Latest news with #filmrelease
Yahoo
3 days ago
- Entertainment
- Yahoo
‘Coyote vs. Acme' Finally Reveals a Release Date at Comic-Con
If the long, twist-filled 'Coyote vs. Acme' fight for a release was 'It's a Wonderful Life,' then Ketchup Entertainment would be all the townspeople at the end (79-year-old spoiler) chipping in to make sure George Bailey doesn't go under. That's as far as the analogy goes, though film fans can easily guess who is Mr. Potter in this scenario. Regardless, the townspeople have won the day, and 'Coyote vs. Acme' is indeed on its way — finally — with a theatrical release set for August 28, 2026. To sum things up as quickly as possible: the $70 million live-action/animated movie was one of a few (paging 'Batgirl') that were shelved in 2023 as tax write-offs for Warner Bros. (to the tune of $30 million), even though the movie had tested well. After a fan outcry, the film was put up for sale to other studios… but then it quickly was dead in the water again, when nobody met the price WB wanted. A cast and crew funeral screening was even held for the movie. It was dead. George Bailey was going to jump off the bridge. More from IndieWire How 'Oh, Hi!' Makes Doomscrolling Funny What If 'The Virgin Suicides' Felt More Like a Cursed Object? Try the Feverish 'Honeycomb' for Summer Enter Clarence- eh… 'The Day the Earth Blew Up: A Looney Toons Movie,' which Ketchup distributed, though it was only set for a streaming HBO Max (or Max at the time) release. They then made a deal earlier this year for 'Coyote vs. Acme,' which the film's star Will Forte expressed relief over earlier this year, telling THR, 'I never thought it would happen so it just came out of nowhere and I'm so thrilled,' he said. 'Thank you Ketchup Entertainment, I'm so excited for people to see this movie. I'm gonna promote the crap out of it, just tell me what you want me to do and I'll go, I'll do whatever — go to the top of Mount Everest, I'm there.' So the film's San Diego Comic-Con panel, to say the least, was hotly anticipated. And Ketchup did not disappoint. 'This movie wasn't suppose to come out,' panel moderator Paul Scheer said (via Deadline). 'I heard Warner Bros wouldn't release the film — I've never heard of Warner Bros! This is really an Acme decision and I'm saying that for legal purposes.' The even had 'an Acme lawyer' appear, attempting to halt the film's release. 'These are cease and desist papers from the Acme Corporation. You do not have permission to share information and footage from this anti-Acme film. Please leave the stage,' the performer said, then addressed a cosplaying audience member, 'As a copyrighted costume, sir, please disrobe.' May the other shelved Warner Bros. properties — which also includes another animated film 'Scoob! Holiday Haunt' — one day find such a rebirth. Until then, they await discovery at the Island of Misfit Toys. But that is another analogy for another day. Until then, check out 'Coyote vs. Acme' in theaters August 28, 2026. Best of IndieWire Guillermo del Toro's Favorite Movies: 56 Films the Director Wants You to See 'Song of the South': 14 Things to Know About Disney's Most Controversial Movie Nicolas Winding Refn's Favorite Films: 37 Movies the Director Wants You to See
Daily Mail
4 days ago
- Entertainment
- Daily Mail
Rebel Wilson hits back at lawsuit when she's sued for accusing movie producers' of inappropriate conduct
Rebel Wilson has hit back at the second lawsuit filed against her by the producers of her directorial debut film The Deb, and released a song from the movie called F*** My Life. The lawsuit claims the 45-year-old star made false and derogatory statements about the producers, including accusations of engaging in 'inappropriate conduct' toward the film's star Charlotte MacInnes - who's since denied the allegations. Wilson shared a message on Instagram on Friday, and called the proceedings, which were filed by producers Vince Holden, Gregor Cameron, and Amanda Ghost in the NSW Supreme Court on Thursday, an act of 'spiteful toxic behavior'. Wilson's post said: 'Apparently I'm being sued in Australia? It makes no sense. 'As the director, producer, and co-star who nurtured a project called The Deb for five years from a three-page idea into a gorgeous feature film - I wish nothing more than to have this film released and have been working tirelessly behind the scenes to get this to happen. 'To say otherwise is complete nonsense. I'm so proud of the film! 'In my opinion, this is continued bullying and harassment from UK financiers of the project Amanda Ghost, Gregor Cameron, and Vince Holden. 'They tried to prevent the film from premiering there (they lost) and now they've tried to stop the film being released because of a baseless US lawsuit and now a further Australian one.' Wilson went on to say it was 'imperative the movie is released' and added it was 'sad' to see the hard work of 'so many Australians' who worked on the film go to waste. Wilson added: 'Contractually as financiers they have the power to sell or release/distribute the film. They haven't done so. 'It's been a year since the film has been completed and ready to go in cinemas. Instead, in my opinion they have continued this spiteful toxic behaviou.' Wilson then revealed the first song of the film F*** My Life and she would be releasing it for her fans to listen to 'because if these f***wits aren't going to release the movie I may as well'. She also doubled down on previous accusations she made against Ghost, Cameron, and Holden, which they have since denied and included in both their defamation lawsuits against the Pitch Perfect star. The star continued: 'I've moved on, now directing my second movie and loving it. But regarding The Deb, all I can literally say is "F*** My Life" with tears in my eyes and a heavy heart. 'Everyone who worked on the movie and who knows me knows I put my blood, sweat and tears into this. Everyone knows I'm a "truth teller" when it comes to vile people in the industry. 'I just want this movie to come out and for all the amazingly talented contributors to be recognized for their sensational work! 'At least we had the Toronto premiere—and at least now you can all see the opening of the film. Posting it now! Rebs x' Wilson then made good on her promise and proceeded to post the opening song of The Deb. Reports of the second lawsuit filed in Australia emerged on Thursday. Holden, Cameron and Ghost claimed Wilson falsely accused them of embezzling the film's funds and engaging in 'inappropriate conduct' with MacInnes, reported The Australian. Wilson's also being sued for defamation in the U.S. courts by the three producers, who accused her of injurious falsehood, misleading and deceptive conduct and breaches of contract and director's duties. They also alleged Wilson threatened the Australian distributor of the film, Kismet, by seeking an injunction to block its release.
News.com.au
4 days ago
- Entertainment
- News.com.au
‘F**k my life': Rebel Wilson's extraordinary spray over new lawsuit
Hollywood actress Rebel Wilson has launched an extraordinary spray over the production company suing her for defamation, admitting the first song of her unreleased film, titled 'F**k My Life', sums up her situation. After news broke that the production company was suing her in Australia over comments on Instagram, Ms Wilson has returned to social media to repeat many of the claims that are outlined in the lawsuit. 'So apparently, I'm being sued in Australia?' she said to her 11 million followers on Instagram. 'It makes no sense. As the director, producer and co-star who nurtured a project called The Deb for five years from a three page idea into a gorgeous feature film, I want nothing more than to have this film released, and have been working tirelessly behind the scenes to get this to happen. 'To say otherwise is complete nonsense. I'm so proud of the film!'. Describing the lawsuit as 'baseless' she said that 'many Australians worked so hard on this film, and it's imperative the movie is released!' 'It's been a year since the film has been completed and ready to go in cinemas. Instead, in my opinion, they've continued this spiteful, toxic behaviour. 'The first song of the film is called F**k My Life. I'm going to release it now, because if these f**kwits aren't going to release the movie, I may as well.' Ms Wilson then posted a video from the unreleased film, which legal sources suggested could be a breach of copyright. 'Everyone who worked on the movie and who knows me KNOWS, I put my blood, sweat and tears into this,' she said. 'Everyone knows I'm a 'truth teller' when it comes to vile people in the industry.' Ms Wilson is facing a lawsuit lodged in the NSW Supreme Court by the production company behind her directorial debut The Deb, alleging serious breaches of contract and director's duties, misleading and deceptive conduct, and injurious falsehood. Ms Wilson was sued for defamation in the United States last year by producers Amanda Ghost, Gregory Cameron and Vince Holden who allege she falsely claimed they had embezzled funds from the movie and had behaved with 'absolute viciousness and retaliatory behaviour'. That matter is ongoing. The new lawsuit in NSW has been lodged by Mr Holden's production company A.I. Film and is being handled by an Australian-based legal team – Patrick George, Jeremy Marel and barrister Sue Chrysanthou, SC. It accuses Ms Wilson of blocking the film's release though legal threats and making false claims that the lead actor in the film, Charlotte MacInnes, was the target of 'inappropriate conduct'. In the new legal submissions, A.I.'s legal team insist that Ms MacInnes denies she was ever harassed, and states that Ms Wilson's claims are baseless. The blow up follows a video Rebel Wilson posted on Instagram in July 2024, where she made a number of misconduct claims about the movie producers to her 11 million followers. '[T]o have the business partners that are involved in that movie turn around and say that no, the movie can't premiere, is just beyond devastating,'' she said. 'And so I said, reported, I guess you would say, their bad behaviour when I found out not minor things, big things, you know, inappropriate behaviour towards the lead actress of the film, embezzling funds from the film's budget, which we really needed because we're a small movie, you know? So kind of really important things. Since I reported that behaviour, I have been met with absolute viciousness and retaliatory behaviour. 'And yet every step of the way, these people who I complained about then tried to make my life hell. 'And this behaviour is absolutely vile and disgusting. Now these people you know, Amanda Ghost in particular, has a history of doing this kind of thing, mainly to music artists but also to people in the film business. So, the thing is, these people are forced to sign NDAs or, you know, otherwise threatened or bullied to not speak out. 'I will speak the truth, and, you know, warn people about these people in the industry. Who are just not behaving ethically ... if the movie doesn't play in Toronto, it's because of these absolute f**kwits.' Ms Ghost is now suing Ms Wilson for defamation in the United States. In the NSW lawsuit, the production company's legal team argued these statements conveyed that one of the producers had made 'inappropriate sexual advances to an actress in the film'. 'In fact, none of the producers had made inappropriate sexual advances to an actress,'' the legal documents state. The lawsuit alleged Ms McInnes categorically denied Ms Wilson's claims telling media outlets 'there is no truth to the allegations made involving me.' 'I love this film and I can't wait for it to be released. It would be wonderful if these proceedings can help make that happen,'' she said in a statement to She previously told media outlets: 'Making false accusations undermines real victims and I won't be the subject of a fabricated narrative.' After the actress was subsequently cast as Daisy in Florence Welch's musical Gatsby: An American Myth, Ms Wilson is alleged to have made the following statement on Instagram stories accusing her of 'changing her story.' 'When an actress on her first feature film is asked by a producer to stay in the same apartment as them, and then makes a complaint to me as the director saying said producer 'asked her to have a bath and shower with her and it made her feel uncomfortable' – what am I supposed to do of course I reported it,'' Ms Wilson said. 'There is no world where this is acceptable. The fact that this girl has been employed now by this 'producer' in the lead role of a production called GATSBY (ART Boston) and given a record label – should be all the proof you need as to why she has now changed her story.' During the Cannes Film Festival, Ms Wilson allegedly posted more Instagram stories, suggesting MacInnes had 'lied by denying the allegations of sexual misconduct by the film's UK producers'. 'Charlotte MacInnes in a culturally inappropriate Indian outfit on Len Blavatnik's luxury yacht in Cannes – ironically singing a song from a movie that will never get released because of her lies and support for the people blocking the film's release. So glad you got your record deal Charlotte at the expense of the 300 people who worked on The Deb and really wanna see it released.' In the new lawsuit, it is alleged Ms Wilson 'threatened the Australian distributor of the film that she would obtain an injunction to prevent its release, when the contractual documents plainly prevented her from obtaining an injunction.' No stranger to defamation battles, Ms Wilson won a record payout from Bauer media but was later forced to repay the majority of her record defamation payout from a magazine publisher. Ms Wilson had received A$4.7m in damages and interest from Bauer Media over articles that she said portrayed her as a serial liar. But a court reduced the sum to A$600,000 following an appeal by the publisher. She was then ordered to pay back A$4.1m and A$60,000 in interest. A subsequent bid to have an appeal heard in the High Court of Australia was rejected, bringing her legal battle 'to a definitive end'.
Yahoo
5 days ago
- Entertainment
- Yahoo
Lionsgate, Universal Set ‘Michael' for April 2026 Release Date
Lionsgate and Universal have set 'Michael,' Antoine Fuqua's biopic about Michael Jackson, for release on April 24, 2026. Lionsgate will handle domestic distribution for the film while Universal handles overseas with the exception of Japan, where it will be distributed by Kino Films. 'Michael' will have global Imax support. More from TheWrap Bob Odenkirk, Sigourney Weaver Headline Toronto Film Festival's Midnight Madness Movies Jim Jarmusch's 'Father Mother Sister Brother' Will Be Centerpiece of 2025 New York Film Festival 'Five Nights at Freddy's 2' Trailer Lets the Killer Robots Loose Imax Rides 'Sinners,' 'Mission: Impossible 8' to Boost Second Quarter Revenue to $92 Million While the release date is technically a weekend before the usual start of the summer box office season on the first weekend of May, 'Michael' will be the de facto kickoff tentpole release for theaters to start the critical theatrical period. Historically, a Marvel Studios film has been set for release on the first weekend of May, but that won't be the case in 2026 and 2027 as Disney has moved 'Avengers: Doomsday' and 'Avengers: Secret Wars' out of that slot and into the holiday season. During Lionsgate's last earnings call in May, CEO Jon Feltheimer announced that 'Michael' had been pulled from its previous release date this October, saying that Fuqua and producer Graham King had turned in a 3.5-hour cut of the film. Jaafar Jackson will star in the movie as his late uncle. 'Michael' also stars Colman Domingo and Nia Long as the pop star's parents, Joe and Katherine Jackson, with Miles Teller as John Branca, Jackson's attorney and advisor. There are no current competing wide releases set for April 24, with 20th Century's 'The Devil Wears Prada 2' and Warner Bros.' 'Animal Friends' set for release on May 1. 'Michael' also joins a 2026 Lionsgate slate headlined by the 'Hunger Games' prequel 'Sunrise on the Reaping,' set for a Thanksgiving release. The studio has also set Kingdom Story Company's sequel to 'I Can Only Imagine' for a February release and also plans to release Mel Gibson's 'The Resurrection of the Christ,' a sequel to his 2004 biblical epic 'The Passion of the Christ,' on a date to be determined next year. The post Lionsgate, Universal Set 'Michael' for April 2026 Release Date appeared first on TheWrap.
Yahoo
20-07-2025
- Entertainment
- Yahoo
Christopher Nolan's ‘The Odyssey' Sells Out in Imax 70MM a Year Ahead of Film's Release
Well, that didn't take long. A full year before the release of Christopher Nolan's epic The Odyssey, tickets went on sale to see the Universal event pic film in Imax 70mm film — the filmmaker's preferred format — at 25 or 26 locations over the July 17-19 weekend, in addition to Thursday afternoon screenings on July 16. Nolan's take on the classic Greek myth — starring Matt Damon as the eternal hero Odysseus — is being shot entirely on Imax film cameras, a first for a commercial feature. More from The Hollywood Reporter Box Office: 'Superman' Leaps Past $300M Globally, Nears $200M Domestically Trump Reacts to 'Late Show' Ending: "I Absolutely Love That Colbert Got Fired" Jimmy Kimmel and Jimmy Fallon Shocked Over CBS' Decision to End 'Late Show': "F*** You and All Your Sheldons" Imax officially announced the special offer on its social feed at midnight Thursday ET. Within an hour, 95 percent of seats were snapped up, according to exhibition sources, repping about a total of $1.5 million in sales, despite a relatively small pool of seats. As the night and day unfolded, there were reports of tickets being resold on eBay and other sites for anywhere between $300 and $400, compared to an average retail price of $25-$28, said one source. By all accounts, it's the first time in history that tickets have gone on sale a year before a film's opening. The title is a follow-up to Nolan's Oscar-winning Oppenheimer, which did huge business in Imax theaters. There are roughly 16 Imax sites in the U.S. that are part of the offering as of now. The July 17-19 weekend and preview showings are already entirely sold out at AMC Lincoln Square 13 in New York City, the Universal Cinema AMC at CityWalk Hollywood and the Regal Irvine Spectrum in Orange County. Elsewhere in California, 77mm seats are almost gone at Imax locations in San Francisco, Dublin and Ontario. Elsewhere across the country, other sell-out Imax cinemas are in Fort Lauderdale, Florida; Buford, Georgia; Indianapolis; Grand Rapids, Michigan; King of Prussia, Pennsylvania; and Dallas. High-profile locations in Canada, where Imax is headquartered, quickly sold out, including the Cineplex Cinemas Mississauga Square and the Cineplex Cinemas Vaughan, both in Toronto. Across the Atlantic, London's famous BFI Imax is sold out, as is London's Science Museum Imax auditorium. Seats are also almost gone in Imax's theater in Melbourne, Australia, as well as a location in the Czech Republic. Imax screens ponied up more than $190 million of Oppenheimer's total global gross of $975.8 million, or 20 percent. The Odyssey has a net budget of $250 million, which will make it the most expensive film of Nolan's career. The improbable blockbuster success of the atomic energy biopic Oppenheimer proved yet again why Nolan is one of the few directors who can reliably deliver an all-audience event film, and The Odyssey's epic scope and A-list cast should prove a major draw. In addition to Damon, the film stars Tom Holland, Anne Hathaway, Jon Bernthal, Anne Hathaway, Zendaya, Lupita Nyong'o, Robert Pattinson, Charlize Theron and Mia Goth. The classic story follows the king of Ithaca as he undertakes a long and perilous journey home to his wife Penelope following the Trojan War. His challenges are many as he spends years encountering a succession of mythical beings, including the Cyclops Polyphemus, the Sirens, the enchantress Circe, and travels to the Underworld. The first teaser trailer for Nolan's event pic debuted exclusively in theaters in front of Universal's Jurassic World Rebirth, which opened over the Fourth of July corridor to huge numbers and continues to be a major draw. Releasing the trailer so early is a bit unusual, considering that The Odyssey is still filming, but an all-audience tentpole such as Rebirth provided an opportunity Universal and Nolan's team couldn't pass up, even if the teaser was leaked online. Word of the advance ticket sales were also leaked when certain theater chains jumped the gun and posted notices that tickets would go on sale for the select 70mm screenings July 17. Best of The Hollywood Reporter The 40 Greatest Needle Drops in Film History The 40 Best Films About the Immigrant Experience Wes Anderson's Movies Ranked From Worst to Best Solve the daily Crossword
