Axed Love Island bombshell takes a swipe at the show after brutal dumping
AN axed Love Island hunk has taken a swipe at the show after his brutal dumping.
Personal trainer Will Means arrived as a sleepover bombshell and pursued Welsh beauty Emily Moran in the other villa.
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The pair got on well as friends but lacked any romantic spark and she decided to remain couple with Conor Phillips, despite the I rishman's growing attraction to Megan Clarke back in the original villa.
As a result, Will was sent home, along with bombshells Caprice and Poppy, neither of whom were picked by villa boys Dejon Williams and Remell Mullings.
Back in the other villa, Shea Mannings was dumped after Helena Ford chose to recouple with new boy Gio Russo.
Now back in the UK, Will shared a selfie on Instagram and wrote: "Just got my phone back.
"First thoughts are I was shafted with my Love Island pictures [laughing emojis].
"Thank you for all the messages. Will go through them next couple of days."
The departures are continuing to come thick and fast with another two Islanders already out the door.
In scenes that will air tonight, the least popular boy and girl, as voted by the public, were dumped.
While The Sun is not naming the duo to preserve the surprise, fans will be rocked by the departures.
We can reveal the girl is an OG who has been at the centre of plenty of drama this series and will be much missed by all.
Love Island fans convinced couple secretly had sex after steamy bed scenes at night
Meanwhile, in a further clue, the lad could be considered a 'cheat' for his antics in the villa.
A source said: 'Couples have been in constant flux this series and there's a good few that have been accused of 'cheating' with secret snogs leading to explosive rows.
'Conor and Megan have just caused chaos with their Hideaway stay over and terrace smooches, while Harry and Helena first got that ball rolling in the first week.
'Remell was trouble in the sleepover too and even Shakira has got up to some illicit snogging.
'It could be anyone so bosses are hoping viewers have fun speculating what's gone down before the big reveal.'
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Scottish Sun
21 minutes ago
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How trendsetting Brit Anna Wintour became fashion's ultimate force at Vogue – with NO ONE safe from her sharp tongue
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Her signature razor-sharp bob — which she has had since the age of 14 — needs two daily blow-dries (morning and evening) and near-constant trims. Her attitude is equally polished — and feared. Nicknamed Nuclear Wintour for her icy reputation, she remains fashion's most enigmatic personality. The documentary The September Issue offered a rare peek inside Vogue's Manolo Blahnik-strewn corridors, capturing the chaos of assembling an 840-page edition of the magazine in 2007. Debuting in 2009 at Sundance and grossing around £7million, the film cemented Anna's status as the ultimate force in fashion. Surrounded by 'thin, rich and young' people Her frosty persona inspired The Devil Wears Prada's Miranda Priestly — Meryl Streep's pursed lips and cutting glares were taken straight from the Wintour playbook — and even The Incredibles' eccentric designer Edna Mode was modelled on her. But inside Vogue, Anna's power wasn't a scowl or stare. It was a yellow Post-it note stuck to the bottom of a printout, bearing the a seal of approval 'AWOK' — Anna Wintour OK — which could make or break careers. One star Anna truly legitimised was Kim Kardashian. When she boldly put Kim and then-fiance Kanye West on Vogue's cover in 2014, the fashion elite gasped. Anna Wintour finally sets record straight on Met Gala outfit rule rumor after years of speculation Her response? 'If we only put tasteful people on the cover, no one would talk about us.' Anna also championed other stars — giving Kendall Jenner strong Vogue backing and helping her break into high fashion. She championed Gisele Bundchen in the late 1990s and early 2000s, featuring her on many Vogue covers, and Kate Upton's debut on the front of the magazine in 2013 signalled a shift toward embracing curvier models in the industry. Infamously private, Anna Wintour's influence is impossible to ignore. The Devil Wears Prada even became a musical — proof of her cultural reach. At 75, she kept Vogue not just relevant, but reigning as fashion and culture's ultimate authority. From supermodel golden eras to today's social media trends, Anna transformed the title from a magazine into a global style empire. Every May, she breaks the internet with the Met Gala — her annual, star-studded spectacle where celebrities stun in jaw-dropping looks. What was once a low-key fundraiser transformed under her reign into fashion's most exclusive, over-the-top, meme-worthy night. 6 Anna Wintour cracks a rare smile while at work in 1989 Credit: Getty 6 Anna's frosty persona inspired The Devil Wears Prada's Miranda Priestly Credit: Alamy Starting in 2004, Anna harnessed showbiz glamour to skyrocket the event into global fame. Today, from TikTokers to A-listers, the guest list is fiercely selective — just 30 seconds of fame on a bright red carpet holds massive cultural weight. While Anna wields immense power over designer brands and celebrities, she has also had a huge impact on the high street. From her very first Vogue cover mixing budget jeans with couture, she has championed accessible fashion for all. Anna has been key in shaping runway trends that trickle down to high street retailers. In 2009, she launched Fashion's Night Out, turning shopping into a celebrity- studded, cocktail-fuelled event in New York and London, raising funds for causes such as the NYC AIDS Fund and September 11 Memorial until the event ended in 2013. But Anna did not just dip into retail — she transformed the high-street experience. By blending celebrity appeal, charity and immersive theatre, she redefined how brands engage with shoppers. She was a fixture at Topshop's London Fashion Week shows and has long championed luxury-meets-store collaborations — think Balmain x H&M — bringing runway glamour to the masses and giving the UK high street a major boost. 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She will now focus on her roles as Global Editorial Director and Chief Content Officer at the magazine's publisher Condé Nast. Whoever is picked to take over her old job better be able to fill her Manolo Blahnik pumps.
The Sun
21 minutes ago
- The Sun
How trendsetting Brit Anna Wintour became fashion's ultimate force at Vogue – with NO ONE safe from her sharp tongue
SHE came, she saw the fashion world from behind her Chanel sunglasses, she conquered. After 37 years as the formidable force on US Vogue, Anna Wintour is stepping aside as Editor-in-Chief. 6 6 The move marks the end of an era, in which the UK-born power player ruled the fashion industry with a perfectly manicured fist. One flick of her hair or glance and your fate was sealed. Dame Anna, honoured by Queen Elizabeth II in 2017 in full Chanel couture, turned unknown models into stars, transformed 'trashy' celebs into tastemakers, and set trends the high street copied. Her signature razor-sharp bob — which she has had since the age of 14 — needs two daily blow-dries (morning and evening) and near-constant trims. Her attitude is equally polished — and feared. Nicknamed Nuclear Wintour for her icy reputation, she remains fashion's most enigmatic personality. The documentary The September Issue offered a rare peek inside Vogue's Manolo Blahnik-strewn corridors, capturing the chaos of assembling an 840-page edition of the magazine in 2007. Debuting in 2009 at Sundance and grossing around £7million, the film cemented Anna's status as the ultimate force in fashion. Surrounded by 'thin, rich and young' people Her frosty persona inspired The Devil Wears Prada's Miranda Priestly — Meryl Streep's pursed lips and cutting glares were taken straight from the Wintour playbook — and even The Incredibles' eccentric designer Edna Mode was modelled on her. But inside Vogue, Anna's power wasn't a scowl or stare. It was a yellow Post-it note stuck to the bottom of a printout, bearing the a seal of approval 'AWOK' — Anna Wintour OK — which could make or break careers. One star Anna truly legitimised was Kim Kardashian. When she boldly put Kim and then-fiance Kanye West on Vogue's cover in 2014, the fashion elite gasped. Anna Wintour finally sets record straight on Met Gala outfit rule rumor after years of speculation Her response? 'If we only put tasteful people on the cover, no one would talk about us.' Anna also championed other stars — giving Kendall Jenner strong Vogue backing and helping her break into high fashion. She championed Gisele Bundchen in the late 1990s and early 2000s, featuring her on many Vogue covers, and Kate Upton's debut on the front of the magazine in 2013 signalled a shift toward embracing curvier models in the industry. Infamously private, Anna Wintour's influence is impossible to ignore. The Devil Wears Prada even became a musical — proof of her cultural reach. At 75, she kept Vogue not just relevant, but reigning as fashion and culture's ultimate authority. From supermodel golden eras to today's social media trends, Anna transformed the title from a magazine into a global style empire. Every May, she breaks the internet with the Met Gala — her annual, star-studded spectacle where celebrities stun in jaw-dropping looks. What was once a low-key fundraiser transformed under her reign into fashion's most exclusive, over-the-top, meme-worthy night. 6 6 Starting in 2004, Anna harnessed showbiz glamour to skyrocket the event into global fame. Today, from TikTokers to A-listers, the guest list is fiercely selective — just 30 seconds of fame on a bright red carpet holds massive cultural weight. While Anna wields immense power over designer brands and celebrities, she has also had a huge impact on the high street. From her very first Vogue cover mixing budget jeans with couture, she has championed accessible fashion for all. Anna has been key in shaping runway trends that trickle down to high street retailers. In 2009, she launched Fashion's Night Out, turning shopping into a celebrity- studded, cocktail-fuelled event in New York and London, raising funds for causes such as the NYC AIDS Fund and September 11 Memorial until the event ended in 2013. But Anna did not just dip into retail — she transformed the high-street experience. By blending celebrity appeal, charity and immersive theatre, she redefined how brands engage with shoppers. She was a fixture at Topshop's London Fashion Week shows and has long championed luxury-meets-store collaborations — think Balmain x H&M — bringing runway glamour to the masses and giving the UK high street a major boost. FASHION QUEEN In an interview with The Times last year, Anna tipped her hat to Gap for snapping up designer Zac Posen and gave props to Uniqlo for working with Givenchy's former artistic director Clare Waight Keller, who had designed Meghan Markle's wedding dress. The fashion queen said: 'These big mass companies have finally clocked the power of creativity. You wouldn't have seen that ten, 15, even 20 years ago.' Anna has two children — Charles, a psychiatrist born in 1985, and TV producer Katherine, known as Bee, who she had in 1987. Their father is child psychiatrist David Shaffer, who Anna was married to from 1984 to 2020. She is reportedly romantically linked to actor Bill Nighy, though they describe themselves as close friends. Still, in Wintour's world, loyalty can be as fleeting as fashion trends. 6 6 Her decades-long friendship with the late Andre Leon Talley — once her trusted right-hand at Vogue — ended bitterly after he was pushed aside. In his 2020 memoir The Chiffon Trenches, Talley claimed she preferred to surround herself with 'thin, rich, and young' people. Ouch. Top designers haven't escaped her icy glare either. After various scandals, names such as John Galliano and Dolce & Gabbana were swiftly frozen out of Vogue's world — proving that even fashion royalty are not safe from her. Yet despite the many ups and downs, one thing is certainly true. Anna Wintour is a force, a legend and one hell of a woman whose influence stretches far beyond the pages of Vogue. She will now focus on her roles as Global Editorial Director and Chief Content Officer at the magazine's publisher Condé Nast. Whoever is picked to take over her old job better be able to fill her Manolo Blahnik pumps.
Telegraph
22 minutes ago
- Telegraph
‘Dynamic pricing' is coming to top tables, says leading restaurateur
'Dynamic pricing' is coming to British restaurants, Jeremy King has warned. The renowned restaurateur, whose establishments have included Le Caprice and The Wolseley, said he was 'really uncomfortable' with the idea of charging more for a steak on a Saturday than a Monday. However, he did say it was 'fair' for restaurants to sell tables to customers willing to spend a certain amount to stop people ordering the 'absolute minimum' and spending the entire time taking pictures for social media. Dynamic pricing, commonly used for concerts and theatre shows, means the cost of something changes according to demand, with tickets for popular events shooting up the moment as go on sale and the public rushes to buy one. The practice came under fire when it was applied to fans trying to get tickets for the upcoming Oasis reunion. Speaking on the Go To Food podcast, Mr King, 71, said: 'I don't begrudge the restaurants, for instance, which are using the apps to sell tables in advance because they've got fed up with people who book months in advance and then spend the entire meal taking photographs of themselves and of the food, ordering the absolute minimum they can just so they can put it on social media. 'So hold the tables back and those restaurants that say if you're willing to pay £200 we have a table for you on a Saturday, I think that's fair. 'I don't like the encroaching dynamic pricing whereby your steak is going to cost more on a Saturday night than it is on a Monday night, that makes me really uncomfortable but that's coming through. 'We've already seen it in the theatre, it widens the rich prosper and the poor are deprived.' Earlier this year, King himself introduced a 25 per cent discount at his two restaurants, Arlington and The Park, for diners eating after 9pm to encourage the public to 're-acquaint' themselves with eating late.
