‘A real shock': Alarm as NSW arts agency slashed by 25 per cent
The state's arts agency is facing the loss of one quarter of its workforce under a major restructure that signals the end to a decade-long government-led building boom of new museums, galleries and theatres in NSW and a renewed focus on audiences.
The cutbacks to Create NSW were announced to staff on Monday with the Minns government promising to reinvest million dollar savings into new frontline programs to fill auditoriums and halls already built.
The axe is to fall on 25 per cent of the agency's 91 staff, affecting managers and executive directors of the agency's infrastructure division responsible for planning and delivering major projects under the previous Coalition government including the Walsh Bay Arts Precinct, Sydney Opera House Concert Hall and Sydney Modern. The agency's executive is expected to be cut by at least two-thirds, under a spill of positions.
NSW Coalition, the Greens, and the peak body representing visual artists have criticised the cutbacks, and its impact on the delivery of grants sustaining the sector.
But Arts Minister John Graham said the arts and culture sector was grappling with 'extraordinary pressures post COVID' and 'enormously increased costs, pressures from shifting audience trends and changing media market'.
'We're refocusing Create NSW. It will be focused on supporting the people in the arts, culture and creative industries – the people creating great work and working with the sector to develop new audiences,' he said in a statement.
'The former government made some great investments in infrastructure. Our focus is now filling those great buildings that is why our investment focuses on people – the artists and audiences – to make the most of the great infrastructure. Any money saved in the restructure will be put directly back into the sector.'
Penelope Benton, executive director of the National Association of Visual Arts said the restructure, and the departure of many experienced staff, including a significant reduction in First Nations-identified roles, had come as a real shock.
'These roles have been central to delivering on policy commitments, building trust, and ensuring meaningful support for artists and organisations across NSW. There is particular concern about the future of the Arts and Cultural Funding Program, and how it will be supported within the new structure. At this stage, it is unclear where responsibility for arts funding will sit, and whether there will be sufficient staff or expertise to deliver it effectively.'
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