logo
Turnover XXV sets the scene for a cinematic shake-up

Turnover XXV sets the scene for a cinematic shake-up

Founded by actor-director Craig Conway, Turnover XXV will champion regional storytelling and open doors for Southeast Asian creatives through the Independent Film Production Partnership.
PETALING JAYA : A new indie film company from North East England has landed in Malaysia, bringing with it a suitcase full of drama, heart – and an ambitious mission to shake up the screen.
Drawn by the country's cultural richness and cinematic charm, Turnover XXV has chosen Malaysia as its creative home away from home, with a clear vision to tell stories that connect people.
Founded by actor-director Craig Conway and business strategist Amita Krishna, who serves as the company's chief commercial officer, the duo believe Malaysia is the perfect stage for their bold new act.
'Malaysia, culturally, is very diverse. There are a lot of people working together, coming together, and in the British independent scene for film, we need to attract more of that,' Conway told FMT.
The seeds of Turnover XXV were planted over four years ago, born out of a desire to rebuild the industry after Covid-19 hit.
'During the pandemic, the industry didn't know where they were going or how it was going to come through, so it was a perfect opportunity,' Conway said.
'Whenever there's a block or a wall, you have to find ways to either climb it, go around it, or knock it down and build a new one. Instead of walls, we're building bridges.'
Stories with heart
Turnover XXV is all about stories with heart: Conway says the company will shine a light on the human condition and overlooked voices.
'The North East of England has always had a strong working-class culture. Everybody always looked to London, the capital, the big city. But the North East represents many people who built that country.
'Malaysia is the same. There are a lot of people here who work very hard, but their voices aren't heard. Turnover XXV wants to enrich people's voices and look at how as a society, we can come together and tell stories that unite us.'
It's not just the stories that move him – it's Malaysians themselves.
'When I walk into a room or a hotel, Malaysians put their hand over their heart. That gesture says everything to me. That's the heart of Malaysia, and that's what we want to take back to North East England,' he said.
Turnover XXV is partnering with KL-based award-winning integrated creative agency Ampersand Advisory to launch a landmark collaboration that will champion regional storytelling, and open doors for Southeast Asian creatives through the Independent Film Production Partnership.
Together, Conway and Ampersand Advisory's CEO and co-founder, Sandeep Joseph, will co-develop projects, train emerging filmmakers, and build cross-border talent pipelines.
The company also has backing from UK business platform ISS Airview, which supports international creative ventures and helps smoothen the landing for new businesses.
(From left) Turnover XXV head of SEA partnerships Thomas Cherian Anneseri, Conway, and lead talent agent for Newtown Artist Management Andrea Davison, with Ampersand Advisory's Sandeep Joseph during their Malaysia visit.
Rethinking the rules
Turnover XXV is rewriting the script on how indie films get made, embracing new ideas, diverse voices, and fresh approaches to storytelling.
The name itself reflects a few things: a goal of five films a year for their first five years (adding up to 25), the idea of turning over a new leaf, and the industry term 'turnover' – the cue for cameras to start rolling.
What makes the company different is how it works. Inspired by Conway's background in theatre, they rehearse more and shoot less, ensuring every shoot is focused and efficient.
'The Hollywood system has long led the way. This is our time to disrupt the model that we've been told and sold for so long about how things should be done and how things should operate.'
He also called out the opacity in film finance, where investors are often left guessing. In contrast, Turnover XXV aims to bring openness to the forefront – not just in how films are financed and produced, but in how stories are developed and distributed.
'It's not just about how many people go to the cinema: it's about how we get those stories and that content to people, whether it be on your phone or your home screen,' he added.
Two-way street for investment, creativity
By anchoring themselves in the UK and Malaysia, Turnover XXV is creating a two-way street for creativity and investment. They are making the most of the UK's booming film tax credits and regional incentives, while creating a model that supports both inward investment to the UK and collaboration with Malaysia.
This partnership opens the door for Malaysian creatives and investors to gain exposure abroad, while sharing skills, stories, and opportunities across borders.
'There's nothing better than supporting, mentoring, and giving exposure to people, and allowing them to be heard in creative ways,' Conway said.
Turnover XXV's plans for 25 films in its first five years include exploring genres from comedy to supernatural thrillers and, yes, horror. To that end, they are cooking up a major international co-production with renowned genre director Neil Marshall ('Hellboy', 'The Descent', 'Dog Soldiers').
'It will bring together talent both in front of and behind the camera, featuring a great mix of UK, international, and Malaysian stars all working side by side,' he concluded.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Multi-platinum singer Maher Zain returns to Malaysia with two shows in August — but first, a BM refresher
Multi-platinum singer Maher Zain returns to Malaysia with two shows in August — but first, a BM refresher

Malay Mail

time21 minutes ago

  • Malay Mail

Multi-platinum singer Maher Zain returns to Malaysia with two shows in August — but first, a BM refresher

KUALA LUMPUR, June 12 — Swedish-Lebanese Islamic singer Maher Zain has expressed his excitement about returning to Malaysia for not just one, but two shows as part of his 2025 South-east Asia Tour. It has been six years since his last tour around Malaysia in 2019, when tickets sold out across four cities within minutes. Known for his uplifting music and messages of hope, unity, and faith, Maher will serenade fans this August 16 at the National Hockey Stadium in Bukit Jalil, followed by another show on August 23 at Universiti Malaysia Sabah Chancellor's Hall in Kota Kinabalu. Before the Sabah concert, the multi-platinum artist will also perform at The Star Theatre in Singapore on August 21. Return to Malaysia Speaking to local media via an online session during his South-east Asia Tour press conference yesterday, Maher shared his excitement about returning to Malaysia — a country he described as an 'exceptionally important chapter' in his career. Malaysia was among the first countries to embrace him and his music — so much so that his 2009 debut album Thank You Allah went multi-platinum in both Malaysia and Indonesia. 'I'm so happy and I'm so excited because Malaysia is always very special and dear to my heart. 'Since the beginning actually. 'It is always a pleasure to feel welcomed whenever I come to Malaysia for sure,' Maher said. With just two months before his return, the 43-year-old also mentioned that he needs to start practising his Bahasa Malaysia (BM). 'Please don't ask me to sing or speak in BM right now because I need to work on it a little bit. I need to refresh my memory,' he joked during the press conference. Over the course of his career, Maher has released an extensive discography, which includes several hit songs in BM, such as Insha Allah, Sepanjang Hidupku (For the Rest of My Life) and Ku MilikMu. Using his platform to voice out Maher, who believes music can bring people closer together, is also using his platform to speak up about the plight of Palestinians — a theme he frequently includes in his concerts. 'I always try to use my platform to speak and to raise awareness. 'We cannot forget — it's very easy to just, like, move on (from the issues), we can just turn off our phones but our brothers and sisters in Palestine, they cannot just turn off their phones and go about with their lives. 'It's the least we can do and I'm doing it in my own ways and I urge everyone, the media, writers, content creators, whoever, to keep spreading the word and speak up on what's going on there,' Maher said. He added that it's sometimes difficult for him to perform his songs of solidarity for Palestine live, as they often remind him of the situation there. Aside from his BM and solidarity songs, Maher will also perform some of his latest singles during his Malaysia shows, including Qalbi Fil Madinah, Maly Siwak, and Rahmatun Lil'Alameen. Tickets for Maher Zain's Malaysia shows are priced from RM158. They will go on sale today from 12pm for pre-registered buyers, while public sales will begin on June 13 from 12pm onwards. For more information on Maher Zain's South-east Asia Tour, visit

Into the belly of The Gathering Beast: Brilliant, sometimes bizarre ‘Chinese fusion' cooking in Aman Suria
Into the belly of The Gathering Beast: Brilliant, sometimes bizarre ‘Chinese fusion' cooking in Aman Suria

Malay Mail

time40 minutes ago

  • Malay Mail

Into the belly of The Gathering Beast: Brilliant, sometimes bizarre ‘Chinese fusion' cooking in Aman Suria

PETALING JAYA, June 12 — The Gathering Beast, set loose on Aman Suria barely a month ago, is unlike anything else in the neighbourhood in more ways than one. For one, its sweeping exposed-brick facade, towering glass windows and abundance of potted plants make it look more like a chic downtown darling than a self-styled 'Chinese-fusion' restaurant in the suburbs. The facade of the restaurant. — Picture by Ethan Lau Inside, antique earthenware, ornate figurines and calligraphy on the walls all work to exude Chinese tradition, right down to the choice of round tables only, with Lazy Susans on the larger ones. But it can also be very untraditional. The open kitchen, with its loud, crashing woks and roaring jet engine-stoves, bellows at the dining room in a way never seen in a 'traditional' Chinese restaurant at this level. Maybe at a dai chow, but no self-respecting banquet restaurant would ever let anyone hear the kitchen. The result is a buzz, an energy that belies the restaurant's surprisingly small capacity. Inside the main dining room. — Picture by Ethan Lau Then there's the food. Despite the menu's emphasis on shareable dishes, some feel more suited to the centre of a tiny table with multiple glasses of wine than sitting comically small on a wide Lazy Susan. One of three cold starters, the Red Cabbage and Arugula Salad (RM28) sports unbelievably crisp, fresh leaves of red cabbage tossed in a balsamic vinaigrette with arugula and toasted pumpkin seeds. Their nutty, toasted character complements the wholly unexpected addition of strawberry compote, a sweet flourish in an otherwise sharp and bracing dish. Truth be told, I wasn't expecting to like this. The prospect of a compote that was either puckery or cloying didn't exactly fill me with anticipation. But the balance of sweet and sour was perfect. Strawberries and red cabbage? It works. — Picture by Ethan Lau Dry-aged Sashimi (RM58) is another cold starter that bears little resemblance to anything Chinese, swapping wasabi and shoyu for an aioli made with a proprietary garam masala blend and a burnt leek soy sauce, served over slices of firm, clean-tasting red emperor fish. The warm, floral character of coriander seed burst through the aioli, leaving a peculiar taste in the mouth that was surprisingly pleasant. Dry aged sashimi with 'garam masala' aioli, one of the more unique flavour profiles. — Picture by Ethan Lau Fried Tofu (RM22) is a subdued riff on Taiwanese fried stinky tofu, getting all its funk from a healthy squirt of blue cheese dressing, offset by some pickled shallots. It's a playful introduction to the possibilities of stinky food, with the sharpness of blue cheese but none of the bitterness of stinky tofu. It is in the larger proteins that The Gathering Beast really shows its claws, none more so than the Beef Three Kingdom (RM56). Three types of beef offal, tripe, tendon and cheek, are wok fried in a sort of gong bou style with cashew nuts, dried chillies and green onions. Beef Three Kingdom was the best dish of the night. — Picture by Ethan Lau These are then fused together with balsamic vinegar and, most interestingly, celeriac. Tender slices of the root join a few dollops of celeriac purée, its mild celery-like flavour and gentle sweetness recalling the kind of mash where celeriac is often used instead of potato in European-style beef stews, now showing its value here. Unlike at most conventional Chinese restaurants, where main dishes are often designed to go with rice, much of the menu here is not built with that in mind. But this dish is an exception. It would be a dream to eat with a bowl of hot rice. But like most conventional Chinese meals, especially when dining in a group, fish is a must. Instead of the usual steamed preparation, the menu offers a grilled fish of the day (RM108), which on that night was a whole Malabar red snapper. The fish arrives splayed out on a bed of peppercorn sauce, deliberately kept lighter than the rich, heavy au poivre typically served with steak, leaning instead on the fruity, spicy notes of the peppercorns. The skin is blistered and charred in a few spots, the flesh moist and succulent. On top are a few blobs of caramelised soy aioli and a generous scattering of dill, whose citrus-liquorice profile plays naturally well with the fish. Definitely not one to go with rice, but fret not. 'Ying yong', but make it with 'kuey teow'. — Picture by Ethan Lau Like any proper Chinese meal, closing out with carbs is the way to go here, and the golden fried kuey teow (RM78) is more than up to the task. The noodles are deep-fried and submerged in a rich fish broth, mimicking the crispy and saucy textural contrast of Cantonese-style ying yong noodles. But here, the kuey teow is lighter and dissolves in the mouth rather than giving you something to crunch through, and the broth is intense and thick, with no egg in sight. Enjoyed with green chilli or vinegar, it is a wholly unique preparation of fried kuey teow I have not had elsewhere, and one that feels entirely in step with the restaurant's 'Chinese-fusion' label. Black sesame cake with 'crème Chantilly' on the side. — Picture by Ethan Lau Of the three desserts, only one impressed: a simple-looking slice of black sesame cake (RM18), a butter cake flavoured with black sesame and lightly caramelised in the pan, served with crème Chantilly. But it had been an impressive meal overall, with interesting and creative dishes, some clearly Chinese, others with Japanese, Indian or French inflections, but most importantly, executed with confidence. When 'fusion' restaurants open, no matter how vague that term is, we seem not only to cut more slack, but sometimes even to celebrate them for folding local flavours, ingredients and techniques into something recognisably foreign. Local seafood or herbs in a French or Japanese restaurant? How innovative, how creative! But flip it the other way, and the reception is rarely as generous. Why is that? The Gathering Beast 29A-G, Jalan PJU 1/43, Aman Suria, Petaling Jaya. Open Wednesday to Monday, 5.30pm-12am. Open from 4.30pm on Friday to Sunday. Tel: 010-246 3191 Facebook: The Gathering Beast Instagram: @ * This is an independent review where the writer paid for the meal. * Follow us on Instagram @eatdrinkmm for more food gems. * Follow Ethan Lau on Instagram @eatenlau for more musings on food and mildly self-deprecating attempts at humour.

Nostalgia meets new thrills as Ipoh's Yik Fong Complex draws crowds with retro arcade revival
Nostalgia meets new thrills as Ipoh's Yik Fong Complex draws crowds with retro arcade revival

Malay Mail

time3 hours ago

  • Malay Mail

Nostalgia meets new thrills as Ipoh's Yik Fong Complex draws crowds with retro arcade revival

IPOH, June 12 — While many new malls across Malaysia struggle to attract visitors, Ipoh's Yik Fong Complex is enjoying a nostalgic revival, thanks to the return of retro arcade games that are pulling in a younger crowd. Opened in 1983, Yik Fong Complex has outlasted several iconic shopping landmarks in Ipoh, including Super Kinta, Emporium Perak, Crescendo, and the Yau Tet Shin Bazaar. However, the rise of modern malls like Ipoh Parade and Aeon Mall saw the complex's popularity wane among locals. In recent years, Yik Fong has been informally dubbed 'Plaza Low Yat Ipoh' due to its reputation as a hub for electronics and IT products. This niche attracted mostly foreign customers with its competitive prices. But the December 2023 launch of the Yik Fong Theme Park, a family entertainment centre, has sparked a resurgence of interest among locals, particularly younger visitors and families. Visitors enjoying table tennis at the Yik Fong Theme Park in Ipoh, a favourite activity among older patrons. — Picture by John Bunyan A new crowd drawn by nostalgia and excitement T Thivayapriya, 25, a staff member at the theme park, noted the shift in the complex's foot traffic. 'We've seen more locals coming in, especially during holidays and weekends,' she told Malay Mail. 'Most of them are teenagers who come with friends, but we're also seeing more families bringing their children.' The theme park features over 50 arcade games, ranging from traditional setups to modern experiences. 'We have coin-operated machines, pinball, video games like racing, shooting, and fighting games, water arcade games, and many classic arcade setups. 'There are also virtual reality (VR) games, X Jump trampolines, laser tag, and even a 7D movie world theatre. For the VR and 7D experiences, customers feel like they're part of the game or movie,' Thivayapriya explained. Fun for all ages A dedicated section offers arcade games tailored for children aged 12 and below, while a go-kart circuit, complete with indoor and outdoor tracks, has become a major attraction. 'There are different kart options, including Kids Kart, Junior Kart, Junior Kart Plus, Mini Kart, and Drift Kart,' Thivayapriya said. Both the VR and go-kart experiences come with package deals offering discounted rates for families and groups of friends. Arcade games are priced between RM1 and RM10, go-kart rides range from RM20 to RM45, and VR games are available from RM20 to RM60. Package deals start at RM79. The revival of Yik Fong Complex reflects how a mix of nostalgia and modern entertainment can breathe new life into long-standing landmarks, reconnecting them with the local community.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into the world of global news and events? Download our app today from your preferred app store and start exploring.
app-storeplay-store