
Red Sea Film Foundation to Host Screenings as Part of 'Directors' Program'
The Red Sea Film Foundation will organize a special film screening series showcasing works by acclaimed international directors, reaffirming its commitment to supporting the local cinema scene by hosting prominent figures in global filmmaking.
The screenings will take place at Red Sea Mall cinemas in Jeddah from April 30 to May 3.
The screening series is held alongside the "Directors' Program," organized by the foundation, and features emerging filmmakers from Saudi Arabia, the Arab world, and Asia and Africa. The program offers an intensive learning journey with workshops and orientation sessions on filmmaking.
The film screenings are part of the "Documentary Film Days" program, organized by the Red Sea Film Foundation and Art Jameel in Jeddah to support emerging cinematic talents.
The initiative is part of the foundation's broader efforts to advance the film industry locally and regionally and to bring international expertise to empower emerging filmmakers from Saudi Arabia, Asia, and Africa.

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Arab News
23-05-2025
- Arab News
‘Gulf Art Movements' exhibition showcases history of Arab creatives
JEDDAH: Art Jameel launched the 'Gulf Art Movements' exhibition on Thursday to trace the evolution of modern creatives in the Arabian Gulf from the 1930s to the early 2000s. The exhibition at Hayy Jameel in Jeddah, titled 'Redrawing the Boundaries: Art Movements and Collectives of the 20th Century Khaleej' opened on May 22 and runs until Oct. 15. It features works by more than 50 artists, drawn from 20 state and private collections, and traces the evolution of modern art movements in the Arabian Gulf from the 1930s to the early 2000s. The 'Redrawing the Boundaries' show explores the emergence and development of key art movements across Bahrain, Kuwait, Oman, Qatar, Saudi Arabia, and the UAE. It examines how artists responded to dramatic shifts in their urban environments and societies while engaging with themes including changing landscapes, public and private spheres, and the rise of formal art institutions. The exhibition includes works from the Art Jameel Collection alongside loans from notable public and private collections, including Mathaf: Arab Museum of Modern Art, Barjeel Art Foundation, the Sultanate of Oman's Ministry of Culture, Sports and Youth Collection, and the Sharjah Art Foundation. Featuring over 80 works, the exhibition highlights a variety of influences —from local folklore and traditions to Western modernist movements, as well as Egyptian and South Asian visual cultures. From the calligraphic abstraction of Hurufiyya, an artistic movement exploring the potential of Arabic script, to the experimental ethos of collectives such as The Five, The Circle, and the Shatta Collective, the exhibition captures the innovative spirit that defined a generation of artists. These artists not only shaped national art movements but also worked collaboratively, founded institutions, and envisioned new futures for art in the Gulf. The show builds on an earlier exhibition curated by Aisha Stoby titled 'Khaleej Modern: Pioneers and Collectives from the Arabian Peninsula,' which was held at New York University Abu Dhabi Art Gallery in 2022. In an exclusive interview with Arab News, Stoby elaborated on her curatorial approach. 'They were artists who were not just foundational figures within their practices, who are without question leaders of the art movements within their own countries, but were influential through all these criteria.' 'They were establishing institutions, mentoring, and building movements. So it was above and beyond the artwork.' The exhibition is organized into four thematic sections: 'The Landscape and Public Sphere,' 'Identity and Private Space,' 'Abstraction and Ephemerality,' and 'The Conceptual New Wave.' Stoby said: 'For me what became very pronounced is if you look at the material thematically, with it comes chronologies and with it comes geographies.' 'It seemed eventually that the most natural way that these conversations could come out themselves was by putting it into a thematic structure,' she added. The exhibition opens with a pairing of paintings in the first section, dedicated to landscape and public space. The two works, by Abdulkarim Al-Orrayed and Abdulhalim Radwi, set the tone for a dialogue between cities, histories, and artistic legacies. Al-Orrayed, a seminal figure in Bahraini modern art and a founding force behind numerous art institutions and ateliers, presents a large painting capturing the development of Manama — its houses, buildings, and evolving urban identity. In contrast, Radwi's piece captures the vibrancy of Jeddah's historic district, Al-Balad. His depiction of movement and bustle evokes the city's rich cultural rhythm. Displayed side by side, these works create one of Stoby's favorite moments in the exhibition, 'A conversation between two city centers,' reflecting shared regional experiences through local lenses. The second section, features deeply emotional and historical pieces, including two evocative works by Kuwaiti artist Thuraya Al-Baqsami. Created during the Gulf War, one of them is 'Note to the Invasion' and 'The Parting' of two people who are in love and being separated. It explores themes of separation, loss, migration and resilience. 'One piece reflects the devastation of conflict, while the other speaks to the aching tenderness of lovers pulled apart by war. These artworks do more than document — they humanize a collective trauma experienced across the Gulf,' said Stoby. In the third section, themed around abstraction and ephemerality, another wall greets visitors with three interconnected works. Among them is a piece by Abdulhalim Radwi portraying the Hajj, sourced from the Mathaf: Arab Museum of Modern Art. 'It is an act of symbolic homecoming as the artwork returns to Jeddah, the city it represents. Beside it hangs 'Worshippers Leaving the Mosque' by Abdulrahman Al-Soliman. 'Together, these paintings resonate as a spiritual dialogue between two pioneering artists: one rooted in Jeddah, the other in Riyadh. 'The wall extends further with contributions from Khalifa Al-Qattan and Ali Al-Mahmeed, artists who reflect on the multifaceted ways religion is experienced in daily life across the region,' said Stoby. Finally, on the upper floor — where conceptual and new media works take center stage — a deeply symbolic film by Omani artist Anwar Sonya stands out. Known for his landscapes and cross-border artistic relationships, Sonya here turns his lens toward memory and myth. The work began as a documentary about a prominent woman who led an art institution in Kuwait. During filming, a coffee cup reading foretold she would live a long and dynamic life, only for her to pass away shortly thereafter. 'The project transformed into an elegiac reflection on mortality, folklore, and the unseen threads that bind lives and legacies. It became an artwork looking at her memory,' said Stoby. It portrays 'our relationship to myth, what is real, and what meaning we can hold onto,' Stoby added. Nora Razian, Art Jameel's deputy director and head of exhibitions and programs, said that 'Redrawing the Boundaries' offers 'a compelling rethink of modernism.' Razian added that it adds 'significantly to the study and understanding of a distinct aesthetic that developed across the Khaleej with a focus on the 1930s through to the early 2000s, a time of state formation, nation building and social transformation.' She added that the exhibition 'foregrounds the critical and foundational roles artists played in shaping institutions and cultivating creative communities during times of transformation.'


Arab News
19-05-2025
- Arab News
Stars on hand at Women in Motion dinner in Cannes
DUBAI/ CANNES: British actress Jameela Jamil and chairwoman of Saudi Arabia's Red Sea Film Foundation Jomana Al-Rashid were on hand as Australian star Nicole Kidman vowed to keep pushing for gender equality in cinema at an exclusive party on the sidelines of the Cannes Film Festival in France on Sunday. 'I'm just an advocate and want to continue to keep moving forward with that, with my pledge from 2017, so it ain't over,' said the Oscar-winning actor at the Women in Motion dinner at Cannes, part of a program set up by luxury group Kering in 2015. Nicole Kidman vowed to keep pushing for gender equality in cinema. (Getty Images) The event took place after Saudi Arabia's Red Sea Film Foundation partnered with Kering to co-host a conversation with four of the Saudi organization's 'Women in Cinema' honorees —Amina Khalil, Gaya Jiji, Rungano Nyoni and Sarah Taibah on May 16. A post shared by Jomana Alrashid | جمانا الراشد (@jomanaalrashid) Kidman, who won an Oscar for her portrayal of Virginia Woolf in 'The Hours' in 2002, has worked with many of the leading male directors of her generation, but she pledged in 2017 to shoot with a female director every 18 months. She told journalists in the French Riviera resort town earlier on Sunday that in the eight years since, she's worked with 27 female directors, including projects in development. 'Part of it is protecting and surrounding the women with almost like a force field of protection and support,' she said. Other stars at the dinner included Dakota Johnson and Julianne Moore as well as Patrick Schwarzenegger of 'The White Lotus.' Director Guillermo del Toro was also in attendance. Brazilian director Marianna Brennand received the initiative's emerging talent award, which includes a grant of $55,920 to work on a second feature project. According to Women in Motion organisers, the share of women directors increased to only 13.6% from 7.5% among the top 100 box office films in the United States between 2015 and 2024. Seven out of the 22 films in competition this year were made by women, including an entry from Julia Ducournau, one of only three women to have ever won the Palme d'Or top prize.


Arab News
16-05-2025
- Arab News
Red Sea fund honors 7 women in cinema at Cannes festival
CANNES: Seven Saudi Arabia and international women filmmakers and artists were honored at the Cannes International Film Festival on Thursday night. For the latest updates, follow us on Instagram @ Elham Ali, Jacqueline Fernandez, Gaya Jiji, Amina Khalil, Rungano Nyoni, Sarah Taibah, and Engfa Waraha were recognized for their work at the Red Sea Film Fund's Women in Cinema Gala event. Several of the women spoke to Arab News about the importance of women's voices in cinema, and had high praise for the Kingdom's efforts to support them. A post shared by Red Sea Film Foundation (@redseafilm) South Asian actress and performer Fernandez said: 'At my 15th year in film, and being part of the industry, this really culminates and really motivates me to keep going and to do more and to rise and it couldn't have come at a better time. 'Just meeting the women and the talent here, seeing how women are supporting women on such a platform has been so inspiring. I feel every artist constantly needs to feel motivated and inspired, and this is one of those moments for me.' The former Miss Universe honoree transitioned into film in the Indian industry with breakout performances in 'Murder 2' (2011) and 'Housefull 2' (2012). A post shared by Red Sea Film Foundation (@redseafilm) She also starred in commercial successes 'Race 2' (2013) and 'Kick' (2014) opposite Salman Khan. 'I think that their (RSFF) passion to promote film and to promote the technicians and to promote the industry has been very, very admirable. 'The fact that also they are not just focusing on Saudi, but they're looking at more of a global reach for their talent, and they're also looking at connecting and bringing together other cultures within that. 'It really is what cinema is all about, right?' she said. A post shared by Red Sea Film Foundation (@redseafilm) Saudi Arabia actress and presenter Ali emphasized the importance of investing in domestic cinema infrastructure, as exemplified by efforts of the Film Commission, Film AlUla, the RSFF, and independent grassroots initiatives. 'There's nothing more important than cinema to present a history and cement stories. 'Cinema is the platform to transfer our stories to the world, and the fastest to do that, and that's why I'm with and support this industry and I still (strive) for more. A post shared by Red Sea Film Foundation (@redseafilm) 'Yes, we've reached such a beautiful point today by seeing our work displayed at international festivals, like Cannes and others, but that's why we need more. 'We're taking quick, powerful, and creative steps,' she said. She added that cultural sensitivities remain a challenge but younger filmmakers were dealing with them slowly. A post shared by Red Sea Film Foundation (@redseafilm) Zambian-Welsh director, screenwriter and actress Nyoni told Arab News: 'I feel fortunate to be recognized. 'It feels like someone, somewhere is listening or at least paying attention a little bit, but also because the Red Sea (Film Fund) spotlights specific areas that are not very popular. 'People always go to the usual suspects and I always love especially when people come to Africa. A post shared by Red Sea Film Foundation (@redseafilm) 'It's such a rarity because, actually, the benefit is you don't get to be very popular, these are not very sexy places to go to, and I love that they finance filmmakers. 'That's the bit that I find really amazing.' Nyoni gained recognition with her early shorts, including 'The List' (2009), and with her more recent feature films, 'I am not a witch' (2017) and 'On becoming a guinea fowl' (2024). They have all earned her numerous awards including the Un Certain Regard Award for Best Director at Cannes last year. A post shared by Red Sea Film Foundation (@redseafilm) Syrian filmmaker Gaya Jiji, whose first feature 'My Favorite Fabric' was also selected in the Un Certain Regard section in 2018, said the right support for women in cinema is emerging now globally. She attended the Red Sea Film Festival three years ago, which supported her movie. And the festival is a co-producer of her second feature 'Pieces of Foreign Life.' She said that the RSIFF has helped create space for women, specifically from Saudi Arabia, which was a step to fulfilling the Vision 2030 plan. Thai actress Waraha said the RSIFF has given a spotlight for women in Asia to have a bigger platform on a global level. A post shared by Red Sea Film Foundation (@redseafilm) 'In Thailand, it's not that difficult for women to be in cinema, but on an international level, especially women of color, there's language barriers. 'There's looks that limit (me) to certain roles, which make it harder for me to bring into the international level with blockbuster movies,' she said. Waraha gained recognition in 2023 for her lead role in the hit TV series 'Show Me Love,' which marked her breakout performance. Her role in 'The Paradise of Thorns,' which she considers her breakout moment, earned her the Best Actress of the Year award at the 2025 Thailand Box Office Awards. 'I feel proud,' she said about receiving the Women in Cinema honor. 'And I want to keep this as inspiration for both myself and for others.' 'I always say women are half of society, and they need to be half of the industry as well. Honoree Taiba has dedicated her work to shedding light on 'real women' in both a physical and emotional sense. 'As much as I'm really, really, really proud to be one of the seven highlighted women in cinema, I hope that we reach a point of equality in the industry that there are no such special events just for us,' she said. She is the creator, writer and lead of the acclaimed dark comedy series 'Jameel Jiddan,' and most recently finished shooting her feature film 'A Matter of Life and Death,' which she stars in and wrote. 'As a woman — and I'm sure a lot of women relate to that — we really doubt our deserving of things. 'This year, I decided that … I'm worth it. I really worked hard, and I'm really proud of myself, that I'm in the right place at the right time of my life.'