Apollo Art Auctions Presents: Fine Ancient Art, Antiquities & Jewellery
A Media Snippet accompanying this announcement is available by clicking on this link.
LONDON, March 23, 2025 (GLOBE NEWSWIRE) -- Apollo Art Auctions is delighted to announce its upcoming Fine Ancient Art, Antiquities & Jewellery auction, set to take place on March 29th at 1pm GMT. This highly anticipated event will feature an extraordinary collection of ancient marbles, jewellery, seals, and antiquities. The sale is honoured to present pieces coming from the collections of Charles Ratton & Guy Ladrière, Dr. W. Benson Harer, P. Vérité, Kurt Deppert, Suzanne Tardivat, Georges Halphen, Taher Khorassani, Borowski, Donald Wonder, James Wolfensohn, Dr. Ulrich Müllerb and Philip Mitry.
The sale will be held live at our Central London showroom (63–64 Margaret Street, W1W 8SW) and online via the Apollo Art Auctions platform.
Items in the auction come from a vast range of cultures, including outstanding pieces from Ancient Egypt, Rome, Greece, Viking, Medieval European, and Western Asiatic civilizations. Each lot has been carefully curated to highlight the remarkable artistry, craftsmanship, and cultural heritage of the ancient world.
Auction Highlights:Lot 10 – Rare Egyptian Gold Bes PendantA stunning Ancient Egyptian gold pendant, depicting Bes, the god of protection, fertility, and household blessings. Bes was a beloved figure in Egyptian, Persian, and Achaemenid cultures and often appeared in amulets, jewelry, and decorative art.
Lot 86 – Apulian Bell Krater Depicting a Rider on a Panther (Attributed to the Black Thyrsus Painter)Attributed to the Black Thyrsus Painter, this Apulian red-figure bell krater captures the Dionysian spirit through its depiction of a rider on a panther. In Greek mythology, Dionysus, the god of wine, theatre, and revelry, is often portrayed riding a panther to symbolise the untamed and ecstatic nature of his cult. Bell kraters were used in Greek symposia for mixing wine and water, making them essential pieces for social and ceremonial gatherings.
Lot 93 – Rare Roman Marble Portrait Head of Marcus CrassusAn imposing Roman marble portrait head believed to represent Marcus Licinius Crassus, one of Rome's wealthiest statesmen and a key figure in the First Triumvirate alongside Julius Caesar and Pompey. Known for his immense fortune and military prowess, Crassus played a crucial role in Roman history, including his infamous campaign against Spartacus' slave revolt. This grand-scale portrait, likely once part of a public monument or private villa, reflects the artistic and political significance of Roman portraiture.
Lot 97 – Very Rare Attic Bronze HelmetThis magnificent Attic bronze helmet would have been worn by Greek warriors, possibly during battles fought in the Peloponnesian War or against the Persian Empire. Attic helmets were favored for their sleek design, practicality in battle, and symbolic representation of military valor.
Lot 114 – Greek Gold Ring with Sphinx and AmphoraThis exquisite Greek gold ring, dating from 400–300 BC, features an intricately detailed sphinx crouching beside an amphora. The sphinx, with its muscular hind legs, curled tail, and outstretched wings, embodies the mystery and wisdom associated with this mythological guardian. Its finely sculpted profile and beaded necklace showcase the artistry of the ancient Greek goldsmiths. The amphora, a vessel commonly used for storing wine and oil, adds a further symbolic element to the piece, possibly linking it to trade, wealth, or ritual practices.
Lot 398 – Akkadian Lapis Lazuli Cylinder SealA stunning Akkadian cylinder seal carved from lapis lazuli, a stone deeply associated with royalty, divinity, and power in Mesopotamian culture. These seals were used for legal, administrative, and religious purposes and often depicted elaborate mythological scenes. The choice of lapis lazuli underscores the extensive trade networks of the Akkadian Empire as it would have been sourced from the distant mines of Western Asia.
Preview and Bidding Information:All auction lots will be available for private preview by appointment only at our Central London showroom from March 24th–28th, 2025 (10 a.m. – 5 p.m. GMT). Our expert team ensures that each artifact is prepared for professional in-house shipping.
For inquiries or to schedule a preview, contact:enquiries@apolloauctions.com(+44) 7424 994167
Join the Live Auction on March 29th at 1 p.m. GMTFor full auction details and to explore the complete catalogue, visit: Apollo Art Auctions: www.apolloauctions.com
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BANKS You know, I have no idea if we will ever get the opportunity to explore this further. I love that there's still a sense of danger for this family going forward. Jessica and I talked a lot about why we had to pin it on somebody else. Why did we have to do that? And that was about protecting Ethan. Ethan was accused of this crime and that accusation was going to follow him and we needed to offer up another idea. Because even though he was acquitted, there was always going to be this shadow over him that maybe he did it. I feel like Nicky, at the very least, couldn't live with this idea that Ethan had to go through the rest of his life with people believing he had murdered his father. So finding another avenue for us was a way to fight the system that had been holding us down throughout. We're two villains in this piece. I mean, we're unlikable women. I'm a bad mom who's a drug addict and an alcoholic who loses her son, and Chloe is a cheating, (laughs) ambitious social climber with a target on her back, you know? We live in a system that wants to hate us, that wants to tear us down. And so it brings out all of our fighting instincts, and Bill Braddock is the embodiment of that system that is holding us down, of that oppression. So be able to nail him for it felt really right to me as a sort of a rallying cry for us as two women in the in the series. Given the series is called I think while watching the series the answer to who is actually the better sister can change and be something hard to even answer. But what is your take on that question that lingers with the series with who is the better sister and why? BIEL I'm with you on that one. It is unanswerable. You cannot point to one or the other at the end of the series. I think that's what I love about the title. It is subverting the expectation of that title, because initially on the out front you think, 'Oh, I'm going to be able to pick it out.' And you probably think it's Chloe at first and then you think it's Nicky, and then you think it's Chloe. And then it goes back and forth the whole time. Then it kind of points to other people too. Just because the word sister is there doesn't really necessarily mean you have to be pointing at us. We are all culpable. We're pointing at everybody. So many different people have a hand in this thing. There's just this big, very gray area that question is living within. BANKS The better sister is not a statement, it's the question. I think it invites the audience to play with the series, as Jessica says, and go back and forth like I think one thing, and now I think another. One of my favorite things about the writing is these cliffhangers at the end. 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