McLaren to offer 'junior race engineer' opportunity for British Grand Prix at Silverstone through exciting initiative
McLaren will hire the first 'Junior Race Engineer' in Formula One ahead of the British Grand Prix through an initiative from Mastercard.
Formula One's dominant side will head to their home Grand Prix top of both Championship standings with Oscar Piastri and Lando Norris No 1 and No 2 respectively in the drivers' table.
Entrants for the role must be aged between nine and 15 and can apply through the Mastercard website.
They will be given exclusive access to the McLaren Technology Centre on June 24, going behind the scenes to learn the critical aspects to race performance and understand how the engineering team collaborates to produce a race winning car.
Charlie Carrington, Senior Vice President of Marketing and Communications, at Mastercard, said: 'At Mastercard, we connect people to their passions and put the next generation in pole position. Our Junior Race Engineer competition embodies that spirit by offering one young fan the keys to an opportunity they will never forget.
'To be part of the McLaren Formula 1 team in the lead up to one of the most iconic races in the calendar is not just exciting - It's full throttle, turbo-charged and totally priceless. We can't wait to see the beaming smile on their face.'
Piers Thynne, Chief Operations Officer at McLaren Racing, added: 'This is an opportunity of a lifetime for a young F1 fan looking for an unforgettable experience at the pinnacle of motorsport, thanks to our partnership with Mastercard.
'We hope the Junior Race Engineer will be able to take on some valuable insight from the day, and hopefully we'll inspire them for a future career choice.'
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Graziadaily
8 minutes ago
- Graziadaily
Sam Thompson Pulls Out Of Soccer Aid Match After Louis Tomlinson Bump In
It's a nightmare scenario for any sane person – bumping into your recent ex-girlfriend's new boyfriend at a work function, or bumping into your new girlfriend's ex-boyfriend at a work function, or having your ex and new boyfriend bump into each other at a work function. What about when that work function is a televised charity football match? Even worse, we'd imagine. Although it was inevitable given that they were both on the bill, pictures of Sam Thompson and Louis Tomlinson training together for Soccer Aid have prompted a lot of chatter online. In December, Sam and his girlfriend of more than five years Zara McDermott quietly parted ways without so much as a joint Instagram statement – something that confused the many fans they'd acquired with their popular couples content on social media. Just over two months later in March, Zara was pictured out for dinner with former One Direction singer, Louis Tomlinson. Zara and Louis' relationship has since been confirmed by their comments on each other's social media profiles and plenty of paparazzi-captured PDA. In June, training began for this year's Soccer Aid for UNICEF match, where a team of celebrities and football legends battle it out on the Old Trafford pitch in Manchester. It was founded by Robbie Williams in 2006 and raises money for children in need. The England vs World match is due to take place on Sunday 15 June and kicks off at 7.30pm. It will be available to watch live on ITV1 and ITVX. After Louis and Sam were spotted exchanging glances on the pitch on the first day of training, the news broke that Sam has pulled out due to injury. He completed a 260-mile Soccer Aid challenge earlier this month and has a string of injuries, including in his calf. 'I came here with high hopes and went to see Gary the physio and I can kick a ball from a standing start, but when it comes to like general chaos of playing competitive sport there's just no way,' he explained. 'I cant really run properly.' Sam will now be taking part in the capacity of coach. Ordering Louis around instead of passing the ball to him might be a better fit given the circumstances. All jokes aside, from the photos available, the pair seem to be cordial with each other and are getting on with the show. Sam has reportedly insisted there are 'no hard feelings' between them. Still joining Louis on the pitch for England is Steven Bartlett, Alex Brooker, Jermain Defoe, Toni Duggan, Sir Mo Farah, Angry Ginge (YouTuber), Tom Grennan, Bear Grylls, Joe Hart, Steph Houghton, Aaron Lennon, Dame Denise Lewis, Paddy McGuinness, Gary Neville, Sam Quek, Wayne Rooney, Paul Scholes and Jill Scott. The World team is made up of Noah Beck, Tony Bellow, Leonardo Bonucci, Tobi Brown, Martin Compston, Richard Gadd, Bryan Habana, Dermot Kennedy, Harry Kewell, Kaylyn Kyle, Gorka Marquez, Nadia Nadim, Livi Sheldon, Carlos Tevez, Edwin van der Sar, Billy Wingrove and Big Zuu and Nemanja Vidic. The match, at least for now, has been slightly overshadowed by the awkward bump in. Let's hope it's back on track by game day... and that Zara already had plans.
BBC News
13 minutes ago
- BBC News
Markram helps South Africa close in on World Test Championship win
World Test Championship final, Lord's (day three of five)Australia 212: Webster 72; Rabada 5-51 & 207: Starc 58* ; Rabada 4-59South Africa 138: Bedingham 45; Cummins 6-28 & 213-2: Markram 102*, Bavuma 65*ScorecardSouth Africa need 69 more runs to win Aiden Markram made a brilliant unbeaten century to put South Africa within tantalising distance of a historic victory over Australia in the World Test Championship Starc and Josh Hazlewood had shared a stand of 59 for Australia's last wicket in the morning session of day three which appeared to give them the upper top-scored for Australia with a gritty unbeaten half-century as they were eventually dismissed for 207 on the stroke of any frustration South Africa may have felt gave way to a sense of what might be possible in more appreciable conditions for batting after the they were set a target of 282 for victory.A Lord's pitch which had seen 28 wickets fall during two days of cricket chaos suddenly looked a wildly different beast on a sun-kissed afternoon in St John's Wood with Markram playing a stellar 30-year-old has not played a competitive game of red-ball cricket since January but he batted with finesse during a classical Test-match innings which now looks set to define this seesaw shared an unbroken 143-run partnership with South Africa skipper Temba Bavuma, who was hampered by a hamstring injury but tenaciously stayed at the crease to play his part with an unbeaten pair will resume on day four with 69 runs required to wrap up the win. A win which would more pertinently ensure South Africa end their long wait for a victory in a major men's final, putting an end to their tag as international cricket's is unless Australia's bowlers can summon something quite remarkable with the ball on Saturday and provide an unexpected twist. Markram puts Proteas on brink of history The scale of the challenge facing South Africa when they began their innings was not quite the summit of Everest, but it certainly felt a fair way above base the start of their innings, WinViz gave South Africa a 38% chance of pulling off the joint second-highest successful chase for a Test match at Lord' chased down the same target against New Zealand - for the loss of three wickets - in 2004 while West Indies managed a nine-wicket victory against England in 1984 in pursuit of 342. In the 148-year history of Test cricket - in excess of 2,000 matches - there have also been just 26 occasions when the team batting last has scored the highest total of the match as South Africa require been rolled for 138 in the first innings, and up against an Australian bowling attack with more than 1,500 Test wickets between them, it felt like big burden of history, and data, did not seem to weigh too heavily on the shoulders of Markram and Bavuma, though, as bat truly dominated ball for the first time in this Africa lost Ryan Rickleton - who chased an away swinger from Starc and edged into the gloves of Alex Carey - early on for six but it not stymie the Proteas' intent. Markram and Wiaan Mulder were positive rather than tentative during a 69-run stand for the second wicket which provided a solid had reached 27 before he rather tamely chipped Starc, who had swapped to the Nursery End, into the hands of Marnus Labuschagne in the brought Bavuma, South Africa's leading run-scorer in Tests since December 2019, to the crease and he had an escape on when Steve Smith shelled a tough chance when he was on just suffered a compound dislocation of the little finger on his right hand after shelling the chance and left the field to go hospital for further the while Markram was quietly going about his business, during an authoritative and measured knock offering barely a carefully picked his moments to gracefully drive, square drive and guide boundaries alongside sensible accumulation on both sides of the wicket. South Africa's scoring rate slowed as the match headed towards stumps, but there was still time for Markram to reach three figures in the penultimate over of the strayed on to his pads and Markram effortlessly flicked the ball square for four before he took off his helmet to salute the crowd. Starc's defiance unwittingly shows the way Cummins had spied another 20 or 30 runs for Australia's last two wickets at the conclusion of the previous had added just four more when Lyon was given out lbw - despite reviewing - in the third over of the day after Rabada nipped one Africa hoped for a quick execution but for the next 80 minutes or so, Australia managed to dodge the guillotine.A Lord's pitch which had proved tricky for batters in the first two days - especially in the face of some truly top-class bowling - began to flatten the morning sunshine, with barely a breath of wind, it suddenly looked easier out in the middle than it had been at any point in this 0.5 degrees of swing and seam movement through the air and off the pitch, at that point the lowest of any session in the match according to CricViz, no wonder Starc and Hazlewood appeared so run that Australia managed to eke out for their final wicket would have gnawed away at Bavuma who was, if we are being hypercritical, guilty of a slight captaincy two left-handers at the crease he could arguably have posed more questions with Markram's part-time off-spin sooner than he brought up his half-century with a slash over the slip cordon, but it mattered little - he had earned the right for a stroke of before the lunch interval Markram burgled the wicket of Hazlewood when the Aussie number 11 slapped a long hop to Keshav Maharaj at cover and was dismissed for appeared satisfied with their morning's work - but in a curious way it had maybe given South Africa a psychological lift and was portent of what was to come in the remainder of the day.
Telegraph
15 minutes ago
- Telegraph
‘It's absolutely f---ed': Why Google's new £1bn London office is in crisis
The crowning glory of Google's new, massive headquarters in London's King's Cross is its rooftop garden. More than 300m long, with hundreds of trees across four stories and a running track, star designer Thomas Heatherwick envisaged it as a haven for the tech giant's 7,000 staff, as well as bats, bees, birds and butterflies. At least, it is meant to be the crowning glory. However, delays to the project have meant that, while it is still under construction, the building and its garden have been invaded by foxes. The vulpine skulk has taken advantage of the building's lack of human occupants, digging burrows in the manicured grass and leaving their droppings around. 'Fox sightings at construction sites are pretty common, and our King's Cross development is no exception,' a Google spokesperson said after a report on the London Centric website. 'While foxes have been occasionally spotted at the site, their appearances have been brief and have had minimal impact on the ongoing construction.' The foxes, pests though they are, may be the least of Google's problems. Today, visitors to the construction site are met with the cacophonous sounds of drilling and hammering; the sights of scaffolding and cherry pickers obscuring the view; the constant bustle of workmen coming and going. The 11-storey building, the cost of which has never been confirmed but expected to be well north of £1 billion, still appears to be a long way from being completed. Building site sources tell The Telegraph that all manner of things have gone wrong, from shoddy workmanship that was, in effect, 'hidden' because of the vastness of the project to wooden floors that became so saturated with rainwater that they need complete repairs. Much of the ground floor, which is supposed to house shops and other public spaces, remains a shell. The date for its opening, which was meant to happen last year, has been repeatedly pushed back. 'If they get this job done by the end of 2026 it would be a f—ing miracle,' one worker tells me. 'I don't think the people building it know what they are doing.' An electrician says: 'They have unlimited money so they throw out ridiculous dates. It's going to be interesting, but very stressful and long hours.' (Both Google and Heatherwick Studio declined to comment on these claims.) There is a sense of gloom among those working on site. One worker simply says: 'It's absolutely f---ed, mate.' Another, who only started working on the project on Monday, describes it as 's--t'. Some might say that Google bosses should not be surprised that building its landmark has not gone entirely smoothly. Heatherwick, 55, has a habit of designing ingenious objects and places that are later found to be impractical, from a sculpture to commemorate Manchester hosting the 2002 Commonwealth Games to a New York visitor attraction later called a 'suicide machine' and London's Routemaster buses to Boris Johnson's abandoned Garden Bridge in the capital. The $2 trillion technology giant launched its quest for a London headquarters in 2013, when it commissioned a more typical office block from architects AHMM; by 2015, those plans had been binned as they were apparently 'too boring' for the tastes of co-founder Larry Page. Enter Heatherwick, who can be described as almost anything except 'boring'. He turned the concept of a giant office building (almost literally) on its head, and designed a long structure parallel to King's Cross railway platforms that is longer (330m/1,083ft) than The Shard is tall (310m/1,106ft). The finished building – dubbed a 'landscraper', as opposed to a skyscraper – will have nap pods for weary workers, as well as a 25m swimming pool and a basketball court. Plus, of course, the garden. The final design is a collaboration between Heatherwick's eponymous studio and that of Bjarke Ingels, the Danish architect. The team also worked on Google's (completed) California headquarters. Heatherwick was unlikely to design a run-of-the-mill office and always makes a point of doing things differently. He had a bohemian childhood as the son of a pianist father and jewellery-designer mother, and attended two private schools – Sevenoaks in Kent and the Rudolf Steiner School in Hertfordshire – before studying design at Manchester Polytechnic and London's Royal College of Art. It was at the latter institution that he met Terence Conran, the founder of Habitat and the Design Museum, whom Heatherwick impressed by building an 18ft-high gazebo out of laminated birch that sat in his garden. Conran became Heatherwick's mentor and famously described him as 'the Leonardo da Vinci of our times'. He has had his fair share of successes, most notably when he designed the Olympic cauldron for the 2012 London Games. It consisted of 204 copper cones, one for each participating nation, attached to long stems that wowed people the world over when they came together to create one larger vessel. Heatherwick, who was awarded a CBE in 2013, was also the driving force behind Coal Drops Yard, a stone's throw from Google's King's Cross building, that is a thriving hub of shops and restaurants after decades as a derelict wasteland. But for every Heatherwick triumph, there has been a misstep. His sculpture for the Commonwealth Games – named B of the Bang – was a cluster of metal spikes coming from the top of a column to imitate an explosion, but it was completed late and over budget. More concerningly, a tip of one of the spikes fell off shortly before it was unveiled and, when others threatened to do the same, it was dismantled in 2009. Manchester City Council sued Heatherwick and his contractors; the case was settled out of court. Other notable misses include Heatherwick's Routemaster buses, which were commissioned by Johnson when he was Mayor of London, which were much more expensive than other models and had a tendency to overheat in summer months, and the aborted plan for a Garden Bridge across the River Thames, which ultimately cost taxpayers £43 million without anything to show for it. Most destructive was the Vessel, a visitor attraction in New York's Hudson Yards. The copper-coloured network of 154 staircases and 80 landings was supposed to be New York's answer to the Eiffel Tower, but it was closed down in 2021 (after less than two years) after four people had killed themselves by jumping from it. Carla Fine, a local who is an expert on the matter, told The Telegraph at the time that it was a 'suicide machine'. It only reopened last October after netting was installed. 'The project met all the safety standards, and actually it went above them. It was just an extremely tragic, sad use that the project got put to,' Heatherwick told the Financial Times in 2023. 'Nobody predicted Covid and what that would do for people's mental health.' His current projects include transforming the Kensington Olympia in West London and turning the capital's BT Tower into a high-end hotel. Not a trained architect himself (but the employer of large numbers of them at his studio), Heatherwick has said that we are in the grip of an 'epidemic of boringness', with soulless glass-and-steel buildings populating cities all over the world. Heatherwick's eccentricity, which has been a characteristic for decades, is almost designed to attract opprobrium or eye-rolls from others in the field. As he finished his postgraduate studies, rather than make a business card Heatherwick made ice lollies that had his phone number on the stick; on various occasions he has shipped a snowball to China so that somebody there could experience British snow, and taken a kebab to Italy for someone else. 'I'm not a fan, because I think he doesn't know the difference between a building and a CD rack,' says Ellis Woodman, an architect and the director of the Architecture Foundation. 'There's no sense of scale, no sense of an urban idea that the buildings are contributing to. They disregard architectural history or the character of the spaces in which they stand. [The Google building] is not a building that's interested in making relationships with things around it. The work is always the most important building on its site, whatever he's doing. There's never a sense that the role of a building might be to contribute to the definition of a space with other buildings.' Heatherwick has become a big brand in the building world, in the way that Norman Foster and Zaha Hadid did before him. Woodman says that, with the quasi-utopian ideals he set out in his 2023 treatise Humanise, Heatherwick is 'carrying on that 'architecture-as-a-marketing tool' tendency'. 'He's not seriously engaged with the problems of housing or sustainability,' Woodman adds. 'It's a succession of projects like the Vessel, which one might ask if the world ever really needed.' Others in the design world reckon that Heatherwick's regular criticism by architects stems from a resentment that an interloper could gatecrash their industry without having to go through the same formal training. 'I'm very 'pro' him. He's a very creative and inventive figure, but he's divisive because he was trained in industrial design in Manchester, not in architecture,' says Charles Saumarez Smith, the former director of the National Gallery and National Portrait Gallery who is a distinguished historian of art and design. 'Architects view themselves in a professional way, and so obviously have not been so enthusiastic about him being globally successful as he has been as an architect. I think that is at the root of it.' Saumarez Smith tells me that he thinks Heatherwick's Google building is 'mind-boggling' and 'vast, but in a way it manages to disguise its scale. I'm looking forward to seeing it in more detail when it's finished'. How long before the Google building is finished, and what it will be like when it is, is anyone's guess. 'You can't fully know whether something's going to work until it's finished,' Heatherwick told The Telegraph in a 2018 interview. 'Anyone who says otherwise is lying. I get worried when my team aren't worried. Worry is a useful energy.' One wonders if Heatherwick feels worried about the Google HQ at the moment.
