Lighting up: Vivid pays tribute to radical queer artist
The Sydney Opera House sails are being illuminated with an animated tribute to the life and work of Australian artist David McDiarmid, as part of the annual Vivid festival.
The seven-minute animation titled Kiss of Light marks 30 years since McDiarmid's death from AIDS-related illnesses in 1995.
Through his lurid combination of camp and punk, the artist and queer activist helped pioneer a distinctly Sydney queer aesthetic.
McDiarmid's designs became influential during the AIDS epidemic during the 1980s and 1990s, when he made posters promoting safe sex and events such as Mardi Gras.
The animation by creative technologists VANDAL highlights his most well-known works, such as the Rainbow Aphorisms series, as well as his Bedsheet Paintings and Disco Kwilts.
Friend and co-curator of Kiss of Light, Dr Sally Gray said she had long hoped the artist's work would be shown prominently in Sydney.
"David often expressed a hope that his work would speak to future generations," she said.
"Kiss of Light ensures that his work and his political vision of joy, hope and human dignity for all is shared with millions."
The electronic duo Stereogamous (Paul Mac and Jonny Seymour) provide a soundtrack for the projection.
Most of the Vivid festival program is free, including a light walk that connects five zones of events around the city.
A music program will include more than 100 live performances, with free shows at Tumbalong Park each night of the festival.
The NSW government has also extended Sunday trading hours until midnight for many venues in and around the city centre.
More than 2.5 million people attended the 2024 festival, generating more than $180 million for the state's economy.
Kiss of Light runs each night of Vivid Sydney from 6pm Friday until June 14.
Lifeline 13 11 14
Fullstop Australia 1800 385 578
The Sydney Opera House sails are being illuminated with an animated tribute to the life and work of Australian artist David McDiarmid, as part of the annual Vivid festival.
The seven-minute animation titled Kiss of Light marks 30 years since McDiarmid's death from AIDS-related illnesses in 1995.
Through his lurid combination of camp and punk, the artist and queer activist helped pioneer a distinctly Sydney queer aesthetic.
McDiarmid's designs became influential during the AIDS epidemic during the 1980s and 1990s, when he made posters promoting safe sex and events such as Mardi Gras.
The animation by creative technologists VANDAL highlights his most well-known works, such as the Rainbow Aphorisms series, as well as his Bedsheet Paintings and Disco Kwilts.
Friend and co-curator of Kiss of Light, Dr Sally Gray said she had long hoped the artist's work would be shown prominently in Sydney.
"David often expressed a hope that his work would speak to future generations," she said.
"Kiss of Light ensures that his work and his political vision of joy, hope and human dignity for all is shared with millions."
The electronic duo Stereogamous (Paul Mac and Jonny Seymour) provide a soundtrack for the projection.
Most of the Vivid festival program is free, including a light walk that connects five zones of events around the city.
A music program will include more than 100 live performances, with free shows at Tumbalong Park each night of the festival.
The NSW government has also extended Sunday trading hours until midnight for many venues in and around the city centre.
More than 2.5 million people attended the 2024 festival, generating more than $180 million for the state's economy.
Kiss of Light runs each night of Vivid Sydney from 6pm Friday until June 14.
Lifeline 13 11 14
Fullstop Australia 1800 385 578
The Sydney Opera House sails are being illuminated with an animated tribute to the life and work of Australian artist David McDiarmid, as part of the annual Vivid festival.
The seven-minute animation titled Kiss of Light marks 30 years since McDiarmid's death from AIDS-related illnesses in 1995.
Through his lurid combination of camp and punk, the artist and queer activist helped pioneer a distinctly Sydney queer aesthetic.
McDiarmid's designs became influential during the AIDS epidemic during the 1980s and 1990s, when he made posters promoting safe sex and events such as Mardi Gras.
The animation by creative technologists VANDAL highlights his most well-known works, such as the Rainbow Aphorisms series, as well as his Bedsheet Paintings and Disco Kwilts.
Friend and co-curator of Kiss of Light, Dr Sally Gray said she had long hoped the artist's work would be shown prominently in Sydney.
"David often expressed a hope that his work would speak to future generations," she said.
"Kiss of Light ensures that his work and his political vision of joy, hope and human dignity for all is shared with millions."
The electronic duo Stereogamous (Paul Mac and Jonny Seymour) provide a soundtrack for the projection.
Most of the Vivid festival program is free, including a light walk that connects five zones of events around the city.
A music program will include more than 100 live performances, with free shows at Tumbalong Park each night of the festival.
The NSW government has also extended Sunday trading hours until midnight for many venues in and around the city centre.
More than 2.5 million people attended the 2024 festival, generating more than $180 million for the state's economy.
Kiss of Light runs each night of Vivid Sydney from 6pm Friday until June 14.
Lifeline 13 11 14
Fullstop Australia 1800 385 578
The Sydney Opera House sails are being illuminated with an animated tribute to the life and work of Australian artist David McDiarmid, as part of the annual Vivid festival.
The seven-minute animation titled Kiss of Light marks 30 years since McDiarmid's death from AIDS-related illnesses in 1995.
Through his lurid combination of camp and punk, the artist and queer activist helped pioneer a distinctly Sydney queer aesthetic.
McDiarmid's designs became influential during the AIDS epidemic during the 1980s and 1990s, when he made posters promoting safe sex and events such as Mardi Gras.
The animation by creative technologists VANDAL highlights his most well-known works, such as the Rainbow Aphorisms series, as well as his Bedsheet Paintings and Disco Kwilts.
Friend and co-curator of Kiss of Light, Dr Sally Gray said she had long hoped the artist's work would be shown prominently in Sydney.
"David often expressed a hope that his work would speak to future generations," she said.
"Kiss of Light ensures that his work and his political vision of joy, hope and human dignity for all is shared with millions."
The electronic duo Stereogamous (Paul Mac and Jonny Seymour) provide a soundtrack for the projection.
Most of the Vivid festival program is free, including a light walk that connects five zones of events around the city.
A music program will include more than 100 live performances, with free shows at Tumbalong Park each night of the festival.
The NSW government has also extended Sunday trading hours until midnight for many venues in and around the city centre.
More than 2.5 million people attended the 2024 festival, generating more than $180 million for the state's economy.
Kiss of Light runs each night of Vivid Sydney from 6pm Friday until June 14.
Lifeline 13 11 14
Fullstop Australia 1800 385 578
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While 71 per cent of listeners love to hear Australian tunes, and two thirds want to hear more, only one in three music fans make an effort to seek out new Australian music. It's a big contradiction revealed in landmark research by Music Australia, the federal government's music development and funding body. A massive 98 per cent of local listeners discover musicians via streaming, but more than half (51 per cent) don't think about whether an artist is Australian when they are looking for new tunes. Of the top 10,000 artists streamed in Australia during 2024, just eight per cent were Australian, while more than half were from the US, according to entertainment analytics firm Luminate. It seems the sheer convenience of personalised playlists delivered via an algorithm might be stopping music fans discovering Australian artists - and that's a problem for musicians like Sara Storer. The ARIA-award winning country musician is releasing her eighth solo album titled Worth Your Love, and says the music industry has completely transformed since her first release back in 2001. "For a young person, especially a young Aussie artist trying to get out there, I'd be terrified. Where do you start?" she said. Despite building an inter-generational audience over decades, the Darwin-based musician can no longer rely on album sales, and even solid streaming figures don't add up to a viable income. "There's no income from streaming. It looks good on paper and you think, well, I should be making a few bucks, but you don't see anything," said Storer. "All my money is made through live performance. I rely heavily on ticket sales, which is like a roller coaster." The contradiction between listener sentiment and behaviour could be the basis of a campaign for actively discovering local music - a bit like the 'Life. Be in it' health campaign of the 1980s - suggested Music Australia director Millie Millgate. "We can remind Australian audiences what these bands are doing overseas and encourage them not to miss out - like, don't miss out on your own party," said Millgate. "There's no one single bullet, but if audiences can be mobilised to do their part and really seek out Australian new music, it would go an incredible way." And the Music Australia research suggests we could potentially Aussify Spotify: listeners like the idea of a dedicated Australian music streamer, with 42 per cent saying it's something they would pay for. Melbourne rock band Amyl and the Sniffers are one act making it big on the global stage, and when the band appeared on The Tonight Show with Jimmy Fallon recently, singer Amy Taylor's top was made from two classic Aussie thongs. It's a big effort to demonstrate a sense of national pride - but it seems many Aussie musos are actually getting more love overseas, with more than 80 per cent of royalties for local musicians coming from international listeners in 2024, according to figures from Spotify. The research also found radio still plays a role. A quarter of music fans still tune in to discover new music, with ABC station triple j a popular source. An economic snapshot of the local sector showing a direct contribution of almost $3 billion to the national economy was part of three industry research reports released on Thursday. Aussie music lovers feel a sense of pride when they hear Australian music, but their playlists are actually dominated by pop from the US and Britain. While 71 per cent of listeners love to hear Australian tunes, and two thirds want to hear more, only one in three music fans make an effort to seek out new Australian music. It's a big contradiction revealed in landmark research by Music Australia, the federal government's music development and funding body. A massive 98 per cent of local listeners discover musicians via streaming, but more than half (51 per cent) don't think about whether an artist is Australian when they are looking for new tunes. Of the top 10,000 artists streamed in Australia during 2024, just eight per cent were Australian, while more than half were from the US, according to entertainment analytics firm Luminate. It seems the sheer convenience of personalised playlists delivered via an algorithm might be stopping music fans discovering Australian artists - and that's a problem for musicians like Sara Storer. The ARIA-award winning country musician is releasing her eighth solo album titled Worth Your Love, and says the music industry has completely transformed since her first release back in 2001. "For a young person, especially a young Aussie artist trying to get out there, I'd be terrified. Where do you start?" she said. Despite building an inter-generational audience over decades, the Darwin-based musician can no longer rely on album sales, and even solid streaming figures don't add up to a viable income. "There's no income from streaming. It looks good on paper and you think, well, I should be making a few bucks, but you don't see anything," said Storer. "All my money is made through live performance. I rely heavily on ticket sales, which is like a roller coaster." The contradiction between listener sentiment and behaviour could be the basis of a campaign for actively discovering local music - a bit like the 'Life. Be in it' health campaign of the 1980s - suggested Music Australia director Millie Millgate. "We can remind Australian audiences what these bands are doing overseas and encourage them not to miss out - like, don't miss out on your own party," said Millgate. "There's no one single bullet, but if audiences can be mobilised to do their part and really seek out Australian new music, it would go an incredible way." And the Music Australia research suggests we could potentially Aussify Spotify: listeners like the idea of a dedicated Australian music streamer, with 42 per cent saying it's something they would pay for. Melbourne rock band Amyl and the Sniffers are one act making it big on the global stage, and when the band appeared on The Tonight Show with Jimmy Fallon recently, singer Amy Taylor's top was made from two classic Aussie thongs. It's a big effort to demonstrate a sense of national pride - but it seems many Aussie musos are actually getting more love overseas, with more than 80 per cent of royalties for local musicians coming from international listeners in 2024, according to figures from Spotify. The research also found radio still plays a role. A quarter of music fans still tune in to discover new music, with ABC station triple j a popular source. An economic snapshot of the local sector showing a direct contribution of almost $3 billion to the national economy was part of three industry research reports released on Thursday. Aussie music lovers feel a sense of pride when they hear Australian music, but their playlists are actually dominated by pop from the US and Britain. While 71 per cent of listeners love to hear Australian tunes, and two thirds want to hear more, only one in three music fans make an effort to seek out new Australian music. It's a big contradiction revealed in landmark research by Music Australia, the federal government's music development and funding body. A massive 98 per cent of local listeners discover musicians via streaming, but more than half (51 per cent) don't think about whether an artist is Australian when they are looking for new tunes. Of the top 10,000 artists streamed in Australia during 2024, just eight per cent were Australian, while more than half were from the US, according to entertainment analytics firm Luminate. It seems the sheer convenience of personalised playlists delivered via an algorithm might be stopping music fans discovering Australian artists - and that's a problem for musicians like Sara Storer. The ARIA-award winning country musician is releasing her eighth solo album titled Worth Your Love, and says the music industry has completely transformed since her first release back in 2001. "For a young person, especially a young Aussie artist trying to get out there, I'd be terrified. Where do you start?" she said. Despite building an inter-generational audience over decades, the Darwin-based musician can no longer rely on album sales, and even solid streaming figures don't add up to a viable income. "There's no income from streaming. It looks good on paper and you think, well, I should be making a few bucks, but you don't see anything," said Storer. "All my money is made through live performance. I rely heavily on ticket sales, which is like a roller coaster." The contradiction between listener sentiment and behaviour could be the basis of a campaign for actively discovering local music - a bit like the 'Life. Be in it' health campaign of the 1980s - suggested Music Australia director Millie Millgate. "We can remind Australian audiences what these bands are doing overseas and encourage them not to miss out - like, don't miss out on your own party," said Millgate. "There's no one single bullet, but if audiences can be mobilised to do their part and really seek out Australian new music, it would go an incredible way." And the Music Australia research suggests we could potentially Aussify Spotify: listeners like the idea of a dedicated Australian music streamer, with 42 per cent saying it's something they would pay for. Melbourne rock band Amyl and the Sniffers are one act making it big on the global stage, and when the band appeared on The Tonight Show with Jimmy Fallon recently, singer Amy Taylor's top was made from two classic Aussie thongs. It's a big effort to demonstrate a sense of national pride - but it seems many Aussie musos are actually getting more love overseas, with more than 80 per cent of royalties for local musicians coming from international listeners in 2024, according to figures from Spotify. The research also found radio still plays a role. A quarter of music fans still tune in to discover new music, with ABC station triple j a popular source. An economic snapshot of the local sector showing a direct contribution of almost $3 billion to the national economy was part of three industry research reports released on Thursday.
