logo
Cultural affairs dept to participate in Pune children's book fair next year

Cultural affairs dept to participate in Pune children's book fair next year

Hindustan Times25-05-2025

Pune: The department of cultural affairs will organise cultural programmes as part of the Pune Children's Book Fair, recognising the positive influence such events have on young minds, said Ashish Shelar on Saturday.
Speaking during his visit at the Pune Children's Book Fair 2025, organised by the National Book Trust, Pune Municipal Corporation (PMC), and Pune Book Festival Samvad, at the Ganesh Kala Krida Manch, the cultural affairs minister emphasised the need for such initiatives in an era dominated by artificial intelligence, OTT platforms, and the internet.
'To keep children's sensitivity alive, nurture good values, and develop their talents, such programmes are essential. The cultural department will become an official partner in the initiative. It will be promoted as a model of value-based child development in the state,' he said.
Praising the organisers, Shelar said, 'In today's time, when the family system is weakening, such initiatives help society face challenges. Without real intelligence, artificial intelligence is not enough for progress. The children's book fair has the power to nurture such real intelligence in children. When you see books, games, cultural exchange, and history brought together in one place for children, you understand the importance of the initiative. Against today's backdrop, this entire atmosphere feels almost unbelievable.'
Additional municipal commissioner Prithviraj BP said, 'As PMC marks its 75th year, several cultural programmes are being held. Given the response to the children's book fair received in its very first year, the civic body will continue supporting it annually. The civic body has already provided land for the National Book Trust, and efforts are underway to make Pune the book capital.'
In his welcome address, Rajesh Pande, the festival's chief organiser, said, 'Over 25,000 children visited the fair in just two and a half days.'
Earlier, Shelar visited various stalls at the exhibition and even picked up a 'Viti-Dandu' (traditional Indian stick game) and played with kids. He released several children's books on the occasion.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Artists tell us why bugs matter
Artists tell us why bugs matter

Indian Express

time33 minutes ago

  • Indian Express

Artists tell us why bugs matter

The last time anyone was thankful for a bug in their backyard was probably when a radioactive spider bit Peter Parker, giving us the fabled Spiderman. Except that the creepy crawlies have much more than just the heebie-jeebies to offer. Among the first bioindicators of climate change, insects are able to detect changes in the environment, allowing rapid response to protect the planet: mayflies and stoneflies are a sign of clean water and migration of butterflies are sensitive to temperature fluctuations. As if in an act vindicating their role in nature, several contemporary Indian artists have made these bugs into their muses to foster discourse on one of the most pressing issues of the 21st century: the environment. In a rather literal ode, artists Nibha Sikander and Namita Vishwakarma recreate images of different insects they spot in their environment, creating a sort of an archive. Sikander, who lives in Murud-Janjira on the outskirts of Mumbai and next to the Phansad sanctuary, makes life-like paper relief sculptures of moths. The recreations are anatomically accurate enough to trigger entomophobia (fear of insects). Most of her works are presented in a set of the whole insect and its dissected body comprising wings, abdomen, head and antennae. Having lived in the area since 2017, the 41-year-old artist has observed a noticeable dip in the population of once-frequent species of moths. 'I always felt that people always focused on butterflies and not moths because they are nocturnal, and are likely associated with things that are dull. But the more I documented them, the more I realised the crazy colours and patterns they come in,' says the artist whose go-to glossary for identifying the species is Dr V Shubhalaxmi's Field Guide to Indian Moths. 'I understand that some things — development due to tourism — are inevitable. And I don't see certain species of moths as frequently as I did about eight years ago. So when I am documenting the moths through my work, I feel like I am forming an archive because I don't know if they are going to exist in the area in the future. I want to impact the way someone looks at nature, even if it is in a small way,' says Sikander. Namita Vishwakarma from Bastar, too, has a practice to a similar end. However, unlike Sikander's scientific recreations, she paints the insect in its natural habitat. This entry point into her work brings the dialogue between an organism and its environment under the spotlight. 'When we look at the ground, it appears to be of the same colour throughout, but if you observe closely, you will notice that it is made of different particles of different colours. And as I looked at the ground, I started seeing the different bugs that we usually don't notice. But it is important to understand that their existence is as integral to the planet as human life. That is something that I wanted to draw people's attention to,' she says, talking about the seemingly lenticular backgrounds of her portraits of a caterpillar, a mantis, a butterfly and a velvet mite. Vishwakarma, 29, comes from the celebrated lineage of Gond artist Shanti Bai, although she doesn't identify as one. Like her grandmother, she, too, uses the traditional style of tattoo making in the region. Her subjects are from her immediate surroundings, the conversation on environment she wishes to initiate through her work, is as contemporary as it gets. Sachin George Sebastian, 40, uses the motif of insects in a rather layered way to fit his nearly two decade-long practice that reflects upon the ecological ramifications of urbanisation. Like Sikander, he too creates realistic paper relief sculptures inspired by taxidermy practices in his series 'All things we know, we connect'. The dissection, however, reveals more than just insect anatomy. The different parts of the bug are superimposed with images of ongoing construction in cities. In the image of a longhorn beetle, the head, thorax and the abdomen become an under-construction building with the all too familiar green net hanging over it, and the antennae are replaced by the cellphone towers that behind being an eyesore, are known to have adverse environmental impact, including soil erosion and habitat disruption, primarily of birds. 'The idea that something so negligible in our daily life is such an important part of our ecosystem and survival made me look into the insect world. I was also fascinated by how we preserve their bodies, many of the species are probably extinct, thanks to the so called development by us humans,' says Bengaluru-based Sebastian, adding, 'I found it interesting that each area has its own kind of insects and found it very similar to how each area has its own type of architecture happening. With all these similarities I ended up with this series of work.' Mumbai-based Tanujaa Rane too has been familiar with the discomfort that accompanies the sight of bugs. It was an exercise in observation and cognisant self-learning that drew her to the fascinating life cycle of insects, eventually making it one of the primary subjects of her practice. 'I have always drawn creatures from the environment unknowingly… dogs, cats etc. But as I spent more time studying about them, I became cognisant of their existence, especially the smaller creatures such as moths and butterflies, beetles. I realised how they often go unnoticed, yet without them, the ecosystem would not be able to function the way we know it to. I remember how icky we would feel about worms, but recently as a session I learned how critical they are for maintaining a healthy soil ecosystem or how they are an important source of protein,' says Rane. It is this transition — from disgust to appreciation — that the 49-year-old printmaker addresses in her 'Metamorphosis' series. The works consist of large-scale images of different insects — dragonfly, moth, beetle — put together as tiles of a puzzle, hinting at the constant process of evolution. 'This enlightenment about the self and the environment, in a way, mirrors the emergence of an insect from its cocoon,' she says. If Rane talks about better understanding of the environment on part of humankind, Anindita Bhattacharya wonders about nature in a post-human world. In The Bloom of Broken Wings, which was part of her solo at the India Art Fair 2025, she creates a pantheon of fictional gods and goddesses created by mutating known species of insects. 'These insects are hybrids that are born in a time after nature has been destroyed by us. I wanted to show that without human intervention nature is capable of rejuvenating and creating life, even in the face of destruction,' says the artist whose work looks at the human as the parasite that plagues the environment.

Jeetendra's net worth jumps massively after Rs 885 crore land deal, Bollywood star's family own assets worth Rs...
Jeetendra's net worth jumps massively after Rs 885 crore land deal, Bollywood star's family own assets worth Rs...

India.com

time42 minutes ago

  • India.com

Jeetendra's net worth jumps massively after Rs 885 crore land deal, Bollywood star's family own assets worth Rs...

Bollywood's iconic actor Jeetendra and his family have been making headlines after selling a massive land parcel in Mumbai's Andheri. According to media reports, the Kapoor family sold the land for Rs 855 crore. With such a whopping deal, fans are now extremely curious to know about Jeetendra's overall wealth. According to a report by Square Yard, the sale was officially registered on May 29, 2025. The deal was done through the Kapoor family's two companies—Pantheon Buildcon and Tusshar Infra Developers. The land parcel, currently home to Balaji IT Park with three constructed buildings, is valued at Rs 729.26 crore, according to official documents. Coming to Jeetendra's journey from the silver screen to business, the actor remains one of the most popular stars in the industry. After the recent property deal, Jeetendra's net worth has significantly increased. As per media reports, his net worth is said to be Rs 10.84 crore. The same reports claim that the actor earns Rs 26 lakh each month, with a yearly income of around Rs 3 crore. Apart from that, Kapoor is the chairman of both Balaji Telefilms and Balaji Motion Pictures. Together, the production houses reportedly bring in Rs 422 crore. Jeetendra resides in the opulent Krishna Bungalow located in Juhu, reportedly valued at Rs 200 crore. He shares this lavish home with his wife, Shobha Kapoor, and daughter, Ektaa Kapoor. On the other hand, Ektaa Kapoor, Jeetendra's daughter, has made a name for herself in the Indian television industry. As per a report by Financial Express, Ektaa has a net worth of about Rs 95 crore (USD 11.3 million). She earns approximately Rs 2.8 crore per month, totaling around Rs 30 crore annually. Her wealth has grown by 25 percent in recent years. Coming to Jeetendra's son, Tusshar Kapoor, he tried his luck in the film industry. However, the actor couldn't impress the audience consistently and eventually stepped back. Though his performances in The Dirty Picture, Kyaa Super Kool Hain Hum, and the Golmaal series were praised, he never reached the heights of success like his father. As per a report by ABP, Tusshar earns Rs 40 lakh per month from brand shoots. Furthermore, his annual income is around Rs 5 crore. Tusshar owns property worth nearly Rs 44 crore.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store