logo
ISU honors century of theater productions

ISU honors century of theater productions

Yahoo04-04-2025

TERRE HAUTE, Ind. (WTWO/WAWV)—Indiana State University is celebrating 100 years of theater productions with a special event on April 12.
The event will feature a luncheon for alumni, students, and friends of the department, as well as tours of Dreiser and Seventh Street Theaters. During the evening, those who attend the event will be treated to a pre-show toast ahead of a performance of 'Reefer Madness'. The performance is a musical based on the original 1936 film of the same name. This comedy takes a tongue-in-cheek look at the hysteria caused when straight and narrow kids fall prey to marijuana. The show is said to include musical numbers inspired by Vegas-style ensembles and Broadway-style showstoppers.
Indiana State University President, Dr. Mike Godard, stated, 'For a century, Indiana State University's Theater productions have become a pillar of the greater Terre Haute community, and a hub dedicated to first-class performances and enriched storytelling. I want to extend my gratitude and congratulations to the dedicated students, staff, and faculty who have helped shape the theatre into what it is today, and I look forward to the next century of success.'
The theater on campus was founded in 1925 and originally started as a club named The Sycamore Players. In the 1930s, The Sycamore Playhouse was constructed in the basement of the Administrative Building, and the stage in the Physical Education Building was fitted with new equipment. In 1935, the Delta chapter of Theta Alpha Phi came to campus; they were a drama fraternity that grew and sponsored events like the Sycamore and Campus Revue. In 1950, the new Sycamore Playhouse was built with a larger capacity and better amenities, leading to the Indiana State Theater Division of the Department of Speech becoming more involved with the Terre Haute Children's Theatre in the 1960s.
The New Theater, built next to the Cunningham Memorial Library, opened in 1980. Throughout the decade, Theta Alpha Psi would host Theaterfest, where students could perform each year. In April 1990, the University Theater received an award from the American College Theater Festival, held by The Kennedy Center, for 'Downwinder Dance'. In 2023, Dreiser Hall, the home of the Department of Theater, was rededicated after the $18 million state-funded renovation.
Dr. Chris Berchild, Chair of the Department of Theater, added, 'Theater at Indiana State University has transformed from a small student club into a thriving program that continues to inspire and entertain. This celebration is not just about the past, but about the future—embracing new talent, new stories, and new experiences. We invite our alumni and the community to join us in honoring this incredible journey.'
Registration for the celebration lunch and pre-show toast closes Friday and sign up at this link. 'Reefer Madness' will run from April 10-13 from 7:30 p.m. with an additional matinee performance at 1:30 p.m. on April 13. The event is open to alumni, current students, and community members. Tickets to the show can be purchased here.
Copyright 2025 Nexstar Media, Inc. All rights reserved. This material may not be published, broadcast, rewritten, or redistributed.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

‘Angry Alan' review: A commanding John Krasinski takes on YouTube in compelling off-Broadway play
‘Angry Alan' review: A commanding John Krasinski takes on YouTube in compelling off-Broadway play

New York Post

time4 hours ago

  • New York Post

‘Angry Alan' review: A commanding John Krasinski takes on YouTube in compelling off-Broadway play

Theater review ANGRY ALAN 85 minutes with no intermission. At Studio Seaview, 305 W. 43rd Street. For nine years, audiences grew to love John Krasinski's mild-mannered Jim on 'The Office': His half-grins, dry confessionals, knowing glances at Pam. Jim was one of TV's nicest guys. And that's what makes the puppy-dog actor's casting in Penelope Skinner's engrossing play 'Angry Alan,' which opened off-Broadway Wednesday at the brand-spankin'-new Studio Seaview, so shrewd. There's instantaneous affection for Krasinski's divorced dad character Roger, sight unseen. In director Sam Gold's production — a rapid-fire slideshow of a man unraveling — he even lives in a sit-com-like shoebox house. After a short honeymoon phase, our devotion to Roger is repeatedly tested, tensely, as the normal-at-first dude grows darker and becomes obsessed with frightening ideologies in a warped corner of the internet. Like watching a terrible news story, we quietly wonder if the same unfortunate fate could befall someone emotionally struggling in our own lives. Freakier still, it absolutely can. Roger has a lot of reasons to be unhappy. His teen son barely speaks to him, an artsy girlfriend has been distant after meeting new like-minded friends and he's landed a job at a grocery store since getting let go from a lucrative gig at AT&T. The downcast dad finds some solace in 'Angry Alan,' a YouTuber who rails online about men being given the old heave-ho by what he believes is now a women-run world. 3 John Krasinski plays Roger in 'Angry Alan.' Jonny Cournoyer Initially, Rog's takeaways from the channel are innocent enough: That more men are depressed today; that fewer are graduating from college; that being a provider is an unnecessarily burdensome male stereotype. But the rhetoric fast turns violent, rage-filled and all-consuming. Those early sparks of sweet Jim are soon snuffed out. Roger still wrings out a laugh here and there, but with increasing discomfort. He pours all his time and cash into 'Angry Alan.' He's glued to his screen constantly and attends a messed-up convention with weirdos in Detroit. He stops paying child support. He keeps damaging secrets from his girlfriend. Eventually Roger's gross jokes make us squirm in our seats. The ever-shifting part takes full advantage of Krasinski's naturally positive vibe, which adds complexity to a chatty fellow who could easily be a pain in the ass. The actor also reveals an unexpected magnetism that TV kept under a bushel. 3 Roger's life unravels after he discovers a charismatic and controversial YouTuber. Jonny Cournoyer Krasiniski is a much more commanding stage performer than I ever thought he'd be, and he capably freight-trains through his almost-monologue while never sacrificing nuance or beats of the story. Gold, who theatergoers tend to associate with pregnant pauses, does just as well with Skinner's gap-free dash as he does with Annie Baker's pot-head grazes. 'Angry Alan,' to be sure, is a good play, not an excellent one. I'm particularly iffy on Skinner's ending. There's a powerful visual reveal, and then the drama's most tender — and, in the case of Krasinski, tenderizing — acting. 3 The play doesn't quite stick the landing. Jonny Cournoyer But the confluence of climactic events happens way too smoothly, too deliberately, and results in more of a thesis statement about the state of gender and masculinity than a believable, gripping interaction. It's OK to be both, however 'Angry Alan' skews too far toward the essay side of things. A moment later, the whole shebang is abruptly over with a snap of the fingers, as if a producer offstage is giving a 'wrap it up!' signal. That said, it's a play that keeps you thinking well after blackout. 'Angry Alan' leads to a contemplative audience.

Trump booed and cheered at the Kennedy Center while attending 'Les Misérables'
Trump booed and cheered at the Kennedy Center while attending 'Les Misérables'

Yahoo

time6 hours ago

  • Yahoo

Trump booed and cheered at the Kennedy Center while attending 'Les Misérables'

WASHINGTON (AP) — A tuxedo-wearing President Donald Trump was booed and cheered as he took his seat for the opening night of 'Les Misérables" at the Kennedy Center, bringing his own dose of political drama to the theatrical production that was unfolding onstage. It was his first time attending a show there since becoming president, reflecting his focus on remaking the institution in his image while asserting more control over the country's cultural landscape. 'We want to bring it back, and we want to bring it back better than ever,' Trump said while walking down the red carpet with first lady Melania Trump. The Republican president has a particular affection for 'Les Misérables," the sprawling musical set in 19th-century France, and has occasionally played its songs at his events. One of them, 'Do You Hear the People Sing?,' is a revolutionary rallying cry inspired by the 1832 rebellion against the French king. Opening night had a MAGA-does-Broadway feel. Ric Grenell, the Trump-appointed interim leader of the Kennedy Center, stood nearby as the president spoke to reporters. Attorney General Pam Bondi chatted with other guests. Health and Human Services Secretary Robert F. Kennedy Jr. took selfies with attendees. Vice President JD Vance and his wife, Usha, were also there. There were more precautions than usual, given the guest list, and ticketholders had their bags searched after walking through magnetometers. Canned soda was on sale for $8, while a glass of wine cost $19. Terry Gee, a bartender, bought his ticket for the show in November and didn't mind Trump's presence. It's his sixth time seeing 'Les Misérables,' and he said, 'I'm going to enjoy the show regardless." Hannah Watkins, a nurse, only learned that Trump would be there when the Kennedy Center distributed information about extra security and she searched online to see what was happening. 'I've seen a lot of famous people so far, which is exciting,' said Watkins, who had claimed a spot near the VIP entrance with her mother. 'Honestly, we just like 'Les Mis' and are excited to be here.' However, when the lights went down and the show began, there were empty seats in the balconies and even in the orchestra section. Before Trump, presidential involvement in the Kennedy Center's affairs had been limited to naming members to the board of trustees and attending the taping of its annual honors program in the fall. But after returning to office in January, Trump stunned the arts world by firing the Kennedy Center's longtime director and board and replacing them with loyalists, who then named him as chairman. Trump promised to overhaul its programming, management and even appearance as part of an effort to put his stamp on the national arts scene. His latest moves have upset some of the center's patrons and performers. In March, the audience booed the Vances after they slipped into upper-level seats to hear the National Symphony Orchestra. Trump appointed Usha Vance to the Kennedy Center board along with Bondi, White House chief of staff Susie Wiles and Fox News Channel hosts Maria Bartiromo and Laura Ingraham, among other supporters. Sales of subscription packages are said to have declined since Trump's takeover, and several touring productions, including 'Hamilton,' have canceled planned runs at the center. Actor Issa Rae and musician Rhiannon Giddens scrapped scheduled appearances, and Kennedy Center consultants including musician Ben Folds and singer Renée Fleming resigned. Understudies may have performed in some roles Wednesday night because of boycotts by 'Les Misérables' cast members, but Trump said he wasn't bothered by anyone skipping the performance. 'I couldn't care less,' he said. Since returning to the White House in January, Trump has adopted a more aggressive posture toward the arts. The White House has taken steps to cancel millions of dollars in previously awarded federal humanities grants to arts and culture groups, and Trump's budget blueprint proposed eliminating the National Endowment for the Arts and the National Endowment for the Humanities. Trump has also targeted Smithsonian museums by signing executive orders to restrict their funding and by attempting to fire the director of the National Portrait Gallery. Trump characterized previous programming at the Kennedy Center as 'out of control with rampant political propaganda' and said it featured 'some very inappropriate shows,' including a 'Marxist anti-police performance' and 'lesbian-only Shakespeare.' The Kennedy Center, which is supported by government money and private donations, opened in 1971 and for decades has been seen as an apolitical celebration of the arts. It was first conceived in the late 1950s during the administration of Republican President Dwight Eisenhower, who backed a bill from the Democratic-led Congress calling for a National Culture Center. In the early 1960s, Democratic President John F. Kennedy launched a fundraising initiative, and his successor, President Lyndon B. Johnson, signed into law a 1964 bill renaming the project the John F. Kennedy Memorial Center for the Performing Arts. Kennedy had been assassinated the year before. ___ Associated Press writers Mark Kennedy in New York and Chris Megerian in Washington contributed to this report. Darlene Superville, The Associated Press

Harris Yulin, 'Scarface' and 'Ghostbusters II' actor, dies at 87: 'One of the greatest'
Harris Yulin, 'Scarface' and 'Ghostbusters II' actor, dies at 87: 'One of the greatest'

USA Today

time6 hours ago

  • USA Today

Harris Yulin, 'Scarface' and 'Ghostbusters II' actor, dies at 87: 'One of the greatest'

Harris Yulin, 'Scarface' and 'Ghostbusters II' actor, dies at 87: 'One of the greatest' Harris Yulin, the Emmy-nominated actor known for his wide-ranging roles in films such as "Scarface," "Ghostbusters II" and "Clear and Present Danger," has died. He was 87. Yulin died of cardiac arrest on June 10 in New York City, according to a press release shared by the actor's representative Sue Leibman. A memorial service is scheduled to be held at a later date. In the weeks leading up to his death, Yulin was preparing to start production on the Michael Hoffman-directed series "American Classic," which was slated to star Yulin alongside Kevin Kline and Laura Linney. "Harris Yulin was very simply one of the greatest artists I have ever encountered," Hoffman said in a statement. "His marriage of immense technique with an always fresh sense of discovery, gave his work an immediacy and vitality and purity I've experienced nowhere else. "And what he was as an actor, he was as a man, the grace, the humility, the generosity. All of us at'American Classic'have been blessed by our experience with him. He will always remain the beating heart of our show." A native of Los Angeles, Yulin got his showbiz start in the theater community of New York City, appearing in a 1963 production of the James Saunders play "Next Time I'll Sing to You." He made his Broadway debut in the '80s with the Lillian Hellman play "Watch on the Rhine" and went on to perform in other shows such as "The Price," "The Visit" and "Hedda Gabler." In 2004, Yulin starred in a Chicago production of "Finishing the Picture," the final play by Pulitzer Prize-winning playwright Arthur Miller. The actor also directed a number of plays himself, including "The Glass Menagerie," "The Trip to Bountiful" and "This Lime Tree Bower." Yulin made his cinematic debut in 1970 with a starring role in the dark comedy "End of the Road." In the '80s, Yulin stretched his acting chops with roles in the gangster drama "Scarface" and adventure comedy "Ghostbusters II." The actor continued to switch things up in the '90s, appearing in the political thriller "Clear and Present Danger" and slapstick comedy "Bean." Brian Wilson dies: Beach Boys cofounder was 82 Yulin also lent his talents to the TV world with recurring roles in the series "Ozark," "Unbreakable Kimmy Schmidt" and "Billions." He received a Primetime Emmy nomination in 1996 for his guest role on the sitcom "Frasier." "Yulin was part of the vanguard of a generation who cared passionately about the craft of acting," a statement from Yulin's death announcement read. "This deep, lifelong dedication led to extraordinary, resonant performances that were a gift to audiences, the actors he worked with, and the art of acting itself." Additionally, Yulin gave back to his fellow actors through teaching stints at The Juilliard School and Columbia University. 10 bingeable memoirs to check out: Celebrities tell all about aging, marriage and Beyoncé Yulin is survived by his wife Kristen Lowman, son-in-law Ted Mineo, nephew Martin Crane, and godchildren Marco and Lara Greenberg.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store