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Chad Cohen Tapped as Executive Producer of Development and Production at HHMI Tangled Bank Studios (EXCLUSIVE)

Chad Cohen Tapped as Executive Producer of Development and Production at HHMI Tangled Bank Studios (EXCLUSIVE)

Yahoo19 hours ago

Science-focused production company HHMI Tangled Bank Studios has announced that Emmy Award-winning producer, writer, director, and showrunner Chad Cohen has been tapped as executive producer of development and production.
In this new position, Cohen will lead development and supervise the production of genre-defining science media that fulfills the public engagement and science education mission of HHMI Tangled Bank Studios. Cohen will work across multiple platforms, overseeing content for shorts, documentaries, series, podcasts, games and social media.
'Our mandate is to raise the understanding of, appreciation for, and trust in science – something I've focused on my entire career – and I'm excited to continue that work with Jared and the incredible team at HHMI Tangled Bank Studios,' said Cohen. 'We have a unique opportunity to partner with the best storytellers in the business to tell inspiring and innovative science stories and meet audiences wherever they are on new and existing platforms.
'Chad's enthusiasm for science is palpable and he doesn't shy away from complicated science topics,' expressed Jared Lipworth, head of HHMI Tangled Bank Studios. 'We're thrilled to bring his creativity, knowledge and passion for science to the studio as we tell stories about cutting-edge scientific advances and help audiences understand how basic research translates into real world applications.'
Prior to joining HHMI, Cohen served as an executive producer for National Geographic, where he oversaw unscripted series and specials for Disney+, Hulu, and the National Geographic Channel, such as the multi-Emmy winning 'Trafficked with Mariana van Zeller' and films like 'Titanic: The Digital Resurrection' and 'Expedition Amazon.' In addition to his work at National Geographic, Cohen has worked with brands such as PBS, Smithsonian and the Discovery Channel for over 20 years.
HHMI Tangled Bank Studios is a mission-driven impact studio dedicated to using the power of visual storytelling and innovative outreach to inspire curiosity about science. Recent films include Emmy-nominated 'Battle to Beat Malaria,' 'Race for the Vaccine,' 'Ending HIV in America,' and the Oscar-nominated 'All That Breathes,' which is the only film to win best documentary at both the Sundance and Cannes film festivals. To extend the reach and impact of each film, HHMI Tangled Bank Studios creates extensive educational and public outreach campaigns in partnership with other mission aligned organizations.
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Slick Rick returns after 26 years with 'Victory' album and proves hip-hop storytelling still reigns
Slick Rick returns after 26 years with 'Victory' album and proves hip-hop storytelling still reigns

San Francisco Chronicle​

timean hour ago

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Slick Rick returns after 26 years with 'Victory' album and proves hip-hop storytelling still reigns

LOS ANGELES (AP) — Hip-hop legend Slick Rick is proving his creative spark is far from fading. The English-born rapper — known for his signature eye patch and masterful storytelling — returned to the booth with his first new project in nearly three decades. He's reminding the world of his timeless rap prowess on his visual album, 'Victory,' released Friday. It marks Slick Rick's first album since 1999's 'The Art of Storytelling.' This new project is largely self-produced, with the rapper handling 95% of the production and sharing executive producer duties with Emmy-nominated actor and occasional rapper-DJ Idris Elba, who appears on the album alongside Nas, Giggs and Estelle. 'You was a young adult, then a middled aged man and now you're an older man, so my mentality has to grow with it,' said Slick Rick, known for his rap classic such as 'Children's Story,' 'La Di Da Di' with Doug E. Fresh and 'Mona Lisa.' His debut album, 'The Great Adventures of Slick Rick,' in 1988 hit No. 1 on the Billboard R&B/hip-hop charts. 'Victory' was four years in the making, with Slick Rick, now 60, writing and recording the album between his birthplace of London then France, while the visuals were filmed in the United States, United Kingdom and Africa. Slick Rick believes his voice still resonates in hip-hop. He said the subjects he tackles have grown with him. 'Can't always be children all the time,' he said. 'We grow and talk about things that interest us at this age.' In a recent interview, Slick Rick spoke with The Associated Press about how storytelling plays a role in today's rap, his relationship with Elba and how hip-hop has no limitations. Remarks have been edited for clarity and brevity. AP: How did you and Idris hook up? SLICK RICK: We met at a party and then we clicked. His people reached out to me, and they wanted to make an album. They flew me to England and France. I hung out with Idris at his cribs, and we just did what we do. We just had fun, And then when we was finished, we said, 'Yeah, we're ready to bring it to the marketplace.' AP: Did you ever feel hesitant stepping back into the spotlight, or did this album feel like destiny? SLICK RICK: It might've been a little hesitation, but you're just having fun. We just bringing it to the marketplace and see what happens. There's no pressure or nothing. We're bringing it to the people to see if they like it. Feed them. AP: When did you feel like this project was ready for public consumption? SLICK RICK: When we were in the studio with Idris doing our thing, I checked the reactions of people. But then I saw people in their happy place. Once I saw that, I'm good. I see him and his people's happy. A little dancing. Popped a little Moet. We were having a good time. AP: You blended hip-hop melodies with various sounds including reggae and house music. What was your vision behind this musical approach? SLICK RICK: It's what Black people like. We're not just hip-hop. We like reggae. We like house music. Let's say like the Beatles or Barry Manilow. We go all over the place. Dionne Warwick, Diana Ross. We go places. We try to entertain ourselves in different areas of existence. AP: What made you go the visual album route? SLICK RICK: It was saving time. People make songs and do videos anyway. So why not just speed this up real quick? Video and rap both at the same time. Boom, let's keep it moving. ... This is like watching a movie. You want to expand the picture. Not only do you hear my voice and the music, which is the essence. You get ... visual picture as well. AP: You produced the bulk of the album. Why did you decide to go that route instead of enlisting other producers? SLICK RICK: In my creative process, I need to have a lot of input or it's not going to be authentic Rick. Too many hands, it's not going to pop. So many hands is going to distort stuff. I do my own music most of the time. AP: What's the importance of rap storytelling in 2025? SLICK RICK: It's an open space. It hasn't been filled, the whole storytelling thing. Before it gets too lost back into braggadocios, one frequency. Expand your horizons. You don't always have to be rough. Be romantic. Be humorous. Be vulnerable. Go all over. Be a politician. Use your imagination. Go places, so we can take stories and give to our people's imagination.

Taylor Swift and Travis Kelce attend Game 4 of Stanley Cup Final between Panthers and Oilers
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Taylor Swift and Travis Kelce attend Game 4 of Stanley Cup Final between Panthers and Oilers

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Slick Rick returns after 26 years with 'Victory' album and proves hip-hop storytelling still reigns
Slick Rick returns after 26 years with 'Victory' album and proves hip-hop storytelling still reigns

Yahoo

timean hour ago

  • Yahoo

Slick Rick returns after 26 years with 'Victory' album and proves hip-hop storytelling still reigns

LOS ANGELES (AP) — Hip-hop legend Slick Rick is proving his creative spark is far from fading. The English-born rapper — known for his signature eye patch and masterful storytelling — returned to the booth with his first new project in nearly three decades. He's reminding the world of his timeless rap prowess on his visual album, 'Victory,' released Friday. It marks Slick Rick's first album since 1999's 'The Art of Storytelling.' This new project is largely self-produced, with the rapper handling 95% of the production and sharing executive producer duties with Emmy-nominated actor and occasional rapper-DJ Idris Elba, who appears on the album alongside Nas, Giggs and Estelle. 'You was a young adult, then a middled aged man and now you're an older man, so my mentality has to grow with it,' said Slick Rick, known for his rap classic such as 'Children's Story,' 'La Di Da Di' with Doug E. Fresh and 'Mona Lisa.' His debut album, 'The Great Adventures of Slick Rick,' in 1988 hit No. 1 on the Billboard R&B/hip-hop charts. 'Victory' was four years in the making, with Slick Rick, now 60, writing and recording the album between his birthplace of London then France, while the visuals were filmed in the United States, United Kingdom and Africa. Slick Rick believes his voice still resonates in hip-hop. He said the subjects he tackles have grown with him. 'Can't always be children all the time,' he said. 'We grow and talk about things that interest us at this age.' In a recent interview, Slick Rick spoke with The Associated Press about how storytelling plays a role in today's rap, his relationship with Elba and how hip-hop has no limitations. Remarks have been edited for clarity and brevity. AP: How did you and Idris hook up? SLICK RICK: We met at a party and then we clicked. His people reached out to me, and they wanted to make an album. They flew me to England and France. I hung out with Idris at his cribs, and we just did what we do. We just had fun, And then when we was finished, we said, 'Yeah, we're ready to bring it to the marketplace.' AP: Did you ever feel hesitant stepping back into the spotlight, or did this album feel like destiny? SLICK RICK: It might've been a little hesitation, but you're just having fun. We just bringing it to the marketplace and see what happens. There's no pressure or nothing. We're bringing it to the people to see if they like it. Feed them. AP: When did you feel like this project was ready for public consumption? SLICK RICK: When we were in the studio with Idris doing our thing, I checked the reactions of people. But then I saw people in their happy place. Once I saw that, I'm good. I see him and his people's happy. A little dancing. Popped a little Moet. We were having a good time. AP: You blended hip-hop melodies with various sounds including reggae and house music. What was your vision behind this musical approach? SLICK RICK: It's what Black people like. We're not just hip-hop. We like reggae. We like house music. Let's say like the Beatles or Barry Manilow. We go all over the place. Dionne Warwick, Diana Ross. We go places. We try to entertain ourselves in different areas of existence. AP: What made you go the visual album route? SLICK RICK: It was saving time. People make songs and do videos anyway. So why not just speed this up real quick? Video and rap both at the same time. Boom, let's keep it moving. ... This is like watching a movie. You want to expand the picture. Not only do you hear my voice and the music, which is the essence. You get ... visual picture as well. AP: You produced the bulk of the album. Why did you decide to go that route instead of enlisting other producers? SLICK RICK: In my creative process, I need to have a lot of input or it's not going to be authentic Rick. Too many hands, it's not going to pop. So many hands is going to distort stuff. I do my own music most of the time. AP: What's the importance of rap storytelling in 2025? SLICK RICK: It's an open space. It hasn't been filled, the whole storytelling thing. Before it gets too lost back into braggadocios, one frequency. Expand your horizons. You don't always have to be rough. Be romantic. Be humorous. Be vulnerable. Go all over. Be a politician. Use your imagination. Go places, so we can take stories and give to our people's imagination.

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