Latest news with #Underwood
Yahoo
11 hours ago
- General
- Yahoo
Man hits woman with SUV in law enforcement parking lot, shot at by deputy before arrested
A Garden City man remained jailed Saturday after he used his SUV to hit a woman walking in the Finney County Law Enforcement Center parking lot and then was shot at by a deputy he reversed toward, according to the Kansas Bureau of Investigation and jail records. The relationship between the woman and man, both age 25, is still under investigation, KBI spokesperson Melissa Underwood said Saturday. The woman was treated and released from a local hospital. Around 2:40 p.m. Friday, the man drove his 2020 Toyota RAV4 'off the roadway' and struck the woman in the parking lot and began to flee, Underwood said in a news release. A Finney County Sheriff's Office deputy ran after the vehicle, when the man reversed, driving toward the deputy who fired two rounds toward the suspect, Underwood said, adding neither shot hit the suspect. 'He fled the area, still driving the SUV,' she said. Soon after, a Garden City officer spotted the vehicle, leading to a short pursuit before the man pulled over, she said. The man 'kicked one of the officers' while being arrested, she said. The man was arrested on suspicion of attempted first-degree murder, fleeing and eluding and battery of an officer.
IOL News
a day ago
- Sport
- IOL News
Rugby World Cup 1995 On this day: Aussies subdue plucky Canada, Italy push England, Japan win hearts and All Blacks beat Wales
JOE Roff scored some nice tries for Australia as they made their come back by beating Canada after losing to the Springboks in the 1995 Rugby Worlkd Cup match. | ArtPhotoLimited Australia's follow-up game to their shock loss to the Springboks in the 1995 Rugby World Cup was against the tough Canadians and it was an ill-tempered affair in which the Wallabies had to sweat for their 27-11 win. This was a golden era for Canadian rugby and they had a host of players based at top European clubs. Their flyhalf, Gareth Rees was world class as was their South African-born centre Christian Stewart, the prop Rod Snow and the great flank/lock Al Charron. The Aussies were still smarting from their defeat at Newlands and they allowed the belligerent Canucks to get under their skins. The North Americans were an abrasive lot — as the Boks would discover at Boet Erasmus Stadium the following week — and there were ugly incidents. There was also some good rugby, including tries for young Aussie wing Joe Roff, flank Ilie Tabua and flyhalf Michael Lynagh. Australia led 17-6 at half time and could score just 10 points in the second half as the Canadians fought back. They were rewarded with a try by Charron. The balance of the Wallabies' points went to the boot of Lynagh. In Bloemfontein, over 10 000 Free Staters adopted Japan as their team for their fixture against Ireland. The Japanese were based in Bloemfontein and the locals warmed to them, with the referee being booed each time he awarded Ireland a penalty. It was easy to like the Japanese because they almost never kicked. They ran everything and were rewarded with four excellent tries. Ireland won 50-28 and scored just one more try than Japan. The balance of their points came from penalties and conversions by flyhalf Paul Burke. In Durban, rainy conditions greeted England and Italy at Kings Park for their crunch clash. England were one of the pre-tournament favourites but did not look it as the Italians pushed them close. This was the era of Red Rose greats in Jason Leonard, Rory Underwood, Jeremy Guscott, Rob Andrews, Martin Johnson, Neil Back, Mike Catt and Graham Rountree. Underwood's brother, left wing Tony, opened the scoring after a break by fullback Catt and, later, South African-born Catt repeated the act when he put right wing Rory away. The latter Underwood had scorching pace and was famously an RAF pilot at the time. Italy had an ace kicker in the Argentinian Diego Dominguez while their try was scored by prop Massimo Cuttita, who was a product of Pinetown Boys High School in Durban. The final score was 27-20 to England. In the third match of the second round, the All Blacks beat Wales 34-9. New Zealand were massive favourites to win the tournament and were expected to win by more even though this was a good Wales team. Still, the Welsh could muster just nine points courtesy of flyhalf Neil Jenkins while his opposite number, Andrew Mehrtens delivered a Player of the Match performance for his excellent goal-kicking and his playmaking, with tries going to centre Walter Little, wing Marc Ellis and flank Josh Kronfeld. New Zealand won 34-9.
USA Today
3 days ago
- Entertainment
- USA Today
EA Sports College Football 26 trailer showcases Michigan QB Bryce Underwood vs Ohio State
EA Sports College Football 26 trailer showcases Michigan QB Bryce Underwood vs Ohio State It won't be long now, but if you're a Michigan football fan, you can fire up your PlayStation 5 or next-gen XBox and play as the new-look Wolverines. Even as the all-new EA Sports College Football 26 was officially revealed, they're all but telling you that you can be Bryce Underwood. At least figuratively -- in a video game. The reveal of the new iteration of the college football video game arrived on Thursday and while the maize and blue saw very little representation, what they did get was new quarterback, Bryce Underwood -- the former five-star and No. 1 overall player in the 2026 class -- wearing a winged helmet, scrambling around and slinging it against rival Ohio State. You can see for yourself right here: Underwood is also featured on the newly revealed deluxe cover, along with NCAA Football 14 cover model, former Wolverines quarterback Denard Robinson. The only other Michigan football player featured in the reveal is junior tight end Zack Marshall, who appears to be on the negative end of being covered by Ohio State safety Caleb Downs in the end zone. Here's the full press release via EA Sports on the game: REDWOOD CITY, Calif. – May 29, 2025 – Electronic Arts Inc. (NASDAQ: EA) and EA SPORTS™ today released the official reveal trailerand game details of EA SPORTS™ College Football 26, which delivers more than 2,700 new plays, thousands of real college athletes, and authentic coaching styles from more than 300 real-world coaches. From iconic traditions to heart-pounding road game environments at all 136 FBS schools, every day feels like game day. Fans can rise from high school recruit to Heisman legend in Road to Glory, or lead their dream program to dominance in Dynasty mode when College Football 26 launches worldwide on July 10 for PlayStation®5 and Xbox Series X|S. 'The return of EA SPORTS College Football struck a chord with fans last year by capturing the heart of college football—its authenticity, passion, and unforgettable game day energy,' said Daryl Holt, SVP and Group GM, EA SPORTS. 'With EA SPORTS College Football 26, we've deepened that experience, delivering more dynamic gameplay, vibrant stadium atmospheres, and modes that let players craft their own stories. From classic rivalries to the chase for championship glory, this game celebrates what fans love most about the sport and takes it to new heights.' College Football 26 empowers fans to strategize like never before with authentic college gameplay, delivering unmatched realism to prove their program's dominance on the field. With over 2,700 new plays, thousands of athletes, and more than 300 real-world coaches bringing their true-to-life schemes, players can master enhanced offensive and defensive mechanics, execute new stunts and twists, and make dynamic substitutions when it counts. Dive into the action with these game-changing features: From the roar of Death Valley to the lights in Tuscaloosa, the pageantry and chaos of college football Saturdays come alive with unprecedented depth. Be immersed in the authentic traditions, customized PA tracks, team-specific chants, and atmospheric upgrades that capture the pulse of every game. College Football 26 delivers an immersive experience with a variety of dynamic game modes that embody the spirit of college football. From building a legendary program in Dynasty to rising as a student-athlete in Road to Glory, each mode offers unique challenges and deep customization. Compete for playoff glory, assemble dream rosters, and navigate the modern landscape of college football with the following exciting modes: Fans can pre-order their copy of EA SPORTS College Football 26 now or connect their football journeys with the EA SPORTS™ MVP Bundleon PlayStation®5 and Xbox Series X|S, which includes the deluxe editions of EA SPORTS College Football 26 and Madden NFL 26 with 3-day early access and an array of benefits across both titles‡. EA Play members can Bring Glory Home in EA SPORTS™ College Football 26 with the EA Play* 10-hour early access trial, starting July 7, 2025. Members also score member rewards including monthly College Football Loyalist Ultimate Team™ Packs, as well as receive 10% off EA digital content including pre-orders, game downloads, Season Passes, College Football Points, and DLC. For more information on EA Play please visit Stay tuned for more on Instagram, X, Facebook, TikTok, and YouTube as College Football 26 news unfolds in the coming months. †Internet connection, all game updates, EA Account, and platform account required. ‡Conditions & restrictions apply. See for details. *Conditions, limitations and exclusions apply. See EA Play Terms for details. EA Sports College Football 26 is currently available for pre-order. It will be officially released on July 10, but preorders will be made available three days early with the digital edition.
Express Tribune
6 days ago
- Express Tribune
‘RHOSLC' star Britani Bateman sued for $100K by former mother-in-law
Real Housewives of Salt Lake City star Britani Bateman is facing a $100,000 lawsuit from her former mother-in-law, Sandra Underwood. According to court documents filed on May 6, Underwood claims the 53-year-old reality TV personality used the money for personal benefit and has failed to return it. Underwood, 87, is the mother of Bateman's ex-husband, John Scott Underwood. She alleges that the funds were deposited into a family trust called the 'Integrity Trust' in 2019 at Bateman's urging. The trust was set up by Bateman's father, Melvin Merrill Martin, with Britani and her late mother as trustees. John was listed as the successor trustee. Sandra says she deposited $100,000 with the understanding it could be withdrawn at any time. However, her legal filing states that Bateman 'willfully, maliciously and through intentionally fraudulent conduct' kept the funds for herself and now refuses to repay them. A March letter from Sandra's attorney demanded repayment, but no money has been returned. The complaint argues that Britani was unjustly enriched and calls for repayment of the $100,000 plus legal fees and interest. With a limited monthly income of around $1,600 and mounting medical costs, Underwood says the loss has put a severe financial strain on her. This isn't the first legal drama involving Bateman and her ex. The former couple finalized their divorce in October 2023, and Bateman has previously accused John of abuse and financial misconduct. Bateman has not responded publicly to the lawsuit.
Toronto Sun
6 days ago
- Entertainment
- Toronto Sun
The enduring enigma of Carrie Underwood
Published May 26, 2025 • 12 minute read "It's called the 'post and ghost.' You put your stuff out on the social media, and you don't look at the comments," said Underwood, seen here at the Trump inauguration. MUST CREDIT: Ricky Carioti/The Washington Post Photo by Ricky Carioti / The Washington Post LAS VEGAS – Carrie Underwood's Vegas residency show was an exercise in visual and tonal whiplash. One minute, the country music superstar strolled the stage in shimmering fringe crooning 'Cowboy Casanova' and demonstrated some sultry moves in black chaps over spiked heels for 'Drinking Alone.' The next, she set a car on fire during 'Before He Cheats.' This advertisement has not loaded yet, but your article continues below. THIS CONTENT IS RESERVED FOR SUBSCRIBERS ONLY Subscribe now to read the latest news in your city and across Canada. Unlimited online access to articles from across Canada with one account. Get exclusive access to the Toronto Sun ePaper, an electronic replica of the print edition that you can share, download and comment on. Enjoy insights and behind-the-scenes analysis from our award-winning journalists. Support local journalists and the next generation of journalists. Daily puzzles including the New York Times Crossword. SUBSCRIBE TO UNLOCK MORE ARTICLES Subscribe now to read the latest news in your city and across Canada. Unlimited online access to articles from across Canada with one account. Get exclusive access to the Toronto Sun ePaper, an electronic replica of the print edition that you can share, download and comment on. Enjoy insights and behind-the-scenes analysis from our award-winning journalists. Support local journalists and the next generation of journalists. Daily puzzles including the New York Times Crossword. REGISTER / SIGN IN TO UNLOCK MORE ARTICLES Create an account or sign in to continue with your reading experience. Access articles from across Canada with one account. Share your thoughts and join the conversation in the comments. Enjoy additional articles per month. Get email updates from your favourite authors. THIS ARTICLE IS FREE TO READ REGISTER TO UNLOCK. Create an account or sign in to continue with your reading experience. Access articles from across Canada with one account Share your thoughts and join the conversation in the comments Enjoy additional articles per month Get email updates from your favourite authors Don't have an account? Create Account Then, having changed into an ice-blue gown, she belted the baptism ballad 'Something in the Water' as her dancers clambered and writhed around on what looked like giant nails sticking out of the backdrop – a crucifixion allusion? – while sheets of liquid rained down. At one point, the star mused out loud that she wanted to take home the chopped-up junkyard sedan that her crew transformed into the spiky chair in which she perched to sing 'Two Black Cadillacs,' the tale of a wife and mistress who join forces to murder the cheating man they share. 'I think I'm going to put it in the living room. … Just have my dog in my lap, crocheting in my throne,' Underwood told her near-capacity crowd in the 5,000-seat Resorts World Las Vegas theater last month, a week before the end of her three-year residency there. 'It would be awesome.' This advertisement has not loaded yet, but your article continues below. Underwood, 42, has been slipping in and out of character since May 2005, when 30 million viewers watched her crowning as the fourth-season victor of 'American Idol.' Twenty years into her career, she remains a ubiquitous but elusive star, performing as Carrie Underwood, the top-selling and Grammy Award-winning musician, before retreating to her quiet family life on a sprawling Tennessee farm to become Carrie, the self-proclaimed 'homebody.' So it was a surprise to some when she was announced as one of the performers at Donald Trump's inauguration in January – catapulting the country singer into a rare mess of controversy. In a statement in January, Underwood – who has previously referred to politics as a 'nobody wins' morass that she would rather avoid – said she was honored to participate 'at a time when we must all come together in the spirit of unity and looking to the future.' Her choice, just six weeks before she returned to 'Idol' in March, sparked furious backlash from critics and fierce defense from fans. Your noon-hour look at what's happening in Toronto and beyond. By signing up you consent to receive the above newsletter from Postmedia Network Inc. Please try again This advertisement has not loaded yet, but your article continues below. While viewership numbers are a fraction of what they were in the 'Idol' early-aughts heyday on Fox, millions tune in each week to the show, now on ABC. Underwood joined as a judge this season alongside Lionel Richie and Luke Bryan, and although her publicist said she was not available for an interview for this story, it seems evident that the show not only transformed her life but also shaped her approach to her career. The reality show that original judge Simon Cowell snippily insisted was a pure 'singing competition' – that is, not a popularity contest – in fact originally served as an image-crafting boot camp that taught Underwood how to appeal to music-industry gatekeepers, make the smart song choices and dole out just enough of herself to remain a relatable yet enigmatic figure. But watching Underwood experience her most significant career backlash two decades later, it's clear the show also taught her to rely on her own instincts and, perhaps most importantly, how to handle – or filter out – criticism. She has talked about how she competed on the show at the height of internet message boards, and so learned early the value in shutting down outside voices and continuing in whatever lane you feel will suit you best. This advertisement has not loaded yet, but your article continues below. 'It's called the 'post and ghost.' You put your stuff out on the social media, and you don't look at the comments. That's how I live my life, man,' Underwood told the young contestants on an episode last month, advising them on how to deal with online hate. In a recent interview, she credited polarizing podcaster Joe Rogan for the 'post and ghost' philosophy. 'Anytime anybody thinks they're yelling at me or insulting me or telling me I look a certain way – or I'm not enough this, or I'm too much that – they're just yelling at the clouds. I don't hear or see any of it.' – – – For all the general dismissiveness about 'American Idol' nearly a quarter-century after its debut (yes, it's still on the air; the Season 23 finale aired last Sunday), the show maintains a hold on anyone who remembers when the nation gathered weekly to watch Cowell tear apart terrible singers, while nicer judges Paula Abdul and Randy Jackson sought to bolster them. At Underwood's Vegas concert, attendees cited a variety of reasons for their attendance: They were country music fans; they were Underwood fans; she seemed like the best entertainment option on the Vegas Strip that night. But all of them remembered Underwood from 'Idol.' This advertisement has not loaded yet, but your article continues below. When the public first met Underwood in early 2005, she wasn't exactly a novice – she had snagged a development deal with a major record label as a teenager and performed at events around her hometown of Checotah, Oklahoma. But 'Idol' producers cast her as the fourth season's wide-eyed ingenue, a 21-year-old college senior who grew up on a farm and had never been on an airplane. Cowell, notably not a country fan, was wowed by Underwood's audition, to which she showed up in jeans and a T-shirt, and sang Bonnie Raitt's 'I Can't Make You Love Me.' She quickly became the front-runner with memorable country covers, and when the judges complained she was getting predictable, she sealed her victory with a bombastic version of Heart's 'Alone.' Cowell famously predicted she would not only win the show but sell more records than any previous 'Idol' winner. He was correct, and while other 'Idol' winners have gone on to collect multiplatinum albums, and finalist Jennifer Hudson won an Oscar, Underwood is arguably the last superstar the show produced. This advertisement has not loaded yet, but your article continues below. At the time, though, producers played up her naïveté: When host Ryan Seacrest asked if she had seen any stars in Hollywood, and she replied that it had been too cloudy, that segment was used on air – played for laughs, though many fans found it relatable. 'I just liked her voice … and I liked that she was from a small town,' said Lindsay Fuller of Las Vegas, who runs an Underwood fan account on Instagram with more than 57,000 followers. 'She's an all-American girl, I guess you could say.' In interviews, Underwood describes herself as awkward around crowds and strangers. That's not exactly ideal for the authenticity-craving world of country music, where fans and executives alike place a premium on engaging personal interactions. But when Underwood won the show and landed a record deal with Arista Nashville, she had an enormous head start. Everyone in the industry watched 'Idol,' and even if she wasn't comfortable opening up, people already felt like they knew her. This advertisement has not loaded yet, but your article continues below. Label executive Skip Bishop started at Arista as the vice president of national promotion in fall 2005, and his new boss handed him a CD with 'Jesus, Take the Wheel' scrawled across the cover. This was the first single from Underwood's debut album, and it was Bishop's job to get country radio to play it. He anticipated a struggle. Country radio doesn't always welcome newcomers, particularly reality TV contestants. But Underwood's star power overshadowed any doubts. Forged by the brutal production schedule of 'Idol,' she was game to put in the hours. Just a few years into her career, she was tapped to co-host the Country Music Association Awards with superstar Brad Paisley, a gig she kept for the next decade, becoming one of the genre's most visible faces. This advertisement has not loaded yet, but your article continues below. 'She had that focus and that work ethic that matched all the God-given talent,' Bishop said. 'I've never worked with anyone that had that combination of the shyness and the low-key-ness but also had the steel-eyed confidence that she has.' 'Jesus, Take the Wheel' lingered at No. 1 for six weeks, and Underwood's 'Some Hearts' debut album sold millions of copies, even as the country charts were squeezing out most other female artists. A subsequent single, 'Before He Cheats' – told from the point of view of a betrayed woman destroying an unfaithful man's car – could not have been more different from her first track. But Underwood embraced the persona convincingly, for a career-defining hit that showed she could tackle bitter revenge anthems as well as tender ballads. For someone still adjusting to fame, and whose stage presence was occasionally criticized as robotic, it could be easier to play a character. This advertisement has not loaded yet, but your article continues below. 'We can tell a story in country music,' Underwood said in Vegas by way of introduction to 'Church Bells,' about a woman who poisons her abusive husband. 'Sometimes those stories are not all sunshine and roses. Sometimes they are stormy and dark and dramatic and cinematic, and in my case, sometimes somebody gets killed. And that's okay! You know? We all have our things.' Bishop remembers Underwood being incredibly quiet behind the scenes – until the red light went on in the recording studio, and she just 'exploded with magnetism.' Some might have seen her as standoffish, he said. But as soon as she walked onstage, or the camera turned on, she became another person. Even when Underwood started to co-write and co-produce her albums with some of Nashville's best writers, she shied away from country music's autobiographical tropes in favor of lyrics from the perspective of fictional narrators. In 2017, she left Arista for Capitol Records Nashville and recorded her sixth album, 'Cry Pretty,' with an unusually vulnerable title track about hiding one's pain while pretending everything is fine. At a Nashville industry event in early 2020, the heads of her record company surprised her with a plaque when the album went platinum, and Underwood was overwhelmed. This advertisement has not loaded yet, but your article continues below. 'This is the project that I've done and the album that I've done that is the most 'me,'' Underwood said, getting choked up. 'I'm honored, and I'm humbled, and God is good.' As Underwood built a loyal fan base, she appeared careful and consistent with the few details she shared about her life – mainly centered on family, fitness and faith. Tabloids remain fascinated by her marriage to professional hockey player Mike Fisher – they wed in 2010 – and their two young sons. She carved a brand in the wellness space with a fitness clothing line and app, and a book, 'Find Your Path,' in which she was candid about how she struggled with strangers critiquing her physical appearance on 'Idol.' She has always been open about her Christian beliefs, recording the gospel album 'My Savior' and starring in a web series with Fisher for a Christian organization, where they discussed their fertility challenges. This season on 'Idol,' the show had its first-ever Easter celebration where contestants sang songs of faith. (The show's publicists did not respond to a question about whether Underwood's presence influenced that episode.) 'I know how difficult it is to come into the entertainment industry and bring your faith with you,' she told a pair of contestants who sang a worship song. 'It is a brave thing to do because there are a lot of – a lot of – outside forces that are going to tell you not to do that.' This advertisement has not loaded yet, but your article continues below. Like many country artists, Underwood has mostly avoided sharing her thoughts on specific current events. She voiced her support for same-sex marriage in 2012 – but when she released a thematically resonant song, 'Love Wins,' years later, she maintained that it was more generally about hope for a better world. She also emphasized that her song 'The Bullet,' about the devastating aftermath of gun violence, was not a political message. She did not respond to the internet uproar in 2021 when she and her husband appeared to support anti-mask posts on social media during the covid-19 pandemic. 'I try to stay far out of politics if possible, at least in public, because nobody wins,' Underwood told the Guardian in 2019. 'Everybody tries to sum everything up and put a bow on it, like it's black and white. And it's not like that.' This advertisement has not loaded yet, but your article continues below. Hence, the clamor when Underwood appeared to abandon that stance by gracing the stage at the Trump inauguration. (Technical audio difficulties at the U.S. Capitol forced her to perform 'America the Beautiful' a cappella.) Though the world of country music skews more conservative than most quadrants of show business, Underwood's choice was viewed as a betrayal from longtime genre-agnostic 'Idol' fans, especially those in the LGBTQ+ community aggrieved by the new administration's push to roll back equal rights. An Underwood fan account made headlines by switching country star allegiances and becoming a Megan Moroney fan account instead. Constantine Maroulis, a popular 'Idol' Season 4 finalist and Tony Award nominee, knows members of Underwood's inner circle. (She has maintained the same career manager and tour manager from her early post-'Idol' career.) He assumes that her team analyzed the pros and cons and anticipated the reaction to an inauguration appearance. He personally would have not made the same decision, Maroulis said, but he supports Underwood as a friend. As he remembers from their season, the unassuming small-town girl understood the reality of the music business. This advertisement has not loaded yet, but your article continues below. Plus, at this point in her career, Underwood doesn't have a lot to lose. In Nashville, some mainstream country stars, such as Jason Aldean and Brian Kelley, have become increasingly vocal about their support of Trump. And while Underwood's singles don't break through on the radio as they once did, she remains a sought-after duet partner – she teamed up with Aldean on one recent hit and Cody Johnson on another – who can still command TV audiences and sell concert tickets. In addition to her lifestyle brands, she has her own SiriusXM radio channel. Even if she doesn't wear her ambition on her sleeve, those who worked with her say it is a driving force. 'She was someone to be reckoned with,' Maroulis said. The contestants formed a tight bond during their surreal experience on the show, but they never forgot they were competitors. 'I love that about her,' he added. 'She has a killer instinct inside of her, as well.' This advertisement has not loaded yet, but your article continues below. – – – Season 23 of 'American Idol' has served as a love letter to Underwood, with ample flashbacks to her competition days; Maroulis appeared with several other contestants for a brief Season 4 reunion on an episode in April. Producers have tried to showcase sides of Underwood that might surprise audiences – her deep knowledge of heavy metal lyrics, her friendly verbal jabs at Luke Bryan. On a web-only series, she watches scenes from her season and offers commentary, or reads passages from her old journal. As always, she continues to open up to the viewing public on her terms. 'Idol' was barely referenced in her Vegas act, which Underwood introduced as a journey through '20 years of a career that I am so proud of' – except for a fleeting image of her on the show, displayed on the screen behind her before 'Something in the Water,' a reminder of where she came from and the road she took to get here. This advertisement has not loaded yet, but your article continues below. 'From a very young age I was singing, and I would have told you in a heartbeat that this was what I was going to be doing someday,' Underwood said at one point in the show. 'Thanks to so many blessings, the good Lord put me on this path. Somehow we all ended up here. And it is divine intervention for sure.' Read More Love concerts, but can't make it to the venue? Stream live shows and events from your couch with VEEPS, a music-first streaming service now operating in Canada. Click here for an introductory offer of 30% off. Explore upcoming concerts and the extensive archive of past performances! Ontario Music Sunshine Girls Money News World
