Boy, 14, becomes barber after watching YouTube - and five more local stories you missed this week
A 14-year-old barber who taught himself to cut hair by watching YouTube videos is one of our best local stories of the week.
The Watford Observer reported that Ellis Craggs cuts local teenagers' hair in the shed of his family's garden.
Elsewhere, an 80-year-old weightlifter from Durham is still going strong and an Asda delivery driver was praised for saving a customer's life in Dorset.
You can read the full version of each of our selected articles through the links under each story – or read more top headlines from around the UK's regions on the Yahoo UK local news page.
A young entrepreneur has become the go-to barber for his fellow local teens after teaching himself how to cut hair by watching YouTube videos.
Ellis Craggs, 14, from Watford, began cutting hair 10 months ago after practicing on one of his best friends.
Quickly the word got out about Ellis's cheap and stylish haircuts and he began getting requests from other teens.
Read the full story from the Watford Observer
Five adorable lambs have been born to the same ewe in a 'one in a million' birth.
The Texel Cross lambs - three girls and two boys - arrived at Bowerings Farm in Shapwick, Somerset.
The quintuplets have been named Georgina, Timmy, Anne, Dick and Julian - after the Famous Five characters from the novels by Enid Blyton. Tracey Lockyer, 56, is the proud owner of the sheep and has never had five lambs born to one ewe before.
Read the full story from Somerset Live
A gladiator-training OAP is continuing to break powerlifting world records despite being in his ninth decade.
Alexander Lee, from Thornley, in East Durham, has set two new world records in powerlifting for his age category.
The 80-year-old competed in the Drug-Free Powerlifting competition on 2 March, where he lifted 112.5 kilos in the unequipped bench press, beating the existing record by 15 kilos.
Read the full story from the Northern Echo
A delivery driver helped save a woman's life after finding her unconscious at her home.
Leandro Pinto Dantas, who works for Asda in Poole, was on a delivery round when he sensed something was wrong at a customer's home.
Despite the lights and television being on, nobody answered the door or phone, which made him suspicious.
Read the full story from the Bournemouth Echo
An English duo have made their way up to Edinburgh from London by hitchhiking the whole way.
Joe and Nathan, who run the page Dropouts on YouTube, took on the challenge in the hopes of proving 'people are nice'. The pair are known for taking on challenges and pranks, which they upload to their page.
Setting off on a Thursday morning, the duo have a target of getting to Edinburgh by the following night. The journey takes them just over 31 hours, and eight separate lifts.
Read the full story from Edinburgh Live
The "longest serving" record store in Hove's busy high street continues to thrive 40 years on.
Julian Pelling has owned Fine Records in George Street, Hove, since 1984 after taking it over from the previous owners.
The store sells a wide range of new and pre-used classical CDs and also specialises in stock of jazz, nostalgia and soundtracks on second hand vinyl records including many rare collectables all in mint or near mint condition.
Read the full story from The Argus
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USA Today
an hour ago
- USA Today
What Swift fan accounts should know about copyright after Barstool's 'Taylor Watch' canceled
What Swift fan accounts should know about copyright after Barstool's 'Taylor Watch' canceled The rumors may be terrible and cruel, but the ones about Barstool Sports' "Taylor Watch" podcast being canceled are true. The podcast with 115,000 fans on TikTok, 78,000 fans on Instagram and 16,000 subscribers on YouTube — geared toward discussing all things Taylor Swift — aired its final episode on June 4. What was supposed to have been a celebratory moment for Swift regaining control of her masters started on a melancholic note as hosts Kelly Keegs and Gia Mariano sang "Ave Maria." The two sat in their brown leather chairs to acknowledge the termination of a show they've cultivated for two-plus years. "'Taylor Watch' is canceled," Keegs said on the 150th episode, "because having a music related podcast or something that can toe the line with lawsuits in general where it comes to music rights, whatever, is just not feasible with Barstool Sports at this time." One underlying issue lies in copyrighted photos, videos and music being used on social media. Several posts potentially opened parent company Barstool Sports to lawsuits, and the podcasters had two options: to cancel "Taylor Watch" or be fired. "It was all just stupid mistakes on my part," Mariano said on the podcast through tears. "It was never intentional. We would never think that we could just get away with something." "Or even jeopardize the company," Keegs jumped in. "We love working here." Long live the Eras Tour with our enchanting book The one- to two-hour episodes crafted a corner in the Swiftie community where fans (and some haters) tuned in to hear the thoughts of Keegs and Mariano. " Gia and I went to Paris Night 2 together, and there were some people coming up to us and saying what they liked about the show," Keegs tells the USA TODAY Network of Swift's May 10, 2024, concert. "Then by the time we were in Miami — that was a totally different experience — I couldn't believe how many people were coming up to us who knew who we were." The two hosts offered unfiltered thoughts on Swift's music, business moves, concerts and news. They would post short snippets to social media. A couple included some paparazzi photos and sped-up music pulled from the internet. "It's what I looked forward to every week," Keegs says. Her favorite part was the voicemail segment when people called in to offer their thoughts. "We got a call from a mom excited about the 'Speak Now (Taylor's Version).' She gave birth to her son when the first version came out and now he's a teen. She made him listen to 'Never Grow Up.' It was a beautiful full circle moment." Copyright's gray area So where do the legal lines lie for copyright? It's a perfect question for David Herlihy, an intellectual property, new media and entertainment lawyer who also teaches at Northeastern University in Boston. Copyright is the subject of entire college courses, so keep in mind the following is heavily abbreviated. Herlihy also provides an asterisk: " None of these things are absolute, but there are basic policy contours of copyright." Let's start with images and videos that fan accounts share on social media. Herlihy says the copyright of photos of Swift taken in a public place are owned by the photographers and can be licensed to news outlets. However, the photographers can't make merch with the photos, "because that's a commercial exploitation of her likeness." What about fan accounts that repost photos and credit them, do they need permission? Some cases can be deemed fair-use, which means using copyrighted material doesn't need permission under "certain circumstances." This balances copyright holders' intellectual property rights with the public's need to access and use information. "You're using the photograph for news reporting, commentary or for conversation, and the law regards news, commentary and conversation as valuable," Herlihy says. "So depending upon the nature of the use, the rights of the copyright owner may actually yield to other socially beneficial purposes." What Taylor Swift's trademark applications say about potential business moves. However, Instagram has a clear policy that users cannot post content that violates someone else's intellectual property rights, including copyright. 'Taylor Watch' is not the first account within the past month to get flagged. In fact a few behemoth Swift fan accounts with six digits in followers were recently sent to Instagram purgatory and deactivated for similar infractions including @ and @tstourtips. Meta, Instagram's parent company, did not comment on the deactivations to the USA TODAY Network. The accounts, which are not officially affiliated with Swift, share news, theories on upcoming announcements and records broken by the superstar. They foster micro-communities of the global fandom. And they celebrate moments like Swift buying back her first six albums from Shamrock Capital. For Keegs and Mariano, "Taylor Watch" was their safe space to gab about the superstar. 'It's not like we aren't Taylor fans still,' Keegs said. She tried to find a bright side explaining, "If we want to be poetic about it, I suppose you can say our watch has ended because [Swift's] gotten all of her stuff back." Don't miss any Taylor Swift news; sign up for the free, weekly newsletter This Swift Beat. Follow Bryan West, the USA TODAY Network's Taylor Swift reporter, on Instagram, TikTok and X as @BryanWestTV.
Yahoo
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Cartoon Network Studios Icons McCracken, Tartakovsky, Sugar, Quintel, Ward and Muto on The Studio, State of the Industry and What Inspires Them
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'It's harder for a new generation to break out like this again when [the studios] are just trying to do things that already exist,' echoing a plea Mudo made during the anniversary panel for studios and broadcasters to 'start greenlighting things, please.' Quintel added a silver lining: while short programs and incubators may be on pause, the mentoring tradition is alive. 'We're hiring people straight out of school. They've never done it, and they're learning on the show how to board, how to do premise-driven animation.' Several of the speakers emphasized that the animation industry has long been subject to cycles, and more original content could break through in the future. A recurring theme during the afternoon's discussion was how arbitrary past constraints now seem in the age of digital distribution. 'The reason our shows are 11 minutes is because that's how you divide 22,' McCracken said. 'But who says a show has to be seven minutes or 11 minutes? Why can't it be two minutes? Or an hour?' When it came to audience impact in the modern distribution ecosystem, the room was somewhat split between creative independence and audience-driven development. 'When you put something online, you can see how the audience reacts and adjust based on the feedback… just sharing with the people viewing,' McCracken mused. Tartakovsky pushed back: 'Maybe this is an antiquated way of thinking, but if we follow the audience, it's really dangerous. I want to give the audience what I think is going to be good. I want to do something original and unique that can stand out.' The assembled artists acknowledged the massive transformation of global collaboration thanks to new tools and technologies as well as the prominence of social media platforms and portfolio sites. McCracken now runs almost his entire show, a preschool 'Foster's spinoff' out of London, working remotely from Los Angeles. 'It's exactly the same job. It's just remote. 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Each having varying degrees of experience working on more mature productions, the creators celebrated the freedom that adult animation now offers. Sugar recalled, early in 'Steven Universe's' broadcast run, that she would often be told that smaller fandoms of her show were insignificant to the network, as it was more interested in capturing a wide TV audience of all ages and demographics. With adult animation, she argued, fandoms are now more important than ever, and smaller groups of dedicated viewers can have a much more significant impact on a show's success. 'It seems like now we can start something where that is what matters most,' Sugar said, referring to the specificity and passion of modern fandoms. 'That can matter the most.' Even with a billion-dollar global success like the 'Hotel Transylvania' films under a filmmaker's belt, in the case of Tartakovsky, getting original ideas greenlit remains difficult. 'Three 'Hotel Transylvania' movies, almost $2 billion, and I still have a hard time getting an original greenlit,' Tartakovsky said. 'Every time I pitch, I hear that they love it, but that somehow they also don't love it.' After three decades, these creators aren't just surviving in an ever-shifting industry. They're still experimenting, still mentoring, and still hungry for what's next. Best of Variety 'Harry Potter' TV Show Cast Guide: Who's Who in Hogwarts? 25 Hollywood Legends Who Deserve an Honorary Oscar New Movies Out Now in Theaters: What to See This Week
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‘Ginny & Georgia' Season 3 Opens With 17.6 Million Views in Four Days
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