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Vogue Singapore
an hour ago
- Entertainment
- Vogue Singapore
Best polka-dot nail looks to try
It's safe to say that polka-dot fever is in full swing—and this time, it's showing up as the number one nail trend of the summer. From fashion week runways to your favourite celebrities' wardrobes and even Hailey Bieber's latest Rhode campaign, it's evident that this classic print has now gone mini and manicure-ready. Nostalgic yet fresh, the polka-dot manicure has exploded across social media, often paired with bright colours, minimalist bases, and cute character art. There's real history behind why these spots are so iconic. In the 1950s, icons like Marilyn Monroe made polka-dots synonymous with flirty glamour, often pictured in halter dresses or tiny polka-dot bikinis. That same retro energy is now being channelled into beauty, with stars like Sabrina Carpenter sporting glazed dotted nails in her Manchild music video, paying a cheeky homage to vintage femininity. The best part? Sabrina and Hailey Bieber share the same celebrity nail artist, Zola Ganzorigt, whose signature minimal-meets-glam approach is part of why the trend feels so current. Even better, polka dot nails are surprisingly easy to recreate at home. Zola has posted step-by-step tutorials on her Instagram, showing us exactly how to get the look using a simple dotting tool. The key to a symmetrical dot pattern would be starting from the middle and fanning outward. Whether you prefer tiny monochrome dots on a nude base or playful colour combos with glossy finishes, there's a version of the trend for everyone. Want polka-dotted nails this season but don't know what to do to spice it up? Check out Vogue Singapore's lineup of nail inspiration below. Rhode and @nailsbyzola 1 / 7 Lemon-drop yellow Summer is at its peak, which means Hailey Bieber's citrus-inspired nails are the perfect way to capture the freshness this season has to offer. Think soft grey spots with a zesty yellow base for a refreshing pop of colour. @nailsbyzola 2 / 7 Crystal-studded Channel Sabrina Carpenter's playful energy from her Manchild music video: speckled crisp white dots on a clear nude base. Tie your manicure together with a gem or two on each finger for a subtle sparkle that feels retro and refined. @studio92mcr 3 / 7 Spotted accents Can't commit to a full set of polka-dots? Keep it simple with accent nails. Feature the pattern on just one or two fingers, breaking up the bigger blocks of colour on your other nails. Try contrasting brighter colours with darker dots to spice up a typically more summery style. @kimchisnails 4 / 7 Dots and flowers Beauty is in the details. Don't be afraid to pair your spots with some 3-D nail art — think delicate orchids or lilies curling across your nails. @peachinails 5 / 7 Inverted colours Who says your mani has to match all the time? Flip the script with inverted hues on each hand—light-on-dark one side, dark-on-light the other. @ 6 / 7 Classy pearlescent Freshen up the classic black and white polka-dot by opting for a translucent, pearlescent base that catches the light when you move your fingers. @nailsbyaudreyann 7 / 7 French twist Give classic French tips a fun upgrade with tiny polka dots along the edges of your fingertips. Subtle, yet full of personality.
Vogue Singapore
6 days ago
- Entertainment
- Vogue Singapore
Sheiryn Aisiqa Sinclair divulges her cherished beauty regimen
She's one of the biggest sartorial figures in Singapore, as well as being a dedicated mother of two. Sheiryn Aisiqa Sinclair has captivated all of us thanks to the glimpses of her chic lifestyle she regularly shares online, from lush holidays abroad to a backstage pass at fashion events. It's only natural that we'd be curious to find out even more. With that in mind, Vogue Singapore sits down with the maven of taste to discover the intricacies behind her beauty regimen, from her complexion must-haves to the eye look she swears by. Three desert-island make-up essentials I can't live without First and foremost, I swear by the Laura Mercier Tinted Moisturiser SPF 30 PA+++ in the shade 2W1 Natural. Then, there is the Chanel N°1 De Chanel Lip and Cheek Balm in 2 Healthy Pink as well as the Bareness Skin Plump Screen SPF Gloss in Pulse. The skincare hack that changed my life Rubbing ice all over my face before anything else. I find that it provides an instant depuff. A nail trend I'm currently obsessed with Milky sheer nails. They are clean, timeless and flattering on everyone. A hair look I've always wanted to try but haven't yet Curtain bangs! I love that they're face-framing, romantic and slightly risky. The facial I swear by Lymphatic drainage facials. They sculpt, detox and reset my skin in the most satisfying way. My signature fragrance Maison Francis Kurkdjian's Gentle Fluidity Gold Edition. It smells like soft luxury with just the right touch of mystery. An underrated beauty product Pond's Cold Cream. It removes every trace of make-up and grime without stripping your skin. A humble icon. The non-negotiable skincare step in my routine Double cleansing. It's a tip I picked up from Victoria Beckham and it changed everything for me. Skin can't glow if it's not truly clean. An eye look I keep going back to Soft taupe lids with a smudged brown liner. It looks like I put some effort into my make-up, but not to the point where it looks overdone. The song that shaped my make-up aesthetic 'Wicked Game' by Chris Isaak. It's smoky, sultry and cinematic—like smudged eyeliner at golden hour. Key beauty advice that I resonate with Your best beauty routine starts with being kind to yourself. This story appears in Vogue Singapore's 'Home' issue, available online.
Vogue Singapore
23-07-2025
- Entertainment
- Vogue Singapore
Solar Power: The radiant sunlight of Fred high jewellery
Sunlight. So primal, powerful and the catalyst for which we view things of beauty. It's the inspiration behind First Light, the new collection of high jewellery by the French maison Fred. The collection follows the earlier Inner Light and Ideal Light collections, rounding out a light-themed triptych. In this new expression, a chapter titled Soleil d'Or Sunrise traces the story of one of the maison's most cherished heritage gems—the over-a-hundred-carat Soleil d'Or yellow diamond first encountered in 1977 and reacquired by Fred in 2021—and turns it into modern high jewellery meant to be worn every day. A 1977 image of Margaux Hemingway and the Soleil d'Or yellow diamond. Getty At the heart of this solar story (Soleil d'Or translates to golden sunlight) is a necklace in white gold with draped lines of diamonds that evoke the rays of a sun. Intense yet diffused through clouds, Fred evinced the sun's luminosity through a beguiling mix of yellow and white diamonds. Yellow diamonds grain-set on white gold and white diamonds set on yellow gold claws. The effect: a more nuanced, well-blended effect of warmth. Courtesy of Fred A twist of savoir-faire: the jeweller has inverted the traditional method of setting diamonds on matching colours of gold. Instead, white diamonds are claw-set on yellow gold, and yellow diamonds are grainset on white gold so that this two-tone palette blends exceptionally beautifully. At its heart, naturally, is a two-carat yellow diamond that pays tribute to its eponymous gem. Vogue Singapore's July/August 2025 'Home' is out on newsstands online.
Vogue Singapore
15-07-2025
- Entertainment
- Vogue Singapore
Vogue Singapore partners with CHARLES & KEITH for Vogue Talent Prize 2025—a celebration of creativity and community
V ogue Singapore has long stood as a beacon for creativity in Southeast Asia since its founding in 2020—pushing the boundaries of fashion and culture with purpose-driven narratives and bold visual storytelling. At the heart of this mission lies the Vogue Singapore Foundation, established to nurture local talent, break down barriers to creative education, and amplify voices across the region's fashion and arts industries. This July, the Foundation launches its fourth Vogue Singapore Talent Prize, a platform dedicated to uncovering the next wave of Singaporean storytellers—those who experiment, as well as reimagine the world through digital craft. This year's edition comes once again in partnership with homegrown fashion brand CHARLES & KEITH, a longtime supporter of emerging voices and creative expression. 'We have always sought to inspire creativity by challenging boundaries and boldly experimenting with different expressions and styles, and are passionate about supporting emerging talents in their own journeys to inspire and experiment.' shares Fredie Stevens, Design Director of CHARLES & KEITH. The 2025 Talent Prize invites all image-makers and digital creatives aged between 18 and 30—be they students, recent graduates, or young professionals—to respond to a single prompt: What does 'home' mean to you? From physical space to memory, community, or belonging, applicants are encouraged to submit a visual interpretation of the theme, along with a 100-word description of their work. Submissions can span across mediums: from photography and videography to illustration, 3D art, digital wearables, animation and beyond. As a new milestone, this year's top 30 entries will be showcased on a dedicated microsite launching on 18 August 2025—a rare opportunity for wider exposure on a global platform. From this shortlist, five finalists will be chosen to create a brand campaign for Vogue Singapore, spotlighting products from CHARLES & KEITH. The final winner will be selected via a combination of public voting and expert judging. Meet the judges Natasha Damodaran, Publisher, Vogue Singapore Desmond Lim, Editor-in-chief, Vogue Singapore Fredie Stevens, Design Director, Charles & Keith Mae Tan, Creative Multi-hyphenate, Vogue Council member Ben Jones, CEO and Founder of The Mandala Group Judges this year include Natasha Damodaran, publisher of Vogue Singapore, Desmond Lim, Editor-in-Chief of Vogue Singapore, Fredie Stevens, Design Director of CHARLES & KEITH, Mae Tan, Creative Multi-hyphenate and Vogue Council Member, and Ben Jones, CEO and Founder of The Mandala Group. The winner of the Vogue Talent Prize 2025 will receive S$3,000 cash prize, S$2,000 in CHARLES & KEITH vouchers, e xposure across Vogue Singapore's digital and print platforms, and an internship at Vogue Singapore. In addition to the above, the winner will also receive a 1-year complimentary U30 membership at Mandala Club (valued at S$4,876+). A creative haven and members' club for tastemakers across disciplines, Mandala Club lives by one guiding belief: 'Surround yourself with great people in great environments and great things will happen.' Their U30 initiative is designed to foster connection, collaboration and opportunity for the next generation of Singapore's changemakers. Apply here All interested applicants for the Vogue Talent Prize 2025 can simply provide a visual response that they believe answers the below question but also best showcases their creative talent, as well as a 100-word description of their work here. The submission could either be a new creation or an existing piece of work. 'Home' can be a physical space, a feeling, or a place of belonging—what does 'home' mean to you? Submit a visual piece that explores your personal interpretation of 'home'. Applications close at 11:59PM SGT on 8 August 2025. Subscribe to Club Vogue to join our inner circle and support the Vogue Singapore Foundation.
Vogue Singapore
14-07-2025
- Entertainment
- Vogue Singapore
'I really wanted to challenge myself and bring people together through well-curated spaces': Kazuyo Sejima on her collaboration for Prada Mode
Prada Mode is a cultural social club founded in 2018 with the aim of bringing together art, culture and storytelling through the lens of travel. This year, it ventured into uncharted territory crossing continents as guests journeyed from Osaka to Naoshima and were ferried across to Inujima. There, they experienced firsthand how a remote island off the coast of Okayama Prefecture, home to just 21 inhabitants, has quietly evolved into a vital hub for contemporary art. This transformation is largely thanks to renowned Japanese architect Kazuyo Sejima, who has dedicated 17 years to the Inujima Art House Project. With Prada's support which includes the donation of a permanent pavilion at Inujima Life Garden, guests were invited to immerse themselves in a rare, deeply moving journey where a single boat ride shifts not just location, but perception. Much like the mythical Shangri-La, this voyage underscores the importance of physical experience—of being present in a space where culture, memory and imaginations are shared. Renowned Japanese architect, Kazuyo Sejima. Courtesy of Desmond Lim Throughout this unforgettable journey I had the privilege of speaking with Sejima and not only did I gain invaluable insight into the mind behind curating spaces, but I also came away with a deeper understanding of our responsibility, as global citizens, to uphold culture through the nurturing and cultivating of the arts. Here Sejima speaks to Vogue Singapore about the collaboration, her designs ethos and creative process. How did you feel when you first received the call from Prada for this collaboration? This collaboration happened two years ago in Tokyo when I was invited to be part of Prada Mode. I was serving as the director at Teien Art Museum and even though I might not be well-versed in fashion—being an architect—I really wanted to challenge myself and see how I can bring people together through well-curated spaces. And because Teien means Japanese garden, I decided to bring the conversations, the workshops and the performances outdoors— where it allows for guests to interact with the environment. For its twelfth edition this year, the exhibition showcases Sejima's cultural works in the historic island's lush, green landscape. Courtesy of Desmond Lim As part of Inujima's Art House project, Prada collaborates with Sejima, unveiling a permanent pavilion in the Inujima Life Garden. Courtesy of Desmond Lim Inujima's forested trails form the perfect backdrop for the culturally-rich project—offering a dialogue between the artworks and the island's natural environment. Courtesy of Desmond Lim Did you extend that concept to Osaka and Inujima? Yes, because while Osaka offers a more straightforward outdoor setting, Inujima—being a much smaller island—presents a completely different set of dynamics. There, the environment plays a pivotal role in shaping how we foster community through the exhibits. I hope for the two sites to be in dialogue with one another, each responding to its context yet contributing to a shared narrative. Ultimately, I want the experience to leave visitors with a sense of responsibility—not just to the art, but to their own communities. I think this is very important. Let's talk about design—from the iconic Aoyama store in Tokyo to the one in SoHo, New York and the now-legendary Prada Marfa installation in the Texas desert—Prada's retail spaces are often both a boutique and art gallery. Do you see a connection between that visual language and your own design philosophy? I was in awe when I first saw the store in Aoyama. But when it comes to my design s , I like to find a bit of fun in the way we do things. Take the rabbit chairs found at the Inujima Life Garden for instance, maybe not the most comfortable (chuckles), but they were created to achieve a certain look and feel—which aligns to the way I approach design and how it allows for interpretations. Prada Mode Osaka combines history, architecture and daily life, showcasing site-specific art installations in the island of Inujima. Courtesy of Desmond Lim Inside the garden pavilion, Sejima's open-air design merges indoor and outdoor seamlessly—framing the natural landscape while offering a communal space for creative exchange. Courtesy of Desmond Lim The rabbit chairs found at the Inujima Life Garden nods to the Sejima's playful, lighthearted approach to design Courtesy of Desmond Lim Scattered across the surface like water bubbles, the artwork appears to float along the surface—adding a sense of lightness to the installation. Courtesy of Desmond Lim Glass, for instance, is featured prominently in many of your works. Do you typically approach a space with a specific material in mind, or does the site itself dictate the material palette as the process unfolds? It's very much dependent on the environment. In Inujima, for instance, the roads are extremely narrow, so the logistics of transporting materials must be carefully considered. Anything beyond a certain size becomes nearly impossible to move, and because of that, we work closely with the environment, letting it guide many of our decisions. In fact, the sheds that house these large-scale installations often have their frontages completely removed, leaving only the bare structural frame. This not only opens up the space but allows the viewer to experience the artwork in tandem with its surroundings, inviting a deeper appreciation of the island's natural beauty. Harmony is key for me when designing from within a landscape. Miuccia Prada is known for pushing her creative boundaries—often choosing to work with materials, ideas or stereotypes that she actively resists. Have you ever similarly challenged yourself to go against your instincts or preferences in your own creative process? Oh really? I didn't know that! [laughs]. Well, honestly, I just love working with things I genuinely enjoy! But in all seriousness, I think it really depends on the space and the environment I'm working with. A striking installation within Inujima's Art House Project blurs the boundaries between architecture and nature, reflecting Kazuyo Sejima's vision of spaces that invite open interpretation and harmonious engagement with their surroundings. Courtesy of Desmond Lim A vibrant, large-scale floral sculpture enlivens the historical wooden space, enriching the site with a creative and immersive art experience. Courtesy of Desmond Lim Enriched by the historic architecture of Inujima, Prada Mode Osaka blends culture and art with the island's natural landscape. Courtesy of Desmond Lim Minimalist spaces often invite open-ended interpretation, while maximalist ones tend to present a more defined narrative. Do you agree with this? Of course, I appreciate minimal spaces. However minimalism doesn't automatically equate to freedom. A richly decorated space can be just as engaging. For me, when it comes to creating environments, I'm drawn to the idea of a park—an open, communal space that brings people together regardless of age, gender or social background. That's very much the spirit behind Prada Mode: to create a space that is inclusive, open-ended and ultimately left to one's own interpretation. And finally, what's your idea of a happy place? I think when people get older they get happier. And wherever that place may be, it will always be a happy place. For more information on Prada Mode Osaka, visit Prada.
