'28 Years Later' Director Comments On The Film's Zombie Nudity
The long-awaited sequel to the horror classic 28 Days Later and its original follow-up 28 Weeks Later is finally here. The new film, titled 28 Years Later , is an ambitious effort from the original creators of 28 Days Later and to demonstrate some of that, they have a new antagonist known as the 'Alpha' played by Chi Lewis-Parry. The character features some surprising nudity, however, that 28 Years Later director Danny Boyle opened up about.
While speaking with ComicBook, Boyle discussed the character and the surprising male genitalia that was present with his appearances in the film. As it turns out, however, they legally couldn't show the actor's real genitalia – and so a life-like prosthetic was created instead. This was explained by Boyle who gave an interesting reason as to why.
Here's what he shared with the outlet:
'This was a salutory moment via our intimacy coordinator that when you have a child of 12 present, all genitals, male and female, have to be fake. They can't be real. [The] Child Sex Offenses Act would put me in prison if I allowed him [Alfie] to see real genitals [laughs]. So he has to look at absolutely false photo-real genitals, created by a prosthetics company.'
It's certainly an interesting way to bend the rules when making a movie. Filmmakers have utilized unexpected techniques for decades to try and get their ideas across on the big screen, even when censorship should dictate otherwise. Now 28 Years Later took the initiative to use prosthetic genitalia to create a more realistic and grounded breed of Infected, or zombies, that 28 Days Later fans can be afraid of.
The new sequel, 28 Years Later , with nudity and all, is currently playing in theaters. Fans that are excited about the franchise comeback will be happy to know that an additional film is headed our way, titled 28 Years Later: The Bone Temple .
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Geek Girl Authority
an hour ago
- Geek Girl Authority
THE BUCCANEERS Recap: (S02E02) Holy Grail
The Buccaneers Season 2 Episode 2, 'Holy Grail,' wastes no time getting to the meat of the overarching narrative and all the subplots within. Theo learns about Nan's night of passion with Guy and the latter's role in Jinny's escape. Admittedly, this transpired sooner than expected, but I'm also glad it's out of the way. Lord Brightlingsea is dead, so Conchita and Richard have now inherited the title. Lizzy withholds info from Nan while the seeds are planted for her inevitable affair with Theo (whether we like it or not). It's all deliciously juicy d-r-a-m-a. RELATED: Read our recap of the previous episode of The Buccaneers, 'The Duchess of Tintagel' The Buccaneers, 'Holy Grail' We open with Guy (Matthew Broome) writing a letter while ensconced in his new seaside home in Italy. He's finding it challenging to adjust to life with Jinny (Imogen Waterhouse) and baby Freddie. Of course, the papers are all abuzz with updates on the Duke and Duchess of Tintagel's honeymoon tour. We see Nan (Kristine Frøseth) and Theo (Guy Remmers) emerge from their carriage while on said tour, waving and grinning for the adoring public. Then, we see Guy has addressed his letter to Lizzy (Aubri Ibrag). He asks her to give it to Nan. Guy doesn't want to break up the Tintagel marriage; however, with this missive, he's offering Nan a choice. She can live with him and Jinny (and lil Freddie) in Italy. He implores Lizzy to do what's right for Nan. After this, Nan and Theo return to Tintagel after three months of touring. The Dowager (Amelia Bullmore) is thrilled to see them. Preparation Elsewhere, Conchita (Alisha Boe) and Richard (Josh Dylan) prepare Cora (Maria Almeida) for the spring gala at Tintagel Castle. Mrs. Merrigan (Amanda Bright), Cora's mother, sits in on the lesson. Cora claims she knows all the lords and their county seats, and could probably guess what they ate for breakfast. She's ready to put what she learned from Conchita and Richard to the test. RELATED: 10 Questions We Need Answered in The Buccaneers Season 2 Meanwhile, Nan, now in her quarters, grabs Guy's shirt and sobs into it. She's unhappy. She misses Guy. Theo overhears her sobbing and stands outside her door, looking crestfallen. Then, Lizzy arrives for a visit. She has Guy's letter to Nan in her hands, but before she reunites with her friend, she pockets it. It's abundantly clear that she's struggling with the weight of this decision. Does she help break up a marriage for true love? Nan points out that Hector (Jacob Ifan) is here for Theo's pre-gala event. Every year, before Parliament opens, he invites all the most prominent lords to Tintagel. Lizzy appears excited to see him. However, she's more concerned about Nan. She pulls Nan aside for a chat. Nan insists she's okay. Theo is kind. They're getting along swimmingly. Lizzy is unconvinced. The Legend of King Arthur Later, Nan announces Theo, who collectively greets the lords and ladies assembled for the hunt for the 'holy grail.' Nan spots Seadown (Barney Fishwick) as he skulks among the bevy of people. Well, that is, until he sees Nan. Then, he makes himself known. The lords behind Seadown offer words of encouragement regarding his 'missing' wife. RELATED: 7 Questions We'll Never Get Answered in The Great Season 4 Once Theo releases the group to find the grail, the Dowager reminds Nan that it's her job to ensure Theo maintains healthy relationships with all the lords, personal feelings aside. She must've clocked Nan's disgust upon spying Seadown in the crowd. Then, Theo and Lizzy reunite in the woods. She claims she has no clue where to look for this grail. Legend has it, King Arthur drank from it. However, Theo reveals the family uses it to serve nuts every Christmas. He regales Lizzy with the tale of Arthur, Guinevere and Lancelot. How Guinevere's affair with Lancelot catalyzed the downfall of Arthur and his kingdom. Use Your Voice I can't believe it took me this long to make the narrative connections to Arthur/Guinevere/Lancelot with the Nan/Guy/Theo love triangle. It's blatantly obvious now. Side note: Theo's remark that Lizzy is a good friend to Nan tells me all I need to know about the inexorable affair between these two. You might as well hang up a big neon sign that says, 'Theo + Lizzy.' Thankfully, I don't watch this show for subtlety and nuance. RELATED: Read our Bridgerton recaps Next, Nan watches as Hector ingratiates himself with Seadown. After this, the MP chats with her for a spell. Hector isn't a Seadown fan, but it's all about getting his bill passed. Every show of support could bring this bill to fruition. Hector is a champion of the working-class man, and this bill ensures they can own land and stand on equal footing with the one percent. Hector encourages Nan to use her voice, citing that she's one of the most powerful people in the country. He would also love her help. Stay Put Meanwhile, in Italy, Guy discovers Jinny is MIA. He takes baby Freddie outside to search for her. Listen, 'daddy' is a good look for Guy. It fits him like a glove. Jinny sits outside a cafe with Paloma (Grace Ambrose), the kindly landlord of the house they're living in. Paloma believes Jinny and Guy are married. They get candid about sex and how it's supposed to be fun. Jinny shares what little knowledge she has about it — that you're supposed to just 'lie there.' Paloma assumes this is directed at Guy, not Seadown. RELATED: Geek Girl Authority Crush of the Week: The Buccaneers' Lizzy Elmsworth Later, Guy tracks Jinny down and pulls her away from Paloma. Guy reminds her of the dangers of running off. Jinny was feeling stir crazy and had to break free. Guy sacrificed everything, a potential life with Nan, to protect Jinny and Freddie from Seadown. Both Jinny and Guy admit they resent each other. Jinny makes an executive decision to return home to England. However, Guy shows Jinny headlines from various newspapers, all stating that Jinny is mad and that she stole Seadown's child. If she were to head back to England, she could be tried in court as a criminal. Italy is significantly safer at the moment. The New Brightlingseas Then, Conchita and Richard have some unexpected visitors: Lady Brightlingsea (Fenella Woolgar) and Honoria (Mia Threapleton). As it turns out, Lord Brightlingsea has passed away. So, Richard wasn't invited to his own father's funeral? Lady Brightlingsea — well, Lady Marable now, as that title goes to Conchita — explains that the bailiffs took everything, including both houses. This means Lady Marable and Honoria must stay with the newly christened Brightlingseas. RELATED: Read our Dickinson recaps Elsewhere, Lizzy pretends to spot the holy grail in a creek. She utilizes Theo's distraction to splash water in his face. He retaliates. Then, he helps Lizzy find her missing bracelet in the water, even refastening it around her wrist. Sparks fly. Theo leads Lizzy to a massive mausoleum for the Tintagel family. There, he discloses Nan's melancholy. He heard her crying. How can he make her happy? Nan and Hector burst through the doors of the mausoleum with the holy grail in hand. Huzzah! Our quartet descends to the tombs, where Theo gives them a tour. He even shows Nan the spots where they'll inevitably be interred for eternity. Nan's face falls. A Contract Meanwhile, Lady Marable gives Cora a reality check. Marriage isn't about love; it's a contract. And as for Conchita and Richard, Marable explains that Richard traveled across the ocean to find a wealthy bride in New York. Once Cora finds a husband, she'll be balancing books of a different kind. Cora looks dispirited by Marable's truth bomb. RELATED: TV Review: The Serpent Queen Season 2 After this, Nan and Lizzy get ready for the spring gala. Lizzy examines Guy's letter to Nan before concealing it again. She informs Nan that Theo hears her weeping. Lizzy points out that tears aren't the cornerstone of a happy marriage. Nan fires back at Lizzy, asking what the latter knows about marriage. Nan insists she's stuck in this union. There's nothing to be done. Outside, Lizzy stands on the roof, observing Theo from afar. Hector surprises her with cutlery-free food, which, if you recall, is a vital component of Lizzy's perfect day (no book and bath at the moment, though). We're Team Hector in this house. Six Iguanas Elsewhere, Cora throws everything Conchita taught her out of the window. She's unfiltered with the lords who approach her. Conchita and Richard try to impress upon said lords that Cora's father is quite rich, and she has a sizable dowry. Still, Cora scares them all away. What's the point if love isn't the objective here? RELATED: 15 Song Covers We Want to Hear on Bridgerton Meanwhile, Mabel (Josie Totah) and Honoria makeout in their new room. Others in the Brightlingsea household might assume they're roommates, but we know better. Side note: I love Mabel's dress. Orange is her color. Lady Marable knocks on their door, interrupting the dress removal process. This feels homophobic, especially during Pride Month. Honoria offers to join her mother in a moment. She tells Mabel that she's all Marable has left. At the same time, Conchita confronts Cora about her behavior. Cora threatens to tell her mother, who's paying Conchita good money for this, that Conchita 'took a tone' with her. After Cora leaves, Conchita tells Richard she's proving to be trouble for them. Richard teases that he likes trouble. And Conchita loves a good challenge. To Protect Women Later, Seadown informs Nan of his intention to continue searching for Jinny. News arrives every day, making the possibility of finding her increasingly likely. Seadown insists that Jinny isn't in her right mind. However, once she and Freddie are back in the country, Seadown will see to Jinny's medical care. Ew. Ick. Get away from her. RELATED: TV Review: My Lady Jane Season 1 Nan delivers a heartfelt, stirring speech at dinner. Much of it is pointedly directed at Seadown. Nan acknowledges Hector's important bill for the working-class man. However, Nan is more focused on ensuring women have a voice. That they're no longer property. That they aren't prisoners in their own homes. Nan vows to use her voice to uplift women. And should any man try to threaten a woman's autonomy, Nan will exercise her power to put that man in his place. Theo echoes his wife's sentiments and starts clapping for her. Everyone else follows suit. Even the Dowager looks supportive. Theo excuses himself from the dinner table. Nan follows him out into the woods. Unfortunately, Seadown tails her. He confronts Nan for 'embarrassing' him at dinner. He claims it'll be the last time she pulls a stunt like that. Seadown Goes Down Suddenly, Theo punches Seadown. He orders that abusive POS to get away from Nan. After Seadown flees, Theo embraces her. Nan apologizes for her emotional state. She discloses that adjusting to this new chapter hasn't been easy for her. However, she wants their marriage to work. RELATED: Read our recaps of The Buccaneers Later, Mabel plays backgammon with Lady Marable. Mabel proves she can keep up with Marable's insults by dishing them out as well as she can take them. Nan knocks on Lizzy's door, and the two chat about letting Guy go. As it turns out, Lizzy never gave his letter to Nan. In fact, she burned it. Nan is fully devoted to Theo now, despite her love for Guy. Inside the castle, Nan tosses Guy's shirt into the fire. Then, she has a lovely day riding horses with her husband. In Italy, Guy watches with a smile as Jinny embraces her son. Nan bids farewell to Lizzy and the others as several carriages depart from Tintagel. The Truth Theo apologizes to Seadown for punching him. Seadown recognizes that Nan doesn't know of Jinny's whereabouts. However, there's no way that either Theo or Nan hasn't heard from Guy. That's when Theo learns about Guy's involvement in all this. Seadown divulges that several servants saw Guy with Nan the night before the wedding, and that he departed with Jinny in the early hours of the following morning. Theo puts two and two together as he approaches Nan. He ain't happy. Sh*t's about to hit the fan, y'all. The Buccaneers drops new episodes every Wednesday on Apple TV+.
Yahoo
an hour ago
- Yahoo
Henley Literary Festival announces partnership with The Independent for third year running
Henley Literary Festival is partnering with The Independent for the third year running, to create one of the most spectacular events in the arts and culture calendar this autumn. Some of the nation's biggest authors and national treasures will feature at the nine-day-long festival, with guest speakers including Fawlty Towers star John Cleese, Sir Michael Palin, celebrity baker Dame Mary Berry, broadcaster Graham Norton and former Strictly Come Dancing professional Oti Mabuse. The festival runs more than 120 events at venues across Henley-on-Thames from 3 to 12 October, with already announced speakers such as acclaimed children's author Michael Morpurgo, chef Raymond Blanc, Absolutely Fabulous star Joanna Lumley and poet Simon Armitage. The partnership will feature exclusive news and interviews running in The Independent, alongside special programming at the festival itself, with a series of on-stage discussions between The Independent's journalists and Jeremy Hunt, Simon Armitage, Judy Murray and Michael Heseltine. Hunt will be in conversation with The Independent's Consultant Editor Simon Walters, while Armitage will speak with The Independent Editor-in-Chief Geordie Greig, both on 9 October. Judy Murray will talk with The Independent's TV Editor Ellie Harrison on 12 October. Events for children will include Paddington star Hugh Bonneville, poet Donna Ashworth, Clarkson's Farm star Kaleb Cooper and award-winning author-illustrator Emily Gravett. Gavin & Stacey star Joanna Page will discuss her autobiography Lush!, while her sitcom co-star Larry Lamb will join Carol Drinkwater, the actor turned author of All Creatures Great and Small. For those interested in the thriller genre, the festival will feature an evening hosted by crime fiction aficionado and Olympic icon Dame Katherine Grainger, as well as Death in Paradise and Marlow Murder Club creator Robert Thorogood, who will speak to broadcaster Jeremy Vine about his first crime novel Murder on Line One. As for sport, highlights will include England men's most-capped rugby player Ben Youngs with his much-anticipated memoir and Test Match Special favourite Phil Tufnell, who will deliver an overview of the Ashes. Henley Literary Festival director Harriet Reed said: 'From the menopause, farming and the impact of Empire to much-loved sitcoms, record-breaking sports stars and wonderful children's authors and illustrators we are so excited to share our most eclectic line-up and yet – with some lovely surprises to come when the full programme arrives next month!' Greig said: 'Henley Literary Festival is a fantastic event and it's our great pleasure to partner with it for the third year running. We look forward to bringing fascinating conversation to Independent readers and festival attendees.' Tickets for the festival, which is suitable for both adults and children, can be booked here.
New York Times
an hour ago
- New York Times
Ivy Pochoda, Crime Writer and Squash Champ, Adds Horror to Her Résumé
There's more than one reason the novelist Ivy Pochoda has the opening line of the 'Iliad' tattooed on her upper right arm. For starters, the verse — which in English is commonly translated as 'Sing, oh Goddess, of the wrath of Achilles' — presents literary inspiration as a decidedly female endeavor. For another thing, by going with the original Greek, a passion of hers since high school, Pochoda ensured that its first word would be 'μῆνιν,' or 'wrath.' And wrath, specifically as it relates to female rage and vengeance, is never far from Pochoda's mind. The topic has played a role in much of her fiction, and it ferociously animates her new novel, 'Ecstasy' — the sixth written under her own name — in which she revamps 'The Bacchae' into a contemporary feminist horror story. It is set on the Greek island of Naxos, where Dionysus, the bad boy god of Euripides' play, is sometimes said to have been born. Pochoda believes that the horror genre, given its truck with violence, gore and the supernatural, is an effective way to turn up the volume on issues of gender inequality, oppression and women's cratering social status. 'The imbalance starts to eat away at your sense of self, personally and professionally,' she said. 'There's still this institutionalizing of certain roles for women. There's a rage about that. Horror gets people to pay attention.' To that end, 'Ecstasy' — published by Putnam on June 17, and centering on an American real estate princeling with designs on a myth-shrouded part of the island — explodes into hallucinatory violence, blinding bloodlust and outbreaks of primal madness. Want all of The Times? Subscribe.
