logo
Gabriela Hearst, Willy Chavarria and Padma Lakshmi Turn Up for ACLU Event

Gabriela Hearst, Willy Chavarria and Padma Lakshmi Turn Up for ACLU Event

Yahoo24-04-2025

Gabriela Hearst, Willy Chavarria and Padma Lakshmi helped the American Civil Liberties Union launch its 'Creatives for Freedom' initiative Wednesday night at The Standard, East Village.
The organization's aim is to bring together leaders in fashion, film, television, social media, music, comedy and advocacy to draw attention to critical issues facing democracy. The crowd in the Cooper Square hotel's penthouse included designers Jameel Mohammed, Kim Shui and Kingsley Gbadegesin, actors Alan Cumming, Busy Phillips and Danai Gurira, rapper Joey Bada$$, artist Dustin Yellen, model Ella Snyder, as well as others like Glenda Bailey and Julie Gilhart.
More from WWD
Art Deco Turns 100: How Will You Celebrate?
Banksy's Work Stops Shoppers at Brookfield Place
Outside View: 'Let's Bring Back Jobs That Offer Skill, Stability and Dignity'
Hearst, Chavarria and Lakshmi cohosted the event with the ACLU's deputy executive director for strategy and culture AJ Hikes, and its national legal director Cecillia Wang spoke of the group's ongoing efforts to protect and advance fundamental freedoms.
As an ACLU member since 2017, Hearst said it's important to remember that it is a nonpartisan 105-year-old organization that 'is here to defend our rights and the Constitution.' The designer said that when Trump's second administration started in a 'dramatic, vicious and targeted way,' she inquired about doing more. Hearst spoke of Steven Spielberg's upcoming series on Netflix about the ACLU, and her $250,000 donation to the organization. 'Anyone who wants to match is welcome to. If you can't, come with whatever you can. Come with your work, your brain, your heart — everything is welcome,' she said.
Chavarria, a Mexican American, spoke of having the good fortune of having been born and raised by a humble, good and working family in an immigrant community in California. 'I'm also of the LGBQT persuasion, which means that every ounce of blood in my body is really built to fight against the oppression that we are seeing right now that is stronger than ever,' he said. 'All of the creatives in this room can have such incredible impact and contact with people both emotionally and spiritually. Through our art and the way we communicate, we can really make people feel and think differently about what's going on. It's important that we do that especially at a time when so many brands, TV series and whatever are just ignoring what's going on.'
Encouraging attendees to use messaging about the current situation through the beauty of fashion, makeup, music or other disciplines, Chavarria said, 'We are the ones who are probably best poised to get people to really see what's going on. We need to protect people, the institutions and the organizations that are under attack. Our ability to contribute to and guide unique and powerful cultural and topical conversations is more necessary now than ever before.'
The author and Emmy-nominated TV host Lakshmi, who is also the ACLU artist ambassador for immigrants' and women's rights, said, 'Democracy is really being threatened at every turn whether it is bodily autonomy, LGBQT rights, equal rights, or First Amendment rights. There is no frontier of our society or culture that is not under attack.'
Hikes spoke of the ACLU's 'millions of supporters around the country,' and its legal arguments in the Supreme Court with 'equal rights for all' being its guiding principles. Hikes and other supporters talked about the group's priorities that were designated more than a year ago — immigration, reproductive freedom, trans justice, and 'free speech — always free speech.' With 350 litigators nationwide, Hikes said, 'Even with that kind of force, we are still David to the government's Goliath.'
During Trump's first administration, the ACLU took 434 legal actions and, thus far, into his second administration, more than 100 legal actions have been taken. Wang highlighted how the ACLU helped four theater groups take legal action in a Rhode Island federal court to challenge the National Endowment for the Arts from requiring that grantees' projects not promote gender ideology, per a Trump executive order.
After the panel discussion, one of the ACLU's more seasoned supporters, Terry McDonnell, spoke of his commitment. Having supported the ACLU since he was 25, the media executive, literary editor and author said that was due to how, 'They echo that great thinking about 'I could agree with you, or disagree with you, or hate whatever you think, but I will die to protect your right to think that.' I hope they're still doing that. It's a First Amendment thing foremost. I'm totally in support of that.'
Referring to 'the long and broad menu' that the ACLU presents to people, McDonnell said he would like to see that expand. As for the event's strong turnout, his wife Stacey Hadash said, 'I think people are really frustrated, sad, angry and feeling all different emotions. And they don't know what to do or how to organize. One of the messages that came out tonight was, 'Check us out. Do anything. Anything that you do with us is worthwhile, and that can make you feel better.''
Best of WWD
The Definitive Timeline for Sean 'Diddy' Combs' Sean John Fashion Brand: Lawsuits, Runway Shows and Who Owns It Now
What the Highest-paid CEOs at U.S. Fashion and Retail Companies Make
Confidence Holds Up, But How Much Can Consumers Take?

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

How ‘The Studio,' ‘Yellowjackets,' ‘Monsters' and ‘White Lotus' Make Bad Behavior Appealing
How ‘The Studio,' ‘Yellowjackets,' ‘Monsters' and ‘White Lotus' Make Bad Behavior Appealing

Yahoo

timean hour ago

  • Yahoo

How ‘The Studio,' ‘Yellowjackets,' ‘Monsters' and ‘White Lotus' Make Bad Behavior Appealing

If you analyze the list of reprehensible acts committed by Shauna on 'Yellowjackets' – from everyday betrayals of those closest to her (e.g., sleeping with her best friend's boyfriend in the series' first episode) to serious crimes – you can safely say that she is an objectively horrible person who should be serving a long stretch in prison. But not if you're Melanie Lynskey, the actor who's played the character on the Showtime series for the past three seasons. More from Variety Emmy Voters Don't Forget: The Powerful Women of 'The Righteous Gemstones' 'Handmaid's Tale' and 'Day of the Jackal' Producers on Rewriting Literary Worlds With TV Adaptations 'The White Lotus': How Editing and Sound Helped Make Thailand a Character in the Story 'I feel so the opposite of that,' says Lynskey when confronted with the idea that Shauna is a horrible person. 'It's so easy for me to find the humanity in her.' Finding the humanity in a character, no matter how morally objectionable, is a core task of an actor's job. And since Tony Soprano (James Gandolfini) bada-binged his way on to TV screens in 'The Sopranos' in 1999, that task has become increasingly more daunting for both actors and audiences as they've been confronted by a growing horde of emotionally toxic and downright dangerous anti-heroes, from Walter White in 'Breaking Bad' to virtually every character in 'Succession.'In comedy, that's the case too. It's not easy to craft a character who both causes audiences to yell at the screen and root for at the same time. Yet 'The Studio' does just that with Seth Rogen's Matt Remick, who after getting a major promotion seems to make every wrong decision he can. Still, it's impossible not to hope he finds a way to succeed. Often, actors can't help but feel protective of their characters. Lynskey says she's been bewildered by the fans who've directed online vitriol at Shauna this season, while seemingly forgiving the sins of Shauna's husband Jeff (Warren Cole) and the heinous crimes committed by Misty (Christina Ricci). It's suggested to Lynskey that the difference is that Misty's brand is cuckoo, while Shauna is effectively the eyes and the ears of the viewer. 'Yeah, I guess there is a difference,' concedes Lynskey, who plays the character as an adult, while Sophie Nélisse plays her as a teen. 'I think that that the reason why people feel so upset and betrayed is because [Shauna] is like the audience surrogate who we all relate to. She seems like moms that I know. She seems like my mom. She thinks like me and then she's actually somebody who's capable of doing very crazy and really vicious things.' As Lyle Menendez in Netflix's 'Monsters: The Lyle and Erik Menendez Story,' Nicholas Alexander Chavez is that arrogant, spoiled rich kid we've all known – right up until the moment he and his brother Erik (Cooper Koch) kill their parents Jose and Kitty (Javier Bardem and Chloë Sevigny). But unlike Shauna in 'Yellowjackets,' if you take away the cold-blooded murder, Lyle is still, well … a privileged douche. Right? 'I would have a really tough time calling him that, only because it's impossible for me to put that kind of judgment on him,' insists Chavez. 'I see him more so as a wounded boy whose emotional and psychological development was probably stunted around the age of 8 or 9 or 10, but who ultimately felt like he had to behave like his dad. And I think that if you asked any 10-year-old to act like a 40-year-old record label executive, they would have a lot of anger and feel a lot of inadequacy because they don't have the means by which to actually do that job.' For Season 3 of HBO Max's 'The White Lotus,' Michelle Monaghan looked deep into the soul of not a murderer, but a famous actress like herself – specifically, a fictitious TV star named Jaclyn who manipulates and betrays her two childhood friends (Leslie Bibb and Carrie Coon) while on girls' trip to a luxury resort in Thailand – a process she admits she felt 'confronted' by. '[As actors], 'a lot of our self-worth is dependent on external validation,' observes Monaghan. 'I think because that's the way in which [Jaclyn] lives her life and that that's where she places her value, when she's not getting that validation or that stimulation that she needs, she goes looking for it in all the wrong places. And at the end of the day, what I hope we see is someone who probably really needs authentic connection. And I don't think she's malicious; I don't think she's manipulative, I think she's naughty.' Monaghan believes that, instead of turning viewers off, a character's bad behavior can actually draw them in. 'I think it allows for audiences to be seen in a way, because maybe [the character's] moral compass is a little off in a way that can oftentimes mirror their own,' she says. 'I like that feeling of being able to kind of take the audience on a ride that feels maybe a little confronting for them and one that they're emotionally invested in.' Getting inside the head of Menendez and staying there was a less pleasant experience for Chavez at times, particularly when he had to shoot a scene where he was was locked in a closet, naked and covered in simulated feces. 'When I'm working on a role, it'll work on me in almost a subconscious way,' says Chavez. 'There will be subtle drifts in my personality towards a certain behavior pattern over the course of two or three or four months. I do this almost unknowingly, which makes a lot of sense because you're filming five days a week for anywhere between eight to 14 hours a day. Now, it's not to the point where I'm out to dinner with my friends after a day of shooting and I'm introducing myself as Lyle. I think that that sort of stuff is a bit ridiculous. But I'd say I was about four months out, like late January of this year, is when I started to actually let go [of Lyle] and feel like myself again.' But, just as often, it's good for an actor to be bad. Lynskey points to her stunt-filled fight scene from Season 3 of 'Yellowjackets' where she bites off a piece of Melissa's (Hillary Swank) arm and forces her to eat it as being particularly enjoyable. 'It's very fun when the stakes are high and there's a really dangerous element to it,' says Lynskey. 'And it's fun to play someone who's unpredictable. Honestly, I don't know what the scripts are going to give me.' Best of Variety What's Coming to Netflix in June 2025 New Movies Out Now in Theaters: What to See This Week 'Harry Potter' TV Show Cast Guide: Who's Who in Hogwarts?

‘The Handmaid's Tale' Emmy Plans: Elisabeth Moss' Surprise Directing Episode Choice, Alexis Bledel Goes for Guest Actress Despite New Rules (EXCLUSIVE)
‘The Handmaid's Tale' Emmy Plans: Elisabeth Moss' Surprise Directing Episode Choice, Alexis Bledel Goes for Guest Actress Despite New Rules (EXCLUSIVE)

Yahoo

timean hour ago

  • Yahoo

‘The Handmaid's Tale' Emmy Plans: Elisabeth Moss' Surprise Directing Episode Choice, Alexis Bledel Goes for Guest Actress Despite New Rules (EXCLUSIVE)

Blessed be the Emmys rulebook, but it needs some serious updating. With 'The Handmaid's Tale' having taken its final bow, Hulu has confirmed its official Emmy submissions for the critically acclaimed drama, with one entry in particular already causing waves. More from Variety Elisabeth Moss on Saying Goodbye to 'Handmaid's Tale' (for Now), How Motherhood Changed Her Approach to June and That Perfect Ending: 'Television Gold' 'Running Point' Costume Designer on Kate Hudson's Power Suits: 'Why Not Have Her Femininity Be Her Superpower?' Elisabeth Moss on Coming Full-Circle in 'The Handmaid's Tale' Finale: 'I Can't Imagine It Ending Any Other Way' Variety has learned exclusively that the streamer has submitted Alexis Bledel in the guest drama actress category for her appearance in the series finale ('610 – The Handmaid's Tale'), despite a newly enforced Emmy rule disqualifying actors who have been previously nominated in a lead or supporting category for the same show. Bledel won the Emmy for guest in 2017, and garnered two additional noms in the same category in 2020 and 2021. However, in 2018, after appearing in seven of the 13 episodes for a season, she was ineligible to compete as a guest; she was submitted and eventually nominated for supporting drama actress. The one-year recognition for her character, Ofglen, appears to fall outside the bounds of eligibility, but the streamer is hopeful the TV Academy will consider her circumstances. Insiders say Hulu expects the TV Academy to reclassify Bledel's submission to supporting drama actress before ballots are opened on June 12. But as of now, no decision has been issued. The rule aims to clarify what defines a 'guest' star. According to the new guidelines, any actor previously nominated in a lead or supporting role for a series can no longer be considered a guest, regardless of how briefly they appear in the series' new season. The policy has already drawn industry-wide criticism and confusion. Meryl Streep, for instance, was ruled ineligible for guest consideration for her turn in Hulu's 'Only Murders in the Building' — despite appearing in just four episodes — and will instead compete in the supporting comedy actress category due to her previous nom. Meanwhile, Paul Rudd, playing a new character in the same series, was nearly eligible as a guest but was in one episode too many, exposing inconsistencies with the changes. The guidelines have created more ambiguity than clarity. There should be a fundamental difference between a major series lead attempting to go guest and a long-time supporting player who has only occasionally appeared in a new season. Industry voices argue that the change unfairly penalizes performers with limited screen time who have previously been recognized — especially when those appearances are few and far between. Some believe this growing backlash will prompt the Emmys to consider revisions ahead of future cycles. Despite the rule conflict, 'The Handmaid's Tale' still remains a formidable force in this year's Emmy race. The drama, which concluded its six-season run on Monday, has garnered 76 nominations and 15 wins over its lifetime — including a historic outstanding drama series win in its first season, the first ever for a streaming platform. This year, Hulu submitted 36 entries for the show across both Primetime and Creative Arts categories. Notable acting entries include Elisabeth Moss for lead actress and for helming the penultimate episode, 'Execution,' which is somewhat surprising considering long-running shows often reserve their final episodes for consideration. However, the episode that sees many favorite characters' shocking deaths is more visually striking, partnered with June screaming, 'Don't let the bastards grind you down' as she's being hanged. In addition, Bradley Whitford, Max Minghella, and O-T Fagbenle will vie in the supporting actor race, while Yvonne Strahovski, Samira Wiley, and Ann Dowd will seek love in supporting actress. Guest actress submissions beyond Bledel include Emmy winners Cherry Jones (episode 602) and D'Arcy Carden (episode 608). Hulu's complete 2025 Emmy submission list for 'The Handmaid's Tale' includes: Variety Awards Circuit: Outstanding Drama Series: Bruce Miller, Eric Tuchman, Yahlin Chang, Warren Littlefield, Elisabeth Moss, and others. Outstanding Lead Actress in a Drama Series: Elisabeth Moss Outstanding Supporting Actor in a Drama Series: Bradley Whitford, O-T Fagbenle, Max Minghella, Josh Charles, Sam Jaeger, Timothy Simons Outstanding Supporting Actress in a Drama Series: Yvonne Strahovski, Ann Dowd, Samira Wiley, Madeline Brewer, Amanda Brugel, Ever Carradine Outstanding Guest Actress in a Drama Series: Alexis Bledel (610), Cherry Jones (602), D'Arcy Carden (608) Craft and Creative Arts CategoriesOutstanding Directing for a Drama Series: Elisabeth Moss (609) Outstanding Writing for a Drama Series: 'Exodus' – Yahlin Chang (608) 'Execution' – Eric Tuchman (609) 'The Handmaid's Tale' – Bruce Miller (610) Outstanding Cinematography: Nicola Daley (608), Stuart Biddlecombe (610) Outstanding Production Design: Elisabeth Williams and team (608) Outstanding Contemporary Costumes: Leslie Kavanagh and team (608) Outstanding Makeup (Non-Prosthetic): Burton LeBlanc and team (607) Outstanding Music Composition: Adam Taylor (609) Outstanding Music Supervision: Maggie Phillips, Brittany Whyte (602) Outstanding Sound Editing: Full team listed (609) Outstanding Sound Mixing: Full team listed (609) Outstanding Stunt Coordination: Brian Jagersky Outstanding Stunt Performance: Ensemble (609) Outstanding Special Visual Effects: Mavericks VFX (610) Outstanding Picture Editing: Wendy Hallam Martin (609) Outstanding Casting: Sharon Bialy, Russell Scott, Sherry Thomas, Robin D. Cook Short Form SubmissionOutstanding Short Form Nonfiction or Reality Series: 'The Handmaid's Tale: The End of an Epic' Best of Variety 'Harry Potter' TV Show Cast Guide: Who's Who in Hogwarts? Emmy Predictions: Apple, Netflix Lead the Pack as FYC Events Roll On Including 2,100+ Waiting List for HBO Max's Hit Series 'The Pitt' Emmy Predictions: Guest Acting (Comedy, Drama) - Scene-Stealers, Sleeper Hits and One Lucky Charm With Beau Bridges

‘The Studio' and ‘Hacks' Are Two of the Best Shows Ever About Hollywood — But Are They Too Inside or PTSD-Inducing?
‘The Studio' and ‘Hacks' Are Two of the Best Shows Ever About Hollywood — But Are They Too Inside or PTSD-Inducing?

Yahoo

timean hour ago

  • Yahoo

‘The Studio' and ‘Hacks' Are Two of the Best Shows Ever About Hollywood — But Are They Too Inside or PTSD-Inducing?

Hollywood seems to always take that cliché 'write what you know' to heart when it comes to producing scripts about Hollywood. I enjoy those tales, of course, but that's because my chosen profession is to report on this fascinating business. There's clearly enough money, creativity, mystery, farce, scandal, glamour and spectacle for us to cover every single day at Variety. And all of the stuff that makes for good copy also makes for entertaining TV and film plot lines. So perhaps we shouldn't be surprised that three of this year's biggest Emmy comedy contenders play in that space: 'Hacks,' 'The Studio' and 'Only Murders in the Building.' All three have quite a bit of fun with industry tropes, and come a little too close for comfort with some of its satire. And they even crash into each other: 'Hacks' creators Lucia Aniello, Jen Statsky and Paul W. Downs cameo as themselves on an episode of 'The Studio,' while Ron Howard is among this year's hot TV trends, playing himself on both 'The Studio' and 'Only Murders.' More from Variety How 'The Studio,' 'Yellowjackets,' 'Monsters' and 'White Lotus' Make Bad Behavior Appealing Emmy Voters Don't Forget: The Powerful Women of 'The Righteous Gemstones' 'Handmaid's Tale' and 'Day of the Jackal' Producers on Rewriting Literary Worlds With TV Adaptations So, we always ask, do audiences outside Hollywood get the jokes, or care? Sometimes, yes. The entertainment business as a series setting goes back to the early days of TV, as even 'I Love Lucy' had a bit of showbiz as its backdrop. Then came 'The Dick Van Dyke Show,' a TV show about the making of a TV show that won the outstanding comedy Emmy three times. HBO built an entire network partly on the premise of shows about show biz — 'The Larry Sanders Show,' 'Entourage,' 'Curb Your Enthusiasm,' 'The Comeback.' (I'm not including 'The Idol' there, for obvious reasons.) One of Netflix's best early shows was the animated 'BoJack Horseman.' But just as often, it seems like shows about the biz nail it with critics and awards, but audiences are less interested. In TV circles, we still talk about Fox's groundbreaking 1999 comedy 'Action,' about a nasty Hollywood producer played by Jay Mohr, but it was canceled after eight episodes. They added a laugh track to ABC's 'Sports Night' in a desperate attempt to make it work. NBC's '30 Rock' won three consecutive comedy Emmys and is beloved by many — yet was never a megahit. Comedy Central and HBO Max gave us three fantastic seasons of 'The Other Two,' but I'm still angry at all of you who didn't watch. I think audiences are watching 'Hacks' (especially this season as Deborah Vance tackles talk), 'The Studio' (the best biz parody in years) and 'Only Murders' (which addressed Hollywood this season) because they're just damn good. But in the industry, they're elevated because we feel a special kinship with them — and that's OK. I'm hearing from a lot of execs in the business who bristle at 'The Studio' because some of its cringe is a little too close to home. I decided to do an experiment on LinkedIn and ask other industry folk whether these shows give them PTSD. I was delighted to learn that, for the most part, it's a no, that they enjoy seeing the satire. 'It's fun for this 10-year Warner Bros. vet to get more glimpses of that classic old lot,' one exec says of 'Hacks.' Former CBS research exec Eric Steinberg says he sees 'lots of relatable moments in 'Hacks' now that the main character has her own show. It will be no surprise to you that I found the audience research episode particularly fun. And, the exteriors at TV City bring back lots of memories. PTSD? Hardly!' Communications exec Stacey Luchs adds, 'There are moments that really hit home — the kind of thing people outside the entertainment world probably wouldn't believe. Sometimes it feels like I'm in on an inside joke, and it just makes me smile.' My former (and longtime) Variety colleague Steve Gaydos perhaps says it best: 'The writers of 'Hacks' and 'The Studio' have been reading our mail. But Billy Wilder turned it into art 75 years ago with 'Sunset Boulevard.' He didn't just shoot fish in a barrel. His fish had souls, and their fates mattered — then and just as much now, on stage with music and on screens of all sizes in black and white. That's the ultimate achievement and though these current TV shows contain moments of pathos, it will take time before we can measure their memorability.' Best of Variety What's Coming to Netflix in June 2025 New Movies Out Now in Theaters: What to See This Week Emmy Predictions: Sci-Fi Surges, FYC Crunch Pressure, and Comedy Category Shakeups Across 94 Races

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store