Latest news with #Tosca
3 days ago
- Entertainment
Domingo Hindoyan to become music director of LA Opera for 2026-27 season
NEW YORK -- Domingo Hindoyan will succeed James Conlon as music director of the LA Opera and start a five-year contract on July 1, 2026. The appointment of the 45-year-old Venezuelan-Armenian, the husband of soprano Sonya Yoncheva, was announced Friday night. Conlon has been music director since 2006-07 and said in March 2024 that he will retire after after the 2025-26 season. 'LA is a city that is known by innovation, taking risks in productions and musically,' Hindoyan said in New York, where his wife is currently singing at the Metropolitan Opera. 'The idea is to do new pieces, commissions and modern pieces, something to really have a balance between what is classic and go further as much as we can.' Hindoyan will conduct two productions in 2026-27 and three in each of the following four seasons, LA Opera President Christopher Koelsch said. Koelsch hopes Hindoyan can lead works with Yoncheva, who has not sung a staged production at the LA Opera. Like other companies, the LA Opera has struggled with increased costs following the pandemic and scrapped a planned pair of world premieres over finances. Tenor and conductor Plácido Domingo was a key figure in fundraising for the company as general director from 2003-19. 'Part of my job as a music director and the job of any musician is to really take care of the art form as much as we can," Hindoyan said, "not only on stage, not only studying at home (but also) the connection with the community and the connection to the donors.' Hindoyan was born in Caracas, played violin and is a product of El Sistema, the Venezuelan music education system that was instrumental in the careers of Gustavo Dudamel and Rafael Payare. He was an assistant to Daniel Barenboim at Berlin's Staatsoper unter den Linden. 'Given Barenboim's extremely exacting standards, I was impressed that he had that job and held onto that job," Koelsch said. 'And then I saw a performance of 'Tosca' and was kind of immediately struck by the elegance of the baton technique and just the sort of the absolute clarity of what he was conveying.' Hindoyan has been chief conductor of the Royal Liverpool Philharmonic since the 2021-22 season. He first conducted the LA Opera last November in Gounod's 'Roméo et Juliette.' 'There's a kind of a natural warmth and charisma to him. In my experience, he almost always coaxes the best out of people," Koelsch said. 'The 'Roméo' run for me was kind of a test run of how those qualities resonated inside our building, how it worked with the orchestra and the chorus and the administration and the audiences.'
Winnipeg Free Press
3 days ago
- Entertainment
- Winnipeg Free Press
Domingo Hindoyan to become music director of LA Opera for 2026-27 season
NEW YORK (AP) — Domingo Hindoyan will succeed James Conlon as music director of the LA Opera and start a five-year contract on July 1, 2026. The appointment of the 45-year-old Venezuelan-Armenian, the husband of soprano Sonya Yoncheva, was announced Friday night. Conlon has been music director since 2006-07 and said in March 2024 that he will retire after after the 2025-26 season. 'LA is a city that is known by innovation, taking risks in productions and musically,' Hindoyan said in New York, where his wife is currently singing at the Metropolitan Opera. 'The idea is to do new pieces, commissions and modern pieces, something to really have a balance between what is classic and go further as much as we can.' Hindoyan will conduct two productions in 2026-27 and three in each of the following four seasons, LA Opera President Christopher Koelsch said. Koelsch hopes Hindoyan can lead works with Yoncheva, who has not sung a staged production at the LA Opera. Like other companies, the LA Opera has struggled with increased costs following the pandemic and scrapped a planned pair of world premieres over finances. Tenor and conductor Plácido Domingo was a key figure in fundraising for the company as general director from 2003-19. 'Part of my job as a music director and the job of any musician is to really take care of the art form as much as we can,' Hindoyan said, 'not only on stage, not only studying at home (but also) the connection with the community and the connection to the donors.' Hindoyan was born in Caracas, played violin and is a product of El Sistema, the Venezuelan music education system that was instrumental in the careers of Gustavo Dudamel and Rafael Payare. He was an assistant to Daniel Barenboim at Berlin's Staatsoper unter den Linden. 'Given Barenboim's extremely exacting standards, I was impressed that he had that job and held onto that job,' Koelsch said. 'And then I saw a performance of 'Tosca' and was kind of immediately struck by the elegance of the baton technique and just the sort of the absolute clarity of what he was conveying.' Hindoyan has been chief conductor of the Royal Liverpool Philharmonic since the 2021-22 season. He first conducted the LA Opera last November in Gounod's 'Roméo et Juliette.' 'There's a kind of a natural warmth and charisma to him. In my experience, he almost always coaxes the best out of people,' Koelsch said. 'The 'Roméo' run for me was kind of a test run of how those qualities resonated inside our building, how it worked with the orchestra and the chorus and the administration and the audiences.'
Yahoo
15-05-2025
- Entertainment
- Yahoo
Charity Theatre Trips offering Bristol outings to Somerset residents
A charity is inviting people from Somerset to enjoy theatre shows to help raise money. Charity Theatre Trips has arranged for people to travel from Somerset to Bristol to enjoy an outing at the theatre. The organisation has reserved tickets for The Bristol Light Opera Company's amateur premiere of Les Misérables and Fiddler on the Roof, both set to be performed at the Bristol Hippodrome in July. It has also secured tickets for the Welsh National Opera's performance of Tosca in October. To find out more about the trips and to reserve tickets, visit Tickets can be reserved without obligation, with payment due two months before the performance date. A spokesperson for the charity said: "There is a lot to choose from, with coach travel included in the price." "We start at Curry Rivel, pick-up in Langport and Somerton, then either Keinton Mandeville and Shepton Mallet, or Street, Glastonbury and Wells." "Any profit is donated to British Red Cross."
Ottawa Citizen
15-05-2025
- Entertainment
- Ottawa Citizen
National Arts Centre reveals diverse lineup for 2025-26 season
Article content There is always something new and creative to discover at the National Arts Centre, whether it's an edgy modern-dance show or a surprising take on an orchestral classic. Article content With four stages under its hexagonal roof and a skilled team of specialized artistic programmers in charge of six different genres of performing arts, the NAC's schedule gets filled with gems well in advance. Article content Article content The 2025-26 calendar is no exception. Between September 2025 and spring of 2026, dozens of concerts, theatrical productions and dance events will be shoehorned into the building, including no fewer than nine world premieres. One show calls for a skateboard ramp at centre stage, while another is described as a Macbeth-meets-biker mashup. Article content Article content The season will also mark a farewell for maestro Alexander Shelley, who has been leading the NAC Orchestra for more than a decade — and whose two young sons were born in Ottawa. Shelley has designed a final season that will include a big opera production of Puccini's Tosca, an all-Canadian edition of the Great Performers series, a seasonal presentation of Handel with an all-Canadian cast of vocalists, four world premieres and more. Article content The first, scheduled for January 2026, is co-produced by Toronto's Soulpepper Theatre and written by Natasha Mumba, a graduate of Ottawa's Canterbury arts high school and now based in Toronto. Entitled Copperbelt, it's the story of a Zambian-born woman who's made a life for herself in Toronto, but is compelled to return to her homeland when her estranged father falls ill. Article content Article content Article content The second Aquino-directed world premiere is cicadas, created by David Yee and Chris Thornborrow. Commissioned by the NAC, it's an eco-thriller set in Toronto in 2035. Article content Article content The English theatre season also features a family play described as a live theatrical cinema experience starring Canadian DJ Kid Koala, who performs live on piano and turntables every night of the Dec. 3-13 run. The tale of a small-town mosquito trying to make it big in music also uses puppeteers, miniature sets, a string trio and cameras to tell its story. Article content Another six shows will be presented by the Indigenous theatre department under the artistic leadership of Kevin Loring. They range from the inter-tribal collaboration that drives Nigamon Tunai to the world premiere of Tomson Highway's latest, Rose, to an allegorical circus piece from New Zealand, Te Tangi a Te Tūī.
Gulf Today
05-05-2025
- Entertainment
- Gulf Today
Artists in this former pasta factory are preserving opera traditions
Behind a rusty gate near Rome's Circus Maximus is a building passed daily by hordes of tourists. They're oblivious to the fact that behind its faded, flaking paint is a hive of activity sustaining one of Italy's grandest cultural institutions. It was a pasta factory until almost a century ago, when the Rome Opera House transformed the four-story building into a sprawling warehouse and workshop. It is home to a trove of scenic backdrops and 70,000 costumes from over a century of performances. Even more are being created - the traditional way. For this year, the opera house's costume designers, tailors and seamstresses have been scouring archives and working to reconstruct the original outfits of Giacomo Puccini's Opera 'Tosca.' It is a tale of passion, cruelty and deception set in Rome in the 1800s, featuring a dark-haired beauty forced to commit murder to protect her dignity and the man she loves. This year marks the 125th anniversary of its first-ever performance. 'Fortunately, all the sketches for each costume exist and are very detailed and we have reconstructed them, respecting as much as possible the taste of the time from the point of view of the fabrics, the shapes and all the materials used,' Anna Biagiotti, the opera house's costume director, said in an interview inside the warehouse. Behind each sketch Biagotti found detailed notes. She compiled a binder her team refers to as 'the bible,' filled with copies of the originals. To help her roughly 30 tailors, Biagotti painstakingly transcribed the tightly scrawled cursive notes of then-lead costume designer Adolph Hohenstein into legible, capital letters. They work in a cramped space above the opera house - sewing, pinning, stitching, cutting, ironing. Each year, they churn out some 700 costumes for opera and ballet performances, which are later stored in the warehouse, hanging inside plastic dry cleaning covers. There is no digitalized system to track them once there; they can only be located by the designers and tailors who have spent their lives in the trade. And on the warehouse's top floor, set designers in a giant loft space walk atop a canvas, dragging grey wagons loaded with buckets of paint. On April 10, they used brushes with handles so long they looked like brooms to paint ancient doors, archways, statues and frescoes to conjure a three-dimensional Roman palazzo upon the flat surface. An overhead walkway provided a view to ensure the optical illusion was coming out just right. It's a dying craft, said Danilo Mancini, director of set production. In other places, painted sets have been replaced by LED walls, projections and back-lit screens - but not at the Rome Opera House. For Tosca, set designers also worked off Hohenstein's sketches for the original show. Both Mancini and music director Michele Mariotti credit Puccini for keeping their passions alive. 'Puccini was a genius, not only in terms of the beauty of the music, but precisely because of the theatrical and cinematographic flair he gives to his works,' said Mariotti. 'If we are all here, we must be grateful to him, not so much for the rebirth of the work, but for its survival. Because he understood that if it was not regenerated in some way, opera would have disappeared.' A faded, four-story building that was once a pasta factory now houses the warehouse and bustling workshop of the Rome Opera House. The building is home to a trove of scenic backdrops and 70,000 costumes from over a century of performances. This year, the opera house's costume designers, tailors and seamstresses have working to reconstruct the original outfits of Giacomo Puccini's Opera 'Tosca.' It is a tale of passion and deception set in Rome in the 1800s, featuring a dark-haired beauty forced to commit murder to protect her dignity and the man she loves. This year marks the 125th anniversary of its first-ever performance. Associated Press
