logo
Diana Ross stops the traffic at the Met Gala with her return after 22 years

Diana Ross stops the traffic at the Met Gala with her return after 22 years

Economic Times06-05-2025

Diana Ross returned to the Met Gala after 21 years. She wore a gown by Ugo Mozie. The gown featured an 18-foot feather train. It was embroidered with her children and grandchildren's names. Evan Ross, her son, encouraged her to attend. Tracee Ellis Ross, her daughter, also attended. The 2025 Met Gala theme celebrated Black dandyism.
Tired of too many ads?
Remove Ads
Tired of too many ads?
Remove Ads
Music legend Diana Ross , 81, made a remarkable return to the Met Gala , marking her first appearance at the event since 2003. She captivated attendees at the Metropolitan Museum of Art in New York City with a breathtaking ensemble that combined personal significance with the evening's theme, "Superfine: Tailoring Black Style."Designed by Nigerian-American designer Ugo Mozie, she wore a white gown dedicated to her family.Also Read: The Met Gala 2025 The gown's main highlight was an 18-foot feather train, embroidered with the names of her five children and eight grandchildren."If you ever had pictures of the inside of the train, it has the names of all my children, and my eight grandchildren. Everybody's name is embroidered in that," Ross shared.Her son, Evan Ross, accompanied her on the red carpet, and he played a significant role in encouraging her to attend the event. "My son persuaded me," she said.Ross's daughter, actress Tracee Ellis Ross, also attended the gala, arriving later in the evening. She wore a voluminous pink jumpsuit with a matching hat by Marc Jacobs as she embraced the event's theme of Black dandyism and tailored fashion.The 2025 Met Gala's theme, "Superfine: Tailoring Black Style," inspired by Dr. Monica L. Miller's book 'Slaves to Fashion', celebrated the rich history and cultural significance of Black dandyism.Ross's return was met with widespread acclaim, with many praising her as the embodiment of the Met Gala's spirit.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Donald Trump and Elon Musk feud turns ugly as NFL stars like Robert Griffin III and Ryan Clark become unlikely pawns
Donald Trump and Elon Musk feud turns ugly as NFL stars like Robert Griffin III and Ryan Clark become unlikely pawns

Time of India

time31 minutes ago

  • Time of India

Donald Trump and Elon Musk feud turns ugly as NFL stars like Robert Griffin III and Ryan Clark become unlikely pawns

The Trump-Musk feud took an unexpected turn when former NFL quarterback Robert Griffin III (Getty Images) What started as a political alliance between Donald Trump and Elon Musk has morphed into a bitter feud—but it's the NFL community that's now hijacked the narrative. After Musk publicly attacked Trump's spending bill and Trump clapped back with personal jabs, the internet exploded with takes. But when former NFL quarterback Robert Griffin III (RG3) stepped into the fray, things took an unexpected turn toward the gridiron. RG3's sports analogy request backfires in real-time 'Give me the Elon Musk vs. Donald Trump beef in Sports Terms only,' Robert Griffin III posted on X (formerly Twitter), assuming the internet would drop clever NBA or MLB references. Instead, fans turned the spotlight on him. 'You vs. Ryan Clark,' one user replied—instantly reviving RG3's own ugly history with former Steelers safety and ESPN analyst Ryan Clark. What was supposed to be a fun sports take on a political feud quickly morphed into a resurfacing of NFL beefs that never fully healed. Revisiting the RG3-Ryan Clark drama: race, respect, and resentment The Clark-RG3 tension originally ignited when Griffin criticized LSU star Angel Reese for how she handled her rivalry with Caitlin Clark. Ryan Clark didn't mince words, essentially accusing Griffin of lacking empathy for Black women because of his own life choices—particularly his interracial marriages. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Free P2,000 GCash eGift UnionBank Credit Card Apply Now Undo 'You can't understand the lived experience,' Clark said, igniting a firestorm. RG3 fired back hard, saying Clark crossed a personal line by dragging his wife into it. Clark then doubled down, calling RG3 'phony' and one of the worst teammates he'd ever had, both in the locker room and on TV. Though Clark later apologized for referencing Griffin's wife, the two have yet to publicly bury the hatchet. Fans weren't done. Others compared the Trump-Musk meltdown to Tyreek Hill praising Tua Tagovailoa over Patrick Mahomes, a dig that drew sharp reactions in NFL circles. Some said the closest match was the Kobe vs. Shaq feud—two larger-than-life forces who accomplished greatness, only to implode under the weight of ego and ambition. Also Read: 'Billions of dollars of fraud': Donald Trump's Super Bowl 2025 interview about Elon Musk resurfaces amid their dramatic feud With political egos now echoing NFL locker room dynamics, it's clear this isn't just about policies and profits. It's about pride, betrayal, and legacy—territory NFL fans know all too well. For once, the White House and the huddle don't seem so different.

Scaachi Koul: 'Every writer should be in therapy'
Scaachi Koul: 'Every writer should be in therapy'

Hindustan Times

timean hour ago

  • Hindustan Times

Scaachi Koul: 'Every writer should be in therapy'

After your first book of personal essays [One Day We'll All Be Dead and None of This Will Matter (2017)] was published, you married your long-term boyfriend, moved to New York, became aware of your husband's affair, spent the early pandemic months anxious as your parents were stuck in Jammu during India's lockdown, got divorced, lost your job at Buzzfeed, and your mom was diagnosed with cancer. You signed the book deal seven years ago, before the two major events it's about — your divorce and mom's cancer — unfolded. What was the book you were intending to write originally? When did you finally start working on the first draft of Sucker Punch? It was supposed to be an essay collection about the utility and futility of conflict, so I was still trying to mine this thing. You're already laughing because you can imagine me banging my head against a wall like, 'Why can't I write this book about fighting?' And meanwhile, my marriage is on fire. I entered this relationship clearly without the facts, not knowing what was going on and not knowing what would happen. I think a lot of people felt that way — you marry someone, and then the pandemic happens, and you're like, 'Hey, who the hell is this?' I even felt that in watching how my parents handled the issues of where they were. My mom has health issues, so she's really concerned about her access to things. They're not Indian citizens, so I was thinking about what government would take care of them. They were in Jammu, which is also tricky — getting in and out of there was kind of challenging. Dad, meanwhile, was having a scotch, having a laugh. And so, I was trying to write this conflict book, and I just couldn't do it because everything was hard, and I was struggling to see the value of conflict. I had always felt like a protest worked. And then you watch Trump steamroll, the first time, through the American government. I was just disillusioned. I would send my book editor passages and she'd be like, 'This is bad. No.' I was lucky that I had someone who's really honest with me. But it wasn't really until my ex and I separated, and I was in my own apartment, I started filing things and I was being told, 'Yes, this is good.' I'd say, the day he and I broke up, I was like, 'OH. Oh, I see.' It really was like a cloud lifted over me. I didn't know what I needed to say, but it was very clear that this was going to be a book about the collapse of what I thought was a fundamental truth. While reading your book, I thought I understood all the reasons for your divorce: different fighting styles, the pandemic, too many years together... you'd analysed the relationship, his faults, your faults, the small things, all things. So, I was startled when I got to the part about his affair. Less than a year into your marriage, you discovered that he had been cheating on you for five years. Why did you decide to withhold it until much later in the book? I felt like if I told the audience, at the very beginning of the book, my white ex-husband cheated on me with a white woman — no one was going to be able to read anything after that! I'm trying to tell you all these other things that were genuinely, to me, more structurally damaging to my relationship than that. Like the funny thing about where it's placed: I don't leave. I find out [about the affair] and I think, 'Here's another thing for me to try to figure out how is my fault, and then I'll reverse engineer it.' The earlier drafts were much kinder, and information like this was parceled out slowly and sparingly. Even still, I'm pretty careful about how much I'm saying, because I don't really care. It's not important to me, but it was important to the narrative. And when I've explained to you that I had hidden from myself so effectively, I have to tell you how and why. I was hiding from myself within the relationship. Then I felt like I was being hidden through this strange relationship with this woman. Even her confronting me about it and telling me the information felt like a way to kind of obfuscate my existence in it. I really resent non-fiction books that don't tell you what happened... I promised you a story. I'm also not embarrassed by any of this. I didn't do it. I'm a passenger on a lot of this. You deleted most of your Instagram posts and later some tweets. You cringed re-reading your first book. Tell me about the act of writing this very vulnerable memoir while also experiencing this need for erasure or distance from the past. I'm okay with the decision about how public I am. I'm good at it. If I was bad at it, if the work was bad, then for sure, send me away. But if I'm going to do it, then I have to be really honest. So, I'm slower. I take longer, I think a little harder about it... The funny thing is, the criticism the second book gets is 'Oh, this is mundane. Everybody's had stuff like this happen.' And, yeah, you're right. You're totally right. Sexual assault is incredibly common. Divorce is sooo boring. Cancer? Oh my god. My mom got one of the most common forms of breast cancer. ABSOLUTELY, you're right. And still, nobody's saying anything. Shutting my mouth and dealing with the consternation privately just doesn't work for me. But also, Sucker Punch is 25 percent of what happened. It's only my version, and then it's maybe half of what I want to tell you. There's lots in there that isn't in there... because I don't really want to do if I don't need to do it. Maybe one day I will. I've also gotten more comfortable with the fact that the work will feel outdated eventually. It should. I want it to feel outdated. If I read One Day We'll All Be Dead Again today and was like, yeah, I still feel like this. Oh my god, kill me! I don't want to be 34 and relate to work that I wrote at 22. No, no, no, no, no, NO. In 10 years, I hope I read Sucker Punch, and I'm like, what a stupid little girl. You write that you'd rather 'punch my cat in the face, eat a leech... allow someone to watch me try to pluck an ingrown hair from the most tender part of my groin…' in public than 'write about my body and, specifically, my struggle for self-esteem.' But you do write about it. How did you let go of your body to write about your body? I think it's a daily decision. Every day you wake up and it's really like, am I going to obsess over this today, or can I just be a person? Can I get through the day? The first thing I had to get over was the idea that I was hiding, because I wasn't. Everybody could tell that I was tugging at myself and feeling uncomfortable. If you're stuck, even hiding that you're not happy about something, that's its own fight and everybody can tell. I also think the worsening political environment has made it easier for me to not think so much about my body. It feels hard to me to wake up and be like, 'Ooh, my abs, I don't have any' when many people got murdered in a drone strike while you were sleeping. But it was when my mom got sick, I started to not think about my body at all. It was very forgotten. Caretaking will do that. She's had, in the last three years, three major surgeries. And because I've been with her in some of these, I've seen that the body is remarkable; it really bounces back. That's not a great lesson: to caretake for someone you love, and then you will appreciate your body. What a morose way to go through life... My relationship with food changed a lot, too, because when my mom got radiation, she lost her appetite. That's really what I'm still trying to get back for her. All of these things are, to me, remarkable privileges. And I hope I can hold on to that feeling as long as possible. How does therapy help the writing process — do you have to be able to process something before you write about it or is writing itself therapeutic? No. Oh, my god. People who are like, 'I don't go to therapy. I just do X.' NO, YOU DON'T. Every writer should be in therapy. I do not trust, I do not trust, an essayist who does not go to therapy. I don't care what they're doing instead. No, I went so much. I just did my taxes yesterday — and I pay [for therapy] out of pocket because I love my therapist, so I won't put her through my awful insurance — and I wrote down how much I paid her. I'm like, damn it, this woman, she must be buying boats with what I'm spending. The funny thing about divorce — any breakup, too — is that it f*cks with your sense of reality, and you need someone who's going to be able to tell you what happened. It's hard to trust your friends sometimes because they hated him. If I trust my mother, then I would move home and that's a different path too that isn't quite right. But I needed somebody who could be like, 'Let's figure out what our version of it is, and I'll help.' It was so necessary. Everybody should be in therapy. It opens with your memories of visiting the mandir, growing up in Canada. And your metaphors are quite strongly rooted in the stories of Hindu goddesses, starting with Parvati and ending with Kali. What made you use Hindu mythology as a framework for the book? That framework was the last thing I put in the book, which is funny to think about because it feels, to me, important. But I had written all of the essays and they just weren't speaking to each other, and I couldn't figure out what I needed to do to make them talk to each other. The thing that I kept thinking about is that in all of my guilt around the divorce was my earliest memory of being at the mandir and this old auntie yelling at me for spilling a glass of water. The embarrassment that I used to feel at the temple felt so similar to how embarrassed I felt after my divorce. And so, the rebellion of the divorce felt religious. It felt like I was committing an affront to a god. I'm not an expert on any of this. These are the stories I was told. And it felt like if I'm untangling stuff that I think is true about my life, then I have to start with these fundamental ones from the very beginning of my life: that this is how women behave, they behave this way in kind of a religious context, we're taught to follow that spirit. But what if I think about it differently? And why haven't I heard about Kali? Nobody talks to me about the fun ones! The divorce didn't drive me to God that much because I still viewed it as a temporal event. When my mom got sick, I was like, am I being punished for something? And that's really when I felt that this is all I have. The original title of your book was going to be I Hope Lightning Falls on You — a translation of 'Paye thraat,' a Kashmiri curse phrase your mother casually hurled at you whenever exasperated — and I thought it would've been quite apt because this is maybe your most Indian writing. How did it become Sucker Punch? I know, I know. I really had so many conversations with myself and with my editors about it. I think the reason why I changed it ultimately was that 'I hope lightning falls on you' to me, is such a tender phrase, so associated with my mom and with my family. When I thought about this book, which is full of really a lot of cruel stuff and stuff that does not have to do with my mother (she doesn't really come in full until after the divorce), it just felt too tender for what the content was. I was talking to my book editor about it and her husband was in the room, and he was like, what about Sucker Punch? I was so mad, I cannot believe a man has figured it out. But it just made more sense. But yeah, something will come, and it will be called I Hope Lightning Falls on You, for sure. Saudamini Jain is an independent journalist. She lives in New Delhi.

Tom Brady names his Mt Rushmore of GOATs but leaves out a surprising name
Tom Brady names his Mt Rushmore of GOATs but leaves out a surprising name

Time of India

time5 hours ago

  • Time of India

Tom Brady names his Mt Rushmore of GOATs but leaves out a surprising name

Tom Brady just picked his favourites in sports. Source: X It's no secret that Tom Brady is a multitasker; the seven-time Super Bowl champion is a minority shareholder of the Las Vegas Raiders and just launched a new organic, vegan gummies label. And Tom Brady naturally appreciates other perfectionists in sports and recently spoke about his favourite athletes. When Brady was asked about his Mount Rushmore of GOATS, i.e. his pick of the best athletes, he listed several icons from different sports. But what caught his fans' attention was that he omitted a big name who is not just an NBA icon but also a friend. Who is a part of Tom Brady's Mt Rushmore of GOATs? Tom Brady listed Michael Jordan, Kobe Bryant, Tiger Woods, Rory McIlroy, Shohei Ohtani, and a few other sports legends. Breaking down his picks, Brady said, "Michael Jordan, he was my childhood idol. Obviously, I loved Kobe Bryant," he added. "Still love Kobe Bryant." "Tiger — his competitiveness. What Rory McIlroy has done; I love that. Shohei Ohtani, what he has done, has been unbelievable. Barry Bonds — he went to my high school. I was the biggest fan of his growing up. Michael Phelps, I love him. Michael Johnson. A'ja Wilson from my Las Vegas Aces. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like This Gel Makes Mold Disappear Like Magic CleanLix Learn More Undo I love her. She's amazing,' he said. But Tom Brady notable left out LeBron James from the list, which is surprising considering Brady has praised James in the past and LeBron has also admitted to being friends with him. Fans were quick to point out that Brady's omission of LeBron's name was surprising. But Tom Brady won brownie points for mentioning two young icons who have been engaged in something interesting. These two stars are Indiana Fever guard Caitlin Clark and Chicago Sky forward Angel Reese, whose "rivalry" has been one of the most talked-about storylines in women's basketball. During the 2023 NCAA Women's Basketball Championship, Caitlin Clark (Iowa Hawkeyes) had a record-breaking tournament run while Angel Reese (LSU Tigers) led her team to victory and was able to match Clark's drive and intensity. Reese famously did the 'you can't see me' gesture and pointed to her ring finger during the championship game, which drew some flak and led to broader discussions on how Black female athletes are portrayed versus white athletes. And Tom Brady mentioned their dynamic during his interview. "Caitlin Clark and Angel Reese, this little thing they got going, I love that. It's been really exciting," he noted. Tom Brady has in the past cheered on Caitlin Clark and has also rooted for emerging female athletes, which impressed fans. In another recent interview Tom Brady opened up about the common stereotypes he has been associated with. The interviewer asked him how Brady has often referred to himself as "hyper competitive" and "a psychopath' and whether he approaches business the same way. Brady responded, 'Actually, no. That's what I need help with. And that's why I have business partners who are psychopaths. They cross every t and dot the i's. I approached football in a very different way — I was into the nuances of the sport I understood so well. And I'm realizing that in business, those details are what matter, too. Especially against tough competition.' He further added, 'Partnering with great people in the end is what matters the most. You've got to bet on people who have vision, experience, a great work ethic, and great teamwork. And you know that in business, just like sports, things don't always go your way. So you're always going to have to figure out ways to overcome adversity and beat the competition.'

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store