Latest news with #TinaFey
The Guardian
21 hours ago
- Entertainment
- The Guardian
Five Great Reads: reporting from Israel and Palestine, Alan Alda, and the boy who came back
Happy Saturday! Ted Talks are apparently getting shorter because of our attention spans, so I'd better make this brief. I'm here to take you through the good stuff from the week – and ever so quickly spare a moment for Lorde, who crashed a Lorde-themed-party here in Sydney. There are many interesting things the US actor, director and writer Alan Alda shares in his G2 interview with Simon Hattenstone – and being married for 68 years (in a divorce-ridden industry) is just one of them. The Four Seasons: the 80-year-old is back in the spotlight thanks to a Tina Fey revamp of his 1981 movie, which he marvels at. Record for a scripted TV series: Alda is best known for his role as Hawkeye in M*A*S*H. Its final episode was watched by 106 million people in the US, 'still a record for a scripted TV series', Hattenstone writes. How long will it take to read: six minutes. After four years reporting from Israel and Palestine, Bethan McKernan is returning to the UK. The Guardian correspondent reveals the grief, horror and hope that defined her time there, including in the immediate aftermath of the 7 October 2023 attacks – when 'nothing was clear at that point except that many, many more people were going to die'. The article that never was written: Three days before 7 October, McKernan was in Gaza to interview people about 'the revival of beekeeping', when she spotted what looked like a Hamas military drill in the distance. The story that ended up being covered: 'No one with an internet connection can say they don't know the truth of what has happened in Israel and Palestine over the past 18 months,' McKernan writes. How long will it take to read: six minutes. I remember the first time I encountered Alexa. I was in high school, and my friend was cooking us breakfast. We asked the Amazon device for a banana pancakes recipe. Instead, rather cheekily, Alexa played Banana Pancakes by Jack Johnson. But what would happen if you asked the same device (which has significantly improved since my high school days): 'what do you know about us?' It's a question Jeremy Ettinghausen put to his Alexa, which has been his family's on-call vet, DJ, teacher, parent and therapist for years. 'Our requests ranged from prosaic to troubling and downright bizarre – there was very little we didn't ask Alexa' – Jeremy Ettinghausen How long will it take to read: six minutes. Sign up to Five Great Reads Each week our editors select five of the most interesting, entertaining and thoughtful reads published by Guardian Australia and our international colleagues. Sign up to receive it in your inbox every Saturday morning after newsletter promotion Last month the Guardian reported on an online suicide forum being investigated under new UK digital safety laws. Then followed a story on Adele Zeynep Walton's family experience: how after the death of their daughter and sister Aimee, they came to learn she had been lured into a dangerous online community, and fell victim to it. The Human Cost of Our Digital World: 'Until we lost Aimee, I didn't know what 'online harm' meant,' Walton says, who has since written a book partially on what led to her sister's death. In Australia, the crisis support service Lifeline is 13 11 14. In the UK and Ireland, Samaritans can be contacted on freephone 116 123, or email jo@ or jo@ In the US, you can call or text the National Suicide Prevention Lifeline on 988, chat on or text HOME to 741741 to connect with a crisis counsellor. Other international helplines can be found at How long will it take to read: four and a half minutes. Archie Bland's longer read on the time leading up to, during and after the near death, and changed life, of his son Max, is what I leave you with today. There are some stories that stay with you for ever. This is one of them. How long will it take to read: 15 minutes. Yes, it's worth it. Further listening: or you can listen to it, if you're on the move. Enjoying the Five Great Reads email? Then you'll love our weekly culture and lifestyle newsletter, Saved for Later. Sign up here to catch up on the fun stuff with our rundown of must-reads, pop culture, trends and tips for the weekend. And check out the full list of our local and international newsletters.
Geek Tyrant
a day ago
- Entertainment
- Geek Tyrant
Tracy Morgan and Daniel Radcliffe's New Comedy Series From the 30 ROCK Crew Ordered by NBC — GeekTyrant
NBC is officially all in on The Fall and Rise of Reggie Dinkins , a new comedy series starring Tracy Morgan and Daniel Radcliffe. It seems like an unexpected pairing, but it sounds like it'll be a great show. The network has handed the project a full series order after announcing a pilot back in March. According to NBC's logline, the show follows 'a disgraced former football player (Morgan) on a mission to rehabilitate his image.' Radcliffe's role hasn't been detailed yet, but with his track record of offbeat and inspired choices ( Miracle Workers, Swiss Army Man, Weird: The Al Yankovic Story ), we're betting he'll bring something fun to the mix. Also joining the cast are Erika Alexander ( Living Single ), Bobby Moynihan ( SNL ), Precious Way, and Jalyn Hall. This marks a big 30 Rock reunion. Robert Carlock and Sam Means, the duo behind Unbreakable Kimmy Schmidt , are writing and executive producing. Tina Fey is also executive producing, alongside Eric Gurian from her Little Stranger banner, SNL vet Rhys Thomas (who's directing the pilot), and David Miner of 3 Arts. Universal Television is producing. Tracy Morgan, of course, played the iconic Tracy Jordan for all seven seasons of 30 Rock , even earning an Emmy nomination in 2009. As for Radcliffe, this isn't his first time working with this creative team. He previously appeared in Netflix's Unbreakable Kimmy Schmidt: Kimmy vs. the Reverend interactive special. Are you excited to see Tracy Morgan and Daniel Radcliffe team up for this new comedy?
Yahoo
4 days ago
- Entertainment
- Yahoo
What's the Secret to Comedic Timing? The Creators and Artisans of ‘The Four Seasons' Pull Back the Curtain
There's something very aspirational these days about being able to take a vacation during spring, summer, fall, and winter. But the creative team behind 'The Four Seasons' miniseries had some goals of their own in mind when adapting the 1981 Alan Alda film of the same title. Co-creators, writers, and executive producers Tina Fey, Tracey Wigfield, and Lang Fisher, have all been involved in legendary comedy series from '30 Rock' to 'Never Have I Ever,' but 'The Four Seasons' demanded more character-driven and even 'indie movie' focus to its visual style than your standard sitcom. ' In the shows that Tina and Tracey and I have done before, it's been really rapid fire and there's been a lot of tight coverage and I feel like when we first started talking to [cinematographer Tim Orr], we'd like to play things looser,' co-creator and director Lang Fisher told IndieWire as part of a recent USG University Panel. 'To have more cinematic composition in the shots we're doing and more movement and, you know, to have it feel more like an indie movie.' More from IndieWire Cowboys vs. Accountants: The Real World of International Production Financing | Future of Filmmaking Summit at Cannes Richard Linklater Explains Why You Need to Be a 'Cheap Hustler' to Make Indie Films | Future of Filmmaking Summit at Cannes The plot of that indie movie is, fittingly, broken up into fourths as it checks in on a set of friends, all well-to-do couples, across four different vacations. Steve Carell and Kerri Kenney-Silver's Nick and Anne go through the biggest changes, beginning with a hail mary vow renewal that the latter puts on to save their marriage; but Tina Fey and Will Forte's Kate and Jack have their own struggles about how they do (or don't) show up for each other; and Colman Domingo and Marco Calvani's Danny and Claude sometimes have very different ways of looking at the world. Co-creator and actor Tina Fey was drawn to the original movie's tone, as well as the groundedness of Alda's writing. 'It felt like you were just really with these people. I loved what we refer to as the container play rules of the original. We're only seeing them on vacation. We never see their homes. We never see them at work. We pick up clues about who they are and what they do on the vacations,' Fey said. The original cast wasn't too shabby, either, and one of the highlights of the second episode of the Netflix series is the rare Alan Alda appearance, as he shows up at the vow renewal to give a little relationship advice to the current iteration of characters before dealing with the consequences of a spicy cup of coffee. 'It was all people that you love from other things coming together. And so that was our goal as producers,' Fey said. 'Could we put together this ensemble that people go, 'Wait, I like these people from other things and now they're all together. There's something kind of fun about that.' Assembling the right team behind the camera was just as crucial. 'We want this to be a beautiful show,' Co-creator and writer Wigfield told IndieWire. 'We want the visual language of the show to be prettier, slower, cozy, [to] welcome you in. But these kinds of words are nonsense coming out of my mouth if we don't hire the right people to interpret them and make real decisions based on them.' Chief among the interpreters were cinematographer Tim Orr and production designer Sharon Lomofsky, who tried to craft each season to be very classy and elegant while also hinting at the mess each of the characters would very much like to leave behind on vacation. 'We all wanted to make it feel timeless to where the cinematography was naturalistic and grounded but still had a richness and texture that was built through the lighting and where we placed the camera and how we moved it,' Orr told IndieWire. Orr avoided handheld coverage, which might be more ungainly, and an over-reliance on the tight shot-reverse shots sitcoms often employ to make sure that each improv riff gets captured. Dolly work and wide shots, to capture a sense of environment and of the characters' relationship to each other, and to themselves, did more storytelling work. 'And that's a thing I really appreciated about this show, is that there was a fearless attitude towards it [being OK] to play it in that wide shot,' Orr said. Likewise, Lomofsky wanted the homes and vacations we see in the show to look quite classy but to always give the audience some information about the characters they wouldn't necessarily say themselves. 'It's a dance and a symphony, picking the right [color] palettes for each bedroom but making it all feel like one house,' Lomofsky told IndieWire. From an exploding pottery shed to eco-yurts on a beach resort that Lomofsky and her team constructed truly out of nothing but a mud field, the production designer had a lot of logistics to manage in her builds. But some of the groundedness that supports the comedy comes out of building in a sense of history into the vacation houses that we see, down to the smallest details. 'It was all composing different eras, in a way, because we are staying in this [vacation] house for a really long time and bringing in collections over time and family photographs, which take a lot to actually do. We had to do photo shoots to do the family photos on the wall,' Lomofsky said. 'What I'm always going for is that it looks effortless — but it's really not effortless at all.' 'The Four Seasons' is streaming on Netflix. IndieWire partnered with Universal Studio Group for USG University, a series of virtual panels celebrating the best in television art from the 2024-2025 TV season across NBC Universal's portfolio of shows. USG University (a Universal Studio Group program) is presented in partnership with Roybal Film & TV Magnet and IndieWire's Future of Filmmaking. Catch up on the latest USG University videos here. Best of IndieWire 2023 Emmy Predictions: Who Will Win at the Primetime Emmy Awards? 2023 Emmy Predictions: Outstanding Documentary or Nonfiction Special 2023 Emmy Predictions: Outstanding Documentary or Nonfiction Series
The Guardian
6 days ago
- Entertainment
- The Guardian
‘My mother didn't try to stab my father until I was six': Alan Alda on childhood, marriage and 60 years of stardom
Alan Alda never expected this. The 89-year-old is back topping the charts with an update of his film The Four Seasons. In 1981, Alda wrote, directed and starred in the movie about three inseparable couples who holiday together every quarter until divorce, envy and angst intervene. Now the film has been turned into a TV series by Tina Fey, with Alda as a producer and, at the time of writing, it is the fourth most watched show on Netflix. 'It's really interesting to have my work appeal to a new generation of very smart writers,' he tells me on a video call from New York. What gave him even more pleasure was watching a screening of the original movie a couple of weeks ago. 'The people were laughing at the same things they were 44 years ago. And just as heartily. It was so good to see that the point of view wasn't outdated.' Alda makes a cameo appearance at the start of the TV series as Don, an elderly man with Parkinson's disease. 'At the moment, I can play anyone with Parkinson's,' he says. He was diagnosed with Parkinson's in 2015 and went public about it in 2018. His shakes are now pronounced, the gorgeous jet-black hair is long gone, and he looks his age. But as soon as his face breaks out into that familiar cheek-to-cheek grin, he becomes boyish again. Not quite the Hawkeye of yesteryear, but a venerable facsimile. Captain Benjamin 'Hawkeye' Pierce of the 4077th Mobile Army Surgical Hospital unit is the character that made Alda's name, in M*A*S*H, the TV war comedy-drama set in 1950s South Korea. Hawkeye is a hard-drinking, skirt-chasing, war-hating, wisecracking surgeon, brimming with principle and soul. As for Alda himself, he has the principle and soul, but less of the boozy priapism. In fact, he is better known as an early champion of equal rights for women, and a poster boy for marriage, celebrating 68 years and counting with his wife, Arlene. In a poll of American women in the early 1990s, participants were asked to nominate their ideal man. Jesus was first with 14%, Mahatma Gandhi second with 8% and Alda third with 7%. At an age when many of us would barely remember retiring, Alda is phenomenally busy. As well as the acting and producing, there are the Alan Alda Center for Communicating Science and a podcast series, Clear + Vivid, which he has presented since 2018. Alda is a warm and generous presenter, and in more than 350 episodes he has interviewed a fascinating range of people, including AI guru Jaron Lanier, Paul McCartney, members of the M*A*S*H cast, astrophysicist Mario Livio, and Michael J Fox about how he has coped with his Parkinson's. At the end of each episode of Clear + Vivid, he asks his guests seven questions, including, is there anybody they can't empathise with? Communication and striving for empathy have always been at the heart of his work. Whether as a director, actor or writer he has always opted for dramas about relationships where people talk their way to a resolution or otherwise. Alda was born Alphonso Joseph D'Abruzzo, in New York. His father, an actor and singer of Italian heritage who appeared in burlesque and then became a film star, adopted the name Robert Alda. His mother, Joan, a beauty pageant winner later diagnosed with schizophrenia, was of Irish descent. Through his childhood the family travelled around the US, following his father where the work took him. 'He was very famous but he hardly made much money because that was at a time when Warner had those seven-year contracts.' In the opening sentence to his fine memoir Never Have Your Dog Stuffed, he writes: 'My mother didn't try to stab my father until I was six, but she must have shown signs of oddness before that.' Does he think his mother's condition made him more empathetic? 'I've thought about it a lot, but I haven't traced an interest in empathy to that.' A typical Alda response. He is not one for easy answers. 'It may be true. What I was aware of was that I had to constantly observe her. When she told me something, I had to figure out whether this was reality or just her reality. She would point to cracks in the wall and say there were cameras in there taking our picture.' His mother taught him how to improvise – something that has remained important to him in work and life. He had to know how to react to whatever reality she was in for his own safety. She was eventually diagnosed and hospitalised when he was a student. 'I was in college in Paris, Dad was making a TV series in Amsterdam and Mum was running down the hotel corridor one night naked banging on doors.' At the age of seven, Alda was diagnosed with polio. He was put on a strict swimming regime. 'As part of the therapy, I swam seven hours a day. I fully recovered.' Did he end up a strong swimmer? He smiles. 'No, but it gave me a lot of stamina.' As a young boy, Alda performed with his father in the less risque burlesque sketches. Did he always want to be an actor? He shakes his head. 'I wanted to be a writer when I was eight, and it was only later in life, when I was nine, that I wanted to be an actor.' His quips are so dry they're easy to miss. He starts coughing, and drinks from a glass of water that he holds with quivering hands. 'The problem is the pollen count is very high here. I'm very allergic to pollen.' How is his Parkinson's? 'A little shaky!' He smiles. How does it affect him? 'Not much. I just have to plan for the fact that everything takes three times longer to do or more. Getting your clothes on, taking your pills. I have to type every email three times before I stop saying rude things. I write emails to women I don't know and unless I check, before my signature there are six Xs.' Would he normally send kisses? 'Not to somebody I don't know!' he says, appalled. 'Dr Parkinson has fun with the keyboard.' Does it annoy him? 'I rarely get upset at it because I know it's reality. It's much easier to take reality than wish for something you haven't got. I fell into this way of thinking that if a button takes too long to button, I have to find other ways to do it. And eventually if I land on a way that makes the button go through the buttonhole it's a little victory for me, and I feel like a million bucks.' He pauses. 'It sounds like something I read in a self-help book, but it isn't. It's just the way I found myself reacting, and I'm very glad that I did.' At 21, Alda married Arlene, a professional clarinettist. When M*A*S*H started in 1972, he was already in his mid-30s, the father of three daughters, and a respected theatre actor. Initially, he didn't want to accept the role because it would take him away from the family for too long. In the end, he starred in every episode over 11 seasons and 11 years, directing 32 episodes (more than anybody else) and writing 19. He learned so much from the show, not least how best to work with people. In between shoots, rather than disappearing to dressing rooms, they sat in a circle, laughing, chatting, making fun of each other. 'When they called us to the set, we still had that connection, and it came out in between the lines we were saying to each other, so there were people really talking to each other.' Not only was M*A*S*H a huge success, it made him extremely wealthy. At the start, he earned good money – $10,000 an episode. By the end, he was on $250,000 a show. The final episode was watched by 106 million people in the US, still a record for a scripted TV series. The money gave him the freedom to do what he wanted with his life, not least develop his own projects. While still working on M*A*S*H, he made The Four Seasons, which is the film that means most to him because it's so personal. 'Much of my family was engaged in it. Arlene wrote a book about the making of it, she did the photographs for one of the characters, two of our daughters acted in it. It was about incidents that had occurred among my close circle of friends.' I ask if there's a secret to a long, happy marriage. No, he says. 'I don't think it can be put into a nugget. It involves being aware of how much you love the person not only in tender moments but also when you're screaming at each other. Arlene has a simpler explanation.' What's that? 'When people ask her what's the secret of a long marriage she says a short memory.' How is she? A huge sunny smile envelops his face, and his eyes narrow to a joyous squint. 'She's great. I had to stop her from playing the piano so we could talk. She practises at least two hours every day. She doesn't have the breath now for the clarinet so she's gone back to the piano for the first time in decades.' The pollen has got to him, and I'm worried about his coughing. He seems tired and we have already been talking for well over an hour. So we say our goodbyes. He tells me how good it has been to chat. And it has, but about five minutes later I realise there is so much more to talk about. I email his publicist, and ask if there is any chance of a catch-up. Two days later, we are back on Zoom, and he is talking about the great directors he has worked with. Alda got his only Oscar nomination playing a sleazy senator in Martin Scorsese's 2004 film The Aviator. What did he learn from Scorsese? Positivity, he says. 'Everything he had to say was filled with praise. 'That was great what you got! Maybe next time try a bit more of this, but just great!' Later in the day you find out he didn't like what you did at all!' He laughs. 'He's a very nice guy.' Alda made three films with Woody Allen – Everyone Says I Love You, Crimes and Misdemeanors and Manhattan Murder Mystery. Which is his favourite? 'Crimes and Misdemeanors,' he says instantly. Alda is memorable as the pompous documentary-maker with a fine line in cant. What did Allen teach him? 'I don't know what I learned from him because he didn't talk much. You and I have spoken more than he spoke making three movies!' A number of actors have said they won't work with Allen again after his adoptive daughter accused him of sexual abuse. Would Alda? 'Yes I would. If a court has made a decision, I'm willing to go along with that. But I'm not the court. I'm glad Harvey Weinstein went to jail. He was tried and convicted. But I'm not going to punish somebody who hasn't gone through that process. People have to make up their own mind about what's reasonable and follow their feelings.' In 2006, Alda won an Emmy for playing Arnold Vinick in The West Wing, a moderate Republican presidential candidate who ends up as secretary of state in a Democrat government. Could he see something like that happening in real life? 'No. No. Even at that time he was a fantasy.' How does he feel about the US now? 'We're in a time of crisis and I hope we can work our way out. I hope there are enough people of good will and conscience and courage to take us out of it. People on all sides. These are the times that try men's souls.' Has he ever known a time like this in his life? 'No! Never. Never. No. I don't think anybody in our country has.' Can he empathise with Donald Trump in any way? 'Every once in a while I wonder if the desire to tear down everything that some of us over here have actually does come from a grievance that ought to be addressed. If there's anything that has been overlooked or underserved among the population that wants to tear everything down, then they ought to be served properly. If on the other hand it's just racism, misogyny and anti-science, then we need to reach out to one another for some education.' He catches his tone, and says he doesn't like it. 'To say I'm going to educate you is a little top heavy,' he says apologetically. 'Exploring the data and trying to understand what's reality and what isn't would be helpful for everybody.' Is Trump a racist? 'Well, he certainly does racist things and says racist things.' A misogynist? 'By his own mouth he is.' Anti-science? 'I think a person who suggests that taking horse pills or swallowing bleach will help Covid is anti-science. Science has been defunded now a lot in the US, and that's going to have serious consequences for people's health and for the security of the country.' Does he worry the US is moving towards fascism? Silence. He eventually answers. 'Authoritarianism, clearly,' he says. Yet, despite everything, he feels optimistic about the future. 'I've got a tremendous amount of confidence that the world is going to work out for us humans.' After all, he points out, species tend to last around 2m years, and we're only 300,000 years old. 'It would be great if we could exist 2m years.' I can hear a piano in the background. Is that Arlene? 'Yes, she's so absorbed in her music. She's playing Beethoven.' I tell him I've been thinking about something he said the other day – that he and Arlene remember how much they love each other when they're having a screaming match. Do they scream at each other often? 'No, we make each other laugh. But you can't have a marriage that goes on for a long time without strong disagreements.' Is it unusual for a couple in his business to have stayed together so long? Not really, he says. 'You know, we've been good friends for decades with Mel Brooks and Rob Reiner. Both their wives are dead now, but both had very long marriages. And there are plenty of friends who have been married for 50 or 60 years.' He pauses, and I can see his mouth creasing into that sunny smile. 'To multiple people, but at least they were only married to one at a time.' I burst out laughing. Have you ever said that before? 'No, I don't think I have!' And he sounds so happy.
Yahoo
6 days ago
- Entertainment
- Yahoo
Alan Alda's Favorite Memory of Shooting 1981's 'The Four Seasons' Involves Carol Burnett and Moo Shu Pork (Exclusive)
Alan Alda is looking back on his time making the 1981 film, The Four Seasons, in this week's issue of PEOPLE He recounts a time when he met with Carol Burnett for lunch at a Chinese restaurant while they were making the film — and the hilarity that ensued Alda says he and Burnett and the rest of the cast developed a real friendship ahead of filming the movieAlan Alda is recalling a memorable meal he once had with Carol Burnett. During a break in filming 1981's The Four Seasons together, the beloved M*A*S*H actor, 89, says he and Burnett, 92, met up for lunch at a Chinese restaurant. "There was a dish of moo shu pork on the table, and it had vegetables wrapped up in a pancake," Alda tells PEOPLE in this week's issue. "At one point Carol stood up, held the pancake up and let the whole thing unroll and said: 'It's a message from the king.'" Before filming began on the movie, which he also directed, Alda says he got to spend three weeks rehearsing and "trading stories" with Burnett and the rest of the cast, which also included Rita Moreno. "Most of that time was spent getting to know each other, having dinner together, having lunch together," he says. "There was a lot of laughing and admiring one another's work. When everybody really engages, the ease of real old friendship comes out [on screen], which is important for that story, because you have to believe that a friendship is being jeopardized. It was a very happy shoot." Alda similarly had a great experience shooting Tina Fey's new Netflix series adaption of The Four Seasons, in which he makes a surprise cameo. "I'm so happy for Tina," says Alda. "The movie meant a lot to me, and people are reacting to her work very much as they did to mine." In the original film Alda plays controlling lawyer Jack Burroughs. In Fey's series Will Forte plays a reimagined version of Alda's role, while Alda appears as one of the character's fathers. During a scene with Fey and Colman Domingo, his character offers them some hilarious marriage advice: 'Every once in a while ... [my wife would] say, 'Congratulations! Take off your pants, it's a sex day.' You might think of trying that with your spouse.' Like his character, Alda regularly calls upon advice from his own wife of 68 years, Arlene, 92. 'She always says, 'The secret to marriage is a short memory,'" he says. 'We both try to practice being there when we're there: listening, answering, taking an interest. You can get used to somebody no matter who it is. I've always thought if the Pope and Mother Teresa were a couple, after a few years, they'd have to work it out." The Four Seasons is streaming now on Netflix Read the original article on People
