
Manito Ahbee: Manitoba powwow, one of North America's largest, celebrates 20 years
WINNIPEG - For many familiar with Canada's powwow scene, Maggie White is known as the first lady of the jingle dress.
The late Anishinaabe woman earned the title after popularizing the jingle dress regalia and dance style at powwows in the late 1960s to the early 1980s.
In the years since, the dance, known as a healing dance, has become an official category at powwows.
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White's family is honouring the matriarch and the jingle dress at this year's 20th anniversary of the Manito Ahbee Festival in Winnipeg, one of the largest powwows in North America.
Jocelyn White says it's hard to put into words what it means to pay tribute to the legacy of her grandmother.
'I (am) excited. I (am) happy that we're able to do this at such a big venue to honour our kokum,' she said from her home on the Naotkamegwanning First Nation in northwestern Ontario.
At the powwow festival, the family is set to host a jingle dress special called 'Honouring the Shiibaashka'igan,' which translates to jingle dress in Anishinaabemowin. A special is a separate contest during a powwow usually sponsored by an individual, family member or organization.
There are different oral histories of the origins of the jingle dress dating back to the early 20th century.
Maggie White's story stems from when she became ill as a young girl. Her grandfather dreamed of a special dress for her adorned with shiny metal cones. When she wore it and danced, it helped cure her ailments.
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Attending Manito Ahbee has been a longtime White family tradition, and Jocelyn White has been going since it started in downtown Winnipeg.
She has watched her nieces dance and listened as men in her family performed with the Whitefish Bay Singers, a drum group founded by her father and an uncle.
'I was always so proud ... when you hear the music, it gives you a good feeling,' she said.
It's this pride of culture, family and traditions that prompted organizers to start Manito Ahbee two decades ago.
A group of Indigenous people in Winnipeg, including the festival's current executive director, Lisa Meeches, came together to develop the festival after discussing the need for an event to showcase First Nations, Métis and Inuit cultures that could also be an inclusive place for all.
Derek Hart has been involved with the three-day festival since day one, as the owner of a company that oversees security. He has also taken on roles with the event's education and logistics teams.
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'I remember that first year. It was a bit of a concern because nobody had bought tickets ahead of time. But once the festival got going and the powwow ... it was a good turnout,' Hart said.
'It was just a really proud moment to see the festival start.'
Manito Ahbee has also evolved. It used to line up with the Aboriginal People's Choice Music Awards, now known as the Indigenous Music Awards, before it moved to the summer. It now takes place on the May long weekend.
There have also been different venues and, in recent years, it has settled at Red River Exhibition Park at the edge of the city.
Programming changed as feedback came in from attendees. This year's event includes a teepee-raising contest, a fashion show and speeches from youth leaders. There's also a marketplace with food and retail vendors.
One of the festival's mainstays has been the crowning of Miss Manito Ahbee.
The title was created to honour the memory of missing and murdered Indigenous women and girls and is awarded to a girl each year.
Grace Redhead, who has been with the festival for the past 12 years, got her start with the Miss Manito Ahbee ambassador program.
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'The crowning of Miss Manito Ahbee is really emotional to see,' said Redhead.
Contestants go through a rigorous adjudication process, demonstrating leadership skills and knowledge about the missing and murdered. Former ambassadors have gone on to become authors, educators and musicians.
Redhead's current role as powwow manager has her organizing the festival's main attraction — the powwow, which draws hundreds of dancers each year.
There's typically 'chaos,' she said, while making sure everyone is in their positions for the kickoff, also known as the grand entry.
'It's a really nice moment once everything's going and you see all the hard work come together,' said Redhead.
Running a festival of this size is no easy feat. It requires the help of managers and volunteers, many of them newcomers looking to learn more about the First Peoples of this land.
The festival has made it a priority to work with immigrant and newcomer organizations. On Sunday, it's holding a citizenship ceremony for the first time.
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'There's so many people that come, and it's not just Indigenous people. It's people of different nationalities just coming to participate,' said Hart.
As the festival heads into its next 20 years, Hart and Redhead say they're most excited to pass on the torch to the next generation of organizers.
'I have no worries about the next 20 years,' said Redhead.
This report by The Canadian Press was first published May 17, 2025.
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Winnipeg Free Press
a day ago
- Winnipeg Free Press
Edmund White, a groundbreaking gay author, dies at 85
NEW YORK (AP) — Edmund White, the groundbreaking man of letters who documented and imagined the gay revolution through journalism, essays, plays and such novels as 'A Boy's Own Story' and 'The Beautiful Room is Empty,' has died. He was 85. White's death was confirmed Wednesday by his agent, Bill Clegg, who did not immediately provide additional details. Along with Larry Kramer, Armistead Maupin and others, White was among a generation of gay writers who in the 1970s became bards for a community no longer afraid to declare its existence. He was present at the Stonewall raids of 1969, when arrests at a club in Greenwich Village led to the birth of the modern gay movement, and for decades was a participant and observer through the tragedy of AIDS, the advance of gay rights and culture and the backlash of recent years. A resident of New York and Paris for much of his adult life, he was a novelist, journalist, biographer, playwright, activist, teacher and memoirist. 'A Boy's Own Story' was a bestseller and classic coming-of-age novel that demonstrated gay literature's commercial appeal. He wrote a prizewinning biography of playwright Jean Genet and books on Marcel Proust and Arthur Rimbaud. He was a professor of creative writing at Princeton University, where colleagues included Toni Morrison and his close friend, Joyce Carol Oates. He was an encyclopedic reader who absorbed literature worldwide while returning yearly to such favorites as Tolstoy's 'Anna Karenina' and Henry Green's 'Nothing.' 'Among gay writers of his generation, Edmund White has emerged as the most versatile man of letters,' cultural critic Morris Dickstein wrote in The New York Times in 1995. 'A cosmopolitan writer with a deep sense of tradition, he has bridged the gap between gay subcultures and a broader literary audience.' The age of AIDS, and beyond In early 1982, just as the public was learning about AIDS, White was among the founders of Gay Men's Health Crisis, which advocated AIDS prevention and education. The author himself would learn that he was HIV-positive in 1985, and would remember friends afraid to be kissed by him, even on the cheek, and parents who didn't want him to touch their babies. White survived, but watched countless peers and loved ones suffer agonizing deaths. Out of the seven gay men, including White, who formed the influential writing group the Violet Quill, four died of complications from AIDS. As White wrote in his elegiac novel 'The Farewell Symphony,' the story followed a shocking arc: 'Oppressed in the fifties, freed in the sixties, exalted in the seventies and wiped out in the eighties.' But in the 1990s and after he lived to see gay people granted the right to marry and serve in the military, to see gay-themed books taught in schools and to see gay writers so widely published that they no longer needed to write about gay lives. 'We're in this post-gay period where you can announce to everybody that you yourself are gay, and you can write books in which there are gay characters, but you don't need to write exclusively about that,' he said in a Salon interview in 2009. 'Your characters don't need to inhabit a ghetto any more than you do. A straight writer can write a gay novel and not worry about it, and a gay novelist can write about straight people.' In 2019, White received a National Book Award medal for lifetime achievement, an honor previously given to Morrison and Philip Roth among others. 'To go from the most maligned to a highly lauded writer in a half-century is astonishing,' White said during his acceptance speech. Childhood yearnings White was born in Cincinnati in 1940, but age at 7 moved with his mother to the Chicago area after his parents divorced. His father was a civil engineer 'who reigned in silence over dinner as he studied his paper.' His mother a psychologist 'given to rages or fits of weeping.' Trapped in 'the closed, sniveling, resentful world of childhood,' at times suicidal, White was at the same time a 'fierce little autodidact' who sought escape through the stories of others, whether Thomas Mann's 'Death in Venice' or a biography of the dancer Vaslav Nijinsky. 'As a young teenager I looked desperately for things to read that might excite me or assure me I wasn't the only one, that might confirm my identity I was unhappily piecing together,' he wrote in the essay 'Out of the Closet, On to the Bookshelf,' published in 1991. As he wrote in 'A Boy's Own Story,' he knew as a child that he was attracted to boys, but for years was convinced he must change — out of a desire to please his father (whom he otherwise despised) and a wish to be 'normal.' Even as he secretly wrote a 'coming out' novel while a teenager, he insisted on seeing a therapist and begged to be sent to boarding school. One of the funniest and saddest episodes from 'A Boy's Own Story' told of a brief crush he had on a teenage girl, ended by a polite and devastating note of rejection. 'For the next few months I grieved,' White writes. 'I would stay up all night crying and playing records and writing sonnets to Helen. What was I crying for?' He had a whirling, airborne imagination and New York and Paris had been in his dreams well before he lived in either place. After graduating from the University of Michigan, where he majored in Chinese, he moved to New York in the early 1960s and worked for years as a writer for Time-Life Books and an editor for The Saturday Review. He would interview Tennessee Williams and Truman Capote among others, and, for some assignments, was joined by photographer Robert Mapplethorpe. Socially, he met Burroughs, Jasper Johns, Christopher Isherwood and John Ashbery. He remembered drinking espresso with an ambitious singer named Naomi Cohen, whom the world would soon know as 'Mama Cass' of the Mamas and Papas. He feuded with Kramer, Gore Vidal and Susan Sontag, an early supporter who withdrew a blurb for 'A Boy's Own Story' after he caricatured her in the novel 'Caracole.' 'In all my years of therapy I never got to the bottom of my impulse toward treachery, especially toward people who'd helped me and befriended me,' he later wrote. Early struggles, changing times Through much of the 1960s, he was writing novels that were rejected or never finished. Late at night, he would 'dress as a hippie, and head out for the bars.' A favorite stop was the Stonewall, where he would down vodka tonics and try to find the nerve to ask a man he had crush on to dance. He was in the neighborhood on the night of June 28, 1969, when police raided the Stonewall and 'all hell broke loose.' 'Up until that moment we had all thought homosexuality was a medical term,' wrote White, who soon joined the protests. 'Suddenly we saw that we could be a minority group — with rights, a culture, an agenda.' Weekly A weekly look at what's happening in Winnipeg's arts and entertainment scene. Before the 1970s, few novels about openly gay characters existed beyond Vidal's 'The City and the Pillar' and James Baldwin's 'Giovanni's Room.' Classics such as William Burroughs' 'Naked Lunch' had 'rendered gay life as exotic, marginal, even monstrous,' according to White. But the world was changing, and publishing was catching up, releasing fiction by White, Kramer, Andrew Holleran and others. White's debut novel, the surreal and suggestive 'Forgetting Elena,' was published in 1973. He collaborated with Charles Silverstein on 'The Joy of Gay Sex,' a follow-up to the bestselling 'The Joy of Sex' that was updated after the emergence of AIDS. In 1978, his first openly gay novel, 'Nocturnes for the King of Naples,' was released and he followed with the nonfiction 'States of Desire,' his attempt to show 'the varieties of gay experience and also to suggest the enormous range of gay life to straight and gay people — to show that gays aren't just hairdressers, they're also petroleum engineers and ranchers and short-order cooks.' With 'A Boy's Own Story,' published in 1982, he began an autobiographical trilogy that continued with 'The Beautiful Room is Empty' and 'The Farewell Symphony,' some of the most sexually direct and explicit fiction to land on literary shelves. Heterosexuals, he wrote in 'The Farewell Symphony,' could 'afford elusiveness.' But gays, 'easily spooked,' could not 'risk feigning rejection.' His other works included 'Skinned Alive: Stories' and the novel 'A Previous Life,' in which he turns himself into a fictional character and imagines himself long forgotten after his death. In 2009, he published 'City Boy,' a memoir of New York in the 1960s and '70s in which he told of his friendships and rivalries and gave the real names of fictional characters from his earlier novels. Other recent books included the novels 'Jack Holmes & His Friend' and 'Our Young Man' and the memoir 'Inside a Pearl: My Years in Paris.' 'From an early age I had the idea that writing was truth-telling,' he told The Guardian around the time 'Jack Holmes' was released. 'It's on the record. Everybody can see it. Maybe it goes back to the sacred origins of literature — the holy book. There's nothing holy about it for me, but it should be serious and it should be totally transparent.'


Winnipeg Free Press
3 days ago
- Winnipeg Free Press
Pride and power in place
Gena Boubard is checking off a lot of firsts this year. The Anishinaabe makeup artist is the first two-spirit contestant to compete in Miss Indigenous Canada and the organizer of the first-ever Pride celebration in Sagkeeng Anicinabe Nation. Boubard, who is non-binary and uses they/them pronouns, lives in Winnipeg and spends a lot of time visiting family in their home community, which is situated along the Winnipeg River 120 kilometres northeast of the city. SUPPLIED Gena Boubard hopes more First Nations host their own celebrations. SUPPLIED Gena Boubard hopes more First Nations host their own celebrations. Putting on a Pride event, which takes place Saturday, , June 7, has been a way to give back and empower LGBTTQ+ youth living in Sagkeeng; however, being the first came with some trepidation. 'I had so much fear around what people would think or say or how they would view me and I've received nothing but positive feedback. There's a lot more support than I could have ever imagined,' Boubard, 24, says. Saturday's Pride celebration kicks off at 11 a.m. with a parade beginning at the 'Welcome to Sagkeeng' sign featuring a local drum group and entertainment by drag performers, DJ Kaptain and the Bannock Babes. The parade will be followed by a two-spirit powwow, community feast and fireworks. There will be a craft market and speakers throughout the day, including Amazing Race Canada winners Anthony Johnson and James Makokis. The event is family-friendly and drug/alcohol-free. Event preview ● Fort Alexander, Saturday ● June 7 11 a.m. — parade ● 1:30 p.m. — two-spirit powwow and market ● 5 p.m. — community feast ● 10 p.m. — fireworks This is Boubard's first time organizing an event of this scale. 'I'm learning a lot very quickly. I'm overwhelmed, but in the best way. It's been really exciting getting things together and shopping and planning all the fun stuff for the day,' Boubard says. The event is open to the public and Boubard expects attendees from nearby communities and across the province, including Sagkeeng members living off-reserve and representatives from Eastman Pride, which helps co-ordinate Pride activities in eastern Manitoba. 'It really fills my heart and it actually makes me emotional and really proud of my community that so many people are stepping up to support and be involved,' Boubard says, adding the call for volunteers has been met with enthusiasm. 'I'm hoping (attendees) see just how large the two-spirit community is and how much it's really needed right now in the face of the homophobia and transphobia we're seeing throughout North America. And I'm hoping this sparks conversations within Indigenous families in regards to how we view gender identity and sexuality.' LORI PENNER / THE CARILLON Presenters and performers at last year's Pembina Valley Pride March and Rally LORI PENNER / THE CARILLON Presenters and performers at last year's Pembina Valley Pride March and Rally Boubard is already looking forward to next year's Sagkeeng Pride event and wants to see more local First Nations hosting their own celebrations. Discussions are also underway for year-round LGBTTQ+ programming in Sagkeeng. Boubard has been competing in beauty pageants for nearly a decade and says the events have been good training for their current advocacy work. 'It's been a beautiful experience. I've learned a lot of confidence, leadership skills, how to be involved in my community, how to use my voice,' says the Miss Southern Manitoba World title-holder and former Miss World Canada contestant. Miss Indigenous Canada is now in its second year with the 2025 winner set to be crowned in July at a pageant in Six Nations, Ont. Jessica McKenzie, representing Opaskwayak Cree Nation in northern Manitoba, was the contest's inaugural winner. If you value coverage of Manitoba's arts scene, help us do more. Your contribution of $10, $25 or more will allow the Free Press to deepen our reporting on theatre, dance, music and galleries while also ensuring the broadest possible audience can access our arts journalism. BECOME AN ARTS JOURNALISM SUPPORTER Click here to learn more about the project. Eva WasneyReporter Eva Wasney has been a reporter with the Free Press Arts & Life department since 2019. Read more about Eva. Every piece of reporting Eva produces is reviewed by an editing team before it is posted online or published in print — part of the Free Press's tradition, since 1872, of producing reliable independent journalism. Read more about Free Press's history and mandate, and learn how our newsroom operates. Our newsroom depends on a growing audience of readers to power our journalism. If you are not a paid reader, please consider becoming a subscriber. Our newsroom depends on its audience of readers to power our journalism. Thank you for your support.


Winnipeg Free Press
24-05-2025
- Winnipeg Free Press
Playing the team game
Small Ceremonies is the debut novel of Kyle Edwards, an Anishinaabe writer and journalist from Lake Manitoba First Nation and a member of Ebb and Flow First Nation. Edwards was previously named Emerging Indigenous Journalist by the Canadian Association of Journalists, and is currently a provost fellow at the University of Southern California. (In 2014, Edwards was the Vince Leah intern in the Free Press sport department.) Despite its title, the novel engages with big societal issues through vibrant, colourful characters. The novel takes place in Winnipeg's North End and explores the lives of urban Indigenous people, most of whom lack connection to a First Nation, except for one family displaced by flooding. The book's central characters are Tomahawk (Tommy) Shields and Clinton Whiteway, two Grade 12 students attending the fictional St Croix high school, where they play for the Tigers, the school's hockey team. The team has never won a game in living memory; this could be its last season, as the league plans to expel the Tigers, supposedly due to safety concerns of visiting teams. JEMIMAH WEI PHOTO Kyle Edwards' debut novel features a large cast of characters, each of whom are given an opportunity to speak their truth. The book takes place over Tommy and Clinton's final year of high school as the Tigers battle through loss after loss, getting close to victory but never quite tasting it. This is a symphonic novel with a large number of characters, each receiving their own chapter or chapters, reminiscent of katherena vermette's The Circle, where each participant in a sentencing circle is given an opportunity to speak their truth. In Small Ceremonies we hear from an unnamed omniscient narrator and 13 other characters. It can be difficult at times to keep track of the relationship between characters and the main plot of the novel, the further the narrative strays from the Tigers and their hockey season. However, these other voices provide a deeper understanding of the forces working against Tommy and Clinton. An important theme of the novel is the challenge faced by Indigenous youth from the North End as they attempt to better themselves. Some of the novel's most poignant moments come when Edwards describes the lives of criminally involved individuals and how pressure from others, bad choices, trauma and substance abuse come together in a potent mixture: 'to this day I can hear the cracking sound of his head hitting the ground, and as I darted toward my Corolla he stayed there, motionless and unconscious, and if I could do it differently today I believe I would stay there with him until help arrived. I have to believe it.' Another heart-wrenching chapter describes Tommy's alienation when he visits the University of Manitoba as a prospective student. As he approaches the campus, Edwards writes 'He knew nothing of the southern neighbourhoods of the city other than that's where richer people lived, and that's where the university was. He wasn't sure of the statistics, for all he knew he was wrong, but he was pretty sure no one like him lived out here, they were only visitors made to feel welcome.' However Tommy is resilient, as are many of the novel's characters, and later as he looks down at the Red River from a student residence, Edwards writes 'He had never seen the river from this high before, never fully grasped its size and beauty, how it appeared to be alive. He wondered where it began and why it was coming all this way and where it would take him.' Weekly A weekly look at what's happening in Winnipeg's arts and entertainment scene. The large cast of characters also provides insight into the various perspectives that exist within Indigenous communities. We see the struggle to fit in experienced by Floyd Redhead, a St Croix student who is Afro-Indigenous. We also get to enjoy a success story via Tommy's sister, Sam, whose academic triumphs provide a needed injection of hope. Another character who is in many ways a success is Pete Mosienko, of mixed-race Indigenous and European heritage, who works at the Tigers' home arena and faithfully tends to the building and the ice despite the disappointment in his own past. As Tommy and Clinton careen through the hockey season, they encounter adults who help them and try to change the course of their lives for the better, as well as others who severely let them down. We see the impact of intergenerational trauma intersecting with systemic racism against Indigenous people, as illustrated by the continued lack of success of the Tigers, season after season. The hockey team's continued effort to buck the trend comes to embody the hopes of the entire community, which are very modest: one win would mean the world. Small Ceremonies The end of the novel may not satisfy all readers, as it feels a little rushed, and Edwards chooses stark realism over emotional fulfillment, allowing 'bad' characters to escape without consequence while 'good' characters pay the price. However, Small Ceremonies is an important and very moving read that brings attention to a part of our city where the stories of the people who walk the streets every day seldom enter the consciousness of those beyond the railroad tracks. Zilla Jones is a Winnipeg-based writer of short and long fiction. Her debut novel The World So Wide was published in April.