
Chicago's Michelada Fest canceled due to musician visa concerns, political climate
Michelada Fest, which had been scheduled for July on the Chicago lakefront, has been canceled due to concerns about artist visas and "the rapidly changing political climate."
The festival had been scheduled for July 19 and 20 at Oakwood Beach along the lake at 41st Street.
"Although we tried to push through, it became clear that we wouldn't be able to deliver the full lineup as planned," organizers said.
The Michelada Fest, known in some past iterations as the Miche Fest, has been a standby in Chicago for seven years — growing from a street fest in Pilsen to a multi-day event. Participants enjoy live music and micheladas — the popular beer cocktails sometimes known as Mexican Bloody Marys.
Organizers noted that last year, the Miche Fest had its "most incredible celebration yet," with performances by Kali Uchis, Junior H, and other stars.
"[W]e were ready to make this year even bigger, with more energy, creativity, and corazón," organizers said in a statement. "But as independent organizers, we can't afford to take on a big risk with so much uncertainty ahead."
Organizers noted that canceling this year's festival impacts local vendors, small businesses, artists, and community partners too.
Refunds are available and are organizers' top priority. They will begin immediately to everyone who bought tickets through the event website or the Ticketón platform.
Organizers also said this does not mean the end of Michelada Fest.
"We're proud to represent Chicago on a national level, and we plan to come back stronger," organizers said.
This year's Cinco de Mayo Parade — which would have been held this past Sunday — was also canceled due to immigration and travel-related concerns.
The Cermak Road Chamber of Commerce announced in April that the parade would be canceled. The group said the Mexican community in Chicago is worried about raids by U.S. Immigration and Customs Enforcement.
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Fox News
11 minutes ago
- Fox News
Boston University releases statement following Alex Cooper's claims of sexual harassment by former coach
In a recent documentary highlighting Alex Cooper's rise to podcast stardom, the popular podcaster dropped allegations that her former Boston University soccer coach, Nancy Feldman, had sexually harassed her. The 30-year-old claimed that the coach had asked about her sex life, commented on her body, tried to get alone time with her and touched her. Feldman would "fixate on me way more than any other teammate of mine," Cooper said. "I felt a lot of anger — anger at my coach, anger at my school, and anger at the system that allowed this to happen." Cooper said in the Hulu documentary, "Call Her Alex" - an ode to her podcast name, "Call Her Daddy." Cooper and her parents said they had met with the university, which had not fired Feldman, had not investigated the claims, and had allowed Cooper to keep her scholarship. The university issued a statement on Friday, saying it has "zero-tolerance policy for sexual harassment." "We have a robust system of resources, support and staff dedicated to student wellbeing and a thorough reporting process through our Equal Opportunity Office," it said in a statement, via the New York Post. "We encourage members of our community to report any concerns, and we remain committed to fostering a safe and secure campus environment for all." Cooper played for the university from 2013 to 2015 before becoming a podcast host. She and her former roommate began the "Call Her Daddy" podcast that was eventually picked up by Barstool Sports. "Call Her Daddy" was later bought by Spotify for $60 million, and then eventually SiriusXM ,for $125 million. Feldman's 418 victories rank 22nd all time in women's college soccer. Follow Fox News Digital's sports coverage on X, and subscribe to the Fox News Sports Huddle newsletter.


Forbes
16 minutes ago
- Forbes
Qveen Herby On Style, Identity, And Becoming Iconic
Qveen Herby performs during her 'Housewife' tour. Amy Noonan Qveen Herby released Frankenstein, featuring Tech N9ne, in mid-October of last year. I found out because of Google Alerts set up to notify me about new music from my favorite artists. It's a fantastic song, which was unsurprising given the talent of both artists. It is so much fun to listen to artists you love separately collaborating. 'Oh my God,' Amy Noonan, the woman behind Qveen Herby, said to me, 'he is one of the very, very best. I shot a little visual with the spider web robe that was made by one of my listeners. I sent him the footage and I said, okay, we're going to just green screen you in. Like, can you just shoot something?' The robe was a play on a real 1920s piece with a spider web motif. The supporter became Noonan's collaborator, shifting the color of the robe to fit the Qveen's specific aesthetic. It feels like a natural progression, an intricately planned call and response to the artist's EP 9. The cover image for that album shows her in ¾ profile, hair sculpted into Elsa Lancaster, Bride of Frankenstein magnificence. It's all the creepier, in a very fun, very glam way, since the doomed designer of all those 1930s and 1940s Universal monster movie costumes, Vera West, has her own mysterious twists into the annals of mysterious, and probably nefarious Hollywood deaths. Qveen Herby in her spiderweb robe for "Frankenstein," featuring Tech N9ne. Amy Noonan 'He was so accommodating,' Noonan said of Tech N9ne. 'He put on his most costumey pieces, like, he put on his Vampire Daddy and it was just cool to see. When the weirdo creative people find each other, that's the best feeling, and I'm just grateful to be included.' If you are not familiar with Tech N9ne, in addition to being one of the best rappers of all time, the gentleman has made a career-long, continuous point of celebrating and uplifting the work of other artists. Tech has been unfairly maligned for his clothing and costume choices, and hearing the song, then repeatedly watching the video, the work pulls its audience in; the words make direct eye contact. The costumes are exceptional. (I would love to speak with you Tech.) 'Nobody talks about this,' Noonan said, she was talking about the role of costume in the world of music, and I could not agree with her more, nor could this fact be more baffling. I was tempted to say something trite about preachers and choirs. But it's true, there is very little conversation about the role of costume or clothing in the work of a musical artist. When it is discussed, the content tends towards surface level; looks are rated, someone wore it best, here's where you can buy something that looks just like that. Nothing about this is inherently bad, it's just not as interesting as asking how the clothing helps the artist, how, even in music, what we wear can be a tool for storytelling. Qveen Herby reclines, regally, on a couch. Photo Credit Anna Azarov Amy Noonan Let me pause here and explain a little about why this conversation happened. Under almost any circumstances, 'costume' is a word easily defined. We all understand that costumes are generally worn by actors to help them portray characters, and that they also help an audience understand and remember who everyone is on film or on stage. It's probably fair to say that all of us have worn a costume at some point, obviously some more than others. But between Halloween, plays and religious or secular holidays and events, costumes appear vigorously in most childhoods. Even as adults most of us have some experience with various types of personal or professional projects that require costuming. To consider more figuratively, it is a near-universal experience to use clothing as armor, to create a barrier or for protection, to impress others or to encourage the perception by others that we are indeed a certain type. Belonging to our culture implies at least a basic knowledge of what costumes are. In the context of what a musician or artist wears to perform, for a music video or to an appearance at an event or on a red carpet, costume is a concept much less clear. All Hail The Qveen. Photo Credit Anna Azarov Amy Noonan When an artist is writing from their experiences, or about their own life, the performance of those words by their author is not veiled by fiction. The performer is a real person, not a character, but it is impossible to be on a stage or in front of a camera without the lines between person and persona begin blur. So what an artist wears to perform, is it clothing or is it costume? If there is a line, where is it? How does anyone curate the wardrobes for two distinct versions of themself, and how on earth is it possible to decide what parts of you get shown to the public and which parts are personal and kept that way? I was lucky to talk about some of this with Trinidad James last month, but I always have more questions. I started thinking about my favorite music, and who might have insights I'd never be able to arrive at on my own. Qveen Herby, as a character and an alter ego of sorts, is a performer who dedicates a lot of thought, time and effort into her craft, part of which is very much the styles and silhouettes the artist utilizes in her storytelling. I must have been very good in a previous life, because when I reached out to the brilliant and fabulous Amy Noonan, she very graciously agreed to meet with me. The front of the dress Qveen Herby wore on her "Housewife" Tour. Amy Noonan Let's start with the presumption that both clothing and costume have the capacity to ascend to an artform, and that both, in their own ways, contribute to our cultures rituals related to the telling and consumption of stories. Where costume starts and clothing stops, that theoretical place is a zip code I would like to buy property; it fascinates me. So when we sat down to talk it made sense to start there. I asked Noonan what she thought the difference was between the two categories of apparel, what the thresholds were. 'It's really interesting,' the artist said. 'I actually have been thinking about that a lot lately because I'm always on this quest to make my brand the most clear I can make it. And on a regular day as Amy, I'm a hundred percent wearing cotton knitwear and baggy, like sweatpants, I'm very cozy girl, which I think is why I picked this book up.' The book she showed me, 1920s Fashion: The Definitive Sourcebook by Charlotte Fiell (2021) is a comprehensive resource related to the decade, and it's obvious from Noonan's chic Louise-Brooks-bob that she's feeling aesthetic tugs from a century past. She laughed when I pointed this out, Noonan is the sort of person who chooses to live a joyful life. 'I keep cutting my hair shorter. I'm like, what is this? Qveen Herby's 1920's inspired look. Photo Credit Anna Azarov Amy Noonan 'The context historically,' the artist continued, 'is when women were starting to wear pants, started getting rid of the corsets, back when Chanel began to make athleisure, or leisure wear, out of these really glamorous silks. I'm learning the historical context. I'm trying now, in this next chapter of my career as Queen Herby, to blend the two, clothing and costume. I would love to be able to do that, to be Queen Herby all the time. Amy loves to be cozy, but Queen Herby loves to show out her identity. She's very glamorous.' Please know, glamour does not always imply luxury price points, our Qveen loves vintage and crafting, both of which she was exposed to early through her grandmother. Whether Amy or Herby, the artist sees potential when she looks at assorted components, one of her many talents is drawing together seemingly disparate ideas. 'When I started Queen Herby, I actually saw her as my higher self,' the rapper told me. 'Because when I'm writing music, it feels like I'm channeling something from somewhere else. So when I'm dressing her for her character, it's kind of the same thing. It's like, what does she want to wear? What's her most dynamic silhouette? What is her uniform?' All artists evolve over time, but achieving a sense of continuity across one's career is not always as easy as Noonan makes it look. She is not a highly strung diva with an ongoing list of demands and caveats. This flexibility of thought, blended with the artist's desire to refine her craft, has led her stylistically to the 1920s. That influence is clear in photos, I now knew about her research into the era, and I asked how these aesthetic decisions fit into her plans for new music. Qveen Herby performs during her "Alchemist" tour, wearing sequined hot pants. Photo Credit AMANDALA PHOTOGRAPHY Amy Noonan 'The last round of music we put out was called The Alchemist,' Noonan told me. 'I did really deep research into noir. Somehow I've kind of pinpointed the 1920s as my favorite era, and I'm trying to understand how to pull that into the modern world, and into the Queen Herby world, in more ways. But making choices, like wearing a suit and putting my videos in black and white, had a pretty profound effect on my viewership. People really, as we like to say, 'gagged' when they saw me.' The haircut is gorgeous, let's be clear about that. Its inspiration came from a couple Noonan met at The Madonna Inn in San Luis Obispo. They were in their eighties, the wife with a coif similar to the one Amy now sports. The circumstances inspired a conversation between the singer and a pair of strangers in possession of an equal amount of admiration for dedication to a look. Another real life example of the ways that clothing can draw people together. 'There's something about seeing a 1920s noir film star rapping,' Noonan said, thinking about that weekend. 'It makes everybody really excited. That's been my favorite look when I get the vintage thing just right. When I get the rapping just right. And those combined, I think that's my favorite.' The juxtaposition of these two things: classic, early Hollywood decadence, which is languid and which has its own flavor of Americana, next to frank, twenty first century poetry written to music. I mean, that's got to be a really interesting puzzle for a storyteller, a stance from which to make their art. It is very easy to understand how much fun it must be to organize such a scheme, for that to be the arena where work is transformed into play. Qveen hErby channels a 1920s gangster in pinstripes. Amy Noonan 'It's very disruptive,' Noonan told me with another wide smile. 'Anytime I wear a dress that's just bold and irreverent. And when it comes to vintage dresses, you have to know the line between pretty and chaotic. In my video for Vitamins, I'm wearing a plaid dress with a Peter Pan collar. I cut the hemline shorter because I didn't want an A-line skirt. I wanted it to be pretty short. I remember thinking, 'oh, this is really it with the glasses.' It was very striking. I'm really fascinated by what actually sticks. Sometimes I'll wear something and it doesn't really hit on me as a character, but then I'll wear something so simple, like a headpiece, and people are losing their minds. And I'm like, we got to do the headpiece now.' This writer is always ready for more headpieces and hair jewelry. But thinking bigger than character, a queen is after all a powerful figure, before our conversation ended I wanted to know how when something worn by the Qveen became iconic. 'If we stick with it consistently,' Noonan said with confidence, 'it's going to become iconic. I love the word 'icon' because like, what does that even mean? You establish an identity that people can immediately recognize and that's so different for each person. And if you don't have the courage to explore that for your character, you might just end up wearing basic clothes forever. Everyone is so unique, but again, I do come from Nebraska. There's a lot of conformity there. I've come to find that conformity is like my biggest enemy, like the thing that I would like to help people overcome the most is this idea that we all have to look the same. It's just silly.' Qveen Herby channeling 1920s Cleopatra. Photo Credit Anna Azarov. Amy Noonan Outside of her own work, how does she see clothing or costume elevating other artists? 'You have folks like Billie Eilish,' Noonan told me, 'who wear baggy gym shorts and gigantic shirts. She's so iconic for that. Those are the people that I envy. It's like, you get to be cozy and authentic and iconic. And there's always obviously a beautiful place in history for Cher and Bob Mackie, his dresses for her are so insane. She convinced me that she did wear those on her days off, like she felt comfortable and maybe that's what it is.' Noonan paused thoughtfully before continuing. 'It may be that the hazy line between costume and clothing is actually just how energetically comfortable people are. It feels like a costume if you had to put it on, and then you had to take it off after.'


CNET
25 minutes ago
- CNET
Watch Friday the 13th and 24 More Fantastic Horror Movies for Free on Tubi
It might not be rare for the 13th day of the month to fall on a Friday (it happens 1-3 times a year), but it's still a great excuse to travel back in time 45 years to Camp Crystal Lake for one of the most famous horror movies of all time -- Friday the 13th. The 1980 slasher film, featuring the tormented killer Jason Voorhees and his hapless camp counselor victims, was hated by critics yet loved by audiences. The horror franchise has spawned 11 sequels (so far) and transmuted a blood-soaked hockey mask into a sacred horror relic. Top-tier streaming platforms like Netflix and Prime Video may offer the latest horror hits, but for the scariest films of the 20th century, it's hard to beat Tubi. You can watch everything from creepy classics like Night of the Living Dead and Texas Chainsaw Massacre to cult favorites like The Descent and Terrifier. Whether you're in the mood for a slow-burning psychological thriller or something blood-soaked and over-the-top, there's almost always something good on Tubi. Tubi does have advertising breaks that increase in length as you progress through the movie, but they're not terrible, and they might give you a chance to catch your breath before the next scare hits. Check out our top 25 horror movies on Tubi right now. Paramount Pictures Friday the 13th Twenty years after a string of unsolved murders shuttered Camp Crystal Lake, a new owner tries to reopen the camp with disastrous results. One by one, young camp counselors are struck down in gruesome fashion. Can one "final girl" survive the wrath of Jason Voorhees? 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Shambling "ghouls" terrorize a group of young adults in a farmhouse, yet the danger comes as much from other humans as from the undead See at Tubi Arrow Films Audition Widower Shigeharu Aoyama holds a fake movie audition to find a new wife and finds himself enamored with the quiet and reserved Asami. As they enter a relationship, he ignores the warning signs about her dark past. When the truth is finally revealed, he finds himself trapped in a nightmarish descent into pain, obsession, and torture, much of which involves sewing needles. See at Tubitv MPI Movie Group/Screenshot by CNET The House of the Devil This unique throwback flick set in the 1980s is painstakingly made to appear it was filmed then too. College student Samantha takes a babysitting job in a house in a remote area but soon learns she was hired to take care of a completely different charge who may be linked to some sinister happenings. See at Tubi Eagle Films The Taking of Deborah Logan This faux-documentary follows Deborah Logan, an elderly woman with Alzheimer's who's been exhibiting disturbing behavior. The film crew finds a connection to a local physician involved in ritualistic murders. A terrifying supernatural secret unfolds as we learn the real cause of Deborah's ailments. See at Tubi Well Go USA Entertainment/Screenshot by CNET The Endless Written and directed by Justin Benson and Aaron Moorhead (who also play the lead roles), this low-budget indie sci-fi/horror film features two brothers who return to the UFO cult where they were raised, only to find that many in the community haven't aged at all. Perceptions and reality unloosen as the brothers learn the true secrets behind the strange phenomena at Camp Arcadia. See at Tubi Drafthouse Films/Screenshot by CNET The Invitation For those who prefer their dread to creep up on them, this psychological horror film provides a sinister slow burn. An ex-boyfriend accepts a dinner invitation from an old romantic partner with a traumatic past and her new man. His paranoia and suspicions keep everyone on edge through the early night, until the party breaks into unexpected chaos and a shocking conclusion. See at Tubi 20th Century Fox The Wailing When a mysterious illness spreads through a quiet Korean village, the locals turn violent and begin dying under strange circumstances. Soon, a bumbling police officer named Jong-goo (Kwak Do-won) is drawn into the investigation. But what starts as a series of bizarre deaths quickly spirals into something far more sinister. With his own daughter at risk, Jong-goo must uncover the truth behind the evil infecting his town before it takes over. See at Tubitv Haut et Court/Screenshot by CNET The Night Eats the World This French zombie film takes a minimal approach to the undead apocalypse. Lead character Sam wakes up in his ex-girlfriend's apartment after a party to find the building and city have been taken over by zombies. Slow and mostly silent, the film explores Sam's loneliness and dwindling sanity as he tries to stay alive all by himself. See at Tubi Universal Pictures American Werewolf in London A trek through the moors of Yorkshire goes terribly wrong for two American backpackers who find themselves attacked by a strange beast. David Naughton's transformation into a werewolf features legendary special effects -- the movie won the first ever Academy Award for Best Makeup in 1982. See at Tubi IMDB Goodnight Mommy Twin brothers Elias and Lukas become (understandably) suspicious of their mom when she returns home from having facial surgery. Her head is wrapped in bandages and she starts showing some uncharacteristically cold and unsettling behavior. The boys become convinced she's an imposter, so they take drastic measures to find out the truth. See at Tubitv Variety Film Production/Screenshot by CNET Zombie Lucio Fulci's Zombie (billed as Zombi 2 in Italy though not a sequel) is a late 1970s horror classic featuring an island-based undead outbreak that threatens to expand into New York City and beyond -- a classic zombies-eating-a-lot-of-humans flick that's perfect for a 3 a.m. watch. Don't miss the underwater battle between tiger shark and zombie. See at Tubi Toho Co., Ltd./Screenshot by CNET Ringu This English-language remake of the Japanese horror classic follows a reporter investigating a cursed videotape that leads to the viewer's death seven days later. But culturally, it's much more than that, having been influential in popularizing J-horror around the globe, including the American version The Ring, which had its own unique phenomenon. See at Tubi United Artists Jeepers Creepers When siblings Trish (Gina Philips) and Darry (Justin Long) take a road trip through the countryside, they stumble upon a mysterious figure dumping something into a tunnel. Curiosity turns to horror when they uncover evidence of a monstrous secret buried beneath the surface. Hunted by an ancient creature that awakens every 23 years to feed, the two must find a way to escape before they become its next meal. See at Tubitv Freestyle Releasing The Collector When ex-con Arkin (Josh Stewart) breaks into a wealthy family's home to steal a valuable gem, he thinks he's pulled off the perfect heist. But someone else got there first: a masked killer with a house full of deadly traps. As Arkin realizes he's trapped inside with the family and the sadistic intruder, his robbery turns into a terrifying fight for survival. See at Tubitv MGM The Poughkeepsie Tapes When a stash of videotapes are discovered in an abandoned house in Poughkeepsie, New York, the footage reveals the decades-long reign of terror by a sadistic serial killer. Through interviews, police evidence, and the killer's own recordings, investigators piece together the horrifying extent of his crimes. But with the suspect still at large, the tapes raise more questions than answers. See at Tubitv A24 Hereditary After her mother's death, Annie Graham (Toni Collette) and her family begin to experience disturbing and unexplained events. As the activity begins to escalate, Annie's daughter starts behaving oddly, her son is traumatized, and Annie struggles to hold everything together. But as things grow more dangerous, she realizes their family may be caught in something far more sinister than grief. See at Tubitv British Lion Films Wicker Man Sergeant Neil Howie visits the island of Summerisle to investigate the disappearance of a young girl. But when he gets there, he discovers the islanders have a sinister secret behind their paganistic rituals. As he delves deeper, he finds himself tangled up in their wicked ways, leading to a shocking climax that's been copied and parodied many times since. See at Tubi New World Pictures Saturday the 14th In this classic horror parody, the Hyatt family inherits a house with a cursed book and soon meets a string of monsters and other various creatures. A vampire named Waldemar and the sinister Van Helsing are a few of the colorful characters the family encounters as they banter with the ghosts and demons of their new home. See at Tubi Artisan Entertainment The Ninth Gate An antique book dealer (Johnny Depp) and creepy collector (Frank Lagella) square off in this tense horror/thriller about a tome that supposedly summons the devil. Using a classic film noir style, the film slowly draws Depp into a broader mystery, while the understated action gradually builds to a fiery climax at the gates of hell. See at Tubi Pathé Distribution The Descent When a group of friends reunites for a cave-diving adventure in the Appalachian Mountains, their trip quickly turns into a nightmare. Trapped underground after a collapse, the women soon realize they're not alone in the darkness. As they search for a way out, they're hunted by something lurking in the tunnels. They have no light, no way out, and soon, they start to lose hope, too. See at Tubitv IMDB Hush Maddie, a deaf and mute writer living alone, finds herself trapped in a deadly game of cat and mouse when a masked killer decides to make her his prey. Unable to hear his movements or call for help, she must figure out a way to outmaneuver him and potentially turn the tables on him during this terrifying ordeal. See at Tubitv