Latest news with #exhibition
Forbes
5 hours ago
- Entertainment
- Forbes
Paley Museum In NY Celebrates Six-Season Run Of ‘The Handmaid's Tale'
The Paley Museum in New York is offering an exclusive exhibition about Hulu's The Handmaid's Tale' to commemorate the conclusion of its six-season run. HOLLYWOOD, CALIFORNIA - APRIL 02: (L-R) Max Minghella, Sam Jaeger, Madeline Brewer, Ann Dowd, Samira Wiley, Elisabeth Moss, Amanda Brugel, Yvonne Strahovski, Ever Carradine, Bradley Whitford, Josh Charles and O. T. Fagbenle attend the Premiere Event for Season 6 of Hulu's "The Handmaid's Tale" at TCL Chinese Theatre on April 02, 2025 in Hollywood, California. (Photo by Axelle/Bauer-Griffin/FilmMagic) FilmMagic On display through June 8, this features iconic costumes, props, and artifacts from the drama, including pieces worn by characters such as June Osborn (Elisabeth Moss), Serena Joy Waterford (Yvonne Strahovski) and Commander Lawrence (Bradley Whitford). The museum invites visitors to 'explore June's journey through the dystopian universe of Gilead, where every artifact tells her story of resistance, rebellion, and survival.' It also says 'these powerful pieces honor not only the creative talent behind the scenes but also the lasting cultural impact of this provocative and critically acclaimed drama. On display, it says, are' June Osborn's (Elisabeth Moss) iconic red handmaid's dress, cloak, and white winged bonnet; Serena Joy Waterford's (Yvonne Strahovski) haunting teal dress; costumes worn by other pivotal characters, including Aunt Lydia (Ann Dowd), Nick Blaine (Max Minghella), Hannah Bankole (Jordana Blake), and Rita (Amanda Brugel); and artifacts and props that have become symbols of the series, including Commander Waterford's Scrabble board, Nichole's doll from Nick, Serena's bible, June's Boston map, and Handmaid's muzzle, among others.' Through June 8, the museum also is screening 'The Handmaid's Tale: 'Offred'' (the series' 2017 premiere), which it says. It says this 'describes a dystopian future in which women are enslaved within Gilead, a totalitarian, religion-based society. A woman called Offred ("of Fred") (Elisabeth Moss), is separated from her husband and daughter and forcibly assigned to be a subservient "Handmaid" to a powerful couple, the icy Serena Joy (Yvonne Strahovski) and her husband, Commander Fred Waterford (Joseph Fiennes). Offred privately declares her determination to survive for her husband Luke, her daughter Hannah, and for her true, forbidden self: June.' Also through June 1 it is screening 'The Handmaid's Tale: 'Night'' (the season one finale). In it, the museum says, 'Offred recalls her first pregnancy and Serena Joy takes Offred on a road trip, where she later reveals Offred's daughter, Hannah. Offred pleads to be reunited with her daughter, and Serena Joy assures her Hannah will be safe as long as she maintains a healthy pregnancy. Later, Fred (Joseph Fiennes) assures Serena Joy that they will be a true "family" once Offred delivers their child and departs from the home. Offred is later arrested and prepares for either "her end or a new beginning." Based on the 1985 novel by Margaret Atwood, The Handmaid's Tale, the museum said, is. 'set in a dystopian United States following the Second American Civil War, The Handmaid's Tale paints a dark picture of life for women, many of whom are Handmaids, under a totalitarian government. The first season captured audiences' attention with a powerhouse cast, led by Elisabeth Moss as 'June Osborn/Offred' in a story of survival, strength, and overcoming extreme adversity. Winner of fifteen Emmy Awards across its first five seasons, the dystopian thriller's sixth and final season' premiered in April. Admission to the exhibition and screenings is included in the general admission fee.
Forbes
6 hours ago
- Entertainment
- Forbes
New Las Vegas Exhibit Displays Five Cirque Du Soleil Shows' Costumes
A first-of-its-kind exhibition, 'Stories from Backstage: Cirque du Soleil in Las Vegas' is on display at Las Vegas City Hall's Grand Gallery through July 17. LAS VEGAS, NEVADA - FEBRUARY 07: Cirque du Soleil performers attend The Neon Museum's 'Stories from Backstage: Cirque du Soleil in Las Vegas' exhibit at Las Vegas City Hall on February 07, 2025 in Las Vegas, Nevada. (Photo byfor The Neon Museum) Global entertainment producer Cirque du Soleil and the Neon Museum, the museum dedicated to collecting and preserving Las Vegas' history, have jointly created the exhibition. The presenters said 'Stories from Backstage: Cirque du Soleil in Las Vegas' 'offers an inside look at one of the world's most iconic entertainment brands, showcasing the creativity, innovation and craftsmanship that power productions by Cirque du Soleil. Visitors can discover how athletes become artists, how characters are brought to life and how technology continues to evolve costume design. With an array of fabrics, costumes, masks, and more on display, the exhibition unveils the behind-the-scenes artistry that has made Cirque du Soleil a defining part of the Las Vegas experience since the 1990s.' The exhibition includes iconic costumes, makeup, measurement sheets, shoes, 3D-printed fabrics and much more from the five current Cirque du Soleil Las Vegas shows, including Mystère, 'O,' Mad Apple, KÀ and Michael Jackson ONE. Also on display here are the Spearmen shoes from KÀ; wigs worn by the the synchronized swimmers in 'O'; the Red Bird costume from Mystère; and the Bateau from 'O' Sarah Hulme, the exhibition's chief curator who is also the deputy director of The Neon Museum, said, 'Cirque du Soleil is a pillar of our city's cultural identity, and this collaboration has resonated deeply with our visitors, shining a spotlight on the extraordinary artistry and innovation that happens behind the curtain. The feedback has been overwhelmingly positive. Guests are all fascinated by the artistry and behind-the-scenes magic that defines Cirque du Soleil.' Aaron Berger, executive director of the Neon Museum—which was founded in 1996 and features a 'neon boneyard,' an outdoor exhibition space that displays historic Las Vegas neon signs thar are no longer in use—called the exhibition 'a powerful reflection of our expanded mission to celebrate the creative forces that shape Las Vegas and we are proud to continue telling the many untold stories of Cirque du Soleil.' Also on display at the Neon Museum are Brilliant! Jackpot, an immersive audiovisual experience that reilluminates more than 50 non-operational neon signs using advanced technology, and a neon boneyard park, a green space that enables visitors to learn more about las Vegas' history. Cirque du Soleil Entertainment Group said it is 'a world leader in live entertainment. Building on four decades of pushing the boundaries of the imagination, the artistic entertainment company brings its creative approach to a large variety of artistic forms such as live shows, multimedia productions, long-from content, music, immersive experiences, and special events. Cirque du Soleil Entertainment Group celebrates 40 years of defying reality, defining entertainment, and illuminating the world through art and creativity. Since its creation in 1984, more than 400 million people have been inspired on 6 continents and 86 countries. The Canadian company now employs more than 4000 employees, including 1200 artists from more than 80 different nationalities.'
Asharq Al-Awsat
10 hours ago
- Business
- Asharq Al-Awsat
Buildex Exhibition Reveals Strong Regional and International Interest in Syria's Reconstruction
Damascus has hosted the 22nd edition of the International Building Exhibition 'Buildex,' its first since the fall of Bashar al-Assad's regime in December 2024. The event drew strong participation and visitor turnout, signaling renewed interest in Syria's reconstruction. More than 740 companies took part, including 490 local firms and 250 international companies from 39 countries. The exhibition was held at the new fairgrounds near Damascus International Airport. Notably, Turkish, Saudi, and Jordanian companies led the foreign participation, with Türkiye contributing over 150 firms, by far the largest foreign presence. Saudi Arabia and Jordan followed with 28 companies each, while China participated with 10. In contrast, companies from Iran and Russia, once dominant at the exhibition, were entirely absent. This shift reflects the waning influence of both countries following Syria's political transformation. Exhibitors represented sectors including construction materials, engineering, renewable energy, real estate development, water technology, and banking. Organizers described the exhibition as the largest economic event since sanctions on Syria were lifted by the US and European Union. In comments to Asharq Al-Awsat, Ilama Matar, International Marketing Manager at the Arab Group for Exhibitions, said this was the 'first edition after liberation.' She noted that during the war, only two limited editions were held in 2023 and 2024. She called the Saudi presence particularly important, with Al-Ojaimi Industrial Group - a major Saudi company in the electrical sector - serving as the main sponsor. B2B meetings were primarily held between Syrian, Saudi, and Jordanian companies, focusing on material supply chains and import logistics. Matar said some companies came only as visitors due to lack of available space. 'The energy here shows that Syria is open for business,' Matar said. 'This is the first major event after sanctions were lifted, and companies are moving quickly to enter the market.' Among the participating Saudi firms were United Transformers Electric Company, Plus Cable, Middle East Specialized Cables, and Sulfur Middle East Group. Executive Director Al-Baraa Abdel Jabbar Nuwair said their goal was to support Syria and contribute to rebuilding. 'The turnout and excitement exceeded expectations,' he said. Marketing Manager Ahmad Hammadeh of Middle East Specialized Cables said the company aims to explore export opportunities and showcase its infrastructure expertise. 'We've helped build major airports, and we believe there's potential for similar projects here.' The exhibition, which opened May 27, was held under the patronage of Syria's Ministries of Economy, Industry, and Public Works.
Washington Post
11 hours ago
- Entertainment
- Washington Post
Before ‘Madame X,' John Singer Sargent was even more dazzling
NEW YORK — The Metropolitan Museum of Art's 'Sargent and Paris' exhibition builds to a single moment, a single painting and a single scandal in the life of the young American artist. In 1884, a decade after he had arrived in Paris as a precocious 18-year-old, John Singer Sargent unveiled a portrait of a Louisiana-born Creole woman named Virginie Amélie Avegno Gautreau at the Paris salon. It caused a sensation that still ripples today.
CBS News
a day ago
- Entertainment
- CBS News
Boston artist John Wilson's work now the subject of Museum of Fine Arts exhibit celebrating humanity
A late Boston artist that got his start in the Roxbury neighborhood now has his work gracing the walls of the Museum of Fine Arts as part of a new exhibition. Welcome to Roxbury: the geographic center of the city, the heart of Black Boston, and the birthplace of artist John Wilson. "His life came out of that community very deeply, and it produced this—at least for me—this magnificent representation of human beings," said Roy Wilson, John's son. Importance of family John Wilson was born in 1922, to immigrants from British Guyana. Although his career took him to many places, Including Europe and Mexico, family was always important to him. He went on to marry his wife Julie and they had three kids: Erica, Rebecca and Roy. Roy Wilson invited WBZ-TV into his childhood home in Brookline. "I just have this vision of him doing anything to protect us. And I always knew that about him - that he'd be there in the end for you - whatever it took," said Wilson. John Wilson passed away in 2015 at the age of 92, but the memories that Wilson made with his father are still very much alive. "Well - one thing is - he was upstairs working a lot. When I went to the show, it was kind of impressive… seeing all the stuff that he had been working on in his studio for so many years—to see it all in one place!" said Wilson. New MFA exhibit That place? The walls of The Museum of Fine Arts, Boston. One hundred and ten of his works grace the walls; paintings, prints, drawings, sculptures and illustrated books—all on display in the exhibition "Witnessing Humanity: The Art of John Wilson." "The self-portrait was an incredibly important part of John Wilson's work and throughout his six-decade career, so much of his work is focused around portraits of himself, his family, and his friends," said co-curator Edward Saywell. "And a lot of that has to do with his reclaiming, the dignity and the gravitas of the portrait for Black Americans." Saywell, one of the four co-curators of the John Wilson exhibit, told WBZ-TV that as an art student, Wilson never got to see himself in art history books or exhibitions. "And when he did see representations of Black Americans, all too often he described them as caricature-like or dehumanized. And one of the threads that you see throughout the entire exhibition is incredible humanity and empathy that he imbues in all his portraits—whether it's a portrait of himself or a portrait of a family member or a friend," Saywell explained. John Wilson spent more than six decades creating artwork that challenged viewers to not just see. "The works speak to, not only key political and civil rights moments over those six decades, but they speak to what life was like in Roxbury growing up in the 1940s," Saywell said. Works displayed in Roxbury Long before Wilson's works were in the MFA, they were on display in the neighborhood that helped shape him. One of those works sits on the campus of Roxbury Community College, called: "Father and Child Reading." A 7-foot tall bronze sculpture that honors the fond memories John Wilson had of his father reading to him. "Father and Child Reading," a sculpture by John Wilson. CBS Boston "I know that he was very dedicated to the idea of being a father, in acculture, that in some ways, made it difficult to be an upstanding man," said Wilson. The other work, a very well-known piece called "The Eternal Presence", more affectionately known as "The Big Head." The monument, described by the artist himself as, "an image of universal dignity." "For him, putting it in Roxbury was as important as the piece itself. And attaching it to the ground, no pedestal, in his home community—was as important as anything else about the piece. And the fact that people come once a year to polish it and to refinish it, was completely moving to the man. It was the highest compliment he could imagine being paid," said Saywell. That piece sits on the campus of the museum of The National Center of Afro-American Arts. "My sincerest hope is that any visitor is going to see an extraordinary Boston artist who should be on the national stage and are going to come away, hopefully seeing work that speaks to them in one way or another," Saywell shared. "That we are as magical, as strong, as thoughtful, as human, as any other people on the planet," Wilson said when asked about what he wants visitors to feel leaving his father's exhibit. John Wilson's impact is also still felt by students and staff alike at Boston University, where his inspiration and instruction as a professor continues to reverberate. The exhibition at The Museum of Fine Arts, Boston will be on display through June 22 – and then it will travel to The Metropolitan Museum of Art in New York in September.
