Any Other Business: The full Larry Goodman saga is set to hit the small screen in the autumn
'Little Wing is currently in production on a landmark two-part series for RTÉ One,' according to a statement on the website of the Dublin-based production company.
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Irish Times
an hour ago
- Irish Times
Comedian Emma Doran on her Leaving Cert: ‘I had just given birth to my daughter 13 days before'
When and where did you sit the Leaving Cert exams? 2003. I went to school at Sancta Maria College in Dublin. I had just given birth to my daughter 13 days before, so I was in a room alone with a supervisor. What is your most vivid Leaving Cert memory? Opening English Paper 1 on the first day, and panic setting in that I wouldn't be able to do it. I was reading it, but nothing was sinking in. I took a deep breath and had a talk to myself. Who was your most influential teacher and why? My drama teacher, Ms Martin, told me I'd be good on television and I never forgot it. I had loads of really kind teachers in sixth year. Another teacher, Ms Hiney, even offered me childcare if I needed it, so that I could do my exams. What was your most difficult subject? Probably honours Irish. I learned an essay that I was doing regardless of what title came up. If it wasn't past tense, I knew I was pretty much lost. READ MORE And your favourite? I loved art, and the fact that you could be tipping away at it all year, and it didn't all come down to one exam. Can you recall what grades or points you received? I forget my PIN for my bank card most days, but I know I got 335 points. How important were the results for you ultimately? At the time, they were very important. I didn't want to repeat the Leaving and put myself under huge pressure to make sure I got into a degree course. In my mind, I had to get a degree and get a good job. I started at the school as a teenager and finished it as a single mother. Getting 'enough' points was a huge personal focus. If I got what I needed, then in my mind, it meant I wasn't a complete failure. What did you go on to do after secondary school? I went to IADT [Institute of Art, Design and Technology] and did a degree in business and arts management. What would you change about the Leaving Cert? Ask me in six years when my son is doing it! What advice would you give to your Leaving Cert self? I don't think 18-year-old me would listen to 40-year-old me, and she'd start asking me what questions came up. I could tell my 18-year-old self that the Leaving Cert doesn't matter, but I feel that would be unfair. In the context of my life [back then], it felt very important. You can't teach hindsight. In conversation with Tony Clayton-Lea. Emma Doran's UK and Ireland tour, Emmaculate , begins next September.
Irish Times
an hour ago
- Irish Times
Joyce on Trial - Frank McNally on a landmark libel case of 1954
When Gerry Adams took his successful libel action against the BBC in a Dublin court recently, reader Ronan Dodd reminds me, he was following a path that had been trod as far back as the 1950s, in a landmark case involving James Joyce. Joyce was dead by then, but his writings lived on. And when BBC radio's Third Programme marked the 50th anniversary of Bloomsday with a dramatisation of Paddy Dignam's funeral, it was sued by one Reuben J Dodd Jnr, from whom Ronan is laterally descended. Reuben J Jnr had been a classmate of Joyce in Belvedere College. Unfortunately, the two did not get on, continuing a feud that originated with their fathers, Reuben J Dodd Snr and John Joyce respectively. The older Joyce borrowed money from the older Dodd in the 1890s and seems to have been quite resentful that Dodd expected it to be paid back. The younger Joyce inherited the grudge. And when writing Ulysses, one of the great literary masterpieces of 20th century, he managed to include this personal vendetta, using the protagonists' real names. READ MORE Hence he has the Dignam funeral cortege pass Dodd Snr on what is now O'Connell Street, teeing up some casual anti-semitism from the mourners (even though Dodd was a Christian). 'Of the tribe of Reuben,' says Martin Cunningham, nodding towards the footpath. His gaze is followed there by Simon Dedalus, Joyce's fictionalised father, who speaks in the direction of the 'stumping' figure: 'The devil break the hasp of your back!' A conversation on money-lending ensues. The Joyces, senior and junior, were regularly in debt. In the earlier Nestor episode of Ulysses, where the author's alter ego Stephen collects his wages as a teacher from the bigoted northern schoolmaster Mr Deasy, the theme of insolvency also features. Deasy argues that the proudest boast of any Englishman is 'I paid my way', and challenges his young teacher: 'Can you feel that? I owe nothing . Can you?' Whereupon Stephen does a quick mental reckoning: Mulligan, nine pounds, three pairs of socks, one pair brogues, ties. Curran, ten guineas. McCann, one guinea. Fred Ryan, two shillings. Temple, two lunches. Russell, one guinea. Cousins, ten shillings, Bob Reynolds, half a guinea, Kohler, three guineas, five weeks' board… For the moment, no, Stephen answered. But the immediate source of the eventual libel case was not the debt. It was a story recalled by Leopold Bloom, who is also in the funeral carriage, and who himself will later be the subject of anti-semitism (although technically not Jewish either). It was based on real events too, although they hadn't happened yet then. In most ways meticulously faithful to the Dublin of 1904, Joyce in this case backdated an incident from 1911 for the purposes of his family feud. What is beyond dispute about the events in question is that on 26th August 1911, Reuben J Dodd jumped into the River Liffey. In Ulysses, this is presented as a suicide attempt. In the 1954 case (for which the plaintiff's lawyer was a young Ulick O'Connor) Dodd argued that, on the contrary, he was just trying to save his hat, which had been blown into the river. His father, with whom he had been in conversation or argument beforehand, was nearby on the quays. But it fell to a heroic docker, Moses Goldin (an ironic name in the circumstances, since it suggests he was Jewish, although I can't find that confirmed anywhere), to drag Dood Jnr to safety. Goldin was a serial saver of lives, apparently. According to the Daily Worker, which wrote an editorial about the incident, he had rescued 'some twenty' people from similar situations. Suffering from heart problems by the time he fetched Dodd Jnr out of the water, he lived in a slum with his wife and four children, and ended up in hospital from exposure after his latest heroics. But the main point of the Daily Worker's write-up, gleefully amplified by Joyce via Bloom – wad Dodd Snr's alleged meanness. When prompted to reward the docker, he settled on a sum of two shillings and sixpence. 'Mr Dodd thinks his son is worth half-a -crown,' sneered the DW editorial. In Ulysses, this is downgraded to a 'florin' (two shillings). 'One and eightpence too much,' quips Simon Dedalus, provoking laughter in the carriage until they all remember they're at a funeral and decorum is resumed. The 1954/5 libel suit did not trouble a judge, eventually. As Joycean scholar Pat Callan writes in a paper on the subject: 'The BBC settled as it did not wish to have an Irish court determine if a potential libel was committed at the point of reception or the point of transmission.' Dodd Jnr thereby became the only character in Ulysses to win a case for defamation arising from the novel. Joyce had died 13 years earlier. But while alive, he knew that in Ulysses he had given certain hostages to fortune. That may be one of the reasons why, after leaving Dublin in 1912, he never again came home.
Irish Daily Mirror
4 hours ago
- Irish Daily Mirror
RTE to host talent show which pairs up local musicians with well-known artists
RTE are set to air a new talent show that will pair up-and-coming musicians with known Irish artists, helping them organise and perform their first gig, in their hometown. An Ghig Mhór will air from Monday 9 June, 8pm on RTÉ One and RTÉ Player. In each episode, a renowned Irish musician mentors an up-and-coming band and helps them to organise their first big gig in their hometown. From the sitting room to the stage, the series follows the bands as they attempt to find a venue, sell tickets and deliver the performance of a lifetime. An Ghig Mhór provides a platform to new emerging Irish bands and shines a light on the hard work, creativity and dedication that goes into putting on your own gig. From Donegal to Kilkenny, the series showcases a different town and band each week. Folk singer John Spillane will share his expertise with The Donny's, a five-piece rock band from Kilkenny. Singer-songwriter Eve Belle from Gaoth Dobhair, Donegal will work with fellow Gaoth Dobhair singer Hannah Mc Fadden, and her band Hannah B. Kíla's Rónán Ó Snodaigh will mentor band Leevy from the Múscraí Gaeltacht in Cork, who perform a unique blend of folk-rock and punk with traditional Irish undertones. Krea, a former member of Wyvern Lingo will guide all-female punk rockers The Hex from Lexlip, Kildare. Hip-hop duo Tebi Rex will mentor Conamara rock band Na hEasógaí. The band fuse their own sean nós Conamara style with rock and contemporary influences. Finally, singer and guitarist Síomha will advise Coolboy, a four-piece rock band from Laois. Each band has their own unique sound and performs in English and Irish. Every band wants to headline Slane, or sell-out Croke Park, but the first step on that ladder is performing your first big gig in your hometown. An Ghig Mhór offers a platform to the next generation of Irish musical talent, with their mentors, family, friends and their home communities encouraging them every step of the way.
