Feeding at the trough can get you pretty fat. But I choose to go my own way.' Fact Check: We strive for accuracy and fairness. If you see something that doesn't look right, contact us! You Might Also Like Nicole Richie's Surprising Adoption Story The Story of Gypsy Rose Blanchard and Her Mother Queen Camilla's Life in Photos
Business Insider
13-05-2025
- Entertainment
- Business Insider
Patricia Clarkson says director Brian De Palma was a 'saving grace' for getting her extra pay on 'The Untouchables'
As a recent graduate of Yale School of Drama with just one Broadway credit to her name, Clarkson came to De Palma's hit 1987 crime thriller "The Untouchables" with little experience but a lot of potential. So De Palma decided to extend Clarkson's small role playing Catherine Ness, the wife of Kevin Costner's character Eliot Ness, to add a shot of her character to the film's climactic courtroom scene. "I was set to be done, and Brian decided that I had to be in the courtroom scene," Clarkson told BI. "So he told Paramount, 'Look, I guess we'll have to hold Patti for a month because we're not shooting the courtroom for another month.'" At the time, Clarkson was making scale — the minimum rate a union actor can be paid on a set (she said the rate at the time was "maybe $1,000"). Even so, De Palma extending her work ended up being "a godsend." "That extra month helped me out," Clarkson said. "I mean, I had student loans to pay, I was living in New York. It was a saving grace, and it was all because of Brian De Palma." Clarkson would find acclaim in the decades that followed, earning two Emmy wins playing Sarah O'Connor on the HBO series "Six Feet Under," receiving an Oscar nomination for "Pieces of April," and starring in a slew of memorable movies ranging from "Shutter Island" to "Easy A." Her new movie, "Lilly," a biopic about the activist Lilly Ledbetter, is in theaters now.
Business Insider
13-05-2025
- Entertainment
- Business Insider
Patricia Clarkson says director Brian De Palma was a 'saving grace' for getting her extra pay on 'The Untouchables'
Brian De Palma knew Patricia Clarkson had potential — and one small decision he made ended up being "a godsend" to her in her early career. As a recent graduate of Yale School of Drama with just one Broadway credit to her name, Clarkson came to De Palma's hit 1987 crime thriller "The Untouchables" with little experience but a lot of potential. So De Palma decided to extend Clarkson's small role playing Catherine Ness, the wife of Kevin Costner's character Eliot Ness, to add a shot of her character to the film's climactic courtroom scene. "I was set to be done, and Brian decided that I had to be in the courtroom scene," Clarkson told BI. "So he told Paramount, 'Look, I guess we'll have to hold Patti for a month because we're not shooting the courtroom for another month.'" At the time, Clarkson was making scale — the minimum rate a union actor can be paid on a set (she said the rate at the time was "maybe $1,000"). Even so, De Palma extending her work ended up being "a godsend." "That extra month helped me out," Clarkson said. "I mean, I had student loans to pay, I was living in New York. It was a saving grace, and it was all because of Brian De Palma." Clarkson would find acclaim in the decades that followed, earning two Emmy wins playing Sarah O'Connor on the HBO series "Six Feet Under," receiving an Oscar nomination for "Pieces of April," and starring in a slew of memorable movies ranging from "Shutter Island" to "Easy A." Her new movie, "Lilly," a biopic about the activist Lilly Ledbetter, is in theaters now.
Business Insider
12-05-2025
- Entertainment
- Business Insider
Patricia Clarkson has done it all
By the mid-1990s, Patricia Clarkson's career had reached new heights — literally. "I got flown first class to Vancouver!" Clarkson, 65, recalled to Business Insider of shooting the 1995 fantasy adventure movie "Jumanji." "Things were going well." A bigger paycheck for a small role in a blockbuster starring Robin Williams was Clarkson's first real taste of being in the big leagues, something she'd dutifully worked towards since her breakout role as the wife of Kevin Costner's character Eliot Ness in Brian De Palma 's 1987 hit "The Untouchables." Life was good — until suddenly, it wasn't. By 1997, the worked had dried up. "I was starting to struggle," Clarkson said. "That's when 'High Art' came into my life and changed everything." The independent romantic drama, in which Clarkson played Greta, the German heroin-addicted girlfriend of photographer Lucy (Ally Sheedy), who's entangled in a love affair, was the darling of the 1998 Sundance Film Festival. The role opened up the world of independent film to Clarkson, garnering her her first nomination for an Independent Spirit Award and paving the way for her to become a fixture in indie film for the rest of her career. Since then, Clarkson has become one of the most dependable character actors on both the big and small screens. She won two Emmys playing Sarah O'Connor on the acclaimed HBO series "Six Feet Under," earned an Oscar nomination for "Pieces of April," and scared the hell out of audiences in Martin Scorsese's "Shutter Island" (and the HBO miniseries "Sharp Objects"). Now, she's returning to her indie roots playing the eponymous lead in "Lilly," a biopic on Lilly Ledbetter, whose landmark win against her employer, Goodyear Tire and Rubber Co., for gender pay discrimination was a major moment in the fight for fair and equal pay in America. "What was important to me was to see this woman as just an ordinary mother and woman who kind of rises from the ashes," Clarkson said of the role. Thanks to independent film, Clarkson has done the same. In our latest "Role Play" interview, Clarkson looks back on her big break, battling with Harvey Weinstein over her awards season run for "The Station Agent," and her "spicy era" starring in romantic dramas. On her career beginnings and how Brian DePalma got her paid extra on 'The Untouchables' Business Insider: Your first screen credit is quite impressive, playing Kevin Costner's wife in Brian De Palma's "The Untouchables." Tell me about that audition process. Patricia Clarkson: I was out of Yale several months, and I had just gotten my first Broadway job, "House of Blue Leaves," and then I go in to read for "The Untouchables" with the legendary casting director Lynn Stalmaster. I went in kind of dressed as Southern glamorous. I had my hair done, makeup, pretty sexy dress. Lynn said to me he thought Brian De Palma would like me, but he said, "Don't look like this. Put on a simple dress and no makeup." I was like, No makeup? So I did. I had very long hair at the time and had this dress that tied in the back, and maybe a touch of lipstick. I came in and I was supposed to do my lines with a reader, but Brian said, "I'm going to read with you." He liked the juxtaposition of me in this "Little House on the Prairie" dress and my deep voice. We started talking, and I made him laugh, and he was just lovely to me. So I went right to Chicago and met Kevin Costner because he was already there preparing, and I got the job. And then right when you thought you were done with the job, Brian surprised you with something. Yes! This was a very supporting part, so I was set to be done, and Brian decided that I had to be in the courtroom scene. He wanted to have one close-up of me in the courtroom. So he told Paramount, "Look, I guess we'll have to hold Patti for a month because we're not shooting the courtroom for another month." And it was a godsend. I was making scale, I was an unknown, but that extra month helped me out. I mean, I had student loans to pay, I was living in New York. Despite it being scale, which back then was maybe $1,000, it was more money than I had. It was a saving grace, and it was all because of Brian De Palma. On her path to indie film and sparring with Harvey Weinstein After "High Art," you had become something of an indie darling: "Pieces of April," "The Station Agent," and "All the Real Girls" all had their world premieres at the 2003 Sundance Film Festival. But during the filming of any of that, did you ever question your choices, say, sitting in a station wagon all day making "Pieces of April" or hanging out by a train station doing "The Station Agent"? No. These were gifts. They were remarkable films, and I knew it. I didn't know Tom McCarthy, who made "The Station Agent." He knew Bobby [Cannavale] and Pete [Dinklage], but he didn't know me, though he wrote the part for me. So I read it and I couldn't say yes fast enough. We struggled to get it made, it was $500,000 to make. We made "Pieces of April" for something like $200,000, but it was such a beautiful part, and Peter Hedges, the director, made me a better actor. So did Tom. These were parts that required so much of me. A lot of myself is in these parts, a lot of my own life's struggles and traumas. But also joy. I mean, can you imagine being on a set all day with Peter Dinklage and Bobby Cannavale? It doesn't get better than that. It was truly a labor of love, those movies. But it was glorious. Being a fixture in independent film in the 2000s, you crossed paths with Harvey Weinstein, whose Miramax Films released "The Station Agent." He wanted to campaign you for award season in the supporting actress category despite you being the lead in "The Station Agent." At the same time, United Artists head Bingham Ray was doing a supporting actress campaign for you on "Pieces of April." Tell me about the battle with Harvey. I hate false categories. I hate when actors put themselves in false categories. I think that's something that needs to be addressed by the Academy. Too often it happens. When you are supporting, you should be truly a supporting player, and when you're the lead, you have to step up and go into a harder category. I was the lead in "Station Agent," so I said, "No, Harvey, I'm not going into supporting, I'm going in supporting for 'Pieces of April' because I'm definitely supporting in that. Katie Holmes is clearly the lead of that film." I was not going to betray Bingham. So I went up against Harvey, and he told me I'd never work again. Well, na, na, na, na, naaa. [ Laughs.] Did it get uglier than that? Oh, yes. Threatening. It got very ugly. Some people hoped I'd switch categories but I wasn't going to. They didn't understand that I would be a shit to do that. It would have been dishonest and wrong. And I had the greatest moment of my career when the SAG awards came out and I was nominated for best actress in "The Station Agent" and best supporting for "Pieces." You then got the Oscar nomination for "Pieces of April." Going through all of that with Weinstein, was that motivation to take the role of New York Times editor Rebecca Corbett in "She Said"? Oh yeah. I don't talk about it much because of the women who were abused by him physically and deeply emotionally. This was patter to me, what I went through with Harvey. It was still difficult and terrible what he did to me, but compared to so many women who went through so much more, it was odd to talk about it. But, yes, of course, it was a motivation to do "She Said." Of course it was. On spending hours inside a cave shooting Martin Scorsese's 'Shutter Island' and the role she still wishes she'd gotten I believe working with Martin Scorsese on "Shutter Island" was quite memorable, right? [ Laughs. ] Oh, I shot quite some time in that cave scene. But it was a scene that you dream of as an actor working with arguably the greatest American director. It was just me and Leo [DiCaprio], that doesn't get any better. I remember, I was shooting the Woody Allen movie "Whatever Works" at the same time. I left Woody to go shoot with Marty. And I remember, Woody was like, "He better get you back here." A car picked me up from the set of "Whatever Works" in New York City, where we were shooting by the UN, and drove me to Boston. And I'm in that cave, and we did so many takes, I didn't know if I would ever see light again. [ Laughs. ] But Marty is glorious because he just lets you play. Every suggestion you have, he loves and he wants you to try it. He's the emblem of greatness. When your heroes don't disappoint, it's always the greatest time of your life. From 2008 to 2009, there was a brief Patti Clarkson spicy era with you in romantic starring roles in "Elegy" and "Cairo Time"— Oh, and I loved my spicy era! I mean, I often play downtrodden women, but in life I'm actually spicy. I'm New Orleans. I love my tight dresses and my high heels. And I still do. So doing those two movies, I hope those aren't the last time doing those. Going to Cairo, I fell in love with that city and the people. I have such beautiful memories, and it was so much fun playing a romantic leading woman. It was sexy and fun. And with "Elegy," I started that shoot naked on top of Sir Ben Kingsley. No better way to start the day! Is there a role you most regret passing on, or one you still wish you'd gotten? Early on, I lost quite a few parts. I went out to be opposite Tom Hanks in "Big." I didn't get cast, but I would have loved to have been in that. You have to learn with rejection. There is always rejection in this industry. No matter how high you soar, someone is always going to try to bring you down to Earth. And sometimes down to hell, which happened to me a few times. But you have to pull yourself back up, and I've had remarkable friends and family and some great men in my life who have really lifted me through some dark times in this industry. Thank god the light has been much stronger than the dark. "Lilly" is in theaters now. More from this series
Yahoo
11-04-2025
- Politics
- Yahoo
Repeat after me
U.S. Sen. Cory Booker (D-NJ) attends a Town Hall at Bergen Community College on April 5, 2025, in Paramus, New Jersey. Earlier in the week, Sen. Booker spoke on the Senate floor for over 25 hours, protesting President Trump's agenda, breaking a record set by Sen. Strom Thurmond's 24-hour, 18-minute filibuster against the Civil Rights Act in 1957. (Kena Betancur | Getty Images) 'Cory Booker. Cory Booker. Cory Booker.' Say it again, as a mantra, and once more for good measure. Say it with hope. Say it like you mean it, if for no other reason than for it to not only energize you but others, as if creating a ripple effect. Say it with respect for the courage and fortitude that was fueled by anger from a Democratic leader who not only showed his level of intellect but of one who speaks loud and clear for so many of us (and it should be each and every one of us) whose voices are raised in unison, saying, 'Enough!' After reading numerous news reports of Booker's marathon Senate speech from various news sources that I depend on as a writer of commentaries and as an American (I highly suggest that you turn to news sources that have not only stood the test of time but who consistently deliver solid reporting that has been checked and checked again), it's important to note that Booker's 25-hour and 5-minute speech broke the record set by South Carolina Sen. Strom Thurmond who held a time of 24 hours and 18 minutes for his filibuster against the 1957 Civil Rights Act. That timeframe represents a period of 68 years. And even if you know very little about that earlier time period, the mere fact that Booker broke that record is as significant (and perhaps even more significant) as the points he raised in his speech, finally extinguishing the limelight that had previously belonged to Thurmond. And if you can't connect the dots, then we've lost more than we think we've lost. It's a crucial time in American history; listen and listen with intent. 'As powerful as Thurmond was,' Booker said, 'the people were more powerful.' It's yet one more declarative sentence that repeated becomes so very deeply ingrained in each of us. In a Tuesday night post on X, Booker said, 'This is a moment where we cannot afford to be silent, when we must speak up.' He went on to call it a 'moral moment,' as his fiery speech resonated throughout the Senate chambers and he called to task, to accountability, to responsibility, all that the Trump administration has dismantled or intends to dismantle. There's a great scene from the movie 'The Untouchables,' where Sean Connery's character, Malone, poses this question to Eliot Ness, played by Keven Costner, 'What are you prepared to do?' With one voice, let's do what the late Georgia Congressman John Lewis urged people to do when insisting on justice, 'Get in good trouble.' SUBSCRIBE: GET THE MORNING HEADLINES DELIVERED TO YOUR INBOX
