Jeff Buckley, remembered at Sundance by the people who loved him
PARK CITY, Utah — Ben Harper first met Jeff Buckley — the revered singer whose haunting cover of Leonard Cohen's 'Hallelujah' is arguably the best rendition of that song ever made — at a 1995 rock festival in Belfort, France. They were both on the bill and freaking out about their idols, Led Zeppelin members Robert Plant and Jimmy Page, playing later.
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Magnolia Pictures Acquires U.S. Rights To ‘It's Never Over, Jeff Buckley,' Amy Berg's Documentary On Late Ethereal-Voiced Musician
EXCLUSIVE: Magnolia Pictures has landed U.S. rights to It's Never Over, Jeff Buckley, Oscar-nominated filmmaker Amy Berg's portrait of the late musician who developed an adoring fan base before his untimely death at the age of 30. Magnolia plans to release the film theatrically (available in Dolby Atmos) on August 8. The documentary, which enjoys a 100 percent critics approval rating on Rotten Tomatoes, will premiere on HBO and stream on HBO Max this winter, as part of the Music Box series created by Bill Simmons. More from Deadline Director Amy Berg On Her Jeff Buckley Documentary: Late Singer-Songwriter 'Brought So Much Love And Authenticity To His Music' – Sundance Studio 'The Case Against Adnan Syed' Director Amy Berg Strikes First-Look Deal With Fremantle New Zealand PM Jacinda Ardern Docu 'Prime Minister' Acquired By Magnolia, HBO Docu Films & CNN Films After Prize-Winning Sundance Bow 'Told through never-before-seen footage from Buckley's archives and intimate accounts from his mother Mary Guibert, former partners Rebecca Moore and Joan Wasser, Jeff's former bandmates, including Michael Tighe and Parker Kindred, and luminaries like Ben Harper and Aimee Mann, It's Never Over, Jeff Buckley illuminates one of modern music's most influential and enigmatic figures,' notes a release. 'His only studio album, Grace, was released to astounding reviews and challenged conventional ideas of genre and gender. His intimate and influential cover of Leonard Cohen's 'Hallelujah' further catapulted him to fame. Still, under pressure to produce his second album, he retreated to Memphis to escape the spotlight and the ever-growing glare of the public eye. In a tragic accident, Buckley drowned in the Wolf River in Memphis in 1997, leaving behind an unfinished second album and a legion of devastated family, friends and fans.' Magnolia Pictures co-CEOs Eamonn Bowles and Dori Begley said in a statement, 'With only one studio album, Jeff Buckley became a legend. Amy Berg has captured his brilliance and complexity in this incandescent film that no true fan can miss.' Berg's credits include the Academy Award-nominated Deliver Us From Evil (2006); West of Memphis (2012); Prophet's Prey (2015); the Emmy-nominated docuseries The Case Against Adnan Syed (2019), and Janis: Little Girl Blue, her 2015 documentary about iconic singer Janis Joplin. 'I've spent practically my entire career trying to make this film which takes a very intimate look at one of the greatest singers and songwriters of all time,' Berg commented. 'I'm so excited Magnolia and HBO have come onboard to share this film with the world and give old fans and new audiences a chance to experience Jeff from this unique vantage point. I couldn't imagine a better team to roll this into the world!' A Topic Studios and Fremantle Film, It's Never Over: Jeff Buckley is produced by Ryan Heller (A Real Pain), Christine Connor (Nuclear Family), Mandy Chang (The Mona Lisa Curse), Matthew Roozen (A Mouthful Of Air), Jennie Bedusa (The Space Within) and Amy Berg. Executive producers are Mary Guibert, Alison Raykovich, Brian A. Kates, Michael Bloom, Jennifer Westin, Maria Zuckerman, Brad Pitt, and Ian Stratford. 'Working with Amy on this labor of love has been a gift,' said Topic Studios' Ryan Heller and Christine Connor. 'And we are delighted that our friends at Magnolia and HBO are joining us to help ensure that Jeff's remarkable story reaches the widest possible audience.' Mark Reynolds, Global Head of Documentaries & Factual, Fremantle, noted, 'We are delighted to have partnered with Amy Berg and Topic Studios on this deeply human and beautifully made film – with such intimate recollections of an artist who continues to inspire – honoring Jeff's legacy with the care and reverence it deserves. We're equally excited to be collaborating with Magnolia as our North American distributor to help share this powerful story with audiences.' The acquisition deal was negotiated by Magnolia Pictures SVP of Acquisitions John Von Thaden, with Submarine's Josh Braun, Dan Braun and Matt Burke on behalf of the filmmakers. It's Never Over, Jeff Buckley premiered at the Sundance Film Festival and went on to screen at festivals around the world including CPH:DOX in Copenhagen, the Sydney Film Festival in Australia, the Provincetown International Film Festival and Nantucket Film Festival – both in Massachusetts. Musician Ben Harper, who as noted above appears in the documentary, became friends with Buckley after they met at a rock festival in France. In an interview with Deadline at Sundance, he told us about the power of Buckley's voice. 'You just hadn't heard anything like it until he came along. It was as singular an instrument as has existed in the world of sound. As powerful and raw, it was equally as vulnerable and fragile. And to have those two counterpoints all within the same instrument was just something unheard of… To be that raw, but that elegant at the same time, and to be that powerful yet that fragile at the same time was just shocking.' At Sundance, Berg shared more about her long effort to make the Buckley documentary. 'I finally met up with Mary [Guibert, Jeff Buckley's mom] in 2010, but she didn't give me the rights for another nine years,' she told Deadline. 'But every time I finished a film, I would reach out to Mary. She did share the archive with me back then, and I was blown away by the voicemail messages and the DAT recordings and his candor, and I just kept at it. I always wanted to tell a love story about Jeff because he brought so much love and authenticity to his music. So, I chose people that had a real deep connection with him to be in the film. It's a love story that simply transcends time. ' Best of Deadline List Of Hollywood & Media Layoffs From Paramount To Warner Bros Discovery To CNN & More 2025 TV Cancellations: Photo Gallery 2025-26 Awards Season Calendar: Dates For Tonys, Emmys, Oscars & More
Yahoo
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Revealing Jeff Buckley Doc, ‘It's Never Over,' to Arrive This Summer
A new documentary, It's Never Over: Jeff Buckley, which examines the life of the late singer-songwriter, will open in movie theaters on Aug. 8. An HBO premiere will follow this winter. The film, by director Amy Berg (Phoenix Rising, West of Memphis), features never-before-seen footage from Buckley's archives. His mother, Mary Culbert, and former partners Rebecca Moore and Joan Wasser gave new interviews for the picture. It also includes commentary from Buckley's former bandmates, Michael Tighe and Parker Kindred, as well as singer-songwriters Ben Harper and Aimee Mann. More from Rolling Stone 'It's Never Over, Jeff Buckley' Pays Tribute to One of the Greatest Singers Ever Jeff Buckley's Mom Finally Explains Why That Brad Pitt Biopic Never Happened Questlove's Sly Stone Documentary to Premiere at 2025 Sundance 'I've spent practically my entire career trying to make this film, which takes a very intimate look at one of the greatest singers and songwriters of all time,' Berg said in a statement. 'I'm so excited Magnolia and HBO have come on board to share this film with the world and give old fans and new audiences a chance to experience Jeff from this unique vantage point.' The film looks at how he followed in the footsteps of his father, singer-songwriter Tim Buckley — who died at age 28 when Jeff was 8 — and launched his own music career, signing to Columbia Records. A concert recording, Live at Sin-é, came out in 1993, and Buckley's sole studio album, Grace, came out in August 1994, three years before his death at age 30. His own legacy has grown ever since. When the film premiered at Sundance in January, Rolling Stone wrote that the picture 'does justice to [Buckley's] legacy.' 'Buckley's mother, Mary Guibert, has been extremely protective over her son and his songs, but she's opened up the vaults for Berg's film,' the review said. 'There are pictures of Buckley as a chubby, smiling baby, and rocking a metalhead shag mullet as a teen; clips of him playing in high school bands, glimpses into notebooks filled with an elegant scrawl that you can only describe as Buckleyesque. Music from every phase of his career, in both rough-demo and finished form, plays over the soundtrack, along with voicemail messages — including the last one he left his mom — and recording session banter. Rarities abound, which makes this feel as much like an archive tour as a movable scrapbook.' Best of Rolling Stone The 50 Greatest Eminem Songs All 274 of Taylor Swift's Songs, Ranked The 500 Greatest Albums of All Time
New York Times
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‘And So It Goes' Traces Billy Joel's Dramatic Early Days: 5 Takeaways
The Tribeca Festival's opening-night premiere of the upcoming HBO documentary 'Billy Joel: And So It Goes' was marked, in part, by the absence of Billy Joel himself. Late last month, the musician announced that he was canceling all of his upcoming concerts because of a brain disorder called normal pressure hydrocephalus, which has led to problems with his hearing, vision and balance. After Robert De Niro called Joel 'the poet laureate of New York' and helped introduce the film with a dramatic reading of some of his lyrics ('He works at Mr. Cacciatore's down on Sullivan Street,' he intoned), one of the film's co-directors, Susan Lacy, told the Beacon Theater audience that Joel sent his greetings — with typical wry humor: 'In fact, he said, 'Getting old sucks, but it's still preferable to getting cremated.'' The audience roared with laughter. On a note of encouragement, Lacy said Joel 'will be back.' The crowd broke out into applause throughout the screening, which included just the first part of the two-part film. It still ran nearly two and a half hours as it covered Joel's childhood and rise to fame through his infamous 1982 motorcycle accident. (To put that in perspective: It doesn't get to the writing of 'Uptown Girl.' No Christie Brinkley yet.) There are pictures and footage of early Joel performances and stories about the surprisingly robust Long Island rock scene of the 1960s. But 'Part One' is largely an intimate portrait of Joel's relationship with his first wife, Elizabeth Weber, who would eventually become his manager, and it elevates her to a starring role in his life. It also features a host of stories about the making of some of his best-known songs, and tidbits about his Long Island obstinance. Here's some of what we learned. As Joel's relationship with Weber first foundered, he attempted suicide twice. Joel and Weber's relationship began in dramatic fashion: She was married to Jon Small, Joel's early bandmate, and had a son with him. Joel and Small first played together in a group named the Hassles, then broke off to start a Led Zeppelin-inspired metal outfit called Attila. (An album cover shoot featuring a longhaired Joel standing amid sides of raw beef, wearing fur, is something to behold.) Eventually, Joel fell in love with Weber, but when a guilt-ridden Joel shared his feelings with Small, he got punched in the nose and Weber left. Despondent, Joel overdosed on pills and was in a coma for days. His sister, Judy Molinari, who had provided the pills to help him sleep, recounts her guilt onscreen. 'I felt that I killed him,' she says. Joel drank a bottle of furniture polish in another attempt on his life. After moving back into his mother's house, he checked into an observation ward where his own struggles were put into perspective. From there he started to channel his feelings into music, and the songs that he wrote as a result of the experience would become his first solo album, 'Cold Spring Harbor.' After about a year, Weber re-entered his life. Want all of The Times? Subscribe.
